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All Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Hasta Wiyata Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Stilistika: Jurnal Pendidikan Bahasa dan Sastra Cakrawala Indonesia SULUK: Jurnal Bahasa, Sastra, dan Budaya Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Pena: Jurnal Pendidikan Bahasa dan Sastra WAHANA LITERASI: Journal of Language, Literature, and Linguistics Journal of Educational Sciences Neologia: Jurnal Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia Journal of Humanities and Social Studies Jurnal Tradisi Lisan Nusantara MANIFESTASI : Jurnal Pendidikan dan Pengajaran
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Representasi Gender dalam Media Sosial TikTok: Kajian Semiotika Visual Sosial Theo van Leeuwen dan Gunther Kress Fadillah, Wulan; Juanda*, Juanda; Nensilianti, Nensilianti
Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol 9, No 1 (2026): Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Suryakancana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35194/jd.v9i1.5889

Abstract

This article will describe forms of gender representation in TikTok video content based on Theo van Leeuwen and Gunther Kress's theory of Social Visual Semiotics. The research was conducted using a descriptive qualitative approach with an analysis of three visual metafunctions: representational meaning, interactional meaning, and compositional meaning. Data were obtained through documentation techniques and non-participant observation of gender-themed TikTok content. The results show that TikTok is a multimodal space that displays various forms of gender representation, ranging from the reinforcement of traditional stereotypes to resistance to gender role constraints. Multimodal elements such as visuals, text, audio, gestures, camera angles, and lighting work simultaneously to shape social meaning. TikTok thus functions as an ideological arena that helps build public awareness of gender equality.Keywords: multimodality; gender representation; social visual semiotics; TikTokArtikel ini akan mendeskripsikan bentuk representasi gender dalam konten video TikTok berdasarkan teori Semiotika Visual Sosial Theo van Leeuwen dan Gunther Kress. Penelitian dilakukan menggunakan pendekatan kualitatif deskriptif dengan analisis tiga metafungsi visual, yaitu representational meaning, interactional meaning, dan compositional meaning. Data diperoleh melalui teknik dokumentasi dan observasi nonpartisipan terhadap konten TikTok bertema gender. Hasil penelitian menunjukkan bahwa TikTok menjadi ruang multimodal yang menampilkan beragam bentuk representasi gender, mulai dari penguatan stereotip tradisional hingga resistensi terhadap batasan peran gender. Elemen multimodal seperti visual, teks, audio, gestur, sudut pandang kamera, dan pencahayaan bekerja secara simultan membentuk makna sosial. TikTok dengan demikian berfungsi sebagai arena ideologis yang turut membangun kesadaran masyarakat terhadap kesetaraan gender.Kata kunci: multimodalitas; representasi gender; semiotika visual sosial; TikTok 
Komparasi Karakter Ekstrovert dan Introvert Tokoh Utama dalam Film "200 Pounds Beauty" Versi Korea dan Indonesia: Psikologi Analitik Carl Gustav Jung Nensilianti, Nensilianti; Ridwan, Ridwan; Syafiqah, Nurul
Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol 9, No 1 (2026): Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Suryakancana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35194/jd.v9i1.5986

