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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sendratasik Grenek: Jurnal Seni Musik Journal of Urban Society´s Arts JURNAL PENDIDIKAN TAMBUSAI Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Ranah Seni: Jurnal Seni dan Desain Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan SPACEPRO JURNAL ILMIAH PENDIDIKAN MUSIK Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran
Yensharti
Prodi Pendidikan Musik, Universitas Negeri Padang
Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences Other

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PERAN ORGAN TUNGGAL DALAM ACARA BARALEK DI PADANG Yensharti Yensharti
Imaji Vol 5, No 1 (2007): IMAJI FEBRUARI
Publisher : FBS UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (323.939 KB) | DOI: 10.21831/imaji.v13i2.6694

Abstract

The research aims at studying the performance of solo organ nowadays popular among Minangkabau people, especially in the wedding ceremony (Baralek) in Padang. The performance is of a new music genre, which in the last two decades has become more and more well-known in the urban area as well as in the rural one. At the beginning, the performance was particularly organized in hotels. A year later in 1984, it was performed in private houses and culminating in 2000 many new solo organ groups emerged in Padang. Malam Bainai and Alek Nak Mudo serve as the main songs played in the traditional procession of welcoming and escorting the bridal couple, while Anak Daro and Marapulai are played when they go to the nuptial seat and when they leave it during the Baralek. The existence of solo organ performance in the ceremony plays important roles as emotional expressions, personal entertainment, symbols, communication, social integrity, physical reaction or productivity stimulation and serves the ritual function. Key words: solo organ, Baralek music
Pembelajaran Awal Praktek Instrumen Biola di Prodi Pendidikan Musik Jurusan Sendratasik Fakultas Bahasa dan Seni Universitas Negeri Padang Yensharti Yensharti; Delvia Mona
Grenek: Jurnal Seni Musik Vol 10, No 1 (2021): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i1.25748

Abstract

Penelitian ini bertujuan untuk mendeskripsikan pembelajaran awal praktek instrumen biola pada mata kuliah Praktek Instrumen Mayor I di Prodi Pendidikan Musik Jurusan Sendratasik Fakultas Bahasa dan Seni Universitas Negeri Padang. Jenis penelitian adalah deskriptif kualitatif pendekatan studi pustaka, dan dokumentasi. Penelitian ini menggambarkan kegiatan pembelajaran biola meliputi pengenalan instrumen, pengenalan penggesek, pengenalan senar biola persiapan peserta didik dalam mempelajari biola terkait sikap atau posisi tubuh dalam memainkan instrumen biola, penggunaan penggesek memainkan nada dalam posisi open string, penggunaan penjarian dengan teknik gesekan Whole bow, Legato dan Staccato. Hasil penelitian menjelaskan posisi tubuh dan penggunaan bowing Whole Bow (W.B) dengan penjarian dan posisi yang tepat berguna untuk menguatkan teknik dasar dalam bermain biola yang bertujuan memantapkan bunyi nada yang berkualitas sesuai dengan teknik yang tepat untuk mendapatkan hasil belajar yang maksimal.
Software Sibelius Sebagai Alternatif Penulisan Notasi Musik Di Era Millenial Fajry Sub'haan Syah Sinaga; Esy Maestro; Marzam Marzam; Yensharti Yensharti
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 1 No 1 (2019)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v1i1.11

Abstract

Penelitian ini bertujuan untuk memberikan pengetahuan dan keterampilan tentang penulisan notasi musik menggunakan software sibelius yang dapat digunakan sebagai alternatif dalam mengembangkan bahan ajar pada mata pelajaran Seni Budaya pada tingkat Sekolah Menengah. Pendekatan yang digunakan adalah artistik “Art Practice Based Research” dengan metode deskripsi analitis dan beberapa pelatihan kepada guru Seni Budaya di Kabupaten Solok menggunakan modul yang telah dibuat dan dipelajari kurang lebih tiga pertemuan. Hasil penelitian menunjukkan bahwa penggunaan software sibelius sangat efektif untuk menuliskan notasi musik dan mengembangkan bahan ajar berupa aransemen lagu sederhana dalam format ansambel alat musik sekolah seperti pianika, rekorder, perkusi, dan sebagainya.
Pengaruh Bias Pemahaman Substansi Dasar Teori Musik Terhadap Kemampuan Praktek Instrumen Gesek Di Sendratasik UNP Yensharti Yensharti
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 1 No 1 (2019)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v1i1.14

