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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam DeKaVe Geoplanning : Journal of Geomatics and Planning Channel : Jurnal Komunikasi Mozaik Humaniora SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya International Journal of Science and Applied Science: Conference Series Proceeding of International Conference on Art, Language, and Culture Journal of Architectural Research and Design Studies Proceeding Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jantra Jurnal Berdaya Mandiri Budimas : Jurnal Pengabdian Masyarakat International Journal of Multi Discipline Science (IJ-MDS) Journal of Social Research IBDA': Jurnal Kajian Islam dan Budaya BAHASTRA Jurnal Komunikasi Indonesia Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal bahasa, sastra, seni, dan pengajarannya KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture)
Titis Srimuda Pitana, Titis Srimuda
Architecture Study Program Of Sebelas Maret University, Indonesia
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Peraq Api Tradition in Lombok: A Bourdieu Perspective Review Nur Azizah Zuhriah; Warto Warto; Titis Srimuda Pitana
Humaniora Vol. 11 No. 1 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6205

Abstract

The research aimed to dismantle the meaning of peraq api in its social practices involving habitus and the field in Sasak cosmology. Pierre Bourdieu’s social practice theory was used as an analysis to uncover the meanings built in the tradition of the peraq api. The meaning of peraq api in its social practice was discussed using qualitative methods, interpretative descriptive data analysis techniques, and using a hermeneutic approach. The results of indicate that the tradition of peraq api is a manifestation of life that represents the creation of beings. This happens because the attitude and perspective of Sasak society about nature originated from the monotheism’s cosmology. This perspective gives rise to behavior to maintain the cosmological balance. Tawhid is a general view of reality, truth, the world, space and time, and human history, which is represented through the tradition of the peraq api. 
REVITALISATION OF FEMALE GAMELAN’S PLAYERS IN SEBLANG OF BAKUNGAN A STUDY CASE Agnes Serfozo; Titis Srimuda Pitana; Wakit Abdullah
Proceeding of International Conference on Art, Language, and Culture 2018: Proceeding of 3rd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

The local agricultural spirit of Osing people of Banyuwangi district, East Java produced many of various rites. These function as mediation between human community and supranatural forces to influence the fertility of soils even to guarantee the welfare of the community. Seblang is the oldest among these traditions, still kept and implemented by the villagers of Bakungan as a part of yearly village purification ceremony. The entity of woman as spiritual being associated to fertility and to the food-giving Mother Earth (pertiwi)and rice field goddess (Mbok Srindani)is essential in the Seblang ritual. Woman is also the preserver of local wisdom about ecological equilibrium as the part of the traditional agricultural worldview. In the last two decades myths, beliefs and discourses of Seblang changed, in parallel with the social-, cultural- ecological changes of the regional development leaded by Banyuwangi`s post-reformation government. This changes modificate elements in the original implementation of this rite. One of these changes was the arbitrary exchange of the Seblang`s female gamelan’s players by male ones five years ago. This paper analyzes how the changing power structures of center and periferic caused the marginalisation of female gamelan’s players of Seblang, in a concrete way, howthe dominant patriarchal class ignored the importance of female entity in the Seblang rite through the act of banishing the female gamelan’s players. After five years of their banishment, in 2018 Bakungan women got the opportunity to join again as gamelan’s player in Seblang. Present paper examines how the awareness of community about cultural competency the female gamelan’s players changed positively after Bakungan women were able to articulate their need to participate as musicians in the Seblang rite. This new awareness presents the emerging self-image of Osing woman and forming a change in the earlier male-dominant perspective.
THE MEANING OF PRACIMAYASA BUILDINGS PURA MANGKUNEGARAN SURAKARTA Sunarmi Sunarmi; Bani Sudardi; Pande Made Sukerta; Titis Srimuda Pitana
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

