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Gastronomi dalam Cerita Rakyat Ainu Jepang Sari, Ida Ayu Laksmita; Putra, I Nyoman Darma; Yuliani Giri, Ni Luh Kade
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.1205

ABSTRACTThis article analyzes the gastronomic aspects of the Ainu folklore in Japan. Gastronomic aspects examinedinclude how Ainu folklore narrates how they collect and cook food materials, how they consume, andwhat cultural values are attached to both the process of food production and consumption. The studyapplied library research and the object of analysis were selectively chosen from Ainu Mukashi Banashi’sbook: Hitotsubu no Satchiporo (2012), an anthology of Ainu folklore edited by Kayano Shigeru. Thestories chosen analyzed by the literary anthropology theory. The results show that the Ainu folklorecontains narratives about how people collect food, cook, and consume them. The study of the gastronomicnarratives of Ainu folklore presents a novelty that folklore not only contains a moral message for characterformation but is also a medium for preserving and continuing food and culinary culture across time andgenerations.Keywords: Ainu folktale, literary gastronomy, traditional food of Ainu JapanABSTRAKArtikel ini menganalisis aspek gastronomi dari cerita rakyat Ainu Jepang. Aspek gastronomiyang dikaji meliputi bagaimana cerita rakyat Ainu menceritakan cara mereka mengumpulkandan memasak bahan makanan, bagaimana mereka mengonsumsi, dan nilai-nilai budaya apayang melekat pada proses produksi dan konsumsi makanan. Penelitian dilakukan dengan risetperpustakaan dan objek kajian dipilih secara selektif dari buku Ainu Mukashi Banashi: Hitotsubuno Satchiporo (2012), sebuah antologi cerita rakyat Ainu dengan editor Kayano Shigeru. Datadianalisis dengan teori antropologi sastra. Hasil penelitian menunjukkan bahwa cerita rakyatAinu mengandung narasi tentang cara masyarakat mengumpulkan bahan makanan, memasak,dan mengkonsumsinya. Studi tentang narasi gastronomi cerita rakyat Ainu menyajikan halbaru bahwa cerita rakyat tidak saja mengandung pesan moral untuk pembentukan karaktertetapi juga menjadi media untuk melestarikan dan meneruskan budaya makanan dan kulinerlintas waktu dan generasi.Kata Kunci: cerita rakyat Ainu, gastronomi sastra, makanan tradisional Ainu Jepang

MAKHLUK MITOLOGI MENGHALAU PANDEMI: KAJIAN SEMIOTIKA BUKU ILUSTRASI MINNA NO AMABIE Sari, Ida Ayu Laksmita
PANGGUNG Vol 32 No 1 (2022): Varian Model Proses Kreatif dalam Cipta Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i1.1758

Penelitian ini menganalisis ilustrasi makhluk mitologi yang dipercaya oleh masyarakat Jepang dapat menghalau pandemi. Mahkluk mitologi yang bernama amabie ini merupakan warisan dalam sistem kepercayaan Jepang sejak dulu, namun menjadi trending topik sosial media terutama di twitter di tengah-tengah merebaknya pandemi Covid-19. Data diambil dari buku Ilustrasi Minna no Amabie (Amabie Kita Semua) memuat 87 karya yang dibagi menjadi 3 bagian, yaitu 1) ilustrasi dari komikus terkenal, 2) ilustrasi berbentuk patung dan kerajinan lainnya, dan 3) ilustrasi gambar atau lukisan. Penelitian ini bertujuan mengungkap fenomena kepopuleran amabie di tengah pandemi serta alasan di balik pembuatan karya ilustrasi tersebut. Data dianalisis dengan teori semiotika dan resepsi. Hasil analisis mengungkapkan bahwa sebagian besar pembuat karya ingin menyampaikan pesan bahwa amabie adalah simbol kekuatan agar masyarakat bersama-sama memerangi pandemi Covid-19 dan berharap pandemi ini dapat segera berakhir. Kata kunci: amabie, ilustrasi, pandemi Covid-19

