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TRANSFORMATION OF THE IDEOLOGY IN CINDERELLA BY CHARLES PERRAULT INTO THE MOVIE BY KAY CANNON Vincentia Sekar Arum; Supiastutik Supiastutik; Imam Basuki; Eko Suwargono
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.62

Abstract

All literary creations are engaged with ideology because a literary creator always comes with an ideology. This research aims to identify the shift of ideology of patriarchy in the Cinderella fairy tale by Charles Perrault into feminism in the movie by Kay Cannon. The research method utilized is descriptive qualitative, and the data consists of narrative text from the fairy tale and visual scenes from the movie adaptation. The data is then compared and analyzed using Barthes' semiotics theory. In addition, through the shift of the ideologies, the motives of the adaptation are uncovered based on Hutcheon's theory of adaptation. The novelty of this research lies in the theory of adaptation utilized in the study. The findings show the ideology portrayed in the fairy tale is patriarchy, which is displayed in the characterization of Cinderella's subservience and the plot's resolution, which emphasizes male primogeniture. Conversely, the movie adaptation shows liberal feminism depicted by Cinderella and Gwen, the original characters of the movie, portraying their respective endeavor to achieve equality in economic and political spheres. The movie's resolution depicts liberal feminist ideals, in which the king acknowledges and appoints Gwen to rule the kingdom. The motives concluded from the ideologies include cultural capital and personal and political motives. The cultural capital motive highlights the value of adaptation work that utilizes patriarchy and feminism as cultural phenomena ingrained in society. The second motive, personal and political, emphasizes the adaptor, Kay Cannon's agenda on female empowerment, represented by Cinderella and Gwen.
On the Death of bin Laden: Construing Meanings behind Obama and Trump’s Speech: - Supiastutik Supiastutik; Yuwanda Auliya Akbar; Arona Kamelia Hani; Gifary Muhammad Gilang R.; Nadya Ummi Azizah; Riskia Setiarini; Nurhadianty Rahayu
Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 1 (2026): Vol. 7. No.1. 2026
Publisher : Program Studi Magister Pendidikan Bahasa dan Sastra Indonesia, Program Pascasarjana, Universitas Pasundan Bandung

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Abstract

Penelitian mengenai wacana yang disampaikan Obama dan Trump sudah banyak terdistribusi di ruang publik. Namun demikian, tiap penelitian memiliki fokus dan perspektif yang unik. Artikel ini bertujuan untuk membandingkan pidato Trump dengan Obama terkait wafatnya bin Laden. Penelitian ini menganalisis tiga metafungsi bahasa yang ditawarkan Linguistik Fungsional Sistemik (LFS) pada pidato-pidato tersebut. Data yang dikumpulkan berisi ujaran yang dilontarkan pada pidato dua presiden Amerika Serikat yang berbeda dan sangat fenomenal: Barack Hussein Obama dan Donald John Trump. Data didapat melalui rekaman pidato yang dipublikasikan di situs siaran video populer, Youtube. Tujuan penelitian ini adalah untuk menguak makna dari pidato yang dibawakan oleh Barack Obama dan Donald Trump dan untuk mengidentifikasi berbagai strategi linguistik melalui kerangka teori yang digunakan. Hasil penelitian menunjukkan bahwa Trump cenderung mengafirmasi, alih-alih memberikan arahan, sementara Obama lebih banyak menyebarkan informasi dan instruksi. Temuan ini juga mengindikasikan bahwa tiap orator menampilkan kuasa dan makna dengan cara yang berbeda, dan pilihan mereka dapat memiliki peran dalam membentuk cara pemirsa melihat isu yang dibawakan dan siapa saja yang terlibat di dalamnya.
Representation of Sexual Identity Struggle in Aristotle and Dante Discover the Secrets of the Universe Manarina Sabila, Putri; Supiastutik, Supiastutik; Purwita Wardani SWW, L. Dyah; Dyah Kusumayanti, Dina
JET ADI BUANA Vol 7 No 02 (2022): Volume 7 Number 02 October 2022
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/jet.v7.n02.2022.6277

Abstract

This paper discusses the journey of finding sexual identity in the novel Aristotle and Dante Discover the Secrets of the Universe. The analysis focuses on the effort of finding the sexual identity. The struggles before and after coming out are represented in the novel, as well as the critical position of the author. Stuart Hall's representation theory was used as a qualitative approach to analysis. The data of this study were obtained from words, phrases and sentences related to the phenomenon of gay and trans-gender in the selected novels. People are still uncomfortable with the behavior of the LGBT group, so it causes violence against groups associated with them. When the protagonist admits to being gay, he is abused and discriminated against by others, like in the novel. By relating the problem in the story to the author's biography and the struggle to establish his own sexual identity, the topic of sexual identity seems crucial to address as a part of this social phenomenon. This research was conducted as an initial research on the LGBT group, which is expected to be useful for future research.
THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS Ghassani Auliannnisa Widjajati; Ikwan Setiawan; Supiastutik Supiastutik
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.57158

Abstract

This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.