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All Journal INFORMASI Masalah-Masalah Hukum Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Communicatus: Jurnal Ilmu Komunikasi Inklusi Journal of Disability Studies Jurnal Komunikasi Jurnal Profetik Jurnal Hukum dan Pembangunan Jurnal Komunikasi Indonesia
Lintang Ratri Rahmiaji
Departemen Ilmu Komunikasi, FISIP, Universitas Diponegoro
Humanities Computer Science & IT Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Produksi Program Acara BeritaFeature “Harmoni Islam” di Cakra Semarang TV sebagai Penyunting Gambar Kaisya Ukima Tiara Anugrahani; M Bayu Widagdo; Hedi Pudjo Santosa; I Nyoman Winata; Lintang Ratri Rahmiaji
Interaksi Online Vol 2, No 4: Oktober 2014
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Program berita feature dianggap paling tepat untuk mengemas acara yang mengangkat topik mengenai informasi-informasi Islam karena salah satu karakteristik berita feature yang bertujuan memberi tahu dan menyampaikan informasi tetapi sekaligus menghibur khalayak.Sehingga, selain menambah pengetahuan, penonton pun terhibur.Ada berbagai macam kemasan berita featureyang dapat kita nikmati di televisi. Program Harmoni Islam sendiri tergolong ke dalam Berita feature Informatif. Feature informatif sendiri sangat digemari oleh penonton, karena karakteristik masyarakat modern yang sangat sibuk dan tidak memiliki cukup waktu tapi ingin tahu lebih banyak tentang segala hal. Produksi program berita feature pada karya bidang ini dibuat dengan lima posisi pekerjaan berdasarkan tugas dan tanggung jawab masing-masing, yaitu produser, sutradara, penulis naskah, juru kamera dan penyunting gambar.Dalam karya ini fokus menjabarkan apa saja tugas penyunting gambar dalam membuat Program Harmoni Islam dari tahap praproduksi, produksi, dan paskaproduksi.Program ini dibuat 29episode yang tak hanya menginformasikan tentang seluk-beluk agama Islam tapi juga mengenalkan tradisi khas Bulan Ramadhan di daerah Semarang dan sekitarnya.Tayang di televisi lokal Cakra Semarang TV sebagai saran publikasi dengan cara mengisi slot programRamadhan yaitu Pelangi Ramadhan. Tayang setiap hari selama Bulan Ramadhan mulai tanggal 28 Juni 2014 sampai 27 Juli 2014 pukul 17.00 WIB. Melalui karya ini diharapkan dapat mengedukasi dan menambah informasi masyarakat mengenai serba-serba Islam sehingga meningkatkan ibadah di Bulan Ramadhan dan menambah wawasanKata kunci: news features, Islam, informasi, Ramadhan, Televisi, Penyunting gambar.
Performativitas Gender dalam Film The Kids Are All Right Karya Lisa Cholodenko Yohanes Erik Wibawa; Dr Sunarto; Hapsari Dwiningtyas; Lintang Ratri Rahmiaji
Interaksi Online Vol 2, No 4: Oktober 2014
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Konsep heteronormativitas tidak memberikan ruang dan toleransi terhadap bentuk gender-gender lain kecuali laki-laki dan perempuan dan heteroseksual dianggap sebagai hubungan yang paling alamiah. Judith Butler, seorang pasca strukturalis, menolak dualisme gender tersebut yang secara sosial sangat sulit ditinggalkan. Film The Kids Are All Right karya Lisa Cholodenko ini mencoba keluar dari nilai-nilai heteronormatif tersebut dengan menampilkan pasangan lesbian yang telah berkeluarga lengkap dengan kehadiran anak-anak.Tujuan dari penelitian ini adalah untuk mengetahui strategi pembuat film dalam melakukan naturalisasi pasangan lesbian dalam konteks sosial keluarga dan mengungkap nilai-nilai dalam kultur dominan (heteronormatif) yang tidak bisa dilepaskan oleh film ini. Penelitian ini menggunakan pendekatan kualitatif dengan analisis semiotika model Roland Barthes melalui tahapan analisis sintagmatik dan paradigmatik dengan menggunakan lima kode pokok pembacaan teks. Strategi film dalam melakukan naturalisasi dengan menunjukkan bahwa pasangan homoseksual (lesbian) bisa memiliki anak sendiri, anak-anak yang diasuh oleh pasangan lesbian bisa berprestasi dan mempunyai tumbuh kembang yang baik, ikatan emosional anak-anak dengan orang tua maupun antar individu lesbian ketika sedang berkonflik (ditunjukkan melalui ekspresi menangis, marah, dan kecewa), adegan-adegan romantic relationship pasangan lesbian (berciuman, berpelukan, bergandengan tangan, dan bercinta), adanya transformasi nilai-nilai sosial dari orang tua ke anak-anak, dan orientasi seksual orang tuanya tidak mempengaruhi orientasi seksual anak-anaknya (walaupun masih menunjukkan adanya melancholic heterosexuality). Kecenderungan heteronormativitas terletak pada konstruksi praktek sosial dan kategori gender yang sifatnya tidak hanya dikotomis tetapi juga hirarkis melalui hadirnya simbol butch (dominasi maskulin)dan femme (peran domestik feminin). Film ini juga menunjukkan resistensi terhadap heteronormativitas dengan menampilkan kategori gender dan seksualitas yang cair. Performativitas gender disini adalah sesuatu yang kompleks karena bukan hanya sekadar imitasi bagaimana gender yang seharusnya ditampilkan oleh tokoh-tokoh dalam film, tetapi bukan usaha untuk menghindari pengulangan terhadap model heteronormativitas tentang bagaimana laki-laki dan perempuan seharusnya.Kata kunci : gender, seksualitas, film
Pengaruh Terpaan Program Consumer Relations dan Persepsi Kualitas Pelayanan terhadap Kepuasn Pelanggan Listrik Pintar PT PLN (Persero) Azalea Puspa Sessarina; Agus Naryoso; Lintang Ratri Rahmiaji; Joyo NS Gono
Interaksi Online Vol 3, No 4: Oktober 2015
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Penelitian ini bertujuan untuk mendeskripsikan pengaruh terpaan program consumer relations dan persepsi kualitas pelayanan terhadap kepuasan pelanggan Listrik Pintar PT PLN (Persero), karena kepuasan pelanggan adalah salah tujuan utama yang ingin dicapai suatu organisasi perusahaan.Penelitian ini merupakan penelitian kuantitatif dengan tipe penelitian eksplanatori. Populasi dalam penelitian ini adalah warga kota Semarang yang berusia 25 – 55 tahun dan merupakan pelanggan Listrik Pintar yang pernah terlibat dalam program consumer relations PT PLN (Persero). Penarikan sampel dilakukan secara purposive sampling dengan responden sejumlah 50 orang. Pengujian hipotesis dalam penelitian ini menggunakan analisis regresi linier berganda.Pengujian hipotesis terpaan program consumer relations dan persepsi kualitas pelayanan terhadap kepuasan pelanggan Listrik Pintar PT PLN (Persero) menunjukkan hasil pengaruh yang signifikan. Dari hasil penelitian dinyatakan bahwa terpaan program consumer relations dan persepsi kualitas pelayanan secara bersama-sama memberikan pengaruh terhadap kepuasan pelanggan Listrik Pintar PT PLN (Persero) sebesar 92,6%, sedangkan sisanya 7,4% dipengaruhi oleh variabel lainnya.Hasil uji pengaruh antar variabel menunjukkan bahwa masing-masing variabel independen, yaitu terpaan program consumer relations dan persepsi kualitas pelayanan berpengaruh signifikan terhadap variabel dependen, yaitu kepuasan pelanggan Listrik Pintar PT PLN (Persero). Maka hasil ini dikatakan sesuai dengan kedua teori yang digunakan yaitu Two-Way Symetric Model dan The Expectancy Disconfirmation Model.Hal ini bermakna bahwa terdapat hubungan antara terpaan program consumer relations dan persepsi kualitas pelayanan terhadap kepuasan pelanggan Listrik Pintar PT PLN (Persero) dengan pengaruh yang besar. Pengaruh lainnya dapat disebabkan oleh faktor lain seperti terpaan program Community Social Responcibility (CSR) dan Corporate Publicity PT PLN (Persero).
Pemaknaan Khalayak Terhadap Ruang Privat Pada Tayangan Suka Suka Uya Oki Riski Karlisna; Hedi Pudjo Santosa; Hapsari Dwiningtyas; Lintang Ratri Rahmiaji
Interaksi Online Vol 3, No 1: Januari 2015
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Tayangan Suka Suka Uya merupakan sebuah variety show yang ingin memberikan alternatif hiburan bagi pemirsanya dengan menghadirkan bintang tamu public figure untuk direlaksasi, menceritakan apapun tentang kehidupan pribadinya sehingga batas antara ruang privat dan ruang publik di media seolah menjadi kabur. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis resepsi Stuart Hall yang bertujuan mendeskripsikan dan menganalisis keberagaman interpretasi khalayak tentang ruang privat public figure yang dikemas dan ditampilkan dalam tayangan Suka Suka Uya serta bagaimana khalayak mendeskripsikan ruang privat di media, khususnya televisi. Hasil penelitian menunjukkan ada tiga tipe pemaknaan mengenai interpretasi khalayak terhadap ruang privat public figure yang dikemas dan ditampilkan dalam tayangan Suka Suka Uya. Dominant – hegemonic reading adalah posisi dimana khalayak menyetujui makna dominan (preferred reading) bahwa batas antara ruang privat dan publik kabur, melebur jadi satu, dan dianggap sebagai sebuah hal yang wajar bagi seorang public figure karena adanya voyeurism dan penerimaan informasi privat oleh khalayak sebagai hiburan. Negotiated reading dimana khalayak menyetujui makna dominan dari teks media dengan pertimbangan terdapat perbedaan batasan antara public figure dan orang biasa mengenai ruang privat. Khalayak menegosiasikan hal tersebut karena batasan ruang privat public figuredianggap berbeda dan lebih luas sebagai konsekuensi dari profesinya serta selera informan pada bintang tamu yang hadir. Terakhir, opositional reading adalah posisi dimana khalayak secara tegas menolak makna dominan yang ditawarkan oleh teks media karena mereka menganggap bahwa batasan ruang privat dan publik tetap ada dan masing – masing orang termasuk public figure. Ruang privat dideskripsikan sebagai aib yang tabu dibicarakan di ruang publik. Selain itu, perbedaan pemaknaan terhadap ruang privat juga muncul karena perbedaan gender informan, laki – laki dan perempuan. Informan perempuan cenderung lebih menerima terbukanya ruang privat dibandingkan informan laki – laki. Keywords : resepsi, ruang privat, public figure, khalayak
MEMAHAMI PENGALAMAN BODY SHAMING PADA REMAJA PEREMPUAN Tri Fajariani Fauzia; Lintang Ratri Rahmiaji
Interaksi Online Vol 7, No 3: Agustus 2019
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

This research was motivated by the number of cases or the phenomenon of body shaming in society. There were 966 cases of physical insult or body shaming which is handled by the police from across Indonesia throughout 2018. A total of 347 cases were completed either through law enforcement or mediation approach between victims and perpetrators. The purpose of this research is to know and understand body shaming experienced by adolescent girls. The theory used in this research is the Theory of Socialized Anxiety and Theory of Social Phenomenology. Interpretive paradigm and data analysis technique refers to the method of Clark Moustakas phenomenology. Subjects were young women who have or are experiencing body shaming. The results of this study indicate that the body shaming behavior common to all informants since middle school age and tend to be done by a school friend. The intensity of body shaming tends to rise with age and the emerging awareness of the body and appearance. The shape of body shaming is dominated by color, shape and size of the body in the form of verbal communication and even some up in the form of physical violence. Kind of Body shaming Experienced, such informants got body shaming speech in a crowded place and gets a body shaming accompanied by physical violence. Even body shaming of a male friend or lover puts more stress on the informant, with comment form unattractive body or face. Body shaming pressure and bring shame that lowers body confidence. Informants be easily sensitive to a variety of things, such as in choosing clothes, refused an invitation to leave the house, until further closing and self-limiting. Informants in this study perform verification effort to avoid the body shaming back with body treatments, a program of diet, exercise, and learn makeup. Resistance of body shaming led to the concept of body positivity, but they still take measures changes in the body'seperti dress, Forming a good body, and sensitive on matters relating to the body. Experiencing body shaming and doing body-positivity may not be completed even though they can take the fight. When the informant has been doing body positivity did not rule out the possibility they feel insecurity on his back and make changes in order to prevent the occurrence of body shaming.
REPRESENTASI OBJEKTIFIKASI PEREMPUAN DALAM FILM SELESAI (ANALISIS SEMIOTIKA ROLAND BARTHES) Freshia Trinanda Hamid; Sunarto Sunarto; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Film productions in Indonesia still present characterizations that are attached to traditional gender constructions and objectify the female body. The director of “Selesai” stated that this movie is produced as a form of his perception regarding the patriarchal culture in Indonesia, presenting social facts, starting a new perspective, and not discrediting women. Based on the director's statement, this study aims to describe the objectification of women and find the dominant ideology in the text. The main theory used is standpoint theory, supported by male gaze theory, radical libertarian feminism, and the concept of objectification of NussbaumLangton. The method used is the semiotic analysis of Roland Barthes (5 codes). The main finding of this research is that “Selesai” represents the objectification of women, where the objectification is carried out by men, fellow women, and women themselves. Referring to the concept of Nussbaum Langton, some forms of objectification found in the movie; Instrumentality, where women are used as tools to satisfy men's sex that is represented in the movie through mistresses, girlfriends, and even in imagination, used as money-making tools and seen as instruments that should give birth in marriage relations. Denial of autonomy and inertness, a restriction on women when they try to make decisions for themselves such as husbands who refuse to divorce, women who have no autonomy to determine whether to give birth and are admitted to mental hospitals. Ownership can be seen from the unequal ownership relations where men tend to be dominant in both dating and marriage relationships and “playing victim” practices to justify the commitment violations. Fungibility, women can be exchanged if she didn’t meet expectations. Violability, women as objects who can be treated harshly, to be hurt, their rights are fine to be robbed, cheated on, and bullied verbally and non-verbally. Denial of subjectivity, women's experiences, and feelings are ignored. Reduction of appearance, women's value is reduced based on their appearance and reduction of the body where there is a focus on women through how the camera works on certain body parts. The objectification in “Selesai” is accompanied by a lack of female resistance, this emphasizes the dominant ideology of patriarchy and contradicts the director's statement which says that this movie didn’t discredit women because the facts chosen in this movie aren’t constructed well with gender equality. Based on the results of this critical research, it’s inaccurate if the contents of the film are used as material for a reflection to change society.
MEMAHAMI MOTIVASI, BENTUK INTERAKSI, DAN MANFAAT BAGI FOLLOWER DALAM MENGIKUTI MICRO-INFLUENCER DI MEDIA SOSIAL INSTAGRAM Desynta Kurnia Hapsari; S.Rouli Manalu; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The emergence of social media has brought many changes in people's lives. The increasing use of social media has also increased the emergence of the influencer phenomenon, especially in Indonesia. Micro influencers are the lowest influencer category on social media in terms of the number of followers that range from 1,000 to 15,000 followers. However, despite having the lowest follower count of any other category and not having their former popularity, micro influencers are able to attract an audience to follow them on Instagram. This study aims to understand in depth the motivations of followers to follow certain micro influencers, what forms can be intertwined between the two, as well as the benefits gained by followers in following these micro influencers. This research is a phenomenological research with an Interpretative Phenomenological Analysis (IPA) approach. The data collection technique was carried out using in-depth interview techniques with twelve (12) informants from three (3) different micro influencer categories, with the criteria of actively interacting on social media with the micro influencers they follow. The results of this study found that there were four follower motivations in following micro influencers on social media. First, there is positive emotional arousal in the form of feeling happy, excited, entertained, excited, and motivated. Second, there is physical attractiveness such as the physical appearance of micro influencers, similarities in hobbies, tastes or areas of residence, and the ability of micro influencers to produce content and manage their social media. Third, there is the Bandwagon Effect, where followers tend to follow micro influencers because they follow what their friends are doing. Fourth, followers are motivated to follow micro influencers on social media because they set micro influencers as role models. Meanwhile, the interactions that exist between followers and the micro influencers they follow are parasocial interactions, because closeness is only felt by the followers. By following micro influencers, followers can get benefits in the form of fulfilling their needs for information and entertainment
HUBUNGAN TERPAAN IKLAN LAYANAN TRANSPORTASI ONLINE DAN ONLINE CONSUMER REVIEW DENGAN MINAT MENGGUNAKAN LAYANAN TRANSPORTASI ONLINE Wimala Wimardana; Joyo Nur Suryanto Gono; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Maxim is one of the companies engaged in online transportation services in Indonesia since 2018. Since then, Maxim has managed to attract more than 10 million active users. This figure is quite high considering that Maxim only uses one platform; Instagram in his advertising activities. On the other hand, there is an interesting thing listed in Maxim's Instagram comment column – @Maxim_Indo – which is that reviews are often found after bad reviews about Maxim's performance. Therefore, this study aims to determine the relationship between exposure to online transportation service advertisements and Online Consumer Review (OCR) with interest in using online transportation services. This study uses the Buyer Information Environment Theory, the sample set is 125 respondents with the criteria of being 18 – 34 years old, domiciled in Semarang, and has seen Maxim's advertisements on Instagram @Maxim_Indo. This study uses non-probability sampling with accidental sampling technique. This study resulted in a significance value between exposure to online transportation service advertisements and interest in using online transportation services of 0.000, which is less than a significance value of 0.01 which means it is very significant and a correlation coefficient value of 0.254 which means that the two variables have a weak relationship and has a positive direction. This means that if exposure to online transportation service advertisements has increased, the interest in using online transportation services will also increase. On the other hand, if exposure to online transportation service advertisements has decreased, the interest in using online transportation services will also decrease. Then, in the second hypothesis correlation test, there is a relationship between OCR and interest in using online transportation services which is indicated by a significance value of 0.001 which means it is very significant because it is less than a significance value of 0.01, has a correlation coefficient value of 0.209, which means that the two variables have a weak relationship and has a positive direction. This means that if the OCR increases, the interest in using online transportation services will also increase. On the other hand, if the OCR decreases, the interest in using online transportation services will also decrease.
PENGARUH INTENSITAS KONSUMSI INFORMASI E-WOM E-WALLET, INTENSITAS KOMUNIKASI E-WOM E-WALLET, PERSEPSI MANFAAT DAN PERSEPSI KEMUDAHAN PENGGUNAAN TERHADAP MINAT MENGGUNAKAN APLIKASI E-WALLET Dhea Ayu Fairuzha; Lintang Ratri Rahmiaji; S. Rouli Manalu
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Technological developments encourage changes in the behavior of people's transactions in Indonesia. Currently, people are starting to switch to non-cash transactions. The use of e-wallets has now become a new phenomenon in the world of finance and technology. The emergence of the phenomenon of using e-wallets has encouraged various digital wallet companies in Indonesia. As a result of this competition, each e-wallet company has improved the performance of its features and services as well as increased the dissemination of information in various mass media such as television, radio, online news and Instagram social media. Even so, not all people use e-wallets to make payment transactions. The study aims to determine the effect of the intensity of e-wallet information consumption, the intensity of e-wom e-wallet communication, perceived usefulness and perceived ease of use on interest in using e-wallet applications. This study uses the Technology Acceptance Model (TAM) and simple linear regression statistical tests. The sample in the study was 100 respondents aged 20-60 years who are residents of the city of Semarang. The results of the study prove that in H1 there is an influence between the intensity of consumption of e-wallet information on perceived usefulness. Then, in H2 there is an influence between the intensity of e-wom e-wallet communication on perceived usefulness. In H4 there is an influence between the intensity of e-wom e-wallet communication on perceived ease of use. Then, in H5 there is an influence between perceived usefulness on interest in using e-wallet applications, and in H6 there is an influence between perceived ease of use and interest in using e-wallet applications. Meanwhile, in H3 it shows that there is no influence between the intensity of consumption of e-wallet information on perceived ease of use, which means that the perceived ease of use of individuals does not grow from the intensity of consumption of e-wallet information, instead the intensity of e-wom e-wallet communication contributes to the growth perceived ease of use.
