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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Publika Budaya BAHASA DAN SASTRA Lingua Cultura EDULITE: Journal of English Education, Literature and Culture Journal of Language and Literature Haluan Sastra Budaya BASIS (BAHASA DAN SASTRA INGGRIS) Lentera: Jurnal Ilmiah Kependidikan Semiotika JET (Journal of English Teaching) Adi Buana ELLITE: Journal of English Language, Literature, and Teaching Berdikari: Jurnal Pengabdian Masyarakat Indonesia Jambura Journal of English Teaching and Literature Pioneer: Journal of Language and Literature Journal of Feminism and Gender Studies Leksema: Jurnal Bahasa dan Sastra JEELL (Journal of English Education, Linguistics and Literature)
Supiastutik Supiastutik
Universitas Jember
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Gender Representation in Perpustakaan Intan Riskia Setiarini; Supiastutik Supiastutik; Dina Dyah Kusumayanti; Hadi Sampurna; Erna Cahyawati
Pioneer: Journal of Language and Literature Vol 13 No 2 (2021)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v13i2.1286

Abstract

There is little research on gender-related children's picture books in Indonesia. In this article, we discuss the disclosure of gender representation in a picture book entitled Perpustakaan Intan. The high number appearances of women, the actions pinned on women, and the clothes displayed in both text and images are materials for visualizing women and men. Previous studies have revealed that men dominate the number of appearances in books. However, this book displays women more often than men. On the one hand, this raises the question of whether this means women are in power, and on the other hand, men are portrayed as powerless. Utilizing the multimodality approach, the results show that although women appear more in the narrative, women are still represented as less powerful.
Representation of Sexual Identity Struggle in Aristotle and Dante Discover the Secrets of the Universe Putri Manarina Sabila; Supiastutik Supiastutik; L. Dyah Purwita Wardani SWW; Dina Dyah Kusumayanti
JET ADI BUANA Vol 7 No 02 (2022): Volume 7 Number 02 October 2022
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/jet.v7.n02.2022.6277

Abstract

This paper discusses the journey of finding sexual identity in the novel Aristotle and Dante Discover the Secrets of the Universe. The analysis focuses on the effort of finding the sexual identity. The struggles before and after coming out are represented in the novel, as well as the critical position of the author. Stuart Hall's representation theory was used as a qualitative approach to analysis. The data of this study were obtained from words, phrases and sentences related to the phenomenon of gay and trans-gender in the selected novels. People are still uncomfortable with the behavior of the LGBT group, so it causes violence against groups associated with them. When the protagonist admits to being gay, he is abused and discriminated against by others, like in the novel. By relating the problem in the story to the author's biography and the struggle to establish his own sexual identity, the topic of sexual identity seems crucial to address as a part of this social phenomenon. This research was conducted as an initial research on the LGBT group, which is expected to be useful for future research.
Gender Stereotypes in Boyd Smith’s the Story of Pocahontas and Captain John Smith: A Greimas’ Actantial Model Supiastutik Supiastutik; Dyah Purwita WSWW; Olivia Putri Citra Ramadani
Lingua Cultura Vol. 17 No. 1 (2023): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v17i1.8574

Abstract

The research attempted to examine the contribution and relevance of structuralism as a theory, method, and paradigm, especially in the study of feminist literary criticism in the novel entitled The Story of Pocahontas and Captain John Smith. Many researchers had scrutinized the novel from various approaches, such as socio-cultural, historical political, and post-colonial studies. However, analysis using actantial models had not been conducted and reported in scholarly journals. The qualitative research utilized textual analysis that practiced a narrative semiotic approach proposed by Greimas. The research used the actantial model proposed by Greimas to evaluate the narrative’s deep structure so as to reveal gender stereotypes of male and female characters in the novel, written in 1906. Although the female character appeared as the main character, she was portrayed as sentimental, emotional, weak, and dependent on the male characters’ help. In contrast, the male characters were shown as dominant figures. They were portrayed as physically strong, rational, thoughtful, and able to prioritize the interests of the wider community and independently achieve the goals they wanted. It is found that the discussion about gender stereotypes in literary works is still relevant to be carried out, especially in literary works, because several kinds of research showcase that the portrayal of stereotyped characters has an unfavorable impact on children’s cognitive and affective development.
THE REPRESENTATION OF ORIENTALISM NEGOTIATION IN ROWELL'S ELEANOR AND PARK Berlian Ayu Pangestu; Supiastutik Supiastutik; L. Dyah Purwita Wardani SWW
Leksema: Jurnal Bahasa dan Sastra Vol. 8 No. 1 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v8i1.6127

Abstract

This paper explores the representation of orientalism negotiation in a novel entitled Eleanor and Park, written by Rainbow Rowell. This study utilized a descriptive-qualitative method to analyze the story by applying the representation theory proposed by Stuart Hall, especially the constructive approach suggested by Foucault. It focuses on the construction of meaning through language related to the depiction of oriental characters and how they struggle and respond to the treatments they receive from white people. Operating the concepts of orientalism from Edward Said and the discursive approach proposed by Foucault, this study explores the ideological position of the writer as  well. From this study, it is found that as an American white writer, Rowell shows the negotiation of the orientalism concept. Presenting the white characters with oriental characteristics and non-white characters with accidental qualities, Rowell exemplifies the strategic way to create racial harmony.  However, the efforts to create characterizations as forms of negotiation against orientalism have reached a dead end because the readers are more impressed by the honored class, which consists of mostly white students, who are able to subvert the negotiations on orientalism made by the author.  
Depiction of Machismo through Castillo Brothers in Oscar Hijuelos’ The Mambo Kings Play Songs of Love Supiastutik Supiastutik; Septania Alya Rakhman; Syamsul Anam
Journal of Feminism and Gender Studies Vol 4 No 1 (2024): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v4i1.46266

Abstract

The Mambo Kings Play Songs of Love (1989) is a novel by Oscar Hijuelos, a Cuban-American writer. It talks about the lives of Cesar and Nestor Castillo, Cuban immigrants who live in America to pursue their dreams as musicians. The novel strongly connects to Latin American culture. The Castillo brothers are known for embracing their "Cubanness" as men. Men in Spanish-speaking countries are recognized for their masculine solid pride. Their strong masculine pride is often associated with an exaggeration of their masculinity. People often call it machismo. Machismo, derived from destructive aspects such as aggressiveness, womanizing, emotional withdrawal, and male chauvinism, is known for having harmful outcomes for men who embed it. Operating Hall's Theory of Representation and Kupers' concept of toxic masculinity, this research aims to show how the Castillo brothers represent machismo and reveal the ideology of Oscar Hijuelos' regarding machismo. This research is conducted as qualitative research, utilizing narratives and dialogues. The study found that Cesar's practice of machismo through the act of being a Latin lover affects his participation in alcoholism and resistance to professional help. Besides, Nestor's practice of machismo for being a "man with muscle" eventually leads him to depression, anxiety, and rejection of therapy. It is acknowledged their status as immigrants heighten their practices of machismo. Through his writing, the author expects to criticize machismo.
Post-feminist Discourses in Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo Liyana Khairunnisa; Supiastutik Supiastutik; Ghanesya Hari Murti
Journal of Language and Literature Vol 24, No 1 (2024): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i1.6468

Abstract

This research analyzes feminist success in post-feminist discourse related to neoliberalism in the Hollywood film industry through The Seven Husbands of Evelyn Hugo. This research aims to reveal how Evelyn's actions within the neoliberalism framework criticize the discourse of post-feminism. Postfeminism emerged as a response to feminism, suggesting that women can embrace traditional feminine roles while still feeling empowered and in control, as post-feminism believes that feminism has largely achieved its goals. Angela McRobbie's post-feminism theory is used to analyze the novel because it identifies the form of neoliberal practice in post-feminism. The results show that the success of neoliberal feminists portrayed by Evelyn is false because the dominance of neoliberalism practices still idealizes a heterosexual matrix with seven marriages possible in the Hollywood industry. Women are capitalized as sexual objects for heterosexual audiences for neoliberal interests. Women must comply with these two things through the sexual contract by participating in the fashion beauty complex to survive in the work environment. The resulting impact is that women then repress their gender identity and discipline it to fit the industry's logic. This discourse is disseminated in the novel as a social discourse even though the author's critical position seeks to reject the application of heteronormativity in the novel and also the social practices of the Hollywood industry.
The Construction of Orientalism in Doris Lessing's The Grass is Singing Bilqis, Bahiroh; Setiawan, Ikwan; Supiastutik, Supiastutik
Pioneer: Journal of Language and Literature Vol 15 No 2 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i2.3165

Abstract

This article studies the construction of Orientalism in the novel The Grass is Singing by Doris Lessing. Doris Lessing is a British writer born in Persia who won the Nobel Prize for Literature in 2007. As a white writer, Lessing is known as a writer who fights for the rights of the black community. Still, in this novel, she sharpens the negative image of the blacks as described in the theory of Orientalism. Orientalism focuses on the West’s view of the East. In the novel, Orientalism was carried out by The West against The East, represented by Mary Turner as white people and Moses as the black. This study aims to dismantle the Orientalist discourse in the novel. The study applied the theory of Orientalism proposed by Edward Said (1979). The Orientalist discourse in The Grass is Singing is constructed in the form of stereotypes and oppression against the black people in Southern Rhodesia. Racism, colonialism, and the politics of Apartheid done by white people in the novel showcase the white superiority toward the inferior black.
The Representation of Body Image and Self-Acceptance of The Main Character in 45 Pounds (More or Less) By K.A Barson Audina, Vicky Cecil; Kusumayanti, Dina Dyah; Supiastutik, Supiastutik
Jurnal Pendidikan Bahasa dan Sastra Vol 24, No 1 (2024): APRIL 2024
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/bs_jpbsp.v24i1.72245

