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All Journal Melintas An International Journal of Philosophy and Religion JURNAL ITENAS REKARUPA Mediator Harmonia: Journal of Research and Education Product Design ANDHARUPA Extension Course Filsafat ( ECF ) International Journal of Humanity Studies (IJHS) Panggung Tawarikh : Journal of Historical Studies Visualita : Jurnal Online Desain Komunikasi Visual International Journal for Educational and Vocational Studies The Indonesian Design Journal Atrat: Jurnal Seni Rupa East Asian Journal of Multidisciplinary Research (EAJMR) DIMENSI: Journal of Architecture and Built Environment
Yasraf Amir Piliang
Bandung Institute of Technology
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Historizing the City of Pekalongan Allo, Katherina; Piliang, Yasraf Amir
TAWARIKH Vol 7, No 1 (2015)
Publisher : ASPENSI in Bandung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1613.185 KB)

Abstract

ABSTRACT: Historizing a collective life requires moments of time which construct a shared memory, moments in time that have brought a revolutionary change in the collective life, moments of marking that shared life in the progressive time sequencing, and moments of repetitions of what has been lived and experienced in that collectiveness. Without a moment of revolutionary change, the finding of that moment in history would seek into other forms of acknowledgement. Accordingly, the Pekalongan city in Central Java has a significant role in the development of batik production in Indonesia; and so, in 2011, this city was launched as the “world batik city” by the government. This gesture was made to re-activate the dynamics of life in Pekalongan as it has experienced a decline in its industrial productivity. Other local potentials that support the characteristics of Pekalongan as a batik city have also been re-activated and upgraded, such as conserving the local batik kampongs, “Kauman” and “Pesindon”, to be part of the national batik tourist destination areas. This writing will analyze how the life in Pekalongan underwent its historical process and how the external and internal factors interacted and weaved the various texture of life as it became the local color and identity of Pekalongan. Qualitative analysis methods are used in this writing to redefine what is commonly understood as a process of historization, and how this understanding can be used to look at the different contexts of life in Pekalongan. The finding of this research will show other possibilities that can be explored in the process of redefining and historizing the life of this city.KEY WORDS: Historizing, collective life, batik, Pekalongan, world batik city, tourist destination area, local color and identity, and redefining of history.  About the Authors: Katherina Allo is a Doctoral Student at the Faculty of Fine Arts and Design ITB (Bandung Institute of Technology), Jalan Ganesha No.10 Tamansari, Bandung, West Java, Indonesia; and Prof. Dr. Yasraf Amir Piliang is a Lecturer at the Faculty of Fine Arts and Design ITB Bandung, West Java, Indonesia. For academic interests, corresponding author is: ar97ka@indo.net.idHow to cite this article? Allo, Katherina & Yasraf Amir Piliang. (2015). “Historizing the City of Pekalongan” in TAWARIKH: International Journal for Historical Studies, Vol.7(1) October, pp.99-110. Bandung, Indonesia: Minda Masagi Press, ISSN 2085-0980.Chronicle of the article: Accepted (August 29, 2015); Revised (September 27, 2015); and Published (October 28, 2015).
Wacana Visual Talk Show ‘Mata Najwa’: Melihat Bahasa Tubuh Partisipan sebagai Kekuatan Visual Gunarti W.W.,, Winny; Piliang, Yasraf Amir; Syarief, Achmad
PANGGUNG Vol 23, No 4 (2013): Membaca Tradisi Kreatif, Menelisik Ruang Transendental
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i4.149

