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All Journal Jurnal Teknologi Dan Industri Pangan Gorga : Jurnal Seni Rupa Jurnal Imajinasi Corak : Jurnal Seni Kriya Craft Jurnal Sosioteknologi Journal of Visual Art and Design Jurnal Ilmiah Arena Tekstil Dinamisia: Jurnal Pengabdian Kepada Masyarakat Humaniora Jurnal Rupa The Indonesian Design Journal Atrat: Jurnal Seni Rupa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Moda: The Fashion Journal Wimba: Jurnal Komunikasi Visual Edunity: Kajian Ilmu Sosial dan Pendidikan Jurnal Sosial dan Sains Jurnal Tekstil: Jurnal Keilmuan dan Aplikasi Bidang Tekstil dan Manajemen lndustri Jurnal Sains Materi Indonesia Madania: Jurnal Kajian Keislaman Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
Dian Widiawati
Faculty Of Art And Design, Institut Teknologi Bandung, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mechanical Engineering Physics Social Sciences Other

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PENGEMBANGAN DEKORASI WARNA PADA ANYAMAN PANDAN TASIKMALAYA Phang Desnica; Dian Widiawati; Adhi Nugraha
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol 36, No 1 (2019): Dinamika Kerajinan dan Batik : Majalah Ilmiah
Publisher : Balai Besar Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v36i1.5127

Abstract

Anyaman pandan merupakan salah satu warisan kebudayaan yang masih aktif diproduksi oleh masyarakat Tasikmalaya. Anyaman pandan yang awalnya hanya diterapkan dalam pembuatan tikar, mulai dikembangkan oleh masyarakat Tasikmalaya menjadi produk fashion dan peralatan rumah tangga. Namun, potensi yang dimiliki oleh masyarakat dalam mengolah serat pandan belum berkembang, belum mampu menarik perhatian pasar, dan belum memberikan keuntungan finansial. Hal ini dapat menyebabkan kemunduran eksistensi anyaman pandan hingga menuju ambang kemusnahan. Pengembangan dalam pengolahan serat pandan, yang meliputi eksperimentasi struktur dapat memberikan suatu daya tarik pada anyaman pandan. Pada akhirnya, kegiatan eksperimentasi struktur yang dilakukan dapat berdampak pada pemberdayaan masyarakat Tasikmalaya dalam memproduksi produk anyaman pandan yang lebih berinovasi dan bermutu tinggi. Metode yang digunakan adalah pendekatan campuran kuantitatif secara deskriptif dan kualitatif melalui metode eksperimentatif dan pendekatan pasrtisipatori. Hasil menunjukkan bahwa dengan melakukan eksperimentasi struktur terhadap anyaman pandan menghasilkan berbagai macam variasi teknik anyaman menarik yang belum pernah beredar di pasaran sebelumnya. Kata Kunci: anyaman, eksperimentasi, pandan, struktur, Tasikmalaya.
Metode Pembelajaran Melalui Perancangan Busana Tekstil Bertekstur Tiga Dimensi dengan Menggunakan Serat Eceng Gondok Grace Claudia Hinanto; Andar Bagus Sriwarno; Dian Widiawati
Jurnal Desain Indonesia. Vol 1 No 2 (2019): Jurnal Desain Indonesia
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v1i2.27