IDENTITAS LINTAS BUDAYA: PUISI HAIKU JEPANG BERBAHASA BALI Putra, I Nyoman Darma; Pidada, Ida Bagus Jelantik Sutanegara; Sari, Ida Ayu Laksmita
PANGGUNG Vol 33 No 2 (2023): Ideologi, Identitas, dan Kontekstualitas Seni Budaya Media
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i2.2334

The development of Indonesian and regional literature in the Archipelago is not only determined by internal conditions but also by external influences. Several years ago in Bali, an anthology of haiku in Balinese was published, which was clearly influenced by the form of haiku, traditional Japanese poetry. This article analyzes Balinese haiku collected in two anthologies, namely Bikul (Mouse, 2014) and Bubu (Fishtrapped, 2015), both by I Ketut Aryawan Kenceng. By applying a qualitative approach, this research data was collected through literature studies and interviews with poets and observers of modern literature in the Balinese language. The data were analyzed using structuralism and semiotic approaches. The results of the study show that Balinese haiku provides a cross-cultural identity (Japanese and Balinese) for modern Balinese literature. The results of this study contribute to our efforts to understand that this hybrid poem strengthens the opinion of scholars who say that Bali is an open fortress, meaning that it remains open to accepting outside influences but firmly maintains its artistic and cultural identity.Keywords: modern Balinese literature, Balinese language, haiku, cross-cultural identity, Japan

MASKULINITAS TOKOH TARŌ DALAM MUKASHI BANASHI Ida Ayu Laksmita Sari
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v28i1.13.15-24

Penelitian ini mengkaji maskulinitas tokoh Tarō dalam mukashi banashi, cerita rakyatJepang. Mukashi banashi yang menjadi objek kajian ini adalah Momotarō, Kintarō, Kotarōto Haharyū, Sannen Netarō, dan Urashima Tarō. Pada kelima mukashi banashi ini terdapattokoh yang bernama Tarō dengan peranannya masing-masing. Fokus penelitian ini adalahanalisis gambaran tokoh Tarō, fungsi, dan nilai budaya Jepang yang terdapat dalam mukashibanashi. Penelitian ini menggunakan teori sosiologi sastra dan teori maskulinitas denganmetode deskriptif analisis. Hasil penelitian ini menunjukkan lima tokoh Tarō, yaitu Momotarō,Kintarō, Kotarō, Sannen Netarō, dan Urashima Tarō yang memiliki ciri fisik maskulin dansifat bushido ‘kesatria’. Namun, terdapat juga beberapa sifat yang sedikit bertentangan dengankonsep maskulin. Selain itu, melalui kelima mukashi banashi ini diketahui pula fungsi danunsur-unsur budaya yang terdapat dalam cerita rakyat Jepang.

BENTUK DEKONSTRUKSI IDEOLOGI GENDER DALAM NOVEL OUT DAN GROTESQUE KARYA NATSUO KIRINO I Gusti Ayu Andani Pertiwi; I Nyoman Darma Putra; Ida Ayu Laksmita Sari
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i1.487.15-30