The Meaning of Pracimayasa Building Pura Mangkunegaran Surakarta is a study of cultural studies. The problem of research, how the significance signs of Pracimayasa building Pura Mangkunegaran Surakarta. Globalization moves on the spirit and morality in favor of the interests of material activity. Pracimayasa building as a cultural heritage building used as a commodity in the global era. Research using critical approach with theory of deconstruction supported the theory of visual communication semiotics. The study is expected to give an opportunity to develop the creativity of interpreting the text, the interior of the cultural heritage building. Data collection with observation techniques, interviews, document studies and literature.The results showed that Pracimayasa building is the residence of the palace family especially for keputren. The reality of the building's private sign Pracimayasa seen from the location of buildings that are protected from other buildings and adjacent to the core building. The reality of keputren can be seen from the type of space and visual form Pracimayasa building. As a family residence, Pracimayasa buildings included in territorial areas that are not easily accessible physically and etiquette, not all ethical people enter. Therefore Pracimayasa building as a family residence is a symbol of ethics and manners within the life of Java.
Implementation of Sustainable Architecture to Support The Efforts to Achieve Green City Gatut Wicaksono; Winny Astuti; Titis Srimuda Pitana
Journal of Architectural Research and Design Studies Vol. 1 No. 1 (2017)
Publisher : Departement of Architecture, Universitas Islam Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/jars.vol1.iss1.art1

Abstract

Recently, the phenomenon of climate change effect has been clearly seen. Green city as concept of development have been initiated in several countries in the world with the expectation to contribute to the mitigation of global warming impact. Green City is the city that prioritizes the balance of bio-ecosystem with the environment to create comfortableness for the city residents and visitors (Yunus, 2012). Attributes of green city is related with the concept of sustainable architecture as the effort to minimize the negative impact towards the environment to address environmental problems caused by architectural complications. This paper focuses on the implementation of sustainable architecture in supporting the effort to achieve green city. This research conducted exploration in the aspect of planning and implementation that accommodate the concept of green city in architectural aspect based on the city planning in Surakarta City. This research is conducted in several locations in Surakarta City such as Kampung Iklim Sekip Kadipiro, Selasar Budaya Kampung Jagalan, and Mojosongo. The three locations develop the planning and implementation of design with the principles of low cost, simple technology and low impact to the environment. Those efforts support the program to realize green city through sustainable architecture implemented in the building and simple supporting element of environment with low cost.  Keywords: green city, sustainable architecture, eco-friendly, climate change 
THE FOOTSTEPS OF RESISTANCE IDEOLOGY IN MANGKUNEGARAN DANCE-STYLE Widodo Aribowo; Andrik Purwasito; Titis Srimuda Pitana
Proceeding IICACS No 2 (2017)
Publisher : Proceeding IICACS

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Abstract

This study aims to describe the ideology of resistance that grew and became the basis of the politics of cultural movement during the war to the establishment of Puro Mangkunagaran up to maintainaning the existence to the present. The study was descriptive analytic using 12 advanced-steps method of Spradley Ethnography, which was shortened into 4 research steps. Triangulation data research includes direct observation of Bedhaya Anglir Mendhung dance performance, dance manuscripts in Mangkunagaran, and interviews with two respondents. The findings of this study are: a) dance art in Puro Mangkunagaran are all themed with resistance except free-patterned dance like gambyong and golek; b) Bedhaya Anglirmendhung dance is the first Puro Mangkunegaran‘s Bedaya dance as well as an attribute of power in which ideologically articulates resistance;c) the ideology of resistance is also evident in the archetypal orstate logo artefacts, batik cloths, and the family of Mangkunagaran creeds.Keywords: ideology; representation; Mangkunagaran
WAYANG KAMPUNG SEBELAH, MEDIA SOSIAL, DAN MASYARAKAT YANG TERBELAH Widodo Aribowo; Andrik Purwasito; Titis Srimuda Pitana
Jantra. Vol 12 No 1 (2017): Peran Media Sosial dalam Pelestarian Budaya Daerah
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

