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yunaidi yunaidi
Program Studi Teknik Mesin, Politeknik LPP
Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Computer Science & IT Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mechanical Engineering Social Sciences Other

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Analisis Efisiensi Kinerja Water Tube Boiler Berbasis Kapasitas Olah di PKS PT Mulia Sawit Agro Lestari (MSAL) As'ari, Farhan; Yunaidi, Yunaidi; Panjaitan, Mutiara Damanis
Perkebunan dan Lahan Tropika Vol 15, No 2 (2025)
Publisher : Fakultas Pertanian Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/plt.v15i2.98678

Abstract

Several factors influence boiler efficiency, including boiler pressure, feedwater temperature, the amount of steam generated, fuel consumption, and the calorific value of the fuel. The objective of this final project report is to determine the relationship between boiler pressure variation and steam generation, the relationship between boiler pressure variation and boiler efficiency, the relationship between feedwater variation and boiler efficiency, the relationship between the amount of steam produced and boiler efficiency, the relationship between processing capacity and boiler efficiency, as well as to analyze the calorific value of fuel consisting of 82.6% fiber and 17.4% shell, and to evaluate overall boiler efficiency. The analysis shows that an increase in boiler pressure results in a higher amount of steam produced, although the increase is not significant. The relationship between steam enthalpy and boiler efficiency demonstrates a positive trend. For instance, when the steam enthalpy reached 669.4 Kcal/kg, the boiler efficiency was 68%, while at 669.5 Kcal/kg, the efficiency increased to 69%. This finding indicates that boiler pressure significantly affects efficiency performance, as higher pressure generally enhances boiler efficiency. Furthermore, processing capacity strongly influences boiler efficiency. A higher processing capacity leads to higher efficiency, as it increases the availability of fuel for combustion, thereby enabling more complete combustion.
Perancangan dan Implementasi Sistem Elektrik serta Otomasi pada Mesin Pencetak Briket Berbasis Cangkang Kelapa Sawit dengan Kapasitas 40 Kg/jam Sandi, Aris; Yunaidi, Yunaidi; Laksono, Vengky Adi; Christiyadi, Vito Savero
Angkasa: Jurnal Ilmiah Bidang Teknologi Vol 17, No 2 (2025): November
Publisher : Institut Teknologi Dirgantara Adisutjipto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28989/angkasa.v17i2.3325

Abstract

Palm oil is a leading agricultural commodity in Indonesia, producing CPO and PKO from the processing of fresh fruit bunches. As palm oil production increases, the volume of solid waste also increases. Solid waste from this industry, such as empty fruit bunches, shells, and fibers, contains high levels of organic matter that can pollute the environment if not managed properly. Briquettes are an alternative energy source that can be produced from this waste. This research aims to utilize palm oil shell waste into high-quality briquettes by developing an efficient charcoal briquette-making machine. The focus of the research is on developing a semi-automatic machine using a pneumatic system and a three-phase motor. Theoretical screw speed was approximately 44 rpm, while direct measurement on the machine showed 43 rpm. Furthermore, the theoretical results obtained a motor power requirement of 667.3 Watts.
Mangkoan Sound: the Concept of Traditional Talempong Prohibition in Luhak nan Tigo Minangkabau Martis, Martis; Yunaidi, Yunaidi; Sastra, Andar Indra; Anton, Syahri; Nurwani, Nurwani
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56611

Abstract

Aesthetically, the aim of this research is to reveal the musical taste and musical standards of tuo talempong in alignment talempong tradition “ mangkoan sound. By ontology and epistemology; form music talempong in life public Already Lots revealed by the researchers previously. However there are one component important that hasn't been touched by researchers, which is related to draft alignment talempong tradition in Luhak Nan Tigo Minangkabau. Principle base alignment talempong related with the musical taste and musical standards of the tuo (elders) of talempong in Luhak Nan Tigo Minangkabau. Based on qualitative research principles; The researcher becomes the main instrument in collecting research data,includinginitial study and problem analysis, primary data collection through participant observers “ ethnography, in-depth interviews “ free and structured, documentation, and data analysis.The analysis was carried out on musical taste and musical standards that were found in the field. Research results show that ' mangkoan the sound ' is A draft alignment talempong tradition in Luhak Nan Tigo Minangkabau. hrough musical sensitivity, tuo talempong in Luhak Nan Tigo Minangkabau created the concept of mangkoan sounds (tala - tuning system) to identify the high and low sounds of jantan-batino talempong.
Penataan Artistik Bahondoh dalam Rangkaian Kegiatan Festival Danau Maninjau III Tahun 2024 Nagari Paninjauan Propinsi Sumatera Barat Yunaidi, Yunaidi; Eliza, Meria; Hamzah, Hamzah; Arnailis, Arnailis; Zulfahmi, Muhamad
Batoboh Vol 10, No 2 (2025): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v10i2.6049