Abstract

ABSTRACT Ahead of the 2014 election, political and social issues become topics that are often raised on the television talk shows. The existence of a talk show as visual discourse is interesting to study because it can influence public opinion on an issue which involves public figures. In addition to raising the popular issue, the talk show is also designed to perform a professional host and resource person who is in the issue. Mata Najwa talk show on Metro TV is one of the talk shows that features the visual power. By using the studio design as a talk space background, this program focuses on the visual power of Najwa Shihab as the host and resource person appearances where the body of participants become a construction of media to attract the audience’s attention. This study discusses one of epi- sodes of ‘Mendadak Capres’ that presents a public figure Rhoma Irama as resource person. Qualita- tive analysis with Social Semiotic approach puts participants  as part of discourse elements in the production.  The focus of discussion include visual signs which consist of facial expressions, hand gestures and body position of the host and the resource person to build their identity and power in the visual discourse of the conversation. The body language of participants becomes important because it can build the audience perception and support atmosphere for discussion. This study can also be a model  that the power of a talk show lies not only on the topic, but also on the visual power of the participants through their body language. Keywords: visual discourse, body language, and visual power  ABSTRAK Menjelang Pemilu 2014, isu sosial politik menjadi topik yang sering diangkat dalam pro- gram bincang-bincang  (talk show) di televisi. Keberadaan talk show sebagai sebuah wacana visual menarik untuk dikaji karena mampu mempengaruhi opini publik tentang suatu isu yang melibatkan tokoh publik. Selain mengangkat isu populer, tontonan bincang-bincang juga didesain menampilkan pembawa acara profesional serta narasumber yang tengah menjadi isu. Talk show Mata Najwa di Metro TV adalah salah satu tontonan bincang-bincang yang menampilkan kekuatan visual tersebut. Dengan menggunakan latar desain studio se- bagai ruang bincang-bincang, kekuatan visual dipusatkan pada penampilan Najwa Shihab selaku pembawa acara dan narasumber di mana tubuh partisipan menjadi bagian dari kon- struksi media untuk menarik perhatian penonton. Studi ini membahas salah satu episode‘Mendadak Capres’ yang menghadirkan figur publik Rhoma Irama sebagai narasumber. Analisis kualitatif dengan pendekatan Semiotika Sosial menempatkan  paritisipan sebagai bagian dari  elemen wacana di dalam produksi. Fokus pembahasan meliputi tanda-tanda visual yang terdiri dari ekspresi wajah, gerakan tangan serta posisi tubuh pembawa aca- ra dan narasumber untuk membangun identitas dan kekuasaan di dalam wacana visual perbincangan. Bahasa tubuh partisipan menjadi penting karena dapat membangun per- sepsi penonton dan mendukung suasana perbincangan. Studi ini sekaligus dapat menjadi sebuah model bahwa kekuatan tontonan bincang-bincang tidak hanya terletak pada topik, tetapi juga pada kekuatan visual partisipan melalui bahasa tubuh. Kata kunci: wacana visual, bahasa tubuh, dan kekuatan visual
Kitsch dalam Iklan TV Komersial dan Selera Konsumer Indonesia Hanif, Wildan; Piliang, Yasraf Amir
PANGGUNG Vol 26, No 3 (2016): Visualisasi Nilai, Konsep, Narasi, Reputasi Seni Rupa dan Seni Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v26i3.195

Abstract

ABSTRAKIklan TV komersial memiliki hubungan timbal balik dengan selera konsumer. Penelitian mengenai iklan TV bermuatan kitsch, yang sering dikaitkan dengan selera rendah ini, mencoba menjawab bagaimana gambaran selera masyarakat konsumer Indonesia pada tahun 2015. Metode yang digunakan adalah metode lintas disiplin dengan pendekatan Cultural studies. Penelitian ini menguraikan gambaran selera massa konsumer Indonesia sebagai dampak dari tayangan iklan TV komersial. Dengan mengambil sampel “Iklan Biji Selasih Serbuk Panas Dalam Bintang Toedjoe”, didapati bahwa iklan tersebut mengandung unsur budaya global yang bercampur (hibrid) dengan budaya lokal dan mitos populer khas Indonesia. Hasil penelitian ini juga menunjukkan bahwa selera masyarakat Indonesia, terutama kelas menengah bawah, sangat terkait dengan karakter manusia Indonesia yang memiliki naluri berkesenian yang tinggi, suka pamer, percaya tahayul, mudah dipengaruhi oleh budaya dari luar, dan bersifat hipokrit. Kata Kunci : Kitsch, Selera Konsumer, Iklan TVABSTRACTCommercial TV advertising has a considerable influence on the tastes of consumers. Research on the kitsch-laden TV ads, which are often associated with bad taste, try to answer how is the consumer tastes of the people of Indonesia in 2015. The method used is the method of cross-disciplinary approach to Cultural studies. This study provides a picture of the mass consumer tastes Indonesia as a result of commercial TV ad impressions. By taking samples of “Biji Selasih Serbuk Panas Dalam Bintang Toedjoe” " TV ad, found that the advertisement contained elements of global culture mixed (hybrid) with the local culture and popular myths typical of Indonesia. The results of this study also showed that the tastes of Indonesian people, especially the lower middle class, strongly associated with the character of Indonesian people who have a high artistic instinct, happy to show off, but easily influenced by the culture from the outside, believe in superstitious, and is hypocritical.Keywords: Kitsch, Consumer Tastes, TV ad
Kitsch dalam Iklan TV Komersial dan Selera Konsumer Indonesia Hanif, Wildan; Piliang, Yasraf Amir
PANGGUNG Vol 26, No 3 (2016): Visualisasi Nilai, Konsep, Narasi, Reputasi Seni Rupa dan Seni Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (686.347 KB) | DOI: 10.26742/panggung.v26i3.195

