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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Journal of Urban Society´s Arts MUDRA Jurnal Seni Budaya Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Sebatik Laga-Laga: Jurnal Seni Pertunjukan Jurnal Budaya Nusantara JURNAL PENDIDIKAN TAMBUSAI Jurnal Rupa Seminar Nasional Teknologi Informasi Komunikasi dan Administrasi [SEMINASTIKA] Buana Ilmu Journal of Applied Science, Engineering, Technology, and Education Atrat: Jurnal Seni Rupa Jurnal Budaya Etnika Prosiding Konferensi Nasional PKM-CSR Musik Etnik Nusantara Jurnal Dekonstruksi Seminar Ilmiah Nasional Teknologi, Sains, dan Sosial Humaniora (SINTESA) Panggung Prosiding Seminar Nasional Ilmu Teknik
Sri Rustiyanti
Institut Seni Budaya Indonesia Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Nursing Public Health Social Sciences Other

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SENI DIGITAL WISATA TEKNOLOGI AR PASUA PA BERBASIS KEARIFAN LOKAL Sri Rustiyanti; Wanda Listiani; Fani Dila Sari; Ida Bagus Gede Surya Peradantha
Jurnal Budaya Etnika Vol. 3 No. 2 (2019): Artefak Budaya Arkais dan Kontemporer : dari Ulos Hingga Seni Digital
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v3i2.1123

Abstract

ABSTRAKIndonesia memiliki beragam potensi alam, seni, budaya, pendidikan, kuliner, sejarah, teknologi, dan religi yang dapat dikembangkan sebagai daya tarik utama wisata. Tulisan ini merupakan hasil penelitian Konsorsium Kemenristekdikti dengan mengangkat seni tradisi dari Institut Seni Budaya Indonesia (ISBI) Bandung, ISBI Papua, dan ISBI Aceh. Penelitian ini menerapkan teknologi Augmented Reality (AR) pada kesenian yang ada di Papua, Sunda, dan Aceh (PASUA) sebagai Performent Art (PA), sehingga seni wisata digital ini menjadi sebuah produk karya seni budaya AR Pasua PA, yang secara khusus menggarap perkembangan seni tradisi sebagai kearifan lokaldalam perkembangan seni digital sebagai salah satu bentuk pengemasan seni wisata.Potensi seni digital AR Pasua PA cukup menarik menjadi salah satu asset wisata devisa non migas yang perlu ditingkatkan pengelolaan dan pemberdayaannya. Oleh karena itu, kesiapan pembuatan AR Pasua PA dalam pengembangan wisata seni digital masih perlu ditingkatkan di era industri 4.0 berbasis kearifan lokal. Dengan demikian perlu dilakukan penelitian ini yang bertujuan untuk memetakan zonasi pengembangan pariwisata yang sesuai dengan karakter masyarakat wilayah Timur dari Papua, selanjutnya Tengah dari Sunda, dan Barat dari Aceh, seperti perjalanan matahari dari terbit di Tanah Papua , selanjutnya bersinar di Tanah Parahyangan , dan akhirnya terbenam di Serambi Aceh. Analisis sistem pengembangan pariwisata berbasis seni digital diterapkan di Perguruan Tinggi Seni di Indonesia, sehingga perlu dilakukan tercipta model AR Pasua PA dalam pengembangan dan pengelolaan wisata berbasis teknologi augmented reality. Hasil penelitian yang diharapkan adalah terciptanya sebuah model pengembangan pariwisata seni digital yang terpadu berbasis kearifan lokal, khususnya Papua, Sunda, dan Aceh, yang dapat diterapkan di seluruh PT Seni di Indonesia, khususnya di wilayah ISBI Bandung, ISBI Papua, dan ISBI Aceh.Kata kunci: wisata seni digital, teknologi augmented reality, kearifan lolal.ABSTRACTSIndonesia has a variety of natural, artistic, cultural, educational, culinary, historical, technological and religious potentials that can be developed as the main tourist attraction.This paper is the result of a research by the Consortium of the Ministry of Research, Technology and Higher Education (Kemenristekdikti) by bringing up traditional arts from the Indonesian Cultural Arts Institute (ISBI) Bandung, ISBI Papua, and ISBI Aceh. This study applies Augmented Reality (AR) technology to arts in Papua, Sunda and Aceh (PASUA) as Performance Art (PA), so that this digital tourism art becomes a product of AR Pasua PA cultural art, which specifically works on the development traditional art as local wisdom in the development of digital art as a form of tourist art packaging.The potential of AR Pasua PA digital art is quite interesting being one of the non-oil and gas foreign exchange tourism assets that needs to be improved in its management and empowerment. Therefore, the readiness to make AR Pasua PA in the development of digital art tourism still needs to be improved in the era
FOLKLOR CANDI CANGKUANG: DESTINASI WISATA BERBASIS BUDAYA, SEJARAH, DAN RELIGI Sri Rustiyanti
Jurnal Budaya Etnika Vol. 2 No. 2 (2018): Momen Kreatif, Ekspresi, dan Keberagaman Etnik
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v2i2.1154

