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All Journal E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) ATAVISME JURNAL ILMIAH KAJIAN SASTRA Chi`e: Jurnal Pendidikan Bahasa Jepang MUDRA Jurnal Seni Budaya Panggung Aksara Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Panggung Aksara Open Access DRIVERset Aksara JENTERA: Jurnal Kajian Sastra
Ida Ayu Laksmita Sari
Universitas Udayana
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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MASKULINITAS TOKOH TARŌ DALAM MUKASHI BANASHI Ida Ayu Laksmita Sari
Aksara Vol 28, No 1 (2016): Aksara: Edisi Juni 2016
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v28i1.13.15-24

Abstract

Penelitian ini mengkaji maskulinitas tokoh Tarō dalam mukashi banashi, cerita rakyatJepang. Mukashi banashi yang menjadi objek kajian ini adalah Momotarō, Kintarō, Kotarōto Haharyū, Sannen Netarō, dan Urashima Tarō. Pada kelima mukashi banashi ini terdapattokoh yang bernama Tarō dengan peranannya masing-masing. Fokus penelitian ini adalahanalisis gambaran tokoh Tarō, fungsi, dan nilai budaya Jepang yang terdapat dalam mukashibanashi. Penelitian ini menggunakan teori sosiologi sastra dan teori maskulinitas denganmetode deskriptif analisis. Hasil penelitian ini menunjukkan lima tokoh Tarō, yaitu Momotarō,Kintarō, Kotarō, Sannen Netarō, dan Urashima Tarō yang memiliki ciri fisik maskulin dansifat bushido ‘kesatria’. Namun, terdapat juga beberapa sifat yang sedikit bertentangan dengankonsep maskulin. Selain itu, melalui kelima mukashi banashi ini diketahui pula fungsi danunsur-unsur budaya yang terdapat dalam cerita rakyat Jepang.
BENTUK DEKONSTRUKSI IDEOLOGI GENDER DALAM NOVEL OUT DAN GROTESQUE KARYA NATSUO KIRINO I Gusti Ayu Andani Pertiwi; I Nyoman Darma Putra; Ida Ayu Laksmita Sari
Aksara Vol 32, No 1 (2020): AKSARA, Edisi Juni 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i1.487.15-30

Abstract

Novel Bebas dan Grotesque: Gaib adalah karya sastra Natsuo Kirino yang mengangkat topik mengenai realita sosial di Jepang. Isu-isu yang diangkat di dalam novel tidak jauh dari bahasan mengenai gender di Jepang serta narasi seksualitas yang dihadirkan melalui isu enjokousai (prostitusi). Penelitian ini berusaha mengungkap bentuk-bentuk dekonstruksi ideologi gender yang dilakukan oleh pengarang dalam novel tersebut. Penelitian ini merupakan penelitian kualitatif dengan metode pengumpulan data studi pustaka. Data-data dikumpulkan dari kedua novel dan selanjutnya dianalisis dengan menggunakan teori dekonstruksi dan teori feminisme. Hasil dari penelitian menunjukkan bahwa pengarang mendekonstruksi wacana-wacana ketimpangan gender dan seksualitas di Jepang kemudian menuangkannya ke dalam bentuk teks-teks sastra. Bentuk-bentuk dekonstruksi ideologi gender yang ditampilkan pengarang dalam kedua novel tersebut yaitu ideologi gender yang memertahankan peran gender konvensional dan ideologi gender yang mengikuti perkembangan zaman. Natsuo Kirino’s Out and Grotesque raises the topic of social reality in Japan. The issues raised in the novel are not far from the discussion of gender and the narrative of sexuality, which is presented through the issue of enjokousai (prostitution). This research attempts to uncover the forms of gender ideology deconstruction carried out by the author in the novel. This research is a qualitative research with literature study method. Data is collected from both novels and then analyzed using deconstruction theory and feminism theory. The results of the study show that the author deconstructed the discourse of gender inequality and sexuality in Japan and then poured it into the form of literary texts. The form of gender ideology deconstruction is gender ideology that follows the passage of time. Each character depicted is no longer influenced by the conventional order of Japanese society regarding how men and women should be. Instead, they choose to go by their own rules of life.Keywords: deconstruction, ideology, gender, Natsuo Kirino   
Mapping of Migration Motivation from Digital Nomads in Bali Daniel Susilo; Ida Ayu Laksmita Sari; Guellica Agnesia Claudia Thanos; Toong Hai Sam
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p01