Abstract

Festival Danau Maninjau FestDaM 2024 diseputaran Danau Maninjau, tepatnya di Nagari Maninjau kecamatan Tanjuang Raya kabupaten Agam dilakukan Rangkaian kegiatan pergelaran seni dan budaya. Pertunjukan bahondoh sebagai cerminan kebersamaan masyarakat pertanian dalam menggarap sawah. Dalam kegiatan bahondoh tersebut disuguhkan berupa ungkapan pantun dari peserta bahondoh. Pantun-pantun yang diungkapkan sembari mengayunkan cangkul membalikkan kulit bumi dan lazimnya disambut dengan kuai atau disebut sorak sorai secara spontan. Bahondoh merupakan bentuk pamenan anak nagari  sebagai wadah dan ruang sosialisasi, silahturrahmi dan ruang alternatif  dalam mengekspresikan diri. Melalui pengabdian ini dilakukan penerapan elemen artistik untuk mendukung dan memghidupkan suasana panggung pertunjukan Metode pelaksanaan bertolak pada revitalisasi,  langkah yang melakukan yaitu: (1). Pemahaman untuk melakukan kesadaran, (2). Perancanaan secara kolektif, (3). Pembangkitan kreatifitas. Melalui bahondoh dan rangkaian kegiatan festival kahadiran dan penataan artistic yakni; artistic penggung, properti, tata cahara, tata rias dan musik membuat pertunjukan menjadi spektakuler dan membangun suasana pertunjukan.
BEGENDANG BESERUNAI: INTEGRATION OF TRADITIONAL VALUES IN THE CREATION OF BENGKULU KARAWITAN MUSIC COMPOSITION Arnailis, Arnailis; Yunaidi, Yunaidi; Firman, Firman; Zulfahmi, Muhammad
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6020

Abstract

The work “Begendang Beserunai” is a contemporary karawitan music composition inspired by the musical phenomenon of the gendang serunai, one of Bengkulu’s traditional arts that plays an important role in ceremonial processions and community entertainment. The gendang serunai, consisting of two long drums (melalu and ningkah) and a serunai as the melody carrier, is distinctive for its interlocking rhythmic patterns and melodic motifs in a scale close to a-b-c-d-e-f#-g-a’. This creation aims to preserve the essence of tradition while introducing innovation through techniques such as unison, canon, polyrhythmic, responsorial, polymetric, and accentuation, supported by additional instruments such as dol, kompang, kolintang, accordion, bass guitar, and cymbals. The method used is a mixed methods approach combining qualitative methods—through participatory observation, in-depth interviews, and recording analysis—and quantitative methods—through measuring tempo, dynamics, rhythmic pattern duration, and audience questionnaires. The results show that this work successfully integrates traditional musical idioms into a modern composition format while maintaining its identity. Questionnaire analysis (n = 50) shows that 84% of respondents perceived the traditional nuance as strong, while 78% rated the aesthetic appeal as high. This work contributes to cultural preservation through documentation, education, and artistic innovation relevant to the contemporary context. “Begendang Beserunai” serves as a model for developing tradition-based works applicable to other regional music forms, as well as an academic and artistic reference for artists, researchers, and art education institutions.
Lagu Gadih Basanai Dari Kesenian Ronggeang Di Nagari Simpang Utara Alahan Mati Pasaman Novrianto, Adip; Yunaidi, Yunaidi
Jurnal Musik Etnik Nusantara Vol 5, No 2 (2025): Jurnal Musik Etnik Nusantara
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/jmen.v5i2.6106

Abstract

Kesenian Ronggeang merupakan bentuk seni pertunjukan tradisional yang berkembang di Kabupaten Pasaman, Sumatera Barat, dan masih eksis hingga kini. Pertunjukan ini menggabungkan unsur musik, tari, nyanyian, dan pantun yang disajikan dalam struktur yang khas dan dinamis. Salah satu lagu yang menonjol dalam kesenian ini adalah Gadih Basanai, yang memiliki keunikan berupa vokal respon yang dilakukan secara kolektif oleh pemain dan penonton. Berdasarkan kekhasan tersebut, pengkarya tertarik untuk menciptakan sebuah karya komposisi musik tradisi berjudul “Basauikan”, yang menjadikan unsur respon sebagai elemen utama garapan. Dalam penggarapannya, karya ini menggunakan pendekatan tradisi dengan eksplorasi teknik musikal seperti perubahan tempo, pemenggalan melodi, pengulangan, serta penambahan instrumen baru seperti akordion, kecapi Minang, dan talempong logam. “Basauikan” tidak hanya berfungsi sebagai bentuk pelestarian budaya, tetapi juga sebagai upaya inovatif dalam menciptakan karya baru yang bersumber dari tradisi lokal.
Co-Authors Andar Indra Sastra Anton, Syahri Ari Wibowo Arnailis Arnailis As'ari, Farhan ASRIL ASRIL Christiyadi, Vito Savero Firman Firman Hamami, Rahmi Sabrina Hamzah Hamzah Harnowo, Saptyaji Kusumawati, Anna Laksono, Vengky Adi M. Halim Martis, Martis Meria Eliza Muhammad Zulfahmi Mustangin, Muhammad Novrianto, Adip Nurwani Nurwani, Nurwani Panjaitan, Mutiara Damanis Rahmanta, Anugrah Perdana Ratna Sri Harjanti Rizal, Azhari Rofiloza, Rofiloza Rovylendes, Adjuoktoza Sandi, Aris Shodiqin, Mohammad Suryaningrum, Dwi Aryani Syafniati, Syafniati Zulfahmi, Muhamad