Abstract

Eceng gondok merupakan tumbuhan air yang sangat sulit diberantas. Hal ini disebabkan pertumbuhan eceng gondokyang sangat cepat dan daya tahan hidupnya tinggi. Selain itu eceng gondok dapat menyebabkan berkurangnya debitair permukaan air terbuka (seperti danau, rawa, sungai atau daerah berair lainnya) hingga 4 kali lipat dan dapatmenyebabkan pendangkalan pada daerah-daerah berair tersebut. Pemanfaatan eceng gondok dalam penelitian iniditujukan untuk menghasilkan tekstil dari enceng gondok bertekstur tiga dimensi.Perancangan busana wanita menggunakan eceng gondok yang menghasilkan tekstil tekstur tiga dimensi inimenggunakan pendekatan eksplorasi material dengan cara teknik anyam keper dan sistem pewarnaan alam berbahankayu secang (Caesalpinia sappan). Gagasan dari penelitian ini adalah menggali potensi eceng gondok yang sangatberlimpah tersebut agar dapat dimanfaatkan sebagai media pembelajaran/kursus bagi mahasiswa desain tingkat dasardan oleh masyarakat awam yang bekerja di bidang industri tekstil di Indonesia.Tujuan dari penelitian ini adalah masyarakat awam pemilik industri tekstil dapat menciptakan rancangan busanacouture wanita menggunakan tekstil dari serat alam eceng gondok yang bertekstur tiga dimensi, sehingga dapattampil dengan daya tarik visual yang tinggi dan bernilai tambah. Hasil dari penelitian ini diharapkan menjadi modelpembelajaran bagi industri tekstil kecil dan menengah untuk dapat menghasilkan produk busana/fashion yang unikdengan kualitas tinggi. Penelitian ini juga diharapkan dapat menjadi salah satu media pembelajaran dasar desainuntuk masyarakat luas maupun mahasiswa desain tingkat dasar. AbstractWater hyacinth is a water plant that difficult to eradicate. This happen because the growth of water hyacinth is fastand shown its high durability. In addition, it affects to reduce open air surface discharge (such as lakes, swamps,rivers or other watery areas) up to 4 times and siltation effect in these aqueous areas. The use of water hyacinth inthis study was to produce three-dimensional texture of nature textile.The design of women's clothing uses water hyacinth which produces three-dimensional texture textiles uses thematerials exploration approach by applying the keper weaving technique and the sappan wood natural coloringsystem (Caesalpinia sappan). The idea of this research is exploring the potential of the abundant water hyacinth inorder to be used as a learning medium / course for elementary level design students and for the empowerment oftextile industris in Indonesia. The purpose of this study is that ordinary people who own the textile industris can create design women's coutureclothing using tree-dimentional textiles from natural hyacinth fiber, so that they could appear with high visualappeal and added value. The results of this study are expected to be a learning model for the small and mediumtextile industris to produce unique high quality fashion products. This research is also expected to be one of the basiclearning media designs for the wider community as well as basic level design students.
Pewarnaan Tekstil dari Pemanfaatan Sabut Kelapa untuk Produk Modest Wear Fashion Rizka Riani Putri; Dian Widiawati
Jurnal sosial dan sains Vol. 2 No. 2 (2022): Jurnal Sosial dan Sains
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5392.317 KB) | DOI: 10.59188/jurnalsosains.v2i2.350

Abstract

Latar Belakang : Modest wear fashion Indonesia berpeluang menjadi kiblat muslim fashion dunia. Saat ini perkembangan busana modest wear mengalami perubahan yang sangat signifikan di kalangan pecinta fashion. Tujuan : Penelitian ini bertujuan untuk memanfaatkan sabut kelapa yang digunakan sebagai inovasi dalam pengolahan tekstil yang mengedepankan produk ramah lingkungan dan dapat diterima oleh masyarakat luas. Metode : Penelitian ini menggunakan kombinasi pendekatan kualitatif. Hasil : Saat ini pewarnaan bahan tekstil menggunakan bahan pewarna sintetis dapat merusak lingkungan, penelitian ini mengembangkan proses inovasi natural dye untuk pengolahan tekstil dari pemanfaatan sabut kelapa. Indonesia merupakan salah satu negara penghasil kelapa terbesar di dunia dengan total produksi buah kelapa sebesar kurang lebih 14 miliar butir per tahun. Kesimpulan : Motivasi sebagai variabel intervening berpengaruh signifikan antara kompensasi dengan kinerja pegawai Kantor Pertanahan Kabupaten Malang non PNS dimasa pandemi.
Karakteristik Pengeringan Rempah Daun Menggunakan Fluidized Bed Drier dan Tray Drier Tjahja Muhandri; Fahim Muchammad Taqi; Subarna Subarna; Dian Widiawati
Jurnal Teknologi dan Industri Pangan Vol. 34 No. 2 (2023): Jurnal Teknologi dan Industri Pangan
Publisher : Perhimpunan Ahli Teknologi Pangan Indonesia bekerjasama dengan Departemen Ilmu dan Teknologi Pangan, IPB University Bogor, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6066/jtip.2023.34.2.187