Abstract

ABSTRAKIklan TV komersial memiliki hubungan timbal balik dengan selera konsumer. Penelitian mengenai iklan TV bermuatan kitsch, yang sering dikaitkan dengan selera rendah ini, mencoba menjawab bagaimana gambaran selera masyarakat konsumer Indonesia pada tahun 2015. Metode yang digunakan adalah metode lintas disiplin dengan pendekatan Cultural studies. Penelitian ini menguraikan gambaran selera massa konsumer Indonesia sebagai dampak dari tayangan iklan TV komersial. Dengan mengambil sampel “Iklan Biji Selasih Serbuk Panas Dalam Bintang Toedjoe”, didapati bahwa iklan tersebut mengandung unsur budaya global yang bercampur (hibrid) dengan budaya lokal dan mitos populer khas Indonesia. Hasil penelitian ini juga menunjukkan bahwa selera masyarakat Indonesia, terutama kelas menengah bawah, sangat terkait dengan karakter manusia Indonesia yang memiliki naluri berkesenian yang tinggi, suka pamer, percaya tahayul, mudah dipengaruhi oleh budaya dari luar, dan bersifat hipokrit. Kata Kunci : Kitsch, Selera Konsumer, Iklan TVABSTRACTCommercial TV advertising has a considerable influence on the tastes of consumers. Research on the kitsch-laden TV ads, which are often associated with bad taste, try to answer how is the consumer tastes of the people of Indonesia in 2015. The method used is the method of cross-disciplinary approach to Cultural studies. This study provides a picture of the mass consumer tastes Indonesia as a result of commercial TV ad impressions. By taking samples of “Biji Selasih Serbuk Panas Dalam Bintang Toedjoe” " TV ad, found that the advertisement contained elements of global culture mixed (hybrid) with the local culture and popular myths typical of Indonesia. The results of this study also showed that the tastes of Indonesian people, especially the lower middle class, strongly associated with the character of Indonesian people who have a high artistic instinct, happy to show off, but easily influenced by the culture from the outside, believe in superstitious, and is hypocritical.Keywords: Kitsch, Consumer Tastes, TV ad
Telaah Etika Sinematika Deleuze Pada Reprensentasi Perempuan Jawa dalam Film 'SETAN JAWA’ Karya Garin Nugroho Dewi, Agustina Kusuma; Piliang, Yasraf Amir; Irfansyah, Irfansyah
Visualita Jurnal Online Desain Komunikasi Visual Vol 8 No 1 (2019): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (435.193 KB) | DOI: 10.33375/vslt.v8i1.1867

Abstract

Film is a medium of visual communication that plays a role in the dissemination of women's concept discourse in Indonesia, one of which is due to its distinctive characteristics that can last for a long period of time, potentially wider in its dissemination, including also being a mass media hypnotic culture. The film is closely related to the concept of gaze, male gaze in the cinematography industry, which according to overly uses men's views, which is positioning women as subjects who have no power over themselves (self-possessiveness) but as objects of male gaze. Women become commodities in the film, a sex object that is commodified to construct an image that represents the position of women is as an additional role that is not important in one film narrative. In the male gaze narration, women in the film do not act, but become part of the actions of men. Morally, male gaze assumes that the behavior of women in films has a vacuum, but in Garin Nugroho's 'Setan Jawa’ using Deleuze's cinematic study, women are positioned to have other representations that differ from the ethics of cinematics which do not place women as signs of sex objectification for the sake of fulfillment of men's desires, but as subjects who are fully empowered and may wish of themselves.
Konfluen Budaya pada Gaya Visual Ilustrasi Naskah Sajarah Banten Ramadina, Savitri Putri; Piliang, Yasraf Amir; Damayanti, Nuning Yanti
Jurnal Rekarupa Vol 5, No 1 (2018)
Publisher : FSRD ITENAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (458.218 KB)