Abstract

ABSTRACT West Java has a variety of cultural, historical and religious potential that can be developed as the main tourist attraction, especially in Cangkuang Temple, Leles District, Garut Regency. Cangkuang Temple is one form of non-verbal folklore (artifact) inherited from two religions, namely Hinduism and Islam. The relics of Hinduism are the statue of Lord Shiva which is thought to date from the VIII century and the relics of Islam originated in the seventeenth century with the remains of the tomb of the Eyang Embah Dalem Arief Muhammad. The potential of Cangkuang Temple is quite interesting as one of the non-oil and gas foreign exchange tourism assets that needs to be improved in its management and empowerment. Therefore, the readiness of the Kampung Pulo community in developing tourism based on culture, history and religion still needs to be improved. Unpreparedness can be seen from the form of tourism development in each segment that has not been holistic and has not yet synergized with each other, regardless of the socio-cultural diversity of each, as well as the unclear market segments that will be targeted for development. Thus it is necessary to conduct research that aims to map the zoning of tourism development in accordance with the character of the community in the Garut Regency region. Analysis of the system of tourism-based development of culture, history, and religion that is suitable to be applied in the region also needs to be done in order to create an ideal model in tourism development and management in the Garut Regency region. The expected research results are the creation of an integrated tourism development model based on culture, history, and religion that can be applied in West Java, especially the Cangkuang Temple area. Keywords: Tourism Zoning, Cultural Tourism, Historical Tourism, Religious Tourism, Cangkuang Temple.  ABSTRAK Jawa Barat memiliki beragam potensi budaya, sejarah, dan religi yang dapat dikembangkan sebagai daya tarik utama wisata, khususnya di Candi Cangkuang Kecamatan Leles, Kabupaten Garut. Candi Cangkuang adalah salah satu bentuk folklor bukan lisan (artefak) peninggalan dari dua agama, yaitu Hindu dan Islam. Peninggalan agama Hindu adalah patung Dewa Siwa yang diperkirakan berasal dari abad VIII dan peninggalan agama Islam berasal dari abad XVII dengan adanya peninggalan makam dari Eyang Embah Dalem Arief Muhammad. Potensi Candi Cangkuang cukup menarik menjadi salah satu asset wisata devisa non migas yang perlu ditingkatkan pengelolaan dan pemberdayaannya. Oleh karena itu, kesiapan masyarakat Kampung Pulo dalam pengembangan wisata berbasis budaya, sejarah, dan religi masih perlu ditingkatkan. Ketidaksiapan dapat terlihat dari bentuk pengembangan pariwisata masing-masing segmen yang belum holistik dan belum sinergi satu sama lain, tanpa memperhatikan keragaman socio-cultural masing-masing, serta adanya ketidakjelasan segmen pasar yang akan dijadikan sasaran pengembangannya. Dengan demikian perlu dilakukan penelitian yang bertujuan untuk memetakan zonasi pengembangan pariwisata yang sesuai dengan karakter masyarakat wilayah Kabupaten Garut. Analisis sistem pengembangan pariwisata berbasis budaya, sejarah, dan religi yang sesuai diterapkan di kawasan tersebut juga perlu dilakukan agar tercipta model yang ideal dalam pengembangan dan pengelolaan wisata di wilayah Kabupaten Garut. Hasil penelitian yang diharapkan adalah terciptanya sebuah model pengembangan pariwisata yang terpadu berbasis budaya, sejarah, dan religi yang dapat diterapkan di Jawa Barat, khususnya wilayah Candi Cangkuang. Kata Kunci: Zonasi Wisata, Wisata Budaya, Wisata Sejarah, Wisata Religi, Candi Cangkuang.
Situs Megalitik Tutari sebagai Sumber Inspirasi Penciptaan Koreografi Site-Specific “Tutari MegArt Lithic” Sri Rustiyanti
Dance and Theatre Review Vol 4, No 1: May 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1348.493 KB) | DOI: 10.24821/dtr.v4i1.5457