Abstract

The article examines digital nomadism with a focus toward migration elements utilising data analytics, bservation, and interviews. It looks at the reasons digital nomads moved to Bali, stressing important elements such as mobility, cost, lifestyle convenience, and culture. The study arranges and visualises these components to spot trends among the digital nomads. Results highlight the effects on global tourist marketing plans and migration policy, therefore providing information for academics, travel agents, and legislators. Through an analysis of digital nomads’ behaviour, expectations, and goals, this study helps to grasp better migration’s motivating factors and shapes informed migration policy. The findings above further help digital nomads by highlighting their specific motivation and preferences. The research additionally proposes strategies for promoting sustainability and maximising the benefits of tourism activities. This study provides a basis for understanding the impact of migration on atypical lifestyles.
Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.
Transitivity and Modality in Sasak Language Conversation (SLC) Texts from a Gender Perspective Irma Setiawan; Pipit Aprilia Susanti; Ida Ayu Laksmita Sari; M. Aris Akbar
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.2785

Abstract

The purpose of this study is to explore the construction of gender-based violence in the SLC texts. Gender denotes social roles (not founded on biological or physiological differences) of women and men as perceived by persons or collectives within a given society. The SLC, being a realization of linguistic experience, serves to actualize social roles deemed suitable or unsuitable for women and men. This study concentrates on: 1) The building of gender-based violence derived from the systems of transitivity, modality, and social context in SLC, and (2) The development of precautionary strategies against gender-based violence in SLC. This research utilizes Systemic Functional Linguistics (SFL) theory, concentrating on Halliday’s systems of transitivity, modality, and social context. The methodology used is descriptive qualitative. The data and their sources comprise conversational texts in the SLC collected from public spaces in Mataram City. Data gathering was performed via observation and note-taking, employing non-participant observation and transcription techniques. The tools and analytic procedures are grounded in Halliday’s systemic functional perspective. The results reveal that gender-based violence in the SLC, based on the transitivity system, originates from verbal processes (psychological and physical consequences); based on the modality system, it emerges from a high likelihood or assuredness of action; and based on the social context, it proceeds from patterns of speech participants and discourse devices. The outcomes of this research offer thorough details concerning attempts to prevent gender-based violence in the SLC among the Sasak ethnic community of Lombok Island.
Kappa: Makhluk Mitologis Penjaga Sungai dalam Cerita Rakyat Jepang Ida Ayu Laksmita Sari
JENTERA: Jurnal Kajian Sastra Vol 9, No 1 (2020): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v9i1.1956

Abstract

This article discusses one of the Japanese mythological creatures in the youkai category, the kappa which is believed to be river guardians. Data is taken from the anthology of Japanese folklore Mangga Nippon Mukashi Banashi 101 edited by Sayumi Kawauchi. Folklore used as the object of research are two titles that were chosen selectively which are "Kasa Uri Ohana" (Ohana the Umbrella Seller) and "Kappa no Amagoi " (Rain Calling Prayer from Kappa). Data were analyzed with Peirce's semiotic trichotomy theory, namely icons, indices and symbols, and literary anthropological theory. This article concluded three things related to the form of a kappa, where they are believed to be present and the status of kappa in the Japanese belief system. Kappa in Japanese mythology resembles a frog's shape but has scales and has a weakness in its skull. Kappa is believed to live in rivers in Japan. Kappa is present and has a special place in Japanese society's trust, evidenced by the existence of kappa temples. Unlike other Japanese youkai, the kappa is believed that before the form of the kappa he was a god whose rank was demoted, therefore it was believed that he could be begged for rain. The existence of kappa, thus, not only has negative attributes but also positive ones. AbstrakArtikel ini mengkaji sosok kappa, salah satu makhluk mitologis dan gaib Jepang yang masuk kategori youkai (hantu) dan dipercaya sebagai makhluk penjaga sungai. Data diambil dari antologi cerita rakyat Jepang Mangga Nippon Mukashi Banashi 101 dengan editor Sayumi Kawauchi. Cerita rakyat yang digunakan sebagai objek penelitian ada dua judul yang dipilih secara selektif, yaitu “Kasa Uri Ohana” (Ohana si Penjual Payung) dan “Kappa no Amagoi” (‘Doa Pemanggil Hujan dari Kappa). Data dianalisis dengan teori trikotomi semiotika Peirce, yaitu ikon, indeks, dan simbol, serta teori antropologi sastra. Artikel ini menyimpulkan tiga hal, yaitu wujud kappa, tempat mereka dipercaya hadir, dan eksistensi kappa dalam sistem kepercayaan Jepang. Kappa dalam mitologi Jepang menyerupai wujud katak, tetapi bersisik dan memiliki kelemahan di tempurung kepalanya. Makhluk gaib ini dipercaya tinggal dan sekaligus menjadi penjaga sungai-sungai di Jepang. Kappa hadir dan memiliki tempat yang khusus dalam kepercayaan masyarakat Jepang, yang dibuktikan dengan terdapatnya kuil kappa. Tidak seperti youkai Jepang lainnya, kappa dipercaya bahwa sebelum berwujud kappa dia adalah dewa yang derajatnya diturunkan. Oleh karena itu, kappa diyakini bisa dimohon untuk mendatangkan hujan. Dengan demikian, eksistensi kappa tidak saja memiliki atribut negatif, tetapi juga positif.
KAJIAN SEMANTIK ETNOGRAFI PADA CERITA RAKYAT JEPANG WARASHIBECHŌJA Ida Ayu Laksmita Sari
JENTERA: Jurnal Kajian Sastra Vol 4, No 2 (2015): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v4i2.471

