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Journal : Proceeding International Conference on Malay Identity

Society and Malay Culture to Face the Challenges of the Times Warni, Warni; Karim, Maizar
Proceeding International Conference on Malay Identity Vol. 4 (2023): Desember 2023
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

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Abstract

Malay society and culture encompass the entire Malay nation and culture in the archipelago, peninsula, and mainland Southeast Asia. They are united by racial and ethnic group unity, language, primordial cultural patterns, religious beliefs, and similarities in fate and level of development. The Malay tribes are now geo-politically grouped into two parts: those with their own countries and those under the rule of non-Malay groups. In the first three regions, which have become independent states since World War II, the Malays are the dominant majority group. The Malay ethnic group has many cultural heritages, including the oldest literary heritage from the 7th to the 14th century and the younger heritage preserved in around 5000-10000 ancient manuscripts. Literature is the basis of the Malay cultural tradition, containing thoughts, feelings, customs, beliefs, religious teachings, history, law, philosophy, politics, literature, astronomy, moral teachings, education, mantras, prayers, medicines, mysticism, language, buildings, plants, and the value system of past societies. The Malay community is open to the times and has a stable life due to their traditions. They rely on a sense of community, patterned from the village system and common economic and safety needs. Abstrak Masyarakat dan budaya Melayu mencakup seluruh bangsa dan budaya Melayu di kepulauan, semenanjung, dan daratan Asia Tenggara. Mereka disatukan oleh kesatuan ras dan kelompok etnis, bahasa, pola budaya primordial, kepercayaan agama, dan kesamaan nasib dan tingkat perkembangan. Suku-suku Melayu sekarang secara geo-politik dikelompokkan menjadi dua bagian: mereka yang memiliki negara sendiri dan mereka yang berada di bawah kekuasaan kelompok-kelompok non-Melayu. Di tiga wilayah pertama, yang telah menjadi negara merdeka sejak Perang Dunia II, suku Melayu adalah kelompok mayoritas yang dominan. Kelompok etnis Melayu memiliki banyak warisan budaya, termasuk warisan sastra tertua dari abad ke-7 hingga abad ke-14 dan warisan yang lebih muda yang tersimpan dalam sekitar 5000-10000 naskah kuno. Sastra adalah dasar dari tradisi budaya Melayu, yang berisi pemikiran, perasaan, adat istiadat, kepercayaan, ajaran agama, sejarah, hukum, filsafat, politik, kesusasteraan, astronomi, ajaran moral, pendidikan, mantra, doa, obat-obatan, mistik, bahasa, bangunan, tanaman, dan sistem nilai masyarakat masa lalu. Masyarakat Melayu terbuka terhadap perkembangan zaman dan memiliki kehidupan yang stabil karena tradisi mereka. Mereka mengandalkan rasa kebersamaan, berpola dari sistem desa dan kebutuhan ekonomi dan keamanan bersama.
The Malay Structure and Aesthetics in Classical Malay Romantic Poetry Karim, Maizar; Warni, Warni; Afria, Rengki
Proceeding International Conference on Malay Identity The 2nd International Seminar on Language, Literature, Education, Arts and Culture
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

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Abstract

This research explores Malay formal, narrative, and aesthetic structures in classical Malay romantic poetry, using qualitative methods and an eclectic study model (structuralism, hermeneutics, and aesthetics). The data of this research are Syair Abdul Muluk and Syair Dandan Setia. The formal structure of these poems is built by the elements of rhyme, rhythm, diction, array, and stanza, which are harmoniously interwoven and strictly follow the conventions of traditional Malay Syair. The narrative structure of the poem is built by the elements of plot, setting, character and characterization, theme, and mandate. These elements are functional and closely interwoven so that the story becomes intact and organic in building the meaning of the work. Malay aesthetics in this poem is categorized into several aspects, namely ontological, immanent, and psychological aspects. In the ontological aspect, it shows a series of words that are sourced from God's wealth which is simple, complete, and natural. Malay aesthetics in this conception corresponds to Islamic aesthetics that beauty comes from divine creative potential. In the immanent aspect, it describes something astonishing (amazing), describing something various or diverse that is full of harmony. On the psychological aspect, it relates to the extraordinary, the sightseeing of the soul, causing a sense of fascination or lust in the soul, giving birth to a sense of awe, even resulting in self-forgetfulness, and fainting.