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The Oppression of Women and the Patriarchal System in Nawal El Saadawi's Novel Catatan Dari Penjara Perempuan: A Study of Radical Feminism Nining Maida; Rohanda Rohanda; Dedi Supriadi
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

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Abstract

This research discusses oppression of women and the patriarchal system in Nawal el Saadawi's novel Catatan Dari Penjara Perempauan uses a radical feminism approach. The novel shows how women experience structural repression institutionalized by the state, religion, and patriarchal culture. The female characters in the novel are depicted as subjects whose bodies and minds are controlled by the system of power, but also show various forms of active resistance to this domination. Through symbolic actions, verbal expressions, and legal awareness, they dismantle oppressive power relations. This research uses a descriptive qualitative method with literature study techniques on the text of the novel as the main data source. The analysis was conducted by identifying forms of oppression and women's resistance reflected in the novel's narrative. The radical feminism approach is used because it is able to unravel the ideological roots of oppression against women, especially through control over women's bodies and expressions in a patriarchal system and authoritarian regime. The results show that this novel is not only a record of Nawal El Saadawi's personal experience, but also an ideological field of resistance to systemic patriarchal power. Thus, this study emphasizes the role of literature as a medium of social criticism and a space for struggle for gender equality.
Exploring Layers of Meaning in the Poem “Kepada Noor” by Moch. Syarip Hidayat: A Semantic Study Muhammad Darda Diyaulhaq; Rohanda Rohanda; Dedi Supriadi
Gunung Djati Conference Series Vol. 62 (2026): Education and Social Humanities Conference (ESHCo)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/gdcs.v62i.3313

Abstract

This study aims to examine the layers of meaning in the poem “Kepada Noor” by Moch. Syarip Hidayat through a semantic perspective. Specifically, this research seeks to address how lexica/denotativel, connotative, and metaphorical meanings are constructed within the linguistic structure of the poem to understand the poet's linguistic strategies in expressing his inner experiences. The method employed in this research is descriptive qualitative. The approach utilized is semantic analysis, which scrutinizes linguistic units ranging from words and phrases to sentences. The analysis is conducted by identifying lexical and grammatical meanings as a foundation, which is then expanded to the analysis of connotative meanings, conceptual metaphors, and semantic coherence between stanzas to uncover deeper figurative meanings. The results conclude that the poem “Kepada Noor”: constructs meaning through the utilization of simple diction laden with natural symbolism, such as the metaphors of birds and nests, as well as the personification of the concept of longing. The research finds that the meaning within this poem is a conceptualization of emotional and spiritual experiences, where the repetition of sounds and words serves to reinforce the intensity of longing. Thus, the semantic approach proves effective in revealing the psychological and aesthetic dimensions of meaning hidden behind the structural text of this poem.
The Role of Saint Augustine, Thomas Aquinas, and Ibn Khaldun in the Philosophy of History Budi Sujati; Ajid Thohir; Dedi Supriadi; Agus Permana
Gunung Djati Conference Series Vol. 62 (2026): Education and Social Humanities Conference (ESHCo)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/gdcs.v62i.3314

Abstract

The philosophy of history is a branch of philosophy that attempts to understand and explain the course of human history through various theoretical approaches. In this context, Saint Augustine, Thomas Aquinas, and Ibn Khaldun played a very important role in shaping the historical thought that has developed to this day. Saint Augustine, with his main work De Civitate Dei, introduced the view of history as a journey towards the kingdom of God, linking theological beliefs with worldly developments. Thomas Aquinas, with his rational and theological approach, developed a theory of history that sought to harmonize Christian teachings with Greek philosophical thought, particularly Aristotle, and explained the role of reason in understanding human history. On the other hand, Ibn Khaldun, as a Muslim thinker, made a major contribution with his theory of historical science in the Muqaddimah, where he viewed history as a dynamic process influenced by social, economic, and cultural factors, and developed the concept of asabiyyah, which explains the relationship between group solidarity and changes in society. These three figures, although from different backgrounds, present a rich and profound view of the dynamics of human history, which informs various perspectives on the roles of religion, reason, and social factors in historical development.
The Representation of Women in Muhammad Husain Haikal's Novel Zainab: A Semiotic Study Muhammad Zidane Alfarizi; Dedi Supriadi
Gunung Djati Conference Series Vol. 62 (2026): Education and Social Humanities Conference (ESHCo)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/gdcs.v62i.3333