Abstract

Bay leaves (Sygygium polyanthum), kaffir lime leaves (Citrus hystrix) and pandan leaves (Pandanus amaryllifolius) are herb leaves with unique aroma that are often added to dishes to strengthen and enrich the taste. The high demand of the leaves has prompted efforts to make them easy to distribute and shelf stable. Drying can increase the shelf life of these leaves with acceptable quality. The objectives of the research were to determine drying models for these leaves using two types of driers and to determine the panelist's preference for the dried and rehydrated leaves. These herb leaves are fresh-picked from the tree, cleaned and dried using the two different driers, i.e. fluidized bed drier (temperature 40-42°C) and tray drier (temperature 58-61°C). The leaves were weighed every 15 minutes until they reached a constant weight. Fresh leaves and dry leaves were photographed. The drying kinetics of both types of driers were checked with the Lewis model and Page model. Panelist preference test was carried out on dry leaves and leaves that had been rehydrated using hot water. The results showed that drying with a tray drier was able to dry faster than that with a fluidized bed drier. The Page drying model is more suitable to describe the drying conditions than the Lewis drying model. Panelists preferred dry and rehydrated herb leaves obtained from fluidized bed drying.
PEWARNAAN ALAMI KAIN LACE DENGAN METODE PRE & POST-MORDANTING PADA PERANCANGAN BUSANA COUTURE Ismi Fauziyah Asri; Dian Widiawati
JURNAL IMAJINASI Vol 8, No 1 (2024): Januari-Juni
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/i.v8i1.61320

Abstract

Perkembangan pesat industri tekstil dan mode telah menimbulkan masalah pencemaran lingkungan, khususnya karena penggunaan pewarna sintetis yang menghasilkan limbah berbahaya. Pewarna alami menjadi alternatif menarik karena karena diekstrak dari sumber alam terbarukan dan dianggap lebih aman bagi kesehatan manusia dan ramah lingkungan. Salah satu sumber pewarna alami yang potensial adalah kulit rambutan. Rambutan banyak ditemukan di pulau Jawa, salah satunya Banyumas yang menjadi tempat peneliti memperoleh kulit rambutan sebagai bahan dalam penelitian ini. Kulit rambutan seringkali dianggap sebagai limbah organik yang tidak termanfaatkan, namun penelitian terdahulu menunjukkan adanya potensi kulit rambutan sebagai pewarna alami karena kandungannya. Penelitian ini bertujuan untuk menggali potensi ekstrak limbah kulit rambutan sebagai pewarna alami pada material kain lace, yang dipilih karena popularitasnya dalam desain busana khusus seperti couture. Eksplorasi diawali dengan proses ekstraksi panas dan proses scouring menggunakan teepol. Pencelupan kain lace dilakukan dengan metode pre & post mordanting menggunakan zat mordan kalsium karbonat (CaCO3), garam krosok (NaCl), dan tunjung (FeSO4) selama 30 menit. Penelitian ini menggunakan metodologi campuran dengan pendekatan kualitatif dan kuantitatif (mixed methods), dimana data kualitatif diperoleh melalui pengkajian literatur mengenai pewarna alami, material kain lace, buah rambutan (Nephelium lappaceum), dan busana couture. Sementara itu, pendekatan kuantitatif terdiri dari eksperimen dan eksplorasi pewarnaan alami hingga proses evaluasi hasil pencelupan melalui pengujian ketahanan luntur warna terhadap pencucian, keringat, dan gosokan. Luaran dari penelitian ini berupa moodboard dan beberapa pilihan desain busana couture. Penelitian ini diharapkan dapat membuka peluang baru dalam implementasi mode berkelanjutan (sustainable fashion) serta mengangkat potensi kearifan lokal (local wisdom) dari salah satu tumbuhan tropis khas Indonesia.
Crafting the Future: A Sustainable Practice of Endek Woven Cloth in Jinengdalem Village, Buleleng District, Bali Province, Indonesia Arfan, Nadia; Widiawati, Dian; Ardini, Sasanti Puri
Journal of Visual Art and Design Vol. 16 No. 2 (2024): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2024.16.2.2

Abstract

While Endek cloth weaving Bali is a long-standing tradition for Balinese people, there is currently an urgency to achieve sustainability. The concern of addressing environmental aspects makes traditional clothing more relevant to the present and future. This paper aims to connect Balinese Endek weaving with natural dyes to preserve the tradition and adapt it to today’s needs. Implementing a participatory approach and collaborating with Poni Songket, the weaver’s community and SME in the Buleleng district of Bali province, this research developed state-of-the-art innovative designs for Balinese Endek weaving by utilizing local potentials such as traditional architecture (paddy and paddy barns) as inspiration for the designs and local natural dyes from the surrounding area for colorization of the fabric. These practices will open advanced opportunities to enhance the community’s economic perspective and expand their knowledge to support sustainable purposes of Indonesia Emas 2045 and the Sustainable Development Goals (SDGs) of the UN.
Analisis Elemen Visual pada Promosi Busana Muslimah di Instagram (Studi Kasus Merek Hijab Juniper Lane, Zaha, dan Zysku Xena di Bandung) Fetrianggi, Ramadita; Mutiaz, Intan Rizky; Widiawati, Dian
Madania: Jurnal Kajian Keislaman Vol 21, No 1 (2017): JUNE
Publisher : Universitas Islam Negeri (UIN) Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/madania.v21i1.230

Abstract

Analysis of Visual Elements on Muslimah Clothing Promotion in Instagram (Case Study on Brands of Hijab Juniper Lane, Zaha, and Zysku Xena in Bandung). Muslim clothing in the form of hijab has become popular as a religious lifestyle and identity. The popularity of hijab is due to the promotion of marketing through instagram displaying muslim fashion clothing that is designed very interesting, so that consumers become interested and marketing becomes increasing. This study aims to examine muslim clothing photos on instagram hijab with brands of Juniper Lane, Zaha, and Zysku Xena in Bandung seen from the visual elements of photography. The research method used case study with descriptive approach through visual analysis. The research subjects are instagram photos on Juniper Lane hijab brand, Zaha, and Zysku Xena in Bandung. Data collection techniques were collected by observation, instagram photo documentation study, and interviews with local brand owners of hijab and consumers. Data were analyzed by visual analysis, content analysis, and qualitative analysis. The results show that muslim clothing photos on instagram with brands of hijab Juniper Lane, Zaha, and Zysku Xena in Bandung have fulfilled the visual elements of photography, so the photo design becomes attractive, the consumers become interested in them, and the marketing becomes increasing.
PERANCANGAN PRODUK FASHION BAGI MASYARAKAT URBAN INDONESIA DENGAN PEMANFAATAN TENUN LURIK JAWA PEDAN Wenny Anggraini Natalia; Dian Widiawati; Agus Sachari
Serat Rupa: Journal of Design Vol 3 No 2 (2019): SRJD-JULY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v3i2.1002

Abstract

The existence of Javanese Pedan lurik weaving which is one of the Indonesian cultural heritages that needs to be preserved in this modern era. Using the method of observation, visual analysis and experimentation, it is designed to revitalize fashion products by utilizing Javanese lurik woven cloth intended for Indonesian urbanites with a character of young spirit, full of locality, and love of culture. Sustainable design methods become a solution by considering the impact on the natural and social environment at each stage, which will later be related to the economy of the community. Through this article, it is hoped that it will enrich the development of fashion products with Indonesian cultural nuances that will increase the selling power of Javanese lurik woven into the wider community. In addition, using revitalized Javanese Pedan motifs and patterns that have been revitalized, it is hoped that the public will become more aware that there are still regional motifs and patterns that are still unexplored and is expected to be more known and awake sustainability.
PEMANFAATAN GULMA ECENG GONDOK BATANG PENDEK DI WILAYAH WADUK JATILUHUR SEBAGAI MATERIAL BIOKOMPOSIT UNTUK PRODUK TAS WANITA Heriadi, Almira; Widiawati, Dian
MODA Vol. 7 No. 1 (2025)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v7i1.5467

Abstract

Water hyacinth is as an invasive weed, can cause various problems in the water ecosystem. In the Jatiluhur Reservoir, the accumulation of short-stemmed water hyacinths has become a serious issue as they cannot be utilized as raw materials for woven products, as traditionally done by the local community, rendering them useless plants that pollute the environment.The use of water hyacinth weed as a biocomposite material aims to provide innovation in the processing of water hyacinth in the realm of crafts, which so far has only been processed by making woven. Apart from that, the processing of water hyacinth into biocomposite sheets is also carried out in order to obtain a more artistic visual that can be applied to various applied products with the aim that craftsmen can market their products at a more reasonable price than The method used for the process of utilizing into biocomposite material includes steps such as: (1) Understanding the characteristics of the raw material used as biocomposite filler and selecting a suitable matrix material to produce the desired type of material. (2) Material exploration process; which includes experimental processing processes with various ingredient composition measurements, coloring processes and simultaneous administration processes. (3) Material testing. Material durability test is carried out which includes a tensile test, heat resistance test and water resistance test. (4) Product design. After the right material composition has been found and trials have been carried out on the durability of the material, the process of designing a suitable product is continued in accordance with the results of material trials and in accordance with the properties and characteristics of the biocomposite material.
EXPLORATION OF JELAMI TECHNIQUES USING NATURAL DYES OF TINGI WOOD (CERIOPS TAGAL) AND JASMINE (JASMINUM SAMBAC) IN ATBM SILK WEAVING FABRIC INTO ENVIRONMENTALLY FRIENDLY TEXTILES Savitri, Savitri; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Widiawati, Dian
Wimba : Jurnal Komunikasi Visual Vol. 16 No. 1 (2025): Wimba: Jurnal Komunikasi Visual
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/jkvw.2024.16.1.1

Abstract

This paper discusses the results of research related to exploration and innovation in utilizing the potential of nature and environmentally friendly technology in creating textile motifs through the Jelami technique (Natural Footprint), which is a way of transferring traces of motifs and colors on fabric, using jasmine flowers as a motif builder and natural dyes of high wood as a form of color traces. This innovation is related to the rapid progress of Indonesia's textile industry, which is considered positive. Still, there are problems with environmental pollution caused by the increasing use of environmentally unfriendly materials, namely chemicals, which are very harmful to the ecosystem of human life and biodiversity. To address this issue, it is essential to anticipate potential problems by exploring alternatives in the textile industry's production process one alternative is research on the use of environmentally friendly materials. The method used is exploratory qualitative research. The initial stage is observation, literature study, and documentation, then the stage is determining jasmine flowers (Jasminum sambac) and natural dyes from high wood (Ceriobs candolleana) applied to ATBM silk fabrics through the jelami technique. The next stage is to experiment and explore the process of the jelami technique on fabrics to get a standard formulation to produce jasmine motifs that are consistent in shape and color. The stages of applying and designing motifs with jelami techniques use a craft creation approach (Gustami, 2006), namely the design, embodiment, and evaluation stages. Munsell's theory expresses color in three dimensions: taste, value and intensity. The result of the study is the novelty of jasmine motifs with natural dyes of high wood through the process of jelami techniques in the form of textiles to be applied to a variety of used objects that have high economic value and are environmental friendly
Co-Authors Adhi Nugraha Adhi Nugraha Aditya Putri Kusuma Wardani Agus Sachari Andar Bagus Sriwarno Ardini, Sasanti Puri Arfan, Nadia Arthur A. Sembiring Budi Ramadhan Cucu Nuraeni Deni Yana Desnica, Phang Desnica, Phang Devi Candraditya Hady Dewanti, Sira Kamila Dian Rinjani Djati, Imam Damar Dwinita Larasati Fahim Muchammad Taqi Fajrianingtyas, Aulia Fetrianggi, Ramadita Gina Shobiro Takao Grace Claudia Hinanto Hafiz Aziz Ahmad Heriadi, Almira Husen Hendriyana Innamia Indriani Innamia Indriani Intan Prisanti Intan Rizky Mutiaz Ismi Fauziyah Asri Kezia Clarissa Langi Liandra Khansa Utami Putri Lies N. Budarti Maharani Dian Permanasari Mandhe Sekar Nurindah Nadia Gitta Listyani Nuning Yanti Damayanti Nur, Christmastuti Phang Desnica Puthya Nur Sabrina Ramadita Fetrianggi Rizka Riani Putri RR.Nissa Pressinawangi KP Sabrina Ilma Sakina Savitri Savitri, Savitri Septia Andini Setiawan Sabana Smaradhina, Ken Kayla Subarna Subarna Tiara Nurmalita Dewi Tjahja Muhandri Tri Sulistyaningtyas Wanda Listiani Wenny Anggraini Natalia Yan Yan Sunarya Yani Suryani