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Abstract

Perubahan sosial pada masyarakat Jawa telah mengubah wajah pertunjukan wayang kulit. Masyarakat tradisional pelan-pelan ikut berubah menuju masyarakat kapitalis, dan selera masyarakat ikut terbelah. Di satu pihak masyarakat lama masih mempertahankan selera tinggi karena wayang bagian dari laku spiritual. Di pihak lain generasi baru mengusung budaya pop. Degradasi seni tinggi menuju seni pop menggelisahkan kalangan seniman, hingga muncullah Wayang Kampung Sebelah sebagai counter culture yang memperkaya pertunjukan wayang itu sendiri. Metode etnografi diharapkan dapat menguraikan hal-hal epistemologis budaya pop sebagai peristiwa budaya berupa produksi makna dan apresiasinya oleh masyarakat menurut selera mereka sendiri. Temuan dalam penelitian: terjadi diskursus dan pemanfaatan media sosial dalam menyampaikan ideologi demokrasi berupa penolakan dikotomi budaya tinggi-rendah.
DISKURSUS ARSITEKTUR ISLAM – JAWA MENUJU MASJID YANG ECO CULTURE Titis Srimuda Pitana
IBDA` : Jurnal Kajian Islam dan Budaya Vol 12 No 1 (2014): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (110.76 KB) | DOI: 10.24090/ibda.v12i1.439

Abstract

Tulisan ini ditujukan untuk memahami diskursus arsitektur Islam- Jawa dalam upaya mewujudkan ruang hidup material manusia yang berbentuk masjid yang ramah lingkungan dan budaya. Apa yang dilakukan atau dibahas dalam diskursus, seperti yang terjadi pada arsitektur Islam- Jawa yang diterapkan pada masjid yang ramah lingkungan dan budaya merupakan kehendak dan kekuasaan. Dalam hal ini, persoalan arsitektur bukan hanya berhenti pada persoalan geometris, penciptaan ruang, dan menghuninya, melainkan lebih pada dimensi “kekinian” yang disebut dengan “kemenjadian” (becoming); bukan hanya ada (being), namun juga mengada (beings) yang detail penjelasan dalam tulisan ini dibagi dalam tiga bagian, yaitu: 1) konsep dan wacana arsitektur Islam-Jawa; 2) pengembangan arsitektur Islam-Jawa dan perpaduannya dengan eco culture; dan 3) arsitektur masjid yang eco culture.
Oneness of God’s Concept from Rimba Watualang Hanifah Hikmawati; Titis Srimuda Pitana
IBDA` : Jurnal Kajian Islam dan Budaya Vol 16 No 1 (2018): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (519.586 KB) | DOI: 10.24090/ibda.v16i1.1392

Abstract

This article examines the intelligence process and attitude of Islamic Teens of Watualang (Remaja Islam Watualang or it is abbreviated as Riswa) which is quite striking in terms of the religious progressivity agenda. The agenda is arranged to have a synergy with the concept of nationalism and nationality. The group comes to the society as the efforts to reaffirm the understanding of Islamic as Ahlussunah Waljamaah in the middle of the religious extremism and radicalism. The encouragement for oneness of God (Tauhid) concept from Riswa becomes the pattern of syncretic Islam. It is implemented by Riswa to convince the teens to promote the moderate concept of Islam. The conception developed over the vision is to foster the pillars of humanity which includes ukhuwah insaniyyah, ukhuwah Islamiyyah, and ukhuwah wathaniyyah. In order to find out the fundamental motivation of Riswa’s establishment, the authors managed two research problems to clearly examine the research findings. They are: (1) What is the reason of the Islamic Teens of Watualang’s establishment? (2) How do the group members implement intelligence attitude to identify the moderate and syncretic pattern of Islamic preaching? The theory of intelligence and adaptation are implemented as a motivational breakdown analysis to obtain Riswa’s legitimacy. The above explanation is elaborated in a descriptive analysis and model forms.
Pemetaan Kawasan Wisata Riung Kabupaten Ngada Nusa Tenggara Timur Nurul Muhayat; Imam Abdul Majid; Syamsul Hadi; Dody Ariawan; Titis Srimuda Pitana; Ari Prasetyo
Jurnal Berdaya Mandiri Vol. 2 No. 2 (2020): Jurnal Berdaya Mandiri (JBM)
Publisher : Universitas PGRI Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (584.934 KB) | DOI: 10.31316/jbm.v2i2.1369