Abstract

This research is an analysis of the representation of body image and self-acceptance issues of the main character in 45 Pounds (More or Less) through the perspective of Hall’s representation theory. By applying Hall's theory of representation to this research, the researcher gains a deeper understanding of how the novel represents and reinforces cultural norms and values related to body image and self-acceptance, and how these representations shape the feelings and emotions of readers related to the discourse of body image and self-acceptance.This study uses a qualitative research method in which the data sources are primary and secondary data. The primary data are in the form of narrations, dialogues and statements in the novel by K.A Barson entitled 45 Pounds (More or Less) as the main focus in this research. The secondary data includes the historical data, psychological research and cultural studies on body image and self-acceptance. This research focuses on the representation of body image and self-acceptance issue and the critical position of the author through the sense or content in 45 Pounds (More or Less). The analysis results shows that these issues were predominantly influenced by the media’s portrayal of unrealistic beauty standards, leading characters to constantly compare themselves and feel dissatisfied. The author prioritized health over vanity and encouraged readers to look beyond societal pressures, promoting a deeper appreciation of one’s body and self-worth
Japanese diaspora in Margaret Dilloway's How to be an American Housewife Fitriani, Elok; Basuki, Imam; Setiawan, Ikwan; Supiastutik, Supiastutik
EduLite: Journal of English Education, Literature and Culture Vol 9, No 1 (2024): February 2024
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.9.1.18-31

Abstract

In today's borderless world, people move quickly, forming diaspora communities with complex cultural lives. The culture shock that causes mental health disruption is common in these diaspora communities. Therefore, the study of this diaspora is crucial to be conducted. The novel entitled How to be an American Housewife represents the difficulties of becoming a diaspora subject in a new country with a new culture. This study focuses on the diaspora experience undergone by Shoko Morgan. The study aims to show the construction of diaspora identity, the condition of the Japanese diaspora community in America, and the author's critical position. This descriptive qualitative research utilized the cultural identity and diaspora theory proposed by Stuart Hall to unveil the diaspora identity in the novel. This research reveals that identity is always in some process of adaptation, transformation, and differences from new environments. The literary work under scrutiny shows the experience of Japanese immigrants at that time, such as feeling alienated, isolated, and discriminated against. Through this novel, Margaret Dilloway has represented her mother's challenging life experiences as a diaspora subject in the USA.
THE REPRESENTATION OF LIBERAL FEMINISM IN A WOMAN IS NO MAN BY ETAF RUM Wulandari, Mega Dwi; Supiastutik, Supiastutik; Pujiati, Hat
Lentera: Jurnal Ilmiah Kependidikan Vol. 12 No. 2 (2019): Lentera
Publisher : STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study discusses liberal feminism in 21st century in America. Liberal feminism. The representation of liberal feminism in A Woman is No Man explains how powerful is the feminism movement in encouraging Arab woman in Arab-American society. The representation of liberal feminism in A Woman is No Man is depicted through female characters’s struggle in getting the equal right with men. The narratives and the dialogues of the novel construct the discourse of liberal feminism where Arab women are considered as inferior and Arab men are considered as a superior. However, the liberal feminism is showed through the main female characters’ struggle to get the same equal right with men in the novel. According to this reason, Stuart Hall's representation theory and discursive approach by Michel Foucault are applied as the main tool to analyze the problems. Betty Frieddan’s Feminine Mystique is utilized as the supporting theory to analyze the liberal feminism in the novel. The results of this study shows that the idea of Arab men is superior, Arab women are inferior become a common knowledge and general agreement among society
Co-Authors Audina, Vicky Cecil Azara Nafia Irmadani Berlian Ayu Pangestu Bilqis, Bahiroh Dyah Purwita WSWW EKA RURIANI Erna Cahyawati Erna Dwi Listiari Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hadi Sampurna Hat Pujiati Iin Nurul Hidayati Iin Nurul Hidayati, Iin Nurul Ikwan Setiawan Imam Basuki Imam Basuki Irana Astuti Irana Astuti, Irana Irana Astutiningsih Khazanah, Dewianti Kusumayanti, Dina Dyah Liyana Khairunnisa Malau, Theophanie Clarissa Niken Widya Palupi Olivia Putri Citra Ramadani Pratiwi, Adinia Arum Putri Manarina Sabila Reni Kusumaningputri Riskia Setiarini Septania Alya Rakhman Subekah Nawa Kartikasari Sutarto Sutarto Sutarto Sutarto Suwargono, Eko Syamsul Anam Vincentia Sekar Arum Wardani SWW, L. Dyah Purwita Wulandari, Mega Dwi