Novel Bebas dan Grotesque: Gaib adalah karya sastra Natsuo Kirino yang mengangkat topik mengenai realita sosial di Jepang. Isu-isu yang diangkat di dalam novel tidak jauh dari bahasan mengenai gender di Jepang serta narasi seksualitas yang dihadirkan melalui isu enjokousai (prostitusi). Penelitian ini berusaha mengungkap bentuk-bentuk dekonstruksi ideologi gender yang dilakukan oleh pengarang dalam novel tersebut. Penelitian ini merupakan penelitian kualitatif dengan metode pengumpulan data studi pustaka. Data-data dikumpulkan dari kedua novel dan selanjutnya dianalisis dengan menggunakan teori dekonstruksi dan teori feminisme. Hasil dari penelitian menunjukkan bahwa pengarang mendekonstruksi wacana-wacana ketimpangan gender dan seksualitas di Jepang kemudian menuangkannya ke dalam bentuk teks-teks sastra. Bentuk-bentuk dekonstruksi ideologi gender yang ditampilkan pengarang dalam kedua novel tersebut yaitu ideologi gender yang memertahankan peran gender konvensional dan ideologi gender yang mengikuti perkembangan zaman. Natsuo Kirino’s Out and Grotesque raises the topic of social reality in Japan. The issues raised in the novel are not far from the discussion of gender and the narrative of sexuality, which is presented through the issue of enjokousai (prostitution). This research attempts to uncover the forms of gender ideology deconstruction carried out by the author in the novel. This research is a qualitative research with literature study method. Data is collected from both novels and then analyzed using deconstruction theory and feminism theory. The results of the study show that the author deconstructed the discourse of gender inequality and sexuality in Japan and then poured it into the form of literary texts. The form of gender ideology deconstruction is gender ideology that follows the passage of time. Each character depicted is no longer influenced by the conventional order of Japanese society regarding how men and women should be. Instead, they choose to go by their own rules of life.Keywords: deconstruction, ideology, gender, Natsuo Kirino

Mapping of Migration Motivation from Digital Nomads in Bali Daniel Susilo; Ida Ayu Laksmita Sari; Guellica Agnesia Claudia Thanos; Toong Hai Sam
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p01

The article examines digital nomadism with a focus toward migration elements utilising data analytics, bservation, and interviews. It looks at the reasons digital nomads moved to Bali, stressing important elements such as mobility, cost, lifestyle convenience, and culture. The study arranges and visualises these components to spot trends among the digital nomads. Results highlight the effects on global tourist marketing plans and migration policy, therefore providing information for academics, travel agents, and legislators. Through an analysis of digital nomads’ behaviour, expectations, and goals, this study helps to grasp better migration’s motivating factors and shapes informed migration policy. The findings above further help digital nomads by highlighting their specific motivation and preferences. The research additionally proposes strategies for promoting sustainability and maximising the benefits of tourism activities. This study provides a basis for understanding the impact of migration on atypical lifestyles.

Mapping of Migration Motivation from Digital Nomads in Bali Daniel Susilo; Ida Ayu Laksmita Sari; Guellica Agnesia Claudia Thanos; Toong Hai Sam
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p01

The article examines digital nomadism with a focus toward migration elements utilising data analytics, bservation, and interviews. It looks at the reasons digital nomads moved to Bali, stressing important elements such as mobility, cost, lifestyle convenience, and culture. The study arranges and visualises these components to spot trends among the digital nomads. Results highlight the effects on global tourist marketing plans and migration policy, therefore providing information for academics, travel agents, and legislators. Through an analysis of digital nomads’ behaviour, expectations, and goals, this study helps to grasp better migration’s motivating factors and shapes informed migration policy. The findings above further help digital nomads by highlighting their specific motivation and preferences. The research additionally proposes strategies for promoting sustainability and maximising the benefits of tourism activities. This study provides a basis for understanding the impact of migration on atypical lifestyles.

Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.

Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.

Unsur-unsur Pengetahuan Sosial dalam Cerita Rakyat Bali Aga dan Buku Pelajaran Sekolah Dasar Zaman Kolonial Belanda Ida Ayu Laksmita Sari
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 9 No. 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2019.v09.i02.p11

This article analyses the elements of general knowledge in the folklores of Balinese Bali Aga and in the elementary school-text books of the Dutch colonial period. The analyses focuses on how narrative texts which usually consider as fiction and contain unreal information are also expressing general knowledge and social and cultural facts. The object of this study are selected folktales of Bali Aga published in book form in 1987 and expositional text and short stories included the school text books published in the 1910s. Of the two books, 10 texts were chosen for discussion. Data were analysed with rhetoric and content analysis theories that give attention to the content instead of structure of texts. This article concludes that folklore, short story, and other forms of fictional genre are rich in general knowledge on social and cultural life and description on factual matters similar to expositional text genre. Thus, like expositional texts genre, narrative texts have the ability to tell stories and also to convey varieties of general knowledge related to the society that owned the stories.

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