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All Journal Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam Geoplanning : Journal of Geomatics and Planning SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya International Journal of Science and Applied Science: Conference Series Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jurnal Berdaya Mandiri International Journal of Multi Discipline Science (IJ-MDS) IBDA': Jurnal Kajian Islam dan Budaya BAHASTRA Jurnal Komunikasi Indonesia Jurnal bahasa, sastra, seni, dan pengajarannya
Titis Srimuda Pitana, Titis Srimuda
Universitas Sebelas Maret, Surakarta Jl. Ir. Sutami No. 36 A (+62-271) 646624 Surakarta 57126
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The Islamization of Traditional Arts: Transformation of Reyog Ponorogo in the Context of Javanese Cultural Identity Saputro, Muhammad Handri Aris; Warto, Warto; Pitana, Titis Srimuda
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol. 9 No. 2 (2025)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/rjsalb.v9i2.40009

Abstract

Islamization has been one of the dominant discourses in the Ponorogo region, shaping various aspects of social and cultural life. The traditional art of Reyog Ponorogo represents a local cultural practice that cannot be separated from this discourse. This study aims to examine the influence of Islamization discourse on the traditions of Reyog Ponorogo. The research employs a qualitative method with a descriptive approach and a critical paradigm. Data were collected through in-depth interviews, observation, and documentation, and analyzed using the interactive model developed by Miles and Huberman. Michel Foucault’s discourse theory (1926–1984) serves as the primary analytical framework. The findings reveal that Islamization discourse in Ponorogo has significantly transformed the values embedded in Reyog Ponorogo and shaped public perceptions of traditional culture. This transformation is evident in the modification of song lyrics, costume design, ritual offerings, and the gemblak tradition. Furthermore, Islamization has influenced how Reyog Ponorogo is practiced within the broader context of cultural development and preservation. The study contributes to a deeper understanding of shifting cultural identity in Ponorogo and demonstrates the relevance of Foucault’s theory in analyzing the dynamics of religious discourse. The originality of this research lies in its application of Foucault’s discourse theory to the transformation of Reyog Ponorogo, a perspective that has not been systematically explored in previous studies.
Shapes of Javanese Keris as A Symbolic Sign: Transformation toward The Islamic Period Ariwibowo, Widodo; Purwasito, Andrik; Pitana, Titis Srimuda
el Harakah: Jurnal Budaya Islam Vol 19, No 2 (2017): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v19i2.4057

Abstract

In articulating the visual elements of Keris we will find the concept of symbols, each of which corresponds to the typology of signs. The relationships among the trichotomy signs associated with the codes represent the horizon of the Javanese society regarding the Keris culture. All the Keris signs establish the abstracts relationship model that never has any function before being associated with the code. Principally, people who become the message recipient can perform decoding act by associating the signs with certain conventions. The expression articulation through the Keris elements is a symbol in the typology of signs. The Javanese society’s response or appreciation concerning the invented conventions needs to be investigated to conversely understand the system of signs production. The word kris, as an example, is semiotically classified into other words; keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, and katga, all of which refers to the same sign, which is the tipped stabbing weapons and covered in scabbard. This study found the cultural event of the ideological masking which represents certain period i.e. the deconstructive meanings on the luk of keris (kemba and rengkol) illustrated the ideological transformation from Hinduism to Islamic era. Dalam mengartikulasikan unsur visual Keris kita dihadapkan dengan konsep simbol, di mana setiap simbol sesuai dengan tipologi tanda-tanda. Hubungan antara trikotomi tanda-tanda yang terkait dengan kode mewakili cakrawala masyarakat Jawa tentang budaya Keris. Semua tanda-tanda Keris membangun hubungan abstrak model yang tidak akan pernah memiliki fungsi apapun sebelum dikaitkan dengan kode. Pada prinsipnya orang yang menjadi sasaran penyampaian pesan bisa melakukan decoding dengan cara mengaitkan tanda-tanda pada keris dengan konvensi-konvensi tertentu. Artikulasi ekspresi melalui unsur-unsur dalam Keris memanfaatkan simbol-simbol dalam tipologi tanda. Respons maupun apresiasi orang Jawa terkait dengan konvensi-konvensi yang telah diciptakan para leluhur perlu diketahui untuk melihat secara terbalik dalam sistem produksi tanda. Pemaknaan kata kris misalnya, secara Semiotis dapat diklasifikasikan berdasarkan beberapa kata referensial di antaranya keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, dan katga semua menunjukkan petanda yang sama yaitu senjata tikam yang berhulu dan berwarangka. Penelitian ini menemukan terjadinya peristiwa budaya berupa penopengan (masking) ideologi yang mewakili zaman tertentu, misalnya dekonstruksi pemaknaan bentuk luk keris (kemba dan rengkol) menggambarkan transformasi ideologi zaman Hindhu menuju zaman Islam.
Budaya Nomad dalam Pertarungan Wacana Musik Industri Indonesia Studi Kasus: Boy-Girl Band Nofer, Dolly; Pitana, Titis Srimuda; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
Publisher : citeus

