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All Journal Gorga : Jurnal Seni Rupa MUDRA Jurnal Seni Budaya Journal on Education Jurnal Pendidikan dan Konseling Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Journal of Social Science Jurnal Sosial dan Teknologi Journal of Social Research Kartala Visual Studies Enrichment: Journal of Multidisciplinary Research and Development Gudang Jurnal Multidisiplin Ilmu Journal of Commerce Management and Tourism Studies Retina Jurnal Fotografi
I Wayan Mudana
Institut Seni Indonesia Bali
Religion Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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SOCIAL CHANGE AND CHARACTER EDUCATION IN THE DIGITAL ERA: PERUBAHAN SOSIAL DAN PENDIDIKAN KARAKTER DI ERA DIGITAL I Putu Sriartha; Wayan Mudana; I Made Pageh; I DEWA AYU EKA PURBA DHARMA TARI; Putu Abda Ursula; Ni Ketut Erawati
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 8 No 2 (2024): SANTHET: (JURNAL SEJARAH, PENDIDIKAN DAN HUMANIORA) 
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v8i2.4722

Abstract

The social changes that occur in society are influenced by the development of digital technology and have had a profound impact on the education system, school culture, and quality of education. This article aims to analyze the dynamics of social change in education, its impact on school culture, as well as the challenges and opportunities that arise in efforts to improve the quality of education in the digital era. The main focus of this research is character education, which is becoming increasingly relevant amid rapid technological advancements. Character education in the digital age focuses not only on the development of moral values, but also on the formation of the social and emotional intelligence necessary to interact ethically in cyberspace. Through a literature review, this article finds that in order to adapt to social and technological changes, education systems need to transform, create an inclusive environment, and ensure that technology is used as a tool to improve the quality of education, without neglecting social and ethical values. This research concludes that character education in the digital era requires a holistic approach that integrates technology with the teaching of moral and social values to shape the young generation that is ready to face global challenges.
Natural Color Mangosteen Skin on Canvas Fabric I Nengah Wirakesuma; I Wayan Mudana
Journal of Social Science Vol. 5 No. 4 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i4.893

Abstract

The process of creating art on canvas using natural colors from mangosteen peel represents a distinctive artistic endeavor. Mangosteen peel colors possess unique characteristics compared to synthetic ones. Across various dimensions, mangosteen peel colors tend to exhibit natural nuances such as light brown, brownish, reddish-purple, and blue. Painting with mangosteen peel entails a creative process that begins with harvesting the fruit from the garden. Spontaneously, upon splitting the mangosteen fruit into two equal parts, I decided to use the peel to make marks on the canvas. This technique involves spontaneous finger movements, gently, moderately, and sometimes forcefully pressing the canvas. The resulting color effects emerge naturally, correlating with the intensity of finger movements scraping the mangosteen peel on the canvas. The method of creating paintings using mangosteen peel is carried out spontaneously, following stages of art creation: existence, exploration, experimentation, realization, and evaluation. The realization of paintings using mangosteen peel reflects the dynamics of art creation, encompassing elements of visual arts such as light, point, line, space, plane, color, texture, and composition. The artworks produced are titled as expressions of color and line: Expression of Color and Line 1, Expression of Color and Line 2, Expression of Color and Line 3, and so forth. The use of mangosteen peel colors as an alternative medium in the process of creating paintings is driven by the necessity for creativity to achieve artworks of quality, significance, and harmonious value.
Banana Heart Sap Experiment I Nengah Wirakesuma; I Wayan Mudana; I Wayan Kondra; I Ketut Mustika; I Wayan Sujana
Journal of Social Science Vol. 5 No. 5 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i5.930

