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All Journal DIKSI Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Panggung METASASTRA: Jurnal Penelitian Sastra Kandai Suar Betang Metahumaniora Studies in English Language and Education Paradigma: Jurnal Kajian Budaya Majalah Ilmiah Bahasa dan Sastra
Lina Meilinawati Rahayu, Lina Meilinawati
Program Pascasarjana, Fakultas Ilmu Budaya, Universitas Padjadjaran, Bandung
Arts Humanities Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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SEKSUALITAS DAN RELASI LAKI-LAKI PEREMPUAN DALAM SAJAK "PERSETUBUHAN KUNTHI" KARYA GOENAWAN MOHAMAD Banita, Baban; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari J.
Diksi Vol. 28 No. 1: DIKSI MARET 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (239.915 KB) | DOI: 10.21831/diksi.v28i1.31461

Abstract

(Title: Sexuality and Relation Man's and Woman's in the Poem "Persetubuhan Bumi" by Goenawan Mohamad). Inequality between woman and man in asexual relationship appear many time in Indonesia's poetry. Women are often being put in a second position even though they have the same competence and power with men. It also happens in relationship on daily activities, both at public space or at home. Women are often connected to a domestic work and have to do many things as away to prove her devotion to men. This affected even to the most private relation between men and women. Women often positioned as a tool to satisfy men's sexual desire. In Goenawan Mohamad's poems, he displays sexuality and relation between men and women in a unique and beautiful way. In this relationship, women are still put in second position, althought the woman genuinely enjoy and satisfied from the sexual activity. Women are shown as a passive body in the hand of men's power. This research is using theory of intertextual and gender. This research shows that there are many factors that created inequality between men and women in a subject of sexual relationship. Keywords: sexuality, relation, intertextual, feminist.
IDENTITAS KEINDONESIAAN DALAM DRAMA NYANYI SUNYI REVOLUSI KARYA AMIR HAMZAH Rahayu, Lina Meilinawati
Diksi Vol. 28 No. 2: DIKSI SEPTEMBER 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v28i2.33104

Abstract

(Title: Indonesian Identity in Drama's Nyanyi Sunyi Revolusi by Amir Hamzah).This paper will examine the beginning period of Indonesia which is represented in the drama. The past events which occurred more than seventy years ago are now retold, not only to re-establish who Amir Hamzah was, but also to explain the Indonesian identity and the roles he played in building a nationality. Amir Hamzah, one of the great authors of Indonesia who also contributed in formulating the archipelago as Indonesia, who advocated Malay language as the language of unity of Indonesia, should be killed by several young men because he was a sultan's nephew. Those young men considered the Sultans and their families as Dutch henchmen. The tragic story of Amir Hamzah's life was staged in a drama titled "Nyanyi Sunyi Revolusi" (trans. The Quiet Singing of Revolution)which with the scripts was written by Ahda Imran. Socio-political conditions give rise to the need to define "˜self'. This requires serious rethinking. This drama also illustrates the identity of Indonesia after independence. In other words, literature describes history from a different view. By using the principle of New Historicism, this paper will explain the complex problem that occurred in Indonesia after independence until the 50s. Besides, it also will describe "Indonesian Identity" in the drama "Nyanyi Sunyi Revolusi". In this context, Indonesian literary texts which reflect Indonesian history can be positioned as historical reading from a different version.Keywords: identity, Indonesian, revolution, new historicism.
Co-Authors Adipurwawidjana, Ari J. Adji, Muhammad Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Banita, Baban Bintang Purwaramdhona, Ananda Deri - Hudaya, Deri - Friandini, Asri Rizki Hawa, Andina Meutia Hazbini, Hazbini Hidayatullah, M. Irfan Hidayatullah, Mochamad Irfan Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Mayasari, Gilang Hanita Mohammadi, Noria Muhtadin, Teddi A.N. Mulyadi, R M Mumtazah, Jauza Maryam N Rinaju Purnomowulan Nita Novianti, Nita Nurhayati, Nita Permata, Denti Rasus Budhyono Safrina, Raden Sisilia, Nurul Maria syukur, andi abd khaliq