Abstract

Artikel ini adalah hasil penelitian yang bertujuan untuk menjelaskan dan mendeskripsikan adanya pengaruh bias (penyimpangan) pemahaman substansi dasar teori musik pada mahasiswa program keahlian musik di Prodi Pendidikan Sendratasik FBS UNP terhadap kemampuan praktikum memainkan alat musik instrumen gesek. Sebab dapat diduga bahwa terdapat hubungan kausal antara pemahaman yang benar tentang teori musik terhadap meningkatnya kemampuan melaksanakan praktikum instrumen gesek dalam matakuliah praktek instrumen. Kemampuan membaca notasi berhubungan langsung dengan tingkat pemahaman tentang teori musik. Jika kemampuan membaca notasi mahasiswa rendah, kemampuan gesek juga instrumen cenderung rendah, yang dapat diduga karena salah memahami besaran nilai dan makna-makna simbolis notasi yang dipelajari dalam kuliah teori musik atau pengetahuan dasar musik yang pernah didapatkan di bangku sekolah menengah, Sehingga masalah ini juga sesuatu yang bersifat simultan (berkelanjutan) terhadap rendahnya mutu permainan instrumen gesek tersebut
Komposisi Sarabande Sebuah Analisis Semiotika Musik Yensharti Yensharti
Ranah Seni Vol 3 No 1 (2009): Ranah Seni
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v3i1.77

Abstract

Sarabande is one piece of music that was created in the 17th century. GF Haendel make this composition for the organ instrument. The signs or symbols embodied in the form of visual Sarabande sheet music can be used as a material for sound analisys from the perspective of semiotics. Signs that present a representative acoustic sound and also can give another meaning beyond the sign itself.
Teknik Bowing dalam Pembelajaran Praktek Instrumen Mayor (Gesek) di Prodi Pendidikan Musik Departemen Sendratasik UNP Fela Vio Mimanda; Yensharti Yensharti
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (969.882 KB) | DOI: 10.24036/js.v11i3.119181

Abstract

This study aims to explain the benefits orof thetechnique usesbowing in the practice course of major stringed instruments in the Music Education Study Program, Department of Drama, Faculty of Language and Arts, Padang State University. This type of research is qualitative with descriptive analysis method. The research instrument is the researcher himself. The object of research istechnique bowing in learning major string instruments 1 and 3 in music education study program FBS UNP. The research subjects were students of major string instruments 1 and 3, lecturers of major stringed instruments. Data collection techniques through literature study, observation, interviews and documentation. Data analysis techniques are data reduction, data presentation, and drawing conclusions. The results showed that the use of the Whole Bow (WB) had not been maximized because the strength of the index finger was not strong enough to push the swipe straighter or not controlled. The use of legato has not maximized the results because it has not been able to share the swipe as much because the strength on the index finger is not strong enough to control the swipe. The use of staccato has not maximized the results because a weak index finger in pushing the swipe and a stiff wrist cause friction to be less balanced. The use of spiccato has not maximized the results because the strength of the index finger that is not strong enough to push the friction causes the short length of friction to be less controlled to produce a shorter friction than the staccato. The use of legato staccato has not maximized the results because weak index strength and stiff wrists make friction not evenly distributed and staccato friction is less than optimal. The use of legato spiccato has not maximized the results because it is less able to produce a friction sound that is shorter than staccato due to the weak force on the index finger pushing the bow both up (Up Bow) and down (Down Bow). 
Analisis Musikal dan Teknik Permainan Biola Minuet Karya Luigi Boccherini Lanang Riyadi; Yensharti Yensharti
SENDRATASIK UNP Vol 11, No 4 (2022)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v11i4.119245

Abstract

This study analyzes the musicological Minuet by Luigi Boccherini which focuses on the analysis of rhythm, melody, form and structure of the work. This research includes qualitative research with a content analysis approach. Data were collected through literature study, observation, labor and documentation. Based on the results of the study, it was found that the minuet by Luigi Boccherini was written in 48 bars, using 3 major strokes starting with 3/4 time signature. The form of the work consists of two macro parts (large) A consists of 4 forming characters, 3 phrases and 14 motifs and B consists of 5 forming characters, 3 phrases and 10 motifs. The work is processed through the formation of motifs with their own characters and developed by literal repetition, ascending sequences, descending sequences and repetitions with variations. In addition, it was found the use of acciaccatura ornamentation in the formation of motif 1 with a combination of the use of syncopation and trill rhythms, shifting the basic notes (modulation) to the a minor scale of part A in character 4. The shifting of basic notes to 2 sharp at the beginning of part B with a characteristic use staccato signs. 
Minat Siswa Kelas X Terhadap Pembelajaran Seni Budaya di SMA N 1 Bengkulu Selatan Tri Intan Julita Kencana; Yensharti Yensharti
SENDRATASIK UNP Vol 12, No 1 (2023)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/js.v12i1.119949