Abstract

A unique and interesting creative process using banana blossom sap as a medium. Banana flower sap has specific characteristics compared to other synthetic colors. Banana flower sap tends to display typical milky white, gray, light brown, yellowish-green, red and dark brown colors. Painting using banana blossoms starts from picking the banana blossom. Exploration of the technique of cutting the stem of the banana flower until the sap oozes out and drips onto the canvas. Since then I have been practicing spontaneously using banana sap, involving movements of my fingers, pressing the banana flower gently, medium and hard. The effect of the pressure of the banana flower sap produces natural colors, according to the intensity of the movement of the fingers on the canvas. The method used is carried out spontaneously, following the stages of the art creation process (E4): Existence, Exploration, Experimentation and Evaluation. Realization (E4) represents the existence of my creative process. Utilization of fine art elements such as light, point, line, space, plane, color, texture and composition. The resulting works of art include the following titles: Banana Sap Color 1, Banana Sap Color 2, Banana Sap Color 3, and so on. The use of banana blossom sap is driven by the need to express the soul in order to produce new works of art of high quality and have high aesthetic values
Nature Trofis and Young Artist's Light Painting at Penestanan Ubud Bali I Wayan Mudana; I Nengah Wirakesuma; I Wayan Adi Sucipta; I Ketut Mustika; I Wayan Kondra
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose and purpose of this research is to find out that tropical nature rich in light effects can be explored as an idea to create paintings. When he lived in Penestanan Ubud Bali in the 1957s, he taught light painting techniques that drove the birth of Young Artist-style painting. The people of Penestanan initially did not respect the painting activities offered by Arie Smit, but driven by the concern of seeing firsthand the condition of the residents of Penestanan village, who were very poor and underdeveloped, then he felt called to liberate the younger generation of the Penestanan community from poverty economically but very culturally rich. To analyze the nature of trophies and paintings of young artists in Penestanan carefully and accurately, a qualitative method is used, imperially using a participatory approach, namely analyzing the works of painters educated by Arie Smit, such as: Soki, Cakra, and Dewa Kaka using a motivational, behavioral, and interaction approach. To depict identity, aesthetic experience, creative process, until it is realized into a painting of young artists is analyzed participatory. The results and discussions in an impermatic manner describe about; (1) Tropical and Campuhan nature as inspiration for light painting, (2) Light Painters, and (3) painting forms produced by the Penestanan people of Ubud. Conclusion; The realm of trophism and light can be explored into paintings by young artists. The young artist's painting style reflects the play of colors, light, lines, and decorative. Meanwhile, perspective is used to obtain gradations and display the impression of far and near. Findings; Light painting in the West and in the East (Bali) has a very distinctive difference. The identity of Western light painting emphasizes the impression, the painter must face a direct object that gives birth to an impressionist style of painting. Meanwhile, in Young Artist's paintings, light capture displays color, decoration, and bold lines. It is arranged with a gradation game so that from perspective to get a far and close impression
Influencer Dan Kapital Perhatian: Tinjauan Literatur Mengenai Keterlihatan Digital Dan Budaya Fleksing Heni Kumalasari; Noor Akhmad; I Putu Sriartha; Wayan Mudana; I Made Pageh
Gudang Jurnal Multidisiplin Ilmu Vol. 3 No. 12 (2025): GJMI - Desember
Publisher : PT. Gudang Pustaka Cendekia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/gjmi.v3i12.1961

Abstract

Perkembangan media sosial telah mengubah cara individu membangun identitas digital, menjadikan perhatian publik sebagai komoditas bernilai tinggi. Penelitian bertujuan menganalisis hubungan antara influencer, ekonomi perhatian, digital visibility, dan budaya flexing dalam membentuk performativitas diri di platform digital. Penelitian menggunakan kajian literatur naratif dan tematik dari 53 artikel tahun 2016 hingga 2025. Proses analisis meliputi identifikasi artikel melalui basis data internasional, seleksi berbasis kriteria inklusi dan eksklusi, serta sintesis tematik untuk menyoroti tema dominan, kerangka teori, dan metode penelitian yang digunakan. Hasil kajian menunjukkan tren peningkatan publikasi sejak tahun 2020, dengan distribusi disiplin ilmu sebagai berikut: 62% komunikasi, 15% sosiologi, 13% psikologi, dan 10% ekonomi digital. Sebagian besar penelitian berasal dari konteks Barat (70%), sedangkan 30% meneliti konteks Global South. Temuan tematik menegaskan bahwa influencer berperan sebagai produsen visibilitas digital; keterlihatan tersebut memunculkan perhatian publik yang dikonversi menjadi nilai ekonomi dan sosial melalui strategi flexing. Fenomena ini menimbulkan ketegangan antara otentisitas diri, ekspektasi sosial, dan logika algoritma, membentuk ekosistem baru dalam kapitalisme digital. Kesimpulan menunjukkan bahwa digital visibility berfungsi sebagai modal sosial dan simbolik yang mempengaruhi status, peluang ekonomi, dan identitas digital individu. Penelitian ini menekankan pentingnya pendekatan interdisipliner untuk memahami performativitas digital dan memberikan panduan praktis bagi influencer dan praktisi media sosial dalam manajemen konten, branding personal, serta pengelolaan ekspektasi audiens. Studi ini juga membuka peluang penelitian lebih lanjut mengenai konteks lintas budaya, authenticity paradox, dan dinamika algoritmik.
Tourist preferences for Balinese local food: Price, authentic recipes, and restaurant service systems in Bali I Wayan Pugra; I Wayan Mudana; Ni Wayan Wahyu Astuti
Journal of Commerce, Management, and Tourism Studies Vol. 5 No. 1 (2026): April 2026
Publisher : YAYASAN MITRA PERSADA NUSANTARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58881/jcmts.v5i1.301

Abstract

This study investigates how tourists prioritize price, authenticity of recipes, and restaurant service systems when consuming Balinese local food. Drawing on attributes commonly used to assess culinary tourism choices—price, food quality, service systems, and cooking methods —the research aims to compare domestic and foreign tourists’ preferences across different restaurant types in Bali. A quantitative survey using purposive sampling will target at least 320 tourists (balanced domestic and international), adapting attribute scales from prior studies on Balinese culinary tourism and food consumption value. Data will be analysed using descriptive statistics and multinomial logistic regression to identify how price sensitivity, preference for authentic versus innovative recipes, and preferred service formats (counter service, self-service, or table service) vary by origin, age, and travel motivation. The study is expected to confirm that domestic tourists emphasize affordable, authentic dishes and convenient service, while foreign tourists value consistent pricing, authenticity, and acceptable hygiene standards in service environments. Findings will provide practical guidance for restaurant managers and destination marketers to segment menus, pricing, and service concepts that better match key tourist segments in Bali’s culinary tourism market.
Estetika Fotografi Ipphos Selama Periode Revolusi Fisik (1945-1949) Di Indonesia Sebagai Media Propaganda Dan Alat Diplomasi Melalui Pembacaan Semiotik Ferdiansyah; I Wayan Adnyana; I Wayan Mudana; I Made Bayu Pramana
Kartala Virtual Studies Vol 5 No 2 (2026): Juni 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i2.390

Abstract

Photography has a very significant role in the course of Indonesian history. Initially, photography was only seen as a form of documentation, but over time, it transformed into a medium of propaganda and a tool of diplomacy. The focus of this study is photographs produced by IPPHOS (Indonesia Press Photo Service), which primarily include photos of the reading of the proclamation text, the raising of the red and white flag on August 17, 1945, and Soekarno-Hatta embracing Soedirman. The purpose of this study is to explore the power and potential of photography as a medium of propaganda and a tool of diplomacy. Based on its function, photography was considered a form of aesthetics during the physical revolution. This study will analyze the role of photography as a tool of propaganda and diplomacy of the Indonesian government during the revolution by highlighting the aesthetic elements in IPPHOS photographs, which reflect the strategy of the struggle to maintain independence between 1945 and 1949. The methodology used in this study is a qualitative approach, with a semiotic analysis of photographs identified as a medium of propaganda and a tool of diplomacy by the Indonesian government during the Physical Revolution period. This study aims to understand how photographs from the Physical Revolution period function as visual codes that convey messages, both verbally and non-verbally. By analyzing the meaning of signifiers-signified, it is hoped that the postcolonial generation can understand and analyze the history of Indonesian photography. Keywords: Photography, Propaganda, Diplomacy, IPPHOS, Physical Revolution, Semiotics.
Eksperimen Medium Getah Jantung Pisang I Nengah Wirakesuma; I Wayan Mudana; I Wayan Kondra
Jurnal Sosial Teknologi Vol. 6 No. 2 (2026): Jurnal Sosial dan Teknologi
Publisher : CV. Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jurnalsostech.v6i2.32681

Abstract

Eksperimen menggunakan medium getah jantung pisang dalam penciptaan seni lukis di atas kain kanvas. Getah jantung pisang memiliki karakter unik, klasik dan spesifik dibandingkan dengan warna sintetis lainya. Getah jantung pisang cenderung menampilkan warna khas putih susu, abu-abu, coklat muda, hijau-kekuningan, merah dan coklat tua. Melukis menggunakan getah jantung pisang dimulai dari memetik buah jantung pisang di kebun. Eksplorasi tenik memotong-motong tangkai jantung pisang sampai mengeluarkan getah dan menetes di atas kain kanvas. Sejak itu saya melukis secara spontanitas menggunakan getah jantung pisang, dengan melibatkan gerakan jari-jari tangan, menekan jantung pisang secara lembut, sedang dan keras. Efek dari tekanan-tekanan getah jantung pisang menghasilkan warna alami, sesuai dengan intensitas gerakan jari-jari tangan di atas kanvas. Metode yang digunakan dilakukan secara spontanitas, mengikuti tahapan-tahapan proses penciptaan seni (E4): Eksistensi, Eksplorasi, Eksperimen dan Evaluasi. Realisasi (E4) mencerminkan eksistensi proses kreativitas saya. Pemanfaatan elemen-elemen seni rupa seperti cahaya, titik, garis, ruang, bidang, warna, tekstur, dan komposisi. Karya seni lukis yang dihasilkan antara lain berjudul: Eksperiment Garis 1,  Eksperimen Garis 2, Eksperimen Garis 3, Eksperimen Kalaya 1 dan Eksperimen Kalaya 2. Penggunaan getah jantung pisang didorong oleh kebutuhan kreatiftas dan ekspresi jiwa agar menghasilkan karya seni yang bermutu, berkualitas serta memiliki nilai-nilai estetika yang tinggi.
the Traditional Balinese Umbrella Medium in the Exploration of Contemporary Art: Medium Payung Tradisional Bali Dalam Eksplorasi Seni Rupa Kontemporer I Made Adi Udayana; I Wayan Adnyana; I Wayan Mudana
Gorga : Jurnal Seni Rupa Vol. 14 No. 2 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/ctaj3f97

Abstract

The creation of contemporary art using traditional Balinese umbrellas as a medium is an effort to explore various issues currently affecting the agricultural sector and the need to develop strategies to address them. This creation is clearly an effort to reintroduce existing cultural heritage. The discovery of ideas and concepts in creation began by observing the phenomena occurring in the community, particularly in agricultural areas today, and then through critical reflection, finding the connection between the existence of Payung Uang and Lunas and the creation of contemporary artworks that often stem from current social issues. Based on this, the creative idea was formulated: (1) How does the process of creating and shaping contemporary visual art based on the exploration of the traditional Balinese umbrella medium occur? The artwork is expressed through visual language by uniting objects to achieve the intended concept. The creative method used involves several stages: exploration, design, and formation. The formation process is described through several artistic stages, such as: 1. Initial coloring (imprimatura), 2. Coloring, 3. Finishing. The creation of contemporary art resulted in sixteen works divided into three major works titled: 1) Concrete Area, 2) Narrated Landscape.
Layudan Banten dan Dampak Ekologi di Bali Melalui Fotografi Dokumenter I Kadek Agus Mahardika; I Made Gede Arimbawa; I Wayan Mudana
Retina Jurnal Fotografi Vol 6 No 2 (2026): Retina Jurnal Fotografi
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v6i2.6570

Abstract

Banten merupakan sarana persembahan suci dalam tradisi keagamaan Hindu Bali yang mengandung nilai spiritual, estetika, dan ekologis sebagai perwujudan harmoni antara manusia, alam, dan Tuhan. Namun, perkembangan zaman dan modernisasi telah mendorong perubahan dalam praktik pembuatan banten, khususnya penggunaan material non-organik yang berdampak pada meningkatnya layudan banten dan permasalahan ekologis di Bali. Penciptaan ini bertujuan untuk merepresentasikan fenomena layudan banten dan dampak ekologinya melalui pendekatan fotografi dokumenter. Metode penciptaan karya meliputi studi pustaka, observasi partisipatif, dan wawancara, yang kemudian diwujudkan dalam bentuk buku foto berjudul “Mewali – dari Alam Kembali ke Alam”. Pendekatan fotografi dokumenter digunakan sebagai media untuk merekam realitas sosial dan budaya secara jujur, sekaligus membangun narasi visual yang reflektif terhadap hubungan antara tradisi, modernisasi, dan lingkungan. Buku foto berjudul “Mewali – dari Alam Kembali ke Alam” diharapkan mampu menjadi dokumentasi visual, media refleksi, serta sarana peningkatan kesadaran ekologis masyarakat mengenai pentingnya pengelolaan layudan banten yang selaras dengan nilai-nilai Tri Hita Karana.
Co-Authors Anis Raharjo Cokorda Istri Puspawati Nindhia Dharma Tari, I Dewa Ayu Eka Purba Ferdiansyah Gede Arimbawa, I Made Heni Kumalasari I Kadek Agus Adnyana I Kadek Agus Mahardika I Kadek Budi Antara I Ketut Mustika I Made Adi Udayana I Made Bayu Pramana I Made Pageh I Made Saryana I Made Sudana I Nengah Wirakesuma, I Nengah I Putu Sriartha I Wayan Adnyana I Wayan Pugra I Wayan Setem I Wayan Sujana Kadek Dwi Martha Saputra Komang Nelly Sundari Kondra, I Wayan Ni Nyoman Dharma Ayu Ni Wayan Wahyu Astuti Noor Akhmad Putu Abda Ursula Sucipta, Wayan Gede Adi Syamsiar, Syamsiar Yori Cigra Dinata P