Abstract

This article describe the comparison between extroverted and introverted characteristics of the main characters in the Korean version (2006) and the Indonesian version (2023) of the film 200 Pounds Beauty using Carl Gustav Jung’s analytical psychology approach. This approach was chosen because it can reveal personality dynamics through four psychic functions thinking, feeling, sensing, and intuition that shape an individual’s extroverted and introverted orientations. The research employs a qualitative descriptive method with a comparative design, using literature study and documentation techniques on both films. The data, consisting of dialogues, scenes, and expressions of the main characters, were analyzed to identify personality traits based on Jung’s theory.The results show that in the Korean version, the character Hanna/Jenny tends to be extroverted, demonstrated by her courage to appear in public and her pursuit of social recognition, while still harboring inner conflicts that reveal her introverted side. Meanwhile, in the Indonesian version, the character Juwita/Angel displays a balance between the two types, with a dominant introverted nature reflected through self-reflection, guilt, and moral awareness of her identity. Cultural differences also influence the expression of personality and the social values presented. This study concludes that Jung’s analytical psychology theory is effective for analyzing personality in cross-cultural films and understanding the process of self-acceptance.Keywords: analytical psychology; Carl Gustav Jung; extrovert; introvertArtikel ini  memaparkan komparasi karakter ekstrovert dan introvert tokoh utama dalam film 200 Pounds Beauty versi Korea (2006) dan versi Indonesia (2023) menggunakan pendekatan psikologi analitik Carl Gustav Jung. Pendekatan ini dipilih karena mampu mengungkap dinamika kepribadian melalui empat fungsi psikis pikiran, perasaan, pengindraan, dan intuisi yang membentuk orientasi ekstrovert dan introvert individu. Penelitian ini menggunakan metode deskriptif kualitatif dengan desain komparatif dan teknik studi pustaka serta dokumentasi terhadap kedua film. Data berupa dialog, adegan, dan ekspresi tokoh utama dianalisis untuk menemukan ciri kepribadian berdasarkan teori Jung. Hasil penelitian menunjukkan bahwa dalam versi Korea, tokoh Hanna/Jenny cenderung ekstrovert dengan keberanian tampil di ruang publik dan pencarian pengakuan sosial, namun tetap menyimpan konflik batin yang memperlihatkan sisi introvert. Sementara itu, tokoh Juwita/Angel dalam versi Indonesia memperlihatkan keseimbangan antara kedua tipe, dengan dominasi sifat introvert yang tercermin melalui refleksi diri, rasa bersalah, dan kesadaran moral terhadap identitasnya. Tokoh utama dalam kedua versi film menunjukkan ekspresi kepribadian yang berbeda dalam menanggapi konflik batin dan pencarian jati diri. Penelitian ini menegaskan bahwa teori psikologi analitik Jung efektif digunakan untuk menganalisis kepribadian tokoh dalam film dan memahami proses penerimaan diri melalui dinamika fungsi psikis.Kata kunci: Carl Gustav Jung; ekstrovert;  introvert;  psikologi analitik
Kognitif Tuturan Tahanan Perempuan yang Mengalami Stres di Rumah Tahanan Kelas 1 Makassar Ibrahim, Aprilyanti Nurna Nengsi; Nensilianti, Nensilianti; Sultan, Sultan
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 7, No 3 (2025): Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v7i1.1250

Abstract

This study is a descriptive qualitative study that aims to (1) describe the cognitive form of speech of female prisoners experiencing mild stress in Makassar Class 1 Detention Center based on Ronald Langacker’s theory, (2) describe the cognitive pattern of speech of female prisoners experiencing moderate stress in Makassar Class 1 Detention Center based on Ronald Langacker’s theory, (3) describe the cognitive pattern of speech of female prisoners experiencing high stress based on Ronald Langacker’s theory. The focus of this study is on data in the form of words, phrases, clauses spoken by female prisoners experiencing mild stress, moderate stress and high stress. The data source for this study came from female prisoners in Makassar Class 1 Detention Center. Data collection techniques were carried out through observation, documentation and interviews. The research instruments consisted of the main instrument, namely the researcher and supporting instruments including observation guides, interview guides and recording devices. The results of the study showed that the cognitive pattern of speech of female prisoners experiencing mild stress was dominated by repetition patterns, especially repetition of phrases and ideas and emotional expression patterns in verbal and metaphorical forms. Meanwhile, the cognitive pattern of speech of female prisoners experiencing moderate stress was dominated by Ambiguity patterns, namely lexical and contextual, fragmentation patterns consisting of semantic and discourse fragmentation and more complex emotional expressions. Then, the cognitive pattern of speech of female prisoners experiencing high stress is dominated by a pattern of subject change, namely shifts in perspective and pronominal identity, syntactic and contextual ambiguity patterns, and structural fragmentation patterns.Abstrak Penelitian ini adalah penelitian kualitatif deskriptif yang bertujuan untuk (1) mendeskripsikan bentuk kognitif tuturan tahanan perempuan yang mengalami stres ringan di rumah tahanan kelas 1 Makassar berdasarkan teori Ronald Langacker, (2) mendeskripsikan pola kognitif tuturan tahanan perempuan yang mengalami stres sedang di rumah tahanan kelas 1 Makassar berdasarkan teori Ronald Langacker, (3) mendeskripsikan pola kognitif tuturan tahanan perempuan yang mengalami stres tinggi berdasarkan teori Ronald Langacker. Fokus penelitian ini yaitu pada data berupa kata, frasa, klausa yang dituturkan oleh tahanan perempuan yang  mengalami stres ringan, stres sedang dan stres tinggi. Sumber data penelitian ini yaitu berasal dari tahanan perempuan di Rumah Tahanan kelas 1 Makassar. Teknik pengumpulan data dilakukan melalui observasi, dokumentasi dan wawancara. Instrumen penelitian terdiri dari instrumen utama yaitu peneliti dan instrumen pendukung meliputi panduan observasi, panduan wawancara dan alat perekam. Hasil penelitian menunjukkan bahwa pola kognitif tuturan tahanan perempuan yang mengalami stres ringan didominasi pola repetisi terutama repetisi frasa dan gagasan serta pola ekspresi emosional dalam bentuk verbal dan metaforis. Adapun pola kognitif tuturan tahanan perempuan yang mengalami stres sedang didominasi pola Ambiguitas yaitu leksikal dan kontekstual, pola fragmentasi terdiri dari fragmentasi semantik dan wacana serta ekspresi empsional yang lebih kompleks. Kemudian pola kognitif tuturan tahanan perempuan yang mengalami stres tinggi didominasi pola perubahan subjek yaitu pergeseran perspektif dan identitas pronominal, pola ambiguitas sintaksis dan kontekstual serta pola fragmentasi struktural.
FENOMENA HIBRIDITAS DALAM NOVEL 1890 KARYA AYU DEWI: POSTKOLONIAL HOMI K. BHABHA Sakti M, Reztu Dwi; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82453