Abstract

Masa Revolusi Industri pada abad ke-18 menyebabkan tumbuhnya lingkungan urban yang terdiri dari berbagai tipe kelompok masyarakat yang saling berinteraksi menjadi kelas-kelas dan kelompok sosial baru. Budaya kelompok baru tersebut selanjutnya membentuk ikatan yang pelik antar berbagai pola pemikiran yang tidak lagi dapat dikatakan ‘turun-temurun’, yang diistilahkan Ulf Hannerz sebagai cultural confluences atau “pertemuan/konfluen budaya”. Pemilihan kata ‘confluence’ merujuk pada sesuatu yang bersifat cair, mengalir dan bercampur, mengisyaratkan bahwa budaya bukan lagi merupakan tradisi yang kaku. Penelitian ini untuk menelaah sejarah fenomena konfluen budaya dalam perkembangan budaya visual Indonesia melalui sampel ilustrasi naskah Sajarah Banten yang dibuat pada abad ke-18 dengan menerapkan metode analisis wacana. Hasil penelitian menunjukkan bahwa gaya estetik yang diterapkan pada ilustrasi tersebut menunjukkan bentuk adaptasi dari gaya tradisional Indonesia dengan gaya luar seperti Barat dan Timur Tengah. Kata kunci:  gaya visual, ilustrasi, konfluen budaya.ABSTRACTThe Industrial Revolution during the 18th century caused the emergence of urban environment consisted of various community types which interacted and turned into new social classes and groups. The culture of those new communities thus shaped some complex bonds of thought patterns which cannot be called ‘hereditary’ anymore, termed by Ulf Hannerz as cultural confluences. The usage of term ‘confluence’ refers to something fluid, flowing, and mixing, as a hint that culture is not a rigid tradition anymore. This research aims to analyse the history of cultural confluences in the development of Indonesia’s visual culture through sampling of Sajarah Banten manuscript’s illustrations made in 18th by using discourse analysis method. The result shows that the aesthetic style used in the illustrations shows adaptations from Indonesia’s traditional style with external influences like from the West or Middle East. In other words, cultural confluences had existed even before the Digital Revolution 4.0 in Indonesia and it is not a threat, instead it can expands the visual vocabularies of Indonesia.Keywords: cultural confluences, illustration, visual style.
The Visual Arts of Masjid Agung Sang Cipta Rasa Cirebon: Hybrid Culture Identity Kartika, Nyai; Piliang, Yasraf Amir; Santosa, Imam; Dienaputra, Reiza D.
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.17525

Abstract

Cultural hybrids complement the richness of the visual art of Masjid Agung Sang Cipta Rasa in Cirebon. The influence of diversity can be seen in the mosque including having strong local cultural characteristics, coupled with the influence of foreign cultures such as Arabic, India, and China. This study aims to find hybrid culture crosses in elements of Masjid Agung Sang Cipta Cipta. The method used is the historical method. The historical method is the process of critically testing and analyzing records and relics of the past. This method consists of several stages, namely heuristics, criticism, interpretation, and historiography. The results of this study describe various forms of hybridity that have influenced the development of Masjid Agung Sang Cipta Rasa. The elements are considered to represent the period before Islam entered, or the influence of Hindu Buddhism, Chinese, Arab, Javanese, and European that coexist in Cirebon. The elements of visual arts in the mosque which are part of the hybrid cultural cross-identity among which are represented on the roof that gets influence (Javanese, Hindu-Buddhist, Arabic/Islamic); gate (Hindu-Buddhist); maksurah (Arabic); mihrab (Arabic, Chinese); pillars (Javanese, Arabic). This shows that the greatest influence on the building of Masjid Agung Sang Cipta Rasa, starting from the earliest development until several centuries later, is the influence of culture from outside.
GOFFMAN’ DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO Dewi, Agustina Kusuma; Piliang, Yasraf Amir; Irfansyah, Irfansyah; Saidi, Acep Iwan
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (16.384 KB) | DOI: 10.24071/ijhs.v3i2.2339

