Article Per Year (5 Year)
p-Index From 2021 - 2026
2.42
P-Index
This Author published in this journals
All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Publika Budaya BAHASA DAN SASTRA Lingua Cultura EDULITE: Journal of English Education, Literature and Culture Journal of Language and Literature Haluan Sastra Budaya BASIS (BAHASA DAN SASTRA INGGRIS) Lentera: Jurnal Ilmiah Kependidikan Semiotika JET (Journal of English Teaching) Adi Buana ELLITE: Journal of English Language, Literature, and Teaching Berdikari: Jurnal Pengabdian Masyarakat Indonesia Jambura Journal of English Teaching and Literature Pioneer: Journal of Language and Literature Journal of Feminism and Gender Studies Leksema: Jurnal Bahasa dan Sastra JEELL (Journal of English Education, Linguistics and Literature)
Supiastutik Supiastutik
Universitas Jember
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 23 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 23 Documents
Search

 1   2   3 
The Representation of Liberal Feminism in the Picture Book Mary Wears What She Wants by Keith Negley Malau, Theophanie Clarissa; Kusumayanti, Dina Dyah; Supiastutik, Supiastutik
Humanus Vol 23, No 1 (2024)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v23i1.123800

Abstract

This research aims to show that women can dominate the story as seen in Negley’s picture book (2019) Mary Wears What She Wants. The theory used in this research is the theory of representation by Stuart Hall (1997). Besides, Barthes’ semiotic  theory (1957, 1968) is utilized to reveal the meaning of verbal and visual data in Negley’s picture book. This research is qualitative in its nature in which the data are the verbal as well as the visual texts of the picture book under study.  The finding of this research shows that the picture book under scrutiny represents inequality of gender rather than equality which highlight the inequality of women and men in the Victorian society. Another finding reveals that liberal feminism is represented through the main character, Mary. Mary dares to take risks to choose and decide the best for women, as she thinks that women have the rights to do anything they want without hesitation and with no limitation. This research also reveals that Mary uses her power to voice and to make changes impacting to women in her time. Because of her strive and determination, to date women have the bravery and power to do anything they want.
Female Subjects Oppressions in George R. R. Martin's A Song of Ice and Fire: A Game of Thrones Wardani, L Dyah Purwita; Pratiwi, Adinia Arum; Supiastutik, Supiastutik
Jambura Journal of English Teaching and Literature Vol 3, No 1 (2022): Jambura Journal of English Teaching and Literature
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.219 KB) | DOI: 10.37905/jetl.v3i1.13971

Abstract

Female subjects' oppressions are a significant aspect of the novel entitled A Game of Thrones, published in 1996 by George R. R. Martin. This article aims to discover the discourse of female subjects' oppressions and the critical position of the author. The theory of representation by Stuart Hall and the discursive approach by Michel Foucault are used in this research. The contextual background and the narrations in the novel are collaborated in the analysis process to find the discourse of female subjects' oppressions and the critical position of the author. This research proves that this novel represents the oppression of female subjects in the form of marginalization, powerlessness, violence, and exploitation. Through the narration in the novel and some interviews, Martin, as the author, resists women's oppression.
TRANSFORMATION OF THE IDEOLOGY IN CINDERELLA BY CHARLES PERRAULT INTO THE MOVIE BY KAY CANNON Vincentia Sekar Arum; Supiastutik Supiastutik; Imam Basuki; Eko Suwargono
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.62

Abstract

All literary creations are engaged with ideology because a literary creator always comes with an ideology. This research aims to identify the shift of ideology of patriarchy in the Cinderella fairy tale by Charles Perrault into feminism in the movie by Kay Cannon. The research method utilized is descriptive qualitative, and the data consists of narrative text from the fairy tale and visual scenes from the movie adaptation. The data is then compared and analyzed using Barthes' semiotics theory. In addition, through the shift of the ideologies, the motives of the adaptation are uncovered based on Hutcheon's theory of adaptation. The novelty of this research lies in the theory of adaptation utilized in the study. The findings show the ideology portrayed in the fairy tale is patriarchy, which is displayed in the characterization of Cinderella's subservience and the plot's resolution, which emphasizes male primogeniture. Conversely, the movie adaptation shows liberal feminism depicted by Cinderella and Gwen, the original characters of the movie, portraying their respective endeavor to achieve equality in economic and political spheres. The movie's resolution depicts liberal feminist ideals, in which the king acknowledges and appoints Gwen to rule the kingdom. The motives concluded from the ideologies include cultural capital and personal and political motives. The cultural capital motive highlights the value of adaptation work that utilizes patriarchy and feminism as cultural phenomena ingrained in society. The second motive, personal and political, emphasizes the adaptor, Kay Cannon's agenda on female empowerment, represented by Cinderella and Gwen.
Co-Authors Audina, Vicky Cecil Azara Nafia Irmadani Berlian Ayu Pangestu Bilqis, Bahiroh Dyah Purwita WSWW EKA RURIANI Erna Cahyawati Erna Dwi Listiari Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hadi Sampurna Hat Pujiati Iin Nurul Hidayati Iin Nurul Hidayati, Iin Nurul Ikwan Setiawan Imam Basuki Imam Basuki Irana Astuti Irana Astuti, Irana Irana Astutiningsih Khazanah, Dewianti Kusumayanti, Dina Dyah Liyana Khairunnisa Malau, Theophanie Clarissa Niken Widya Palupi Olivia Putri Citra Ramadani Pratiwi, Adinia Arum Putri Manarina Sabila Reni Kusumaningputri Riskia Setiarini Septania Alya Rakhman Subekah Nawa Kartikasari Sutarto Sutarto Sutarto Sutarto Suwargono, Eko Syamsul Anam Vincentia Sekar Arum Wardani SWW, L. Dyah Purwita Wulandari, Mega Dwi