Abstract

This study aims to examine the phenomenon of hybridity in Ayu Dewi's 1890 novel using Homi K. Bhabha's postcolonial concept. This study uses a descriptive qualitative method through text content analysis. Data collection was conducted through thorough reading and recording of relevant quotations, while data analysis used the Miles and Huberman model (reduction, presentation, conclusion drawing). The results of the study show the phenomenon of hybridity that gives rise to a new identity as a result of the mixing of colonial and local cultures. This phenomenon appears in three forms: linguistic hybridity (the use of Dutch and Malay), lifestyle hybridity (the adoption of European lifestyles), and character identity hybridity (such as Pamungkas and Utari). Hybridity functions as a mechanism for negotiating power, a form of resistance, and an attempt to build social mobility for colonized subjects.
PENULISAN PEREMPUAN DAN BAHASA PEREMPUAN DALAM MENGUNGKAPKAN FENOMENA KEHIDUPAN PADA NOVEL BELENGGU MERAH MUDA KARYA TYAS DAMARIA: KRITIK SASTRA FEMINISME ELAINE SHOWALTER Aprilia, Arzety; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82591

Abstract

This study describes women’s writing and women’s language in the novel Belenggu Merah Muda by Tyas Damaria using Elaine Showalter’s gynocritics approach. This qualitative descriptive research uses textual data from the novel that reflect the female characters’ life experiences. The analysis focuses on three aspects: explicit and implicit sentences, body expressions, and multifocal elements in women’s language. The results show that Damaria portrays women’s experiences through emotional, metaphorical, and reflective language. Explicit sentences reveal the burdens and roles of women, while implicit sentences appear through metaphors that signify the protagonist’s emotional wounds. Body expressions emerge in open, fragmented, and flowing forms, illustrating the character’s psychological conditions. Furthermore, the multifocal aspect reflects women’s layered and complex perspectives on life. These findings affirm that women’s literature serves as a space to articulate women’s experiences authentically
CINTA DAN PENGORBANAN DALAM NOVEL KEMBALI KE PELUKAN CINTA KARYA FREDY S: KONSEP CINTA ERICH FROMM Selvi, Selvi; Nensilianti, Nensilianti; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77878

Abstract

This study aims to reveal the forms of love and sacrifice found in Fredy S.’s novel Kembali ke Pelukan Cinta based on Erich Fromm’s concept of love. This research employs a descriptive qualitative method with a literary psychology approach. The data consist of textual excerpts, sentences, and dialogues in the novel that represent Fromm’s five objects of love: brotherly love, motherly love, erotic love, self-love, and love of God. The results show that the novel portrays love in various dimensions of humanity accompanied by sacrifice as a logical consequence of love itself. Brotherly love appears in the friendships between characters; motherly love is shown through the parents’ care for their children; erotic love is depicted through the relationship between Rosana and Herman; self-love is seen in the characters’ efforts to accept themselves and their past; while love of God emerges from the characters’ religious awareness of divine power. Each form of love is always accompanied by acts of sacrifice—physical, emotional, or spiritual. These findings affirm the relevance of Erich Fromm’s concept of love in understanding the dynamics of love and humanity in literary works
Pergerseran Dialek Mesolect ke Dialek Acrolect dalam Penggunaan Bahasa Indonesia Artis Ibu Kota Asal Makassar Wulandari, Putri; Nensilianti, Nensilianti; Jahrir, Andi Sahtiani
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82460