Abstract

This study discuss the word and the sentences containing meaning ethnography in Japanese Folklore of Warashibechōja. This study uses the theory of semantic ethnography focusing to the meanings illustrating the local culture system. Through the text story of Warashibechōja data is collected anda analysed using methodes of descriptive qualitative with techniques note. The result of this study is found the word including sonkeigo constituting oral expression which is based on consideration respect towards the interloculator. In addition to, found the culture vacabularies describing Japanese traditional culture, those are wara, miso, furoshiki, uma, and muko. The illustrated Ideology is someone shall try to do from the small thing seriously to get the best result and found also the intention to diffuse religion of Buddhist in Japan.AbstrakPenelitian ini membahas kata serta kalimat yang mengandung makna etnografi pada cerita rakyat Jepang Warashibechōja. Penelitian ini menggunakan teori semantik etnografi yang memfokuskan pada makna-makna yang menggambarkan sistem kebudayaan setempat. Melalui teks cerita Warashibechōja data dikumpulkan dan dianalisis menggunakan metode metode deskriptif kualitatif dengan teknik catat. Hasil dari penelitian ini adalah ditemukannya kata yang termasuk sonkeigo yang merupakan ungkapan tingkat tutur yang didasarkan pada pertimbangan rasa hormat terhadap lawan bicara. Selain itu, ditemukan pula kosakata budaya yang menggambarkan kebudayaan tradisional Jepang, yaitu wara, miso, furoshiki, uma, dan muko. Ideologi yang tergambar adalah seseorang harus berusaha dari hal kecil secara sungguh-sungguh untuk mendapatkan hasil yang terbaik dan terdapat pula maksud untuk menyebarkan agama Buddha di Jepang.
Unsur-unsur Pengetahuan Sosial dalam Cerita Rakyat Bali Aga dan Buku Pelajaran Sekolah Dasar Zaman Kolonial Belanda Ida Ayu Laksmita Sari
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 9 No. 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2019.v09.i02.p11

Abstract

This article analyses the elements of general knowledge in the folklores of Balinese Bali Aga and in the elementary school-text books of the Dutch colonial period. The analyses focuses on how narrative texts which usually consider as fiction and contain unreal information are also expressing general knowledge and social and cultural facts. The object of this study are selected folktales of Bali Aga published in book form in 1987 and expositional text and short stories included the school text books published in the 1910s. Of the two books, 10 texts were chosen for discussion. Data were analysed with rhetoric and content analysis theories that give attention to the content instead of structure of texts. This article concludes that folklore, short story, and other forms of fictional genre are rich in general knowledge on social and cultural life and description on factual matters similar to expositional text genre. Thus, like expositional texts genre, narrative texts have the ability to tell stories and also to convey varieties of general knowledge related to the society that owned the stories.
Co-Authors Anak Agung Anom Bintang Bayu Putra Daniel Susilo Guellica Agnesia Claudia Thanos I G N Arya Tresna Dharma I Gede Oeinada I Gusti Agung Ayu Putri Kinanti I Gusti Ayu Agung Istri Gita Saraswati Jelantik I Gusti Ayu Andani Pertiwi I Gusti Ayu Andani Pertiwi I Komang Rama Kusuma I Made Sendra I Nyoman Darma Putra I Nyoman Rauh Artana I Nyoman Suarka I Wayan Nuriarta I Wayan Suardiana Ida Bagus Jelantik Sutanegara Pidada Irma Setiawan, Irma M Aris Akbar Made Ratna Dian Aryani Mahardika, I Gusti Ayu Sugiartini Ngurah Indra Pradana Ngurah Indra Pradhana Ni Luh Kade Yuliani Giri Ni Luh Ramaswati Purnawan Ni Luh Ulan Sari Ni Made Andry Anita Dewi Ni Putu Ayu Imelda Sasiandari Ni Putu Karlina Devi Ni Putu Luhur Wedayanti Ni Wayan Suarji Indrawati Ni Wayan Sutarini Ronthi Pidada, Ida Bagus Jelantik Sutanegara Pipit Aprilia Susanti Renny Aggraeny Reza Taufan Adhitya Sachiko Takasaki Silvia Damayanti Suryadi Suryadi Suryadi Toong Hai Sam Wijayanti, Ni Kadek Rika Yukaido Hismubaroq Yuliani Giri, Ni Luh Kade