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All Journal Serupa : The Journal of Art Education Gorga : Jurnal Seni Rupa Pendas : Jurnah Ilmiah Pendidikan Dasar Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Ranah Seni: Jurnal Seni dan Desain Tsaqofah: Jurnal Penelitian Guru Indonesia YASIN: Jurnal Pendidikan dan Sosial Budaya Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) AHKAM : Jurnal Hukum Islam dan Humaniora Jurnal Kajian dan Penelitian Umum Seniman: Jurnal Publikasi Desain Komunikasi Visual Jurnal Mahasiswa Kreatif EduInovasi: Journal of Basic Educational Studies JGEN : Jurnal Pengabdian Kepada Masyarakat Manaruko: Jurnal Pengabdian Masyarakat Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Eliya Pebriyeni
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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PENGEMBANGAN MOTIF BATIK DAUN PUCUK UBI DI DESA EMPELU, KECAMATAN TANAH SEPENGGAL, KABUPATEN BUNGO Attia Martina; Eliya Pebriyeni
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 10 No. 02 (2025): Volume 10 No. 02 Juni 2025 In Progres
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v10i02.25313

Abstract

This research is a development study of the Batik Daun Pucuk Ubi motif in Empelu Village, Tanah Sepenggal Sub-district, Bungo Regency, motivated by the issue of limited public knowledge and awareness in developing existing batik motifs. The aim of this research is to determine the level of development, validity, and practicality of the motif. This study applies the Research and Development (R&D) method using the 4D model (Define, Design, Develop, and Disseminate), with qualitative and quantitative descriptive data analysis techniques. The trial subjects in this study were 10 members of the Empelu Village PKK community. Validation results from experts showed that the motif design scored between 84%–93.33%, categorized as valid to highly valid, especially in terms of uniqueness, aesthetics, and cultural relevance, while color validation reached 86.67%, indicating that the color combinations were considered attractive and innovative. The practicality test by the PKK members yielded a score of 96.2%, indicating that the motif is highly suitable for use in community training and production. These findings suggest that the Batik Daun Pucuk Ubi motif has the potential to become a local visual identity and a valuable cultural product.
Kajian Bentuk, Fungsi, dan Makna Pakaian Adat Depati Ninik Mamak Desa Seleman Kecamatan Danau Kerinci Nadia, Nadia; Pebriyeni, Eliya
TSAQOFAH Vol 5 No 4 (2025): JULI
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v5i4.6083

Abstract

This study aims to identify and describe the form, function, and meaning of traditional clothing worn by Depati and Ninik Mamak during customary ceremonies in Seleman Village, Danau Kerinci District. The research employed a qualitative method with a descriptive approach, using interviews with local Depati and Ninik Mamak as key informants. The findings show that the traditional attire consists of several main components, including sungkuk, baju gedeang, suwan gedeang, kain tahhap, cinggang/cawek, kehaih, tungkat, and shoes. Each element carries both symbolic and practical functions, serving as markers of social status and cultural identity within the Kerinci customary structure. The clothing not only enhances appearance during ceremonial events but also represents local wisdom values such as honor, authority, responsibility, and exemplary conduct. The philosophical meanings embedded in the attire reflect community norms and worldviews rooted in customary law. These findings indicate that traditional clothing serves not only as a form of material cultural heritage but also as a medium for transmitting social values and the collective identity of the Kerinci indigenous community.
Analisis Visual dan Filosofi Patung Kuda Berkepala Manusia pada Tradisi Tabuik Pariaman Gunawan, Nando; Pebriyeni, Eliya
TSAQOFAH Vol 5 No 5 (2025): SEPTEMBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v5i5.6987

Abstract

This study is grounded in the importance of understanding symbolism in cultural traditions as an expression of the philosophical values of local communities. It examines the visual form and embedded philosophical meanings of the horse statue with a human head, a central element in the Tabuik celebration in Pariaman, West Sumatra. Tabuik is an annual ritual of the Pariaman community commemorating the Day of Ashura in the Shi’a Islamic tradition, honoring the events of Karbala and the sacrifice of Imam Husayn. The tradition reflects a fusion of religious elements and local culture rich in symbolism. This research adopts a descriptive qualitative method with Roland Barthes’ visual semiotics approach, analyzing meaning on three levels: denotative (literal), connotative (cultural associations), and myth (ideological and philosophical values). The findings reveal that the statue represents a synergy between local beliefs and Islamic history, particularly the narrative of Karbala and the journey of Buraq. The female face on the statue's head symbolizes gentleness and motherhood, representing Bundo Kanduang as an emblem of honor in Minangkabau culture. The concept of a “level journey” conveys the philosophical view that all humans are equal and share a common purpose toward goodness. The study concludes that the horse statue with a human head serves as a visual medium that represents the cultural identity, religious beliefs, and life philosophy of the Pariaman community.
Ragam Hias Sulaman Benang Lame pada Tabia Pelaminan di Naras Hilir, Pariaman Agustin, Jasmar Ruli; Pebriyeni, Eliya
TSAQOFAH Vol 5 No 5 (2025): SEPTEMBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v5i5.7063