Abstract

This research aims to describe the forms of dialectal shift and identify its contributing factors. Employing a qualitative descriptive approach, data were collected from social media content, podcasts, films, and television programs featuring Makassar artists such as Arief Brata, Denny Sumargo, Indah Permatasari, Eca Aura, Maizura, and Musdalifah. The analysis was conducted using Joshua A. Fishman’s domain theory of language use. The findings reveal three forms of shift: functional, domain, and identity shifts. The main driving factors include urbanization, globalization, and the professional demands of the entertainment industry. The study concludes that this dialect shift is both a sociolinguistic and sociocultural phenomenon, reflecting the marginalization of local dialects in modern public communication.
Inklusi-Eksklusi Aktor Sosial pada Pembentukan Opini Publik oleh Konten Artificial Intelligence TikTok: Inclusion-Exclusion of Social Actors in Public Opinion Formation via TikTok Artificial Intelligence Content Nensilianti, Nensilianti; Sarina, Sarina; Ridwan, Ridwan
Pena : Jurnal Pendidikan Bahasa dan Sastra Vol. 16 No. 3 (2026): Pena: Jurnal Pendidikan Bahasa dan Sastra
Publisher : Program Studi Pendidikan Bahasa dan Sastra Fakultas Keguruan dan Ilmu Pendidikan Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/pena.v16i3.54455

Abstract

This study aims to uncover strategies for shaping public opinion through artificial intelligence (AI)-based content on the TikTok platform, with a focus on analyzing the inclusion and exclusion of social actors using Theo van Leeuwen’s (2008) model. This study employs a descriptive qualitative approach using multimodal critical discourse analysis. The data consists of five viral TikTok videos that use AI avatars, generative text, or synthetic voices, which were deliberately selected based on the following criteria: produced by AI, having ≥100,000 views, addressing public issues, and lasting 10–60 seconds. This analysis was conducted by identifying social actors, classifying inclusion/exclusion strategies, analyzing supporting multimodal data such as visuals, audio, and text, and interpreting the implications for public opinion. The results show that all five pieces of content consistently employ suppression strategies against critical actors such as spiritual leaders, health experts, experts in AI ethics, child safety experts, and regulators. Conversely, the content involves actors who promote the logic of entertainment, efficiency, and unreflective consumption through categorization, identification, or designation. Multimodal synergy-whether through visual-auditory dissonance or excessive harmony-reinforces this strategy. The implication is that public opinion is potentially steered toward downplaying existential issues, neglecting health and safety, blind technological optimism, and the normalization of artificial authority.
Co-Authors ., Haerana Adriani Safitri Akib Adriani, Milka Akhyar, Andi Imamul Ambo Dalle Aprilia, Arzety Aslan Abidin, Aslan Cahyani, Regita Purnama Damat*, Yultriani Fadillah, Wulan Faisal Faisal Farah Tazkyatun Fitriyani Fitriyani Hajrah Hajrah, Hajrah Hastab, Nur Amalia Ibrahim, Aprilyanti Nurna Nengsi Imelia Kristi Rante Allo Imran, Mirna Irma Satriani, Irma Irmawati Irmawati Istiqamah, Putri Nur Jahrir, Andi Sahtiani Johar Amir Juanda*, Juanda Juni, Riska Widati Khatimah, A. Nur Khusnul Langoday, Yohanes Redan Maddimunri, Abdul Rahman Magvira, Magvira Mahmudah Mahmudah Marwah Marwah Mora, Octadita Grace Muhammad Rapi Muhammad Rifai Taha Muhammad Saleh Nur Azira Azis Nur Indah, Nur Nurmuslimah, Rahmi Putra, Hendra Pratama Putra, Muhammad Alif PUTRI WULANDARI Ridwan Ridwan Ridwan, Ridwan Rini Amriani Rustan, Megawati Saguni, Suryani SYam Sakti M, Reztu Dwi Salam, Salam Selvi Selvi St Syamsudduha Suarni Syam Saguni, Suarni Syam Sultan Sultan Sumarni Sumarni Syafiqah*, Nurul Syafiqah, Nurul Syukur, Fandi Usman Usman