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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Publika Budaya BAHASA DAN SASTRA Lingua Cultura EDULITE: Journal of English Education, Literature and Culture Journal of Language and Literature Haluan Sastra Budaya BASIS (BAHASA DAN SASTRA INGGRIS) Lentera: Jurnal Ilmiah Kependidikan Semiotika JET (Journal of English Teaching) Adi Buana ELLITE: Journal of English Language, Literature, and Teaching Berdikari: Jurnal Pengabdian Masyarakat Indonesia Jambura Journal of English Teaching and Literature Pioneer: Journal of Language and Literature Journal of Feminism and Gender Studies Leksema: Jurnal Bahasa dan Sastra JEELL (Journal of English Education, Linguistics and Literature)
Supiastutik Supiastutik
Universitas Jember
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Female Subjects Oppressions in George R. R. Martin's A Song of Ice and Fire: A Game of Thrones Wardani, L Dyah Purwita; Pratiwi, Adinia Arum; Supiastutik, Supiastutik
Jambura Journal of English Teaching and Literature Vol 3, No 1 (2022): Jambura Journal of English Teaching and Literature
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.219 KB) | DOI: 10.37905/jetl.v3i1.13971

Abstract

Female subjects' oppressions are a significant aspect of the novel entitled A Game of Thrones, published in 1996 by George R. R. Martin. This article aims to discover the discourse of female subjects' oppressions and the critical position of the author. The theory of representation by Stuart Hall and the discursive approach by Michel Foucault are used in this research. The contextual background and the narrations in the novel are collaborated in the analysis process to find the discourse of female subjects' oppressions and the critical position of the author. This research proves that this novel represents the oppression of female subjects in the form of marginalization, powerlessness, violence, and exploitation. Through the narration in the novel and some interviews, Martin, as the author, resists women's oppression.
TRANSFORMATION OF THE IDEOLOGY IN CINDERELLA BY CHARLES PERRAULT INTO THE MOVIE BY KAY CANNON Vincentia Sekar Arum; Supiastutik Supiastutik; Imam Basuki; Eko Suwargono
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.62

Abstract

All literary creations are engaged with ideology because a literary creator always comes with an ideology. This research aims to identify the shift of ideology of patriarchy in the Cinderella fairy tale by Charles Perrault into feminism in the movie by Kay Cannon. The research method utilized is descriptive qualitative, and the data consists of narrative text from the fairy tale and visual scenes from the movie adaptation. The data is then compared and analyzed using Barthes' semiotics theory. In addition, through the shift of the ideologies, the motives of the adaptation are uncovered based on Hutcheon's theory of adaptation. The novelty of this research lies in the theory of adaptation utilized in the study. The findings show the ideology portrayed in the fairy tale is patriarchy, which is displayed in the characterization of Cinderella's subservience and the plot's resolution, which emphasizes male primogeniture. Conversely, the movie adaptation shows liberal feminism depicted by Cinderella and Gwen, the original characters of the movie, portraying their respective endeavor to achieve equality in economic and political spheres. The movie's resolution depicts liberal feminist ideals, in which the king acknowledges and appoints Gwen to rule the kingdom. The motives concluded from the ideologies include cultural capital and personal and political motives. The cultural capital motive highlights the value of adaptation work that utilizes patriarchy and feminism as cultural phenomena ingrained in society. The second motive, personal and political, emphasizes the adaptor, Kay Cannon's agenda on female empowerment, represented by Cinderella and Gwen.
THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS Widjajati, Ghassani Auliannnisa; Setiawan, Ikwan; Supiastutik, Supiastutik
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.57158

Abstract

This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.
Co-Authors Audina, Vicky Cecil Azara Nafia Irmadani Berlian Ayu Pangestu Bilqis, Bahiroh Dyah Purwita WSWW EKA RURIANI Erna Cahyawati Erna Dwi Listiari Fitriani, Elok Ghanesya Hari Murti Hadi Sampurna Hat Pujiati Iin Nurul Hidayati Iin Nurul Hidayati, Iin Nurul Ikwan Setiawan Imam Basuki Imam Basuki Irana Astuti Irana Astuti, Irana Irana Astutiningsih Khazanah, Dewianti Kusumayanti, Dina Dyah Liyana Khairunnisa Malau, Theophanie Clarissa Niken Widya Palupi Olivia Putri Citra Ramadani Pratiwi, Adinia Arum Putri Manarina Sabila Reni Kusumaningputri Riskia Setiarini Septania Alya Rakhman Subekah Nawa Kartikasari Sutarto Sutarto Sutarto Sutarto Suwargono, Eko Syamsul Anam Vincentia Sekar Arum Wardani SWW, L. Dyah Purwita Widjajati, Ghassani Auliannnisa Wulandari, Mega Dwi