Abstract

Kawasan Riung terletak di pantai utara Pulau Flores, Provinsi Nusa Tenggara Timur, Ngada. Kawasan ini memiliki banyak pulau yang membentuk suatu kawasan pariwisata yang saling melengkapi satu sama lain dan membentuk sebuah taman laut surgawi yang unik. Banyak keunikan-keunikan yang ditawarkan oleh Riung, diantaranya keanekaragaman hayati, pantai berpasir putih dengan birunya air yang sangat jernih, hingga pulau-pulau yang masih “suci” dengan keunikan alamnya yang tidak dapat ditemukan di daerah lain. Namun, keindahan akan Riung belum banyak terekspos baik secara nasional bahkan internasional, sehingga wisatawan yang datang masih cenderung sedikit. Menindaklanjuti permasalahan yang ada maka tim Kuliah Kerja Nyata, Universitas Sebelas Maret (KKN UNS) merekomendasikan untuk dilakukan pemetaan dengan menggunakan drone sehingga potensi wisata yang ada di Riung bisa disebarkan dengan lebih menarik dan secara luas di dunia. Pemetaan dilakukan secara professional menggunakan drone yang telah dimodifikasi oleh tim KKN UNS, sehingga menghasilkan video yang menarik untuk disaksikan. Hasil pemetaan menunjukkan bahwa terdapat banyak lokasi wisata yang ada di Riung masih belum terekspos media, padahal lokasi ini mempunyai potensi besar untuk menarik wisatawan dalam maupun luar negeri. Beberapa lokasi tersebut adalah pegunungan, air terjun dan rumah adat yang ada di kabupaten Ngada, Nusa Tenggara Timur.
Shapes of Javanese Keris as A Symbolic Sign: Transformation toward The Islamic Period Widodo Ariwibowo; Andrik Purwasito; Titis Srimuda Pitana
el Harakah: Jurnal Budaya Islam Vol 19, No 2 (2017): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (495.071 KB) | DOI: 10.18860/el.v19i2.4057

Abstract

In articulating the visual elements of Keris we will find the concept of symbols, each of which corresponds to the typology of signs. The relationships among the trichotomy signs associated with the codes represent the horizon of the Javanese society regarding the Keris culture. All the Keris signs establish the abstracts relationship model that never has any function before being associated with the code. Principally, people who become the message recipient can perform decoding act by associating the signs with certain conventions. The expression articulation through the Keris elements is a symbol in the typology of signs. The Javanese society’s response or appreciation concerning the invented conventions needs to be investigated to conversely understand the system of signs production. The word kris, as an example, is semiotically classified into other words; keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, and katga, all of which refers to the same sign, which is the tipped stabbing weapons and covered in scabbard. This study found the cultural event of the ideological masking which represents certain period i.e. the deconstructive meanings on the luk of keris (kemba and rengkol) illustrated the ideological transformation from Hinduism to Islamic era. Dalam mengartikulasikan unsur visual Keris kita dihadapkan dengan konsep simbol, di mana setiap simbol sesuai dengan tipologi tanda-tanda. Hubungan antara trikotomi tanda-tanda yang terkait dengan kode mewakili cakrawala masyarakat Jawa tentang budaya Keris. Semua tanda-tanda Keris membangun hubungan abstrak model yang tidak akan pernah memiliki fungsi apapun sebelum dikaitkan dengan kode. Pada prinsipnya orang yang menjadi sasaran penyampaian pesan bisa melakukan decoding dengan cara mengaitkan tanda-tanda pada keris dengan konvensi-konvensi tertentu. Artikulasi ekspresi melalui unsur-unsur dalam Keris memanfaatkan simbol-simbol dalam tipologi tanda. Respons maupun apresiasi orang Jawa terkait dengan konvensi-konvensi yang telah diciptakan para leluhur perlu diketahui untuk melihat secara terbalik dalam sistem produksi tanda. Pemaknaan kata kris misalnya, secara Semiotis dapat diklasifikasikan berdasarkan beberapa kata referensial di antaