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All Journal E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya KALANGWAN PRABANGKARA Segara Widya: Jurnal Penelitian Seni Panggung Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat Randwick International of Social Science Journal Ghurnita: Jurnal Seni Karawitan International Journal of Social Science International Journal of Multidisciplinary Research and Literature (IJOMRAL) Journal of Aesthetics, Creativity and Art Management Innovative: Journal Of Social Science Research Pensi: Jurnal Ilmiah Pendidikan Seni Panggung Global Art Creativity Conference Open Access DRIVERset
I Komang Sudirga
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

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Journal : E-Journal Of Cultural Studies

 1 
TRACES OF MUSICAL INSTRUMENTS IN KAKAWIN BHARATAYUDHA Santosa, Hendra; Kustiyanti, Dyah; Sudirga, I Komang
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This article is part of the research entitled "Melacak Jejakdari Karawitan dalam Naskah JawaKuno: Kajian Bentuk, Fungsi, dan Makna" based on 22 early Old Javanese literature manuscripts.This article is specifically talking about the form and function of musical instruments that are written in the Kakawin Bratayudha only to clarify the form and function of musical instruments during the reign of Jayabaya in Kediri, East Java. This study uses historical method, namely, through the stages of heuristics, criticism, interpretation, and historiography. The results showed that at the stage of heuristics three kakawin are found including Bharatayudha by I WayanWarna in 1990, works of R.M. SutjiptoWirjosuparto 1968 entitled Kakawin BharataYudha, and a translation book Kakawin BharataYudha by I Gusti Bagus Sugriva, 2012. Criticism is done internally through translation and also by comparing the three works from the text, followed by interpretation of the translation of three Kakawin BharataYudha, and the last is the stage of historiography. The function of musical instruments in the kakawinof BharataYudhacan not be separated from the function of musical instruments at the time of the Ancient Javanese namely as a means of ceremonies and to accompany secular activities. Secular activity in question is entertainment, communication, respect, war, economy, dowry, and symbol (Fernandus, 2003: 381-415). Musical instruments contained in kakawin BharataYudha, is still found, but there also have been renamed as Mredangga (drum) and rawanahasta (a type of fiddle). Harps only thrive in Sundanese, and Rawanahasta grow and spread in different parts of the archipelago.
“PASANTIAN”IN BALI AND ITS RENAISSANCE IN GLOBALIZATION ERA Sudirga, I Komang
E-Journal of Cultural Studies Volume 6, Number 1, May 2013
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Pasantian, which means reading and reciting a literary work, is growing, developing and resurrecting resistively in the life of the Balinese community in the globalization era. This study tries to answer the following questions: (1) what was the renaissance of pasantian in the globalization era in Bali like; (2) what factors contributed to the renaissance of pasantian in the globalization era in Bali; (3) what was the meaning of the renaissance of pasantian in the globalization era in Bali? This study in which qualitative method was used. It was intended to identify the existence of pasantian and its dynamism through its renaissance in the globalization era. The theory of deconstruction (Derrida, in Norris, 2008), the theory of practice (Bourdieu in Takwin, 2009 and Fashri, 2007), the theory of postmodern (Piliang, 2004, and Piliang, 2004a), and the theory of hegemony (Gramsci, in Barker, 2005) were eclectically used to analyze the data. The result showed that the renaissance of pasantian took place in three periods; the initial renaissance took place from 1979 to 1990, the second from 1991 to 1998, and the third from 1999 to 2010s. Such a renaissance was supported by cultural factors. In addition, political and economic factors also contributed to the renaissance of pasantian. It had socio-cultural, and economic effects, which led to multi-meanings such as educational meaning, entertainment meaning, the meaning of politics of image, the meaning of hypermorality, and the meaning of maintenance of socio-cultural meanings.
Co-Authors Aditya Putra, I Ketut Antara, I Made Bayu Bangun, Jabatin Biagi, Gede Nikolas Candra Desak Made Suarti Laksmi Garwa, I Ketut Gede Made Rama Pratama I Gede Arya Sugiartha, I Gede I Gede Yudarta, I Gede I Gusti Ngurah Ardana I Kadek Bagas Suradinata I Ketut Laba Sumarjiana I Ketut Muka I Ketut Sudhana I Kt. Suteja I Made Bayu Puser Bhumi I Made Radiawan I Made Suparta I Putu Budi Satya Kusuma I Putu Danika Pryatna I Wayan Adnyana I Wayan Agus Andika I Wayan Diana Putra . I Wayan Mudra, I Wayan I Wayan Srutha Wiguna I Wayan Suharta, I Wayan Ida Bagus Brata Kadek Agung Sari Wiguna Kadek Wahyudita Ketut Sumerjana, Ketut Kustiyanti, Dyah Made Mantle Hood Made Mantle Hood MS Prof. Dr. I Wayan Rai . Muliyadi, I Wayan Ni Kadek Intan Pratiwi Ni Luh Sustiawati Ni Luh Sutjiati Beratha Ni Luh Sutjiati Beratha Ni Made Arshiniwati Ni Wayan Ardini, Ni Wayan Prasad, Visvam Bhara Remawa, Anak Agung Gede Rai Santosa, Hendra Sri Repelita, Malona Sudarta, I Gusti Putu Sudirana, I Wayan Suradinata, I Kadek Bagas Suteja, I Kt. Visvam Bhara Prasad wayan ade Yudana, I Gede Yusuf Arrahman