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All Journal E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya KALANGWAN PRABANGKARA Segara Widya: Jurnal Penelitian Seni Panggung Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat Randwick International of Social Science Journal Ghurnita: Jurnal Seni Karawitan International Journal of Social Science International Journal of Multidisciplinary Research and Literature (IJOMRAL) Journal of Aesthetics, Creativity and Art Management Innovative: Journal Of Social Science Research Pensi: Jurnal Ilmiah Pendidikan Seni Panggung Global Art Creativity Conference Open Access DRIVERset
I Komang Sudirga
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

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Actualization of the Spirit of Nationhood in Karawitan Musical Compositions by Balinese Maestro I Wayan Beratha I Gede Yudarta; Ni Luh Sutjiati Beratha; I Komang Sudirga
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p12

Abstract

Like other art forms, dance and music serve as expressive media for conveying social messages, including nationalism. However, nationalism in musical rhythms is often less explicit than in verbal or visual arts. This article explores the actualization of the spirit of nationhood in dance and karawitan—traditional Balinese musical compositions—by I Wayan Beratha (1926–2014), a maestro who created over 50 works, including dance pieces and instrumental compositions inspired by the national spirit of their time. Using a qualitative approach, this study gathers data through literature reviews, document analysis, and in-depth interviews. Ricoeur’s hermeneutical theory informs the analysis, positioning texts as a foundation for interpreting their social and ideological contexts. Findings reveal that Beratha’s works embody ideological themes, creative expression, and a deep commitment to national unity. His contributions continue to inspire contemporary artists, encouraging them to preserve and expand upon his legacy.
Strengthening Ideological Values through Pasantian Singing: Problematizing the Nexus Between Local Cultural Practices and Globality in Bali I Komang Sudirga; Made Mantle Hood; Ni Ketut Dewi Yulianti
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 2 (2024): Reclaiming Cultural Heritage
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i02.p03

Abstract

This article aims to explore the traditional cultural practices of pasantian reading clubs in facing globality and subjective perceptions of modernity, transformation and change. Pasantian members sing and interpret conventional Balinese texts, thus playing a crucial role in maintaining the artistic and ideological identity of Bali Hindu people. However, engagement in these practices is significantly challenged by rapid sociological changes, which have led to a notable decline in the number of people involved in pasantian. The study focused on understanding how pasantian interact with notions of globality and how these groups can be strengthened to preserve local cultural and ideological values. A qualitative approach employed ethnographic methods such as participant observation and in-depth interviews to explore the practices of pasantian in terms of continuity and change. Findings highlight the importance of practitioners of traditional art forms in negotiating the local-global nexus and suggest strategies for revitalizing pasantian groups.
Hybrid Aesthetic Values in Balinese Karawitan: The Role of Poetic Figurative Language in Bridging Tradition, Modernity, and Character Education Dewi Yulianti, Ni Ketut; Made Mantle Hood; I Komang Sudirga; I Gst. Ayu P. Jesika Sita Devi N
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 16 No. 1 (2026): Bali Beyond Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2026.v16.i01.p14

Abstract

Balinese karawitan, a traditional musical form rooted in cultural expression, continues to evolve while sustaining its aesthetic foundations. This study examines hybrid aesthetic values in Balinese karawitan by analyzing how poetic figurative language functions as a mediating device between tradition, modern musical expression, and character education. Using a descriptive qualitative approach, the research analyzes four compositions: Ngoner Ngakung (Love That Blossoms), Sekar Layu (Withering Flower), Janger Ngapat (A Celebration of Fertility and Gratitude), and Kenangan Manis (Sweet Memories), to demonstrate how metaphors and other figurative forms deepen vocal aesthetics and intensify emotional resonance. The findings show that poetic imagery rearticulates traditional symbolic vocabularies within contemporary vocal styles, transforming musical narratives into ethical reflections on love, impermanence, gratitude, and nostalgia. Through this process, figurative language translates cultural meaning into values such as empathy, resilience, respect, and compassion. The study highlights poetic figurative language as an aesthetic bridge that sustains cultural identity while enabling moral formation within modern creative practice.
Co-Authors Aditya Putra, I Ketut Antara, I Made Bayu Bangun, Jabatin Biagi, Gede Nikolas Candra Desak Made Suarti Laksmi Garwa, I Ketut Gede Made Rama Pratama I Gede Arya Sugiartha, I Gede I Gede Yudarta, I Gede I Gst. Ayu P. Jesika Sita Devi N I Gusti Ngurah Ardana I Kadek Bagas Suradinata I Ketut Laba Sumarjiana I Ketut Muka I Ketut Sudhana I Kt. Suteja I Made Bayu Puser Bhumi I Made Radiawan I Made Suparta I Putu Budi Satya Kusuma I Putu Danika Pryatna I Wayan Adnyana I Wayan Agus Andika I Wayan Diana Putra . I Wayan Mudra, I Wayan I Wayan Srutha Wiguna I Wayan Suharta, I Wayan Ida Bagus Brata Kadek Agung Sari Wiguna Kadek Wahyudita Ketut Sumerjana, Ketut Kustiyanti, Dyah Made Mantle Hood Made Mantle Hood MS Prof. Dr. I Wayan Rai . Muliyadi, I Wayan Ni Kadek Intan Pratiwi Ni Luh Sustiawati Ni Luh Sutjiati Beratha Ni Luh Sutjiati Beratha Ni Made Arshiniwati Ni Wayan Ardini, Ni Wayan Prasad, Visvam Bhara Remawa, Anak Agung Gede Rai Santosa, Hendra Sri Repelita, Malona Sudarta, I Gusti Putu Sudirana, I Wayan Suradinata, I Kadek Bagas Suteja, I Kt. Visvam Bhara Prasad wayan ade Yudana, I Gede Yusuf Arrahman