Abstract

Dramaturgy Goffmann closely related to the model of the interaction between the persona by assuming that a mode of social relations as a stage show. There are self-raised, there are purposely hidden for management to create a certain impression. Setan Jawa Film by Garin Nugroho, as an art film, the issue of movement as the media said the film that marks the cultural code of Java to interact. This study aims to identify the perception of motion applicable to the 'movement' in Setan Jawa Film using test questionnaire responses on the perception of respondents from diverse ethnic, which was later confirmed by the method of Focused Group Discussion with Goffmann’ Dramaturgy analysis as the basis of interpretation.
STRUKTUR MODAL PIERRE BOURDIEU PADA PELAKU KREATIF GRAFIS FASHION BANDUNG Listiani, Wanda; Ahimsa-Putra, Heddy Shri; Simatupang, G. R. Lono Lastoro; Piliang, Yasraf Amir
ATRAT: Jurnal Seni Rupa Vol 1, No 1 (2013): MEDIA DALAM BUDAYA RUPA
Publisher : Jurusan Seni Rupa STSI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Modal biasanya dipahami dalam term ekonomi, padahal menurut teori Modal Pierre Bourdieu terdapat 4 jenis modal yaitu modal sosial, modal ekonomi, modal budaya dan modal simbolik. Hubungan kepemilikan modal antar pelaku kreatif maupun relasinya dengan pelaku yang lain menentukan posisi pelaku kreatif di arena tertentu dan menjelaskan hubungan kekuasaan pelaku. Penelitian ini menggunakan metode etnografi dan teknik pengumpulan data dengan wawancara mendalam dan observasi. Hasil penelitian ini menunjukkan bahwa struktur modal ditentukan oleh 6 arena yaitu arena industri fashion, arena fashion show, arena pameran/ instalasi, arena pertunjukan, arena perlombaan desain dan arena komunitas. Struktur modal menjadi pembentuk diferensiasi dan arena menjadi tempat atau lokasi terjadinya praktik diferensiasi grafis fashion.Kata Kunci: Pierre Bourdieu, Modal, Grafis Fashion, Bandung
Desain Sistemik untuk Inisiatif Fesyen Melingkar Kolaboratif: Studi Kasus di Surabaya Handayani, Rahayu Budhi; Piliang, Yasraf Amir
Jurnal Desain Indonesia. Vol 6 No 1 (2024): Fluid and Ubiquitous
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v6i1.372

Abstract

The environmental and social issues raised by the linear fashion industry are addressed through circular fashion. It utilizes a closed-loop method that encourages mindful behavior along the entire fashion value chain, from creation to disposal. This article describes the application of a systemic design approach to collaborative circular fashion initiatives with a focus on creating sustainable partnerships and promoting circular fashion initiatives between fashion design Universitas Ciputra, the Surabaya city government Environmental Office, and representatives of 40 Kampung Zero Waste. The methodology used in this research study was based on a systemic design approach, which recognized the interconnection and interdependencies within the circular fashion system. Although the research study did not specifically assess the program's impacts it was a crucial first step in creating awareness and initiating collaborative efforts to promote the adoption of circular fashion in Indonesia. Focusing on the early stages of fostering circular fashion with the help of the Surabaya City Government Environmental Office and zero-waste communities produced insightful findings. Future projects and interventions could be built upon a strong foundation that was provided by the systemic design approach and interdisciplinary collaboration. The research results advance knowledge of comprehensive models and collaborative strategies for encouraging circularity in the fashion industry.
Co-Authors Acep Iwan Saidi Achmad Syarief Agustina Kusuma Dewi Anindi Maulidya Fatima Aulia Ardista Wiradarmo Dana Waskita Deddy Wahjudi Dewi, Agustina Kusuma Firda Florencia, Firda G. R. Lono Lastoro Simatupang, G. R. Lono Lastoro Hafiz Aziz Ahmad Heddy Shri Ahimsa-Putra Imam Santosa Irfansyah Irfansyah Iwan Gunawan Kahfiati Kahdar Katherina Allo Kusuma Dewi, Agustina Nasution, Annio Indah Lestari Nuning Yanti Damayanti Nyai Kartika puspitasari, feny Rahayu Budhi Handayani Reiza D. Dienaputra Rinda Liem Rizki Taufik Rakhman Rosalinda Wiemar, Rosalinda Ruly Darmawan Savitri Putri Ramadina Tri Utami Ramadhiyanti Ummu Sakiinah Wanda Listiani Wildan Hanif Winny Gunarti Widya Wardani