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All Journal E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Segara Widya: Jurnal Penelitian Seni International Journal of Interreligious and Intercultural Studies International Journal of Supply Chain Management Humaniora Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Journal of Music Science, Technology, and Industry (JOMSTI) International Journal of Social Science Journal of Aesthetics, Creativity and Art Management Jurnal Pengabdian Masyarakat Waradin Jurnal Igel: Journal of Dance E-Amal: Jurnal Pengabdian Kepada Masyarakat
Ni Made Ruastiti
Department Of Dance, Faculty Of Arts, Indonesia Institute Of The Arts Denpasar, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Transportation Other

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Journal : E-Journal Of Cultural Studies

 1 
DICTION OF DAYAK KATINGAN FAMILY ARTICULATION IN TEWANG TAMPANG VILLAGE AND ITS IMPLICATIONS ON FAMILY COLLABORATION Rahmawati, Ni Nyoman; Anom Kumbara, A.A. Ngurah; Suda, I Ketut; Ruastiti, Ni Made
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (674.393 KB) | DOI: 10.24843/cs.2018.v11.i04.p01

Abstract

The difference in religious ideology in the Dayak Katingan family in the village of Tewang Tampang in reality does not trigger conflict, they always live in harmony and harmony. This can be seen from their intimacy and togetherness in daily social interactions. However, behind this harmony there is also a struggle for religious ideology in the practice of tradition. For this reason, the purpose of this study was focused on knowing how the Dayak Katingan family in Tewang Tampang Village articulated its diversity and outlined its implications for harmony in the family. This study uses a qualitative method. Data sources are primary and secondary data. Data was collected through participant observation techniques, in-depth interviews, and document studies. Determination of informants was conducted purposively and Snowball, the theories used were phenomenology theory, hermeneutic theory, and communicative action theory. The results showed that the way the Dayak Katingan family in Tewang Tampang village articulated their family traditions in a different way between Kaharingan Hindus, Islam and Christianity. This can be seen from the articulation presented by them, namely the Hindu Kaharingan people articulating tradition as part of religious rituals and in practice based on established rules. Meanwhile Muslims and Christians only articulate tradition as part of Dayak customs and culture and in practice adapts to the teachings of the religion adhered to. This difference in articulation of tradition has implications for religious attitudes in the family such as the opening of a space for dialogue, a tolerant attitude of religion, and a strengthening of family relations. Keywords: Articulation, religiosity, implications, diction
RECONSTRUCTION OF WAYANG ORANG DARMA KERTI AT BATU PANDANG: A STRUGGLE FOR IDENTITY IN MATARAM, LOMBOK Seramasara, I Gusti Ngurah; Ardhana, I Ketut; Suarka, I Nyoman; Ruastiti, I Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Wayang Orang (the stage show usually with the wayang theme) is a performing art of which the characters are played by people. As a specific Sasak performing art, the wayang orang which is performed in Mataram Lombok, used to use what is referred to as Serat Menak as the story source. However, such a performing art was marginalized and was almost getting extinct. Therefore, the Sasak artists and cultural observers, whom were facilitated by UPTD Taman Budaya Lombok, did their best to save such a performing art by reconstructing it. The performing art which was constructed by IPTD Taman Budaya Lombok was the Wayang Orang Darma Kerti, Dusun Batu Pandang. Such a reconstruction was made in the middle of the struggle for an identity of those living in Mataram, Lombok, who belong to different ethnic groups and religions. This present study was intended to understand the matter pertaining to the reconstruction of Wayang Orang Darma Kerti as part of the struggle for the identity of the people living in Mataram, Lombok. The qualitative method and the theories of deconstruction, multiculturalism, and hegemony were used to analyze the problems of the study. The result of the study showed that 1) there was a desire to preserve Wayang Orang as a local identity, meaning that the desire to reconstruct it was inspired by the Islamic religious value and the Wetu Telu Islamic value; 2) it was reconstructed through several stages; they are observation, inventory, and classification; finally, it was decided to reconstruct Wayang Orang performed at Dusun Batu Pandang, East Lombok in which the puppeteers and dancers from Mataram, West Lombok, were involved; the puppeteers were gathered, the themes were composed, the performance was practiced, and the Wayang Orang was performed; 3)  the implication of the reconstruction of the Wayang Orang was that the Sasak ethnic group had an art identity, and religion and culture adapted to each other as the implementation of what is referred to as adatluwirgama, and the local people’s prosperity became better.
NEWLY-PACKAGED BALI TOURIST PERFORMING ARTS IN THE PERSPECTIVE OF CULTURAL STUDIES Ruastiti, Ni Made; Parimartha, I Gde; Sedyawati, Edi; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

This research is focused on the newly packaged tourist performing arts; they are anew concept and seem to be different from the general tourist performing arts. They arepackaged from various components of Balinese arts and managed as large scale-touristperforming arts in terms of materials, space, and time of their performances. The researchercalls them new types of Bali tourist performing arts because how they are presented isnew and different from the traditional tourist performing arts which are simply performed.In this research, the newly-packaged performing arts are analyzed in the perspective ofcultural studies.The research was carried out at three palaces in Bali; they are Mengwi Palace inBadung regency, Anyar Palace at Kerambitan, Tabanan regency, and Banyuning Palace atBongkasa, Badung regency. There are three main problems to be discussed: firstly, how dothe tourist performing arts emerge in all the palaces? Secondly, are they related to thetourist industry developed in the palaces?, thirdly, what is the impact and meaning of themfor the sake of the palaces, society, and Balinese culture? The researcher uses a qualitativemethod and an interdisciplinary approach as characteristics of cultural studies. The theoriesused are hegemony, deconstruction, and structuration.The result shows that the tourism development at all the palaces has made the localsociety become more critical. The money-oriented economy based on the spirit of gettingbenefit has made the emergence of comodification in all sectors of life. The emergence oftourist industry at the palaces has led to the idea of showing all of the useful art and culturalpotentials which at the palaces and their surroundings. Theoretically, the palaces can bestated to have deconstructed the concept of presenting the Bali tourist performing arts into anew one, that is, “the newly packaged Bali tourist performing arts”.It has been observed that all the palaces have developed t “Newly packaged Balitourist Performing Arts” but they are different in themes. At Mengwi Palace the theme is‘procession of religious rituals’, at Anyar Palace, Kerambitan, the theme is “ritualprocession of welcoming the kingdom’s guests” and at Banyuning Palace, Bongkasa, thetheme is “ritual procession of wedding”. The differences can be seen in the componentspresented in the performances.
COMMODIFICATION OF TEKTEKAN CALONGARANG AT BATURITI, KERAMBITAN, TABANAN Sariada, I Ketut; Wirawan, AA Bagus; Kumbara, Anak Agung Ngurah Anom; Ruastiti, Ni Made
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Tektekan Calonarang is a Calonarang drama dance which is performed for a new model of tourism, and is accompanied with what is referred to gamelan tektekan. In general, the Balinese people disagree that a sacred cultural element is performed for tourism. However, those living at Baturiti Village support the commodified Tektekan Calongarang in which what are referred to as sacred barong and rangda are performed. This has led to many questions as such a performing art contrasts with the Balinese people’s attitude in general. The problems of the present study are formulated as follows: why the people living at Baturiti Village, Kerambitan, Tabanan,  support the commodified Tektekan Calongarang using the sacred rangda and barong; what was such a commodification like; what was its implication on those who were involved in it, society, and such a performance itself. This present study is a qualitative one in which a number of related critical theories were used such as the theory of deconstruction proposed Jacques Derrida, the theory of social practice proposed by Pierre Bourdieu, and the theory of power/knowledge proposed by Michael Foucault. The result of the study showed that the commodified Tektekan Calonarang in which the sacred barong and rangda were used was performed in the forms of a procession and the Tektekan Calonarang performance. The market ideology, the developmental ideology, the religious ideology, and the conservation ideology inspired the commodified Tektekan Calonarang which involved the sacred barong and rangda performed for tourism. Such a commodification increased the income of those involving in such a performance and the local people (multiplier effects), the perpetuity of the magical strength of such barong and rangda, the market/tourism interest, and strengthened the local people’s social solidarity. The novelty of the present study was that there was no degradation of sacredness although the sacred rangda and barong were commodified for tourism. The reason is that every time such a performance was performed, a ritual was performed to purify such barong and rangda contextually.
Co-Authors Agus Eko Sattvika, I Putu Anak Agung Ayu Mayun Artati Anak Agung Bagus Wirawan Anak Agung Indrawan Anak Agung Ngurah Anom Kumbara Apsari, Ketut Novia Ardika, I Gusti Ngurah Putu Artati, Anak Agung Ayu Mayun Arya Pageh Wibawa Desak Made Suarti Laksmi Desiari,  Made Ayu Dewa Putu Oka Prasiasa Dewi, Irene Nyoman Esterina Pregie Angga Dewi, Ni Luh Diah Candra Edi Sedyawati Eka Putri Suryantari Gede Yoga Kharisma Pradana Gede, Yoga Kharisma Pradana Govardhana, Komang Ojas I Gde Parimartha I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Ngurah Seramasara, I Gusti Ngurah I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Muka I Ketut Sariada, I Ketut I Ketut Suda I Made Suastika I Nyoman Sadi I Nyoman Sedana I Nyoman Suarka I Nyoman Sudiana I Wayan Rai I Wayan Suardana I Wayan Suharta, I Wayan Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Indrawan, Anak Agung Ketut Novia Apsari Ketut Tara Listiawan Komang Ojas Govardhana Listiawan, Ketut Tara MS Prof. Dr. I Wayan Rai . Ni Kadek Suryani Ni Nyoman Kasih Ni Nyoman Manik Suryani Ni Putu Ari Sidiastini Ni Wayan Parmi Ni Wayan Suartini Putu Dyan Ratna, Putu Putu Dyatmikawati Rahmawati, Ni Nyoman Rai S., I Wayan Rino Ega Vebrian Ruta, I Made Sudarta, I Gusti Putu Suminto Suminto Yunus Wafom Yunus Wafom