ADAPTASI BUDAYA MAHASISWA INDONESIA SELAMA MENEMPUH PENDIDIKAN DI TURKI Aisyah Nadhilah Arsyi Malik; Turnomo Rahardjo; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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One situation where cultural adaptation happens frequently in society is when a person moves to a location that is considerably different from his or her usual environment. Students who relocate to foreign nations also experience this; they struggle to fit in with their new surroundings. Many elements that make it challenging for pupils to adapt are typically brought on by the new environment, culture, conventions, and rules. The question of how these Indonesian students can adjust to a new environment and culture then arises for students who are immigrating to other nations. This study uses qualitative research techniques in conjunction with interpretive paradigms and phenomenological approaches to learn more about the adjustment process of Indonesian students while they are studying in Turkey. In-depth interviews are the method of data collecting used. The U-curve theory, cultural identity theory, culture shock theory, and cultural adaptation theory were the theories employed in this study. The findings of this study show that there are four stages in the process by which Indonesian students adjust to their new cultural environment while studying in Turkey. The first stage involves acclimating to the new environment, followed by the second stage, which is known as culture shock. Students experience anxiety and fear at this stage. due to different religious beliefs, language, cuisine, lifestyle, and culture, as well as homesickness. The life of Indonesian students in Turkey once they have adjusted to the country's surroundings and culture follows the culture shock phase. Identity formation is the last stage that Indonesian students go through. Because of the interactions amongst Indonesian students, identity is formed
Co-Authors ABDURRAHIM DJALINS, RAZI Abimanyu Satriyo Wicaksono Ade Armando Adi Nugroho Adi Nugroho Afi Sultan Ramadhan, Muhammad Afiati Tsalitsati, Afiati Afra Widyawiratih Arini Afra, Adeela Afrilia Wening Anindya Agus Naryoso Agustina Rahmawati Aisyah Nadhilah Arsyi Malik Akmalia Rasyid, Alifa Alya Azma Fazira Alya Nur Hana Amrina, Afrilla Anastasya Yuca Venina Andre Ghozali Putra Riyadi Anike Puspita Yunita Anissa Meiriam Swastinastiti Antika Yolanza Apriyani, Tiara Arbi Azka Wildan, Arbi Azka Arham Syarif, Muhamad Arlinda Nurul Nugraharini Arum Sawitri Wahyuningtias Azalea Puspa Sessarina Azif, Zahra Azzahira Putri Zakaria, Grandhis Bambang Sadono Bambang Sadono Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bethania Swasti Akmarani Chela Merchela Funay Dafa H.D, Krisna Desynta Kurnia Hapsari Dhea Ayu Fairuzha Djoko Setyabudi DR Sunarto Dwi Purbaningrum, Dwi Estadista Herdini, Reyna Faiz Syarafullana, Mirwa Farhan Haritz, Abdullah Fitri Damayanti Frans Agung Prabowo Freshia Trinanda Hamid Geralda Mewengkang, Rafaela Ginting, Stefany Hanifah Widyadhana, Nastiti Hanna Oliviati, Nur Hapsari Dwiningtyas Hapsari Dwiningtyas S, Hapsari Dwiningtyas Hapsari Dwiningtyas Sulistyani Hasan Hendratmoko Hedi Pudjo Santosa Hedi Pudjo Santosa Hendrianto Noor Ikhwan Herusna Yoda Sumbara I Nyoman Winata Iffah Shofiyah Ariefah Indra Pratama Isti Prabandari, Ayu Josinita Endah Juniarlin Joyo Nur Suyanto Gono Juwita Veronica Kaisya Ukima Tiara Anugrahani Keke Meidyluana Sitalaksmi Kristiawan Agma Bima Setyanto Liza Margaret, Liza M Bayu Widagdo Maria Gabrielle P., Maria Marisa Arum Larasati Mayangsari Cantika Mutiara Mellisa Indah Purnamasari Muhammad Bayu Widagdo Muhammad Imaduddin Naabigha, Tsaabitah Nanda Dwitiya Swastha Nisa Bela Dina, Nisa Bela Nisa Safitri, Aiko Nisrina Aulianovanda, Althafa NUR CAHYANINGSIH, DEWI Nurist Surayya Ulfa Nuriyatul Lailiyah Nurul Hasfi Nurul Syifa, Salsa Octari Ambarita, Angelica Oki Riski Karlisna Osa Patra Rikastana Pehulisa, Karin Primada Qurrota Ayun Puji Purwati Qonita Andini, Annisa Raghabendra, Octova Rakanita Oktaviani Hadi Saputri Rezeki Amalia, Annisa Rieda Anindita Putri, Rieda Anindita Rimadhani Putri Budiana Rizka Rahmawati Rizki Rengganu Suri Perdana Rony Kristanto Setiawan S Rouli Manalu Sabda Nugraha, Detrina Safira Nurin Aghnia Septiana Hadiwinoto, Jessica Siska Ratih Dewanti Sri Budi Lestari Sri Budi Lestari Sri Widowati Herieningsih Sunarto Sunarto Sunarto Sunarto Surya Mutumanikam, Gempita Tandiyo Pradekso Taufik Suprihatini Taufik Suprihatini Titiek Hendriama Titiek Hendriama, Titiek Tri Fajariani Fauzia Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Vivi Yolanda Wafda Afina Dianastuti Warapsari, Dhyayi Wimala Wimardana Wiwid Noor Rakhmad Yanuar Luqman Yoana Putri Elianna Yohanes Erik Wibawa Yoshita Rindha Anggraini Yulistra Ivo Azhari Yunni Wulan Ndari Yunusiah, Septia