Abstract

This study aims to dismantle the representation of women in Muhammad Husain Haikal’s novel Zainab through a semiotic approach. As the first modern novel in Arabic literature, Zainab does not merely present a romantic narrative but serves as a critical portrait of the Egyptian social structure in the early 20th century. This research employs a descriptive-analytical method, utilizing Roland Barthes’ semiotic framework which focuses on three levels of signification are denotation, connotation, and myth (ideology). Data were collected through close-reading and note-taking techniques, followed by an in-depth analysis to establish the connection between linguistic signs and socio-cultural realities. The findings reveal that the figure of Zainab is represented through five primary constructions 1) Economic exploitation through an asymmetric wage system, 2) The myth of institutionalized suffering through the symbol of the weary body, 3) Critique of domestic authority regarding forced marriage, 4) The commodification of women within the feudal marriage market, and 5) The synthesis of female suffering with the homeland through an ecofeminist perspective. These results uncover that Haikal employs the female figure as a medium to challenge patriarchal ideology and the feudal system (Izbah) that constrains female agency. Consequently, this study reaffirms the position of the novel Zainab as a social manifesto demanding humanitarian transformation and gender justice amidst the tensions between tradition and modernity
RAGAM KAIDAH INTERTEKSTUAL PADA PUPUJIAN  (NADHOMAN) “TUJUH AHLI SAWARGA” DAN HADIS “SAB’ATUN YUDZHILLULLAH” Gia Ramadhan; Rohanda Rohanda; Dedi Supriadi
Jurnal Pembahsi (Pembelajaran Bahasa Dan Sastra Indonesia) Vol. 16 No. 1 (2026): Pembahsi (Pembelajaran Bahasa dan Sastra Indonesia)
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/pembahsi.v16i1.21426

Abstract

Penelitan ini mendeskripsikan ragam kaidah yang digunakan pada proses pembacaan intertekstual antara Pupujian  atau Nadhoman  Sunda yang berjudul “Tujuh Ahli Sawarga” dan hadis tentang “Sab’atun Yudzhillullah”. Pendekatan semiotika Julia Kristeva digunakan untuk mengungkap fenomena yang terjadi pada kedua teks tersebut. Metode penelitian kualitiatif digunakan untuk menjelaskan permasalahan secara deskriptif. Untuk memperoleh teks hadis yang lengkap beserta sanadnya, peneliti memperolehnya dalam laman jabar.nu.go.id. Sedangkan untuk memperoleh teks atau transkripsi pupujian , telah dilakukan observasi lapangan yang dilakukan di masjid Kecamatan Cibiru Kota Bandung, Kabupaten Subang, dan Kabupaten Pangandaran sepanjang bulan Desember 2024. Hasil analisis menunjukkan bahwa terdapat persamaan dan perbedaan makna antara teks hadis sebagai genoteks dan pupujian sebagai fenoteks melalui kaidah transformasi yang membuat membuat makna kedua teks menjadi sama. Selain itu, terdapat perbedaan secara radikal ditunjukkan antara fenoteks dan genoteks. Kontribusi penelitian ini yaitu turut memperkaya khazanah penelitian yang melibatkan teks agama dan Sastra Sunda sebagai wujud kekayaan kearifan lokal.
The Personality of Isa/Jose in the Novel Saq al-Bamboo by Saud Alsanousi: A Study of Sigmund Freud's Literary Psychology Dinda Nurlatifah; Dedi Supriadi; Mohammad Rosyid Ridho
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44328

Abstract

The novel Saq al-Bamboo by Saud Alsanousi presents various psychological issues that reflect the dynamics of human behavior. The psychological turmoil experienced by the main character in the novel demonstrates that the surrounding environment can be a significant factor infliensing the formation of an individual’s personality. This study aims to examine: (1) the personality structure of the main character, and (2) the factors that influence the main character’s personality in Saq al-Bamboo. This research employs a qualitative method with a literary psychology approach based on Sigmund Freud’s psychoanalytic theory. The data source for this research in the novel Saq al-Bamboo by Saud Alsanousi. Data collection techniques involve reading and note-taking methods, while data analysis is conducted using descriptive analysis by describing all classified data. The findings of the study indicate that the personality structure of the main character consists of the id, ego, and superego, which interact and form a unified whole in the character’s life situations. The factors influencing the main character's personality are divided into two categories: (1) internal factors, including heredity and self-identity, attention and affection, as well as resilience and perseverance; and (2) external factors, including the influence of family environment, culture and society, and discriminatory treatment experienced by the main character.
Islamic Character Values in Hikayat Masyhud al-Hakk Volume II: A Philological and Cultural Analysis Ach Hakiki; Dedi Supriadi; Jajang A. Rohmana; Usman Supendi
Jurnal Iman dan Spiritualitas Vol. 6 No. 2 (2026): Jurnal Iman dan Spiritualitas
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jis.v6i2.48195