Abstract

The purpose of this study was to determine the interest of class X students in learning art and culture at SMA N 1 Bengkulu Selatan. This type of research is quantitative research and is described by descriptive statistics. The population in this study were students of class X SMA N 1 Bengkulu Selatan and the sample of the population studied was class X IPS 3. The instrument of this research was a questionnaire (questionnaire). Data collection techniques were carried out by distributing questionnaires, processing and returning the questionnaires. The data analysis technique was carried out using the Likert scale percentage formula. Students' feeling of pleasure towards learning art and culture at SMA N 1 Bengkulu Selatan is in the Medium category with a percentage of 60%, student involvement is in the medium category with a percentage of 60%. The students' interest is in the medium category with a percentage of 59% and the students' attention is in the medium category with a percentage of 58%. Thus, the overall interest of students in class X IPS 3 towards learning art and culture at SMA N 1 Bengkulu Selatan is in the medium category with a percentage of 59%.
Musical Analysis Structure and Violin Playing Technique in Suzuki Violin Book Riyadi, Lanang; Yensharti, Yensharti
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p170-178

Abstract

This article aims to describe and provide an overview of the analysis of the musical structure and violin playing techniques contained in the works in Suzuki Violin Book Volume 1. The research contained in this article uses a qualitative method with a systematic content analysis approach, objectivity, and generalization. The works analyzed in this research are "Twinkle, Twinkle, Little Star", "Lightly Row", and "Song of the Wind". The results show that the three works are simple works that are appropriate as teaching materials for educators in teaching students who are just learning violin instruments. This is evidenced by violin playing that only uses the A string and E string with 1, 2, 3, and 0 (open string). The works are composed of intervals that make the melody movement dominated by stepping movements rather than jumping. In addition, the techniques that appear in these works are simple techniques such as up-bow, down-bow, tenuto, and staccato, and a little complicated for beginners is syncopation. So, the three works are the right works to learn for beginners.
Perkembangan Desain Produk Kerajinan Perak Koto Gadang sebagai Potensi Daerah di Sumatera Barat Yensharti, Yensharti; Afriwan, Hendra
SPACEPRO: Product Design Jurnal Volume 1 Nomor 2, November 2023
Publisher : INSTITUT SENI INDONESIA PADANGPANJANG

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/spacepro.v1i2.4050

Abstract

Silver Koto Gadang is an attempt to descend from their ancestors who have inherited from their parents, prosperity, children, and grandchildren as well as silver craftsmanship skills. The silver crafts owned by Koto Gadang are one of the elements that are incorporated into the customs of the community such as jewelry, curtain clothes, customary clothing and including the weddings of the region. The Koto Gadang community still uses the manual technique because the craftsmen maintain the custody of their products, in addition to preserving the historical value that the technique inherited downwards. This paper focuses more on library research using data analysis and qualitative analysis. Silver Koto Gadang, is an undertaking where all the communities there have skills as silver craftsmen, and one of these Nagari Koto gadang makes silver jewellery as a social culture in social customs. Seeing the potential of silver crafts from Koto Gadang is a great opportunity for Nagari Kato Gadang as the center of art crafts silver that is located in the village of Koto IV, Koto Gadan Kabupatean Agam which is chosen as the centre of silversmiths.Keywords: Silverwork; Koto Gadang; Design: Potensial.
Co-Authors Agusto, Tio Althoof Ardena Reki Anak Agung Gede Sugianthara Andry Pradana Anggra Pratiwi Arafat, Yoga Ardipal Ardipal Ari Berli Kuswara Arif Hutria Cahyani, Nining Dwi Dedek Febrian Delvia Mona Deta Liandra Dilla Chotma Aldra Dinda Kamara Egi Winovla Erman Eka Putri Wardana Erfan Erfan Esy Maestro Fabi Yanda Deska Fadli Fikrah Ahmad Fajry Sub'haan Syah Sinaga Farlino Tanjung, Vadrick Fauziah Rahman Febri Iswanto Febrimawati Febrimawati Fela Vio Mimanda Fitriani, Nursyah Gian Jenifer Hendra Afriwan Hidayat, Hengki Armez Hike Purwanti Wahyudani Idawati Syarif Ilham Yogi Saputra Jagar Lumbantoruan Kens Fahta Aulia KIKI WULANDARI Lanang Riyadi Lidia Nusir M. Arif Fadilla Fajri M. Ridham Nur Mahendra Vaivi Marhabi M. Fajrin Marzam Marzam Mona, Delvia Muhamad Rafi Alkhudri Muhammad Arianda Muhammad Ikhsan Mardian Mulia Rahmat Sitorus Nanda Setianing Kasih Nando Iqrak Tolanda Novi Satria Pahlawanti Zalukhu Nurnela Hardi Rangga Ikbal Rejo, Rejo Di Risa Febriani Saduddin Saaduddin Sari, Dezya Kumala SATRIYAS ILYAS Septria Niko Amerta Syeilendra Syeilendra syukrillah, muhammad iqbal Teguh Kurniawan Abdi Tri Intan Julita Kencana Tri Saputra Tulus Handra Kadir WAHYUDI Warda Wani Purnama Aji Widari Yolanda Putri Wimbrayardi Wimbrayardi Yolla Paramita Yoni Irawandi Yos Sudarman Yulia Erwina