Abstract

This study aims to describe the forms of motifs, motif names, and techniques involved in the creation of sulaman benang lame (lame thread embroidery) on tabia pelaminan in Naras Hilir, Pariaman. Sulaman benang lame is a traditional Minangkabau textile craft with high aesthetic value, serving as a central decorative element in traditional wedding platforms. The research employed a qualitative approach with a descriptive method. Data were collected through direct observation, in-depth interviews with local artisans, and visual documentation of the production process. The findings reveal that the embroidery motifs are predominantly floral, including jasmine flowers, leaves, and pucuk rebung (bamboo shoots), alongside geometric patterns such as lines and triangles. Faunal motifs, such as peacocks, are used only upon request. The embroidery technique has evolved from hand embroidery to machine embroidery, while still maintaining traditional values and local aesthetics. The production process includes designing the motif, applying lame material onto satin fabric, stitching using an embroidery machine, and cutting the outer edges of the motif to emphasize the final form. The study concludes that sulaman benang lame on tabia pelaminan represents a cultural heritage that must be preserved as a visual identity of the Minangkabau people amid the challenges of modernization.
Penggunaan Media Video Tutorial untuk Meningkatkan Hasil Belajar Siswa dalam Pembelajaran Menggambar Flora di Kelas VII SMP Negeri 6 Bukittinggi Rahmi, Lailatul; Pebriyeni, Eliya
TSAQOFAH Vol 5 No 6 (2025): NOVEMBER
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v5i6.7214

Abstract

This classroom action research (CAR) was motivated by the low learning outcomes of Grade VII students at SMP Negeri 6 Bukittinggi, particularly in the subject of drawing flora. The main issues identified were students’ low learning motivation and the teacher’s limited use of engaging instructional media. The study was conducted over two cycles, each consisting of two sessions. Data were collected through teacher observation sheets, student observation sheets, and assessments of learning outcomes via written and practical tests. The aim of the study was to improve student learning outcomes through the use of video tutorial media. The results showed a significant improvement: in Cycle I, learning mastery reached 61.29%, which increased to 90.32% in Cycle II. These findings confirm that the use of video tutorial media is effective in enhancing student learning outcomes in flora drawing lessons for Grade VII students at SMP Negeri 6 Bukittinggi in the 2025/2026 academic year.
Bunga Edelweiss sebagai Ide Penciptaan Motif Batik Kontemporer pada Busana Wanita Kencana, Dwi; Pebriyeni, Eliya
YASIN Vol 5 No 3 (2025): JUNI
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v5i3.5579

Abstract

Batik as Indonesia's cultural heritage continues to develop following the dynamics of the times, but exploration of rare flora motifs that are full of meaning is still relatively limited. This research aims to create a contemporary batik motif inspired by the Edelweiss flower, a typical mountain plant that symbolizes eternity and constancy. This research uses the art creation practice method with five stages: preparation, elaboration, synthesis, concept realization, and completion. The subject of the research is the researcher himself with support from the supervisor and direct observation of visual objects. Data were collected through observation, visual documentation, literature study, and process reflection, then analyzed descriptively-qualitatively. The research resulted in seven works of contemporary batik tulis in the form of women's clothing depicting the growth cycle of Edelweiss, from pollination to flower drying. The visualization is realized through a combination of colet and dyeing techniques, as well as harmonious and expressive motif arrangement. Each work elevates the symbolic value of Edelweiss flowers into a communicative and meaningful visual form. In conclusion, the creation of Edelweiss batik motifs in this fashion work proves that rare flora motifs can be appointed as the main inspiration in contemporary batik, as well as a medium of expression of philosophical and reflective values that are relevant to the spirit of nature and culture conservation in the modern era.
Co-Authors Adila, Triana Agustin, Jasmar Ruli Ahdi, San Ary Ramadhan Asa, Ferdian Ondira Attia Martina Devyana Devyana Dini Sritika Efrizal . Ernis Ernis Ernis, Ernis Erwin A Erwin Erwin fadhil rahman Fatimah Siregar Febrina, Suci Friyatmi Friyatmi Friyatmi Gunawan, Nando Jaka Gagantara Jermaina, Nina Kencana, Dwi Kharisma, Maltha Lailatul Rahmi Lisa Widiarti Monica Kirana Utomo Mughni Arrifman Agus Nadia Nadia Resiana, Zelin Retno Yuliyandra Siti Aisyah Susi Evanita Susi Evanita Syafei Syafei Syafwandi Syafwandi Yasrul Sami Yofita Sandra Yuni Mairiza