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Abstract

Boy-girl band K-Pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-Pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-Pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-Pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.
Register role and function in the arena of sociocultural practice (critical study of sociocultural practice) Sujarwa, Sujarwa; Purwasito, Andrik; Habsari, Sri Kusuma; Pitana, Titis Srimuda
BAHASTRA Vol. 43 No. 1 (2023): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v43i1.342

Abstract

This paper is entitled "The Role and Function of the Register in the Arena of Sociocultural Practices". This theme was raised because in the arena of sociocultural communication practices there is a hidden peculiarity in the form of deception, which is often inconsistent between linguistic aspects and sociocultural behavior. The use of the register as a style of communication rhetoric is built not without reason but contains the motives, intentions, achievements to be achieved. This paper aims to reveal: the form of the register, the role and function of the register, as well as the symbolic meaning of the register in the arena of sociocultural communication practices in the cattle trade. For this reason, a qualitative descriptive method is needed, which attempts to substantially describe aspects of the meaning of the data with in-depth analysis related to the subject matter. In order to arrive at an in-depth interpretation, the following theoretical knowledge is used: sociocultural, sociolinguistic, capitalism, hegemony, hegemonic, and hermeneutic as a strategic method for understanding texts whose meaning must be interpreted. The results of the study indicate: there are forms of oratorical, deliberative, consultative, casual, intimate registers. The function of the register is to act as an instrument of conative and emotive manipulation to influence, weaken, subdue, and restrain hegemonic control or domination. The register has a symbolic meaning of feudalism relations in the form of a phenomenon in the arena of sociocultural communication practices influenced by the discourse on capitalist cultural domination.
Sociocultural Aspects of Drinking Ciu in Surakarta Dadtun, Yusana Sasanti; Warto, Warto; Susanto, Susanto; Pitana, Titis Srimuda
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74085

Abstract

The presence of ciu is an important part of the Surakarta society's tradition. Drinking ciu serves a multifaceted symbolic function for their supporting community. the drinking habit of ciu has become a part of the drinking community's daily life, as passed down from their predecessors. The objective of this study was to discover the sociocultural aspects of ciu drinking in Surakarta's ciu drinking community. This study was designed with a qualitative method, which emphasizes the depth of information by delving into the meaning behind the symptoms. In-depth interviews were conducted with ciu drinkers, the community, producers, and government officials. The chairman and staff of Surakarta Kasunanan Palace's Traditional Council Institute (LDA), the abdi dalem, and various parties involved. Archives, newspapers, various reference books, and journal articles that discuss objects related to the research were used as written sources. The study's conclusion is drinking ciu from a review of social aspects pertaining to the existence of three groups of ciu drinkers spread throughout Surakarta, namely the Pangunci Community within the Surakarta Kasunanan Palace, the Pangunci Community outside the Surakarta Kasunanan Palace, and the Ciu drinkers outside the Pangunci Community. Drinking ciu has a special meaning, namely it is a symbol of collective identity, as it is part of the social solidarity of fellow connoisseurs in channeling the burdens of life. The various functions of ciu for the people of Surakarta are closely related to a review of the cultural aspects of drinking ciu. Apart from being passed down from generation to generation, the requirements of traditional rituals, parts of herbs to keep the body's stamina, and parts of traditional medicine ingredients are an important part of ciu's function in Surakarta's culture. Therefore, this study helps the community understand the socio-cultural phenomenon of the ciu drinking tradition in Surakarta, and it helps the government determine policies related to the ciu production system and its distribution.
The Symbolic Violence In “Imperfect” (Pierre Bourdieu's Review of Critical Discourse Analysis) Amal, Yunus Khoirul; Wibowo, Prasetyo Adi Wisnu; Pitana, Titis Srimuda
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74094