Abstract

This article examines the values ​​of Islamic character in Hikayat Masyhud al-Hakk, volume II, through a philological approach and cultural analysis. This manuscript is not only a literary heritage but also a medium for character education, full of Islamic moral and spiritual values. This study aims to reveal forms of values ​​such as ḥikmah (wisdom), sidq (honesty), amanah (responsibility), shajāʿah (moral courage), tawakkul, and ikhlāṣ (sincerity), which are articulated in the actions and dialogues of the main characters, and enriched by the context of traditional Malay culture. The results of the study show that this tale combines Islamic values ​​with socio-customary norms through language symbolism, narrative structure, and local idioms. These findings emphasize the importance of classical tales as a source of character learning that is relevant to modern education based on local wisdom.
Power and Leadership in Wawacan Abdul Muluk: Islamic Values in Classical Sundanese Manuscripts Muhammad Al Hafidz; Rian Ananda Putra; Dedi Supriadi; Asep Achmad Hidayat; Yan Nurcahya; Abdul Aziz
Jurnal Iman dan Spiritualitas Vol. 6 No. 2 (2026): Jurnal Iman dan Spiritualitas
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jis.v6i2.53972

Abstract

This study examines the representation of power and leadership in the Wawacan Abdul Muluk, a classic Sundanese literary work that holds significant value in Indonesian literary heritage. Through textual analysis and literary hermeneutics, this study aims to identify the leadership values ​​contained in the manuscript, particularly those related to the concept of power from an Islamic perspective. The results show that Wawacan Abdul Muluk presents an ideal leadership model, emphasising three main dimensions: the legitimacy of power derived from noble descent and moral virtue; the exercise of power oriented towards justice and the welfare of the people; and the regeneration of leadership through education and character building. This manuscript reflects the integration of Islamic values ​​with the Sundanese leadership tradition, emphasizing the importance of morality, competence, and social responsibility in exercising power. The findings of this study contribute to understanding the concept of leadership in classical Indonesian literature and its relevance to the development of leadership grounded in local and Islamic values in the contemporary era.
The Tambo Tuanku Imam Bonjol Manuscript as an Authentic Historical Source of the Padri War (1803-1837) Haris Priyatna; Dedi Supriadi; Asep Achmad Hidayat; Yan Nurcahya
Socio Politica : Jurnal Ilmiah Jurusan Sosiologi Vol. 16 No. 1 (2026): Socio Politica : Jurnal Ilmiah Jurusan Sosiologi
Publisher : Prodi Magister Sosiologi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/socio-politica.v16i1.53954

Abstract

After the Padri War (1803-1837), Tuanku Imam Bondjol was exiled by the Dutch colonial government to Minahasa and Manado. During his exile in Manado, his son, Naali Sutan Caniago, who accompanied Tuanku Imam Bondjol during his exile, wrote a manuscript about his father's struggle. This manuscript is called the Tambo Tuanku Imam Bondjol Manuscript, which is a single manuscript (codex unicus). In general, this manuscript contains a summary of the history of the Padri War in West Sumatra in the 19th century. It contains Tuanku Imam Bondjol's memoirs, his thoughts, and notes on the Padri war. In this study, the Tambo Tuanku Imam Bondjol manuscript is examined using philological and historical methods. This manuscript has been transliterated and translated by Safnir Abu Naim, However, this study will trace the philological stages carried out on the Tambo Tuanku Imam Bondjol manuscript to demonstrate its originality and authenticity. The problem examined in this study is how the Tambo Tuanku Imam Bondjol manuscript stands as a historical source of the Padri War. To that end, a textual study of the translation of the manuscript was conducted using the Critical Discourse Analysis (CDA) method modeled by Teun A. Van Dijk. This study also uses the Historical Method with the ultimate goal of compiling a historiography of the struggle of Tuanku Imam Bondjol and the Padri War. From the results of the study, it is concluded that the Tambo Tuanku Imam Bondjol manuscript is an authentic source of the Padri War, a first-hand historical source originating from indigenous records. Before the discovery of this manuscript, sources for the Padri War were generally only from colonial archives.
KONFLIK PERSONALITAS TOKOH UTAMA DALAM NOVEL AL- LISHU WAL KILAB KARYA NAGUIB MAHFOUZ (Kajian Psikologi Sastra Sigmund Freud) Gina Nurhikmah; Fadlil Yani Ainusyamsi; Dedi Supriadi
Hijai - Journal on Arabic Language and Literature Vol 9 No 1 (2026): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v9i1.9953

Abstract

Humans essentially possess a personal life that involves inner conflicts within themselves. A person’s attitudes and actions are the result of the psychological struggles that occur within their mind. This is reflected in the character of Said Mahran, the protagonist in Al-Liṣṣ wa al-Kilāb (The Thief and the Dogs) by Naguib Mahfouz. This study aims to examine the personality structure of the main character and to identify the internal and external factors underlying his personality conflict in the novel. The research found the presence of the elements of the Id, Ego, and Superego, which contribute to the protagonist’s personality conflict in The Thief and the Dogs. The personality structure consisting of the Id, Ego, and Superego forms an individual’s personality and determines the attitudes and actions taken by that individual. Keywords: Personality Psychology, Literature, Main Character.