Abstract

The Tutari Megalithic Site is a large stone age civilization site located in Doyo Lama Village, Waibu District, Jayapura Regency, Papua. Visually, on this site, there are stones with various motifs of prehistoric paintings on them. However, if it is studied in-depth, primarily through the perspective of choreography, this site has a broad potential to be a source of inspiration for creating works of art. Collaborating with previous research from the Papua Archeology Center, the creation of this Tutari MegArt Lithic artwork is focused on specific parts of the Tutari Megalithic site that can be used as inspiration for creating artworks. The method used in this writing is descriptive analysis. The purpose of this paper is to provide an overview of how choreography can collaborate across disciplines in the creation of works of art staged at the Tutari archaeological site. This paper describes the sources of inspiration for creating site-specific choreographic works of art entitled Tutari MegArt Lithic, including visual inspiration, artistic inspiration and idea inspiration.Keywords: Tutari Megalithic Site; site-specific choreography; source of inspiration; painting motive
Co-Authors Aan Darmawan Hangkawidjaja Agung Eko Sutrisno Agung Trihandono Putra Agus Prijono Alfiyanto, Ronaldo Ruzali dan Andang Iskandar Andang Iskandar, Andang Anggy Giri Prawiyogi Annisa Arum Mayang Anrilia E.M Ningdyah Anrilia E.M Ningdyah Anrilia E.M. Ningdyah Ari Sakti Dwi Putra Aris Junaedi Arthur S.Nalan Buana, Prega Panji Deni Hermawan Deri Al Badri Djuniwati Djuniwati Endang Caturwati Endang Caturwati Eric Putra Anggara Fani Dila Sari FANI DILA SARI Fani Dila Sari Fani Dila Sari Fani Dila Sari Fatimah Djajasudarma Gelar Seftiyana Gugun Gunardi Gymnastiar Gymnastiar Haruna, Ilham Heppy Millanyani IBG Surya Peradantha IBG Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha Ida Bagus Gede Surya Peradantha Ida Bagus Gede Surya Peradantha Ida Bagus Gede Surya Peradhanta Ilham Haruna Imam Setyobudi Ismet Ruchimat Johannes Budiman Karolina Sianipar Karolina Sianipar, Karolina Khofifah Khofifah Lahpan, Neneng Yanti K. Lina Meilinawati Lina Meilinawati, Lina M Ningdyah, Anrilia Ema M. Yogi Riyantama Isjoni Muhamad Irfan Maulana Sidik Nurmalena - Nurmalena -, Nurmalena Peradantha, IBG. Surya Ratnadewi, Ratnadewi Sari, Fani Dila Soleh, Erin Rintana Sriati Dwiatmini Sriati Dwiatmini Suryamah, Dede SURYANTI Suryanti Suryanti Suryanti Turyati Turyati Wanda Listiani Widyo Nugrahanto