Abstract

The film "Imperfect" (2019) is an Indonesian film that tells the story of the pressure in women's lives related to their body shape. A woman's body that does not conform to developing standards will be pressured to conform to existing standards. Symbolic violence that occurs against women is happening nowadays, and society considers beauty to have an ideal physique, regardless of one's qualities, but women who have an ideal physique are more valued and more attractive. This study used descriptive qualitative method. The data collection technique used is observation on imperfect films. To answer this problem, the researcher uses the theoretical approach of critical discourse analysis and symbolic violence from Pierre Bourdieu. The results showed that; 1) discourse about women who have an ideal body, have white skin, are tall, and have straight hair are always considered as women who deserve attention and always get their own privileges; 2) Discourse related to the standard of beauty for women has developed and can lead to symbolic violence because women who do not meet the standards of beauty set above will always be marginalized and compared as a form of symbolic violence.
Pembentukan Karakter Streetscape melalui Bangunan, Pedestrian, dan Public Art di Koridor R.E. Martadinata, Surakarta Nugroho, Yunanto; Pitana, Titis Srimuda; Handayani, Kusumaningdyah Nurul
Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Vol 23, No 2 (2025): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v23i2.111398

Abstract

Character Building of Streetscape through Buildings, Pedestrians and Public Art in the R.E. Martadinata Corridor, SurakartaA visual study of the streetscape character of Jalan R.E. Martadinata examines how this main commercial corridor in the Pasar Gede Surakarta area shapes spatial experience through its visual elements. Using a qualitative case study approach, the analysis focused on buildings, roads, sidewalks, urban elements, and public art. Results show the corridor's visual character is formed by the continuity of two-story shop house facades, where approximately 50–55% of second-floor facades retain their original form, creating strong visual rhythm. Conversely, ground floors have undergone intensive commercial modifications, producing heterogeneous visual variations. Sidewalks function as active visual spaces, particularly after the 2012 revitalization introducing 12 Chinese zodiac motifs and Javanese roof symbols. Public art—including lanterns, coin ornaments, and festival decorations—serves as marker elements reinforcing area identity. Overall, the streetscape's visual character results from interactions between tradition, modernization, and cultural expression.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Amal, Yunus Khoirul Ananda, Wildan Purbo Andrik Purwasito Ari Prasetyo Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Dadtun, Yusana Sasanti Deny Tri Ardianto Dody Ariawan Dwi Susanto Ernawati, Nurul Erwin Herlian Faviansyah, Okta Arkana Firmansyah, Yusuf Gunawan Gunawan Habsari, Sri Kusuma Hikmawati, Hanifah Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kusumaningdyah Nurul Handayani, Kusumaningdyah Nurul Made Suastika Majid, Imam Abdul Mohammad Masykuri Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nugroho, Yunanto Nurul Muhayat Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Putri, Salsabila Adinda Rachmawati, Julianne Indah Saputro, Muhammad Handri Aris Septi Anggita Kriskartika Slamet Subiyantoro Sri Yuliani Sugara, Badra Sujarwa, Sujarwa Sulistyaningati, Endah Susanto Susanto Syamsul Hadi Tri Joko Daryanto Virgie, Arrley Warto - Warto Warto Wibowo, Prasetyo Adi Wisnu Wiwik Setyaningsih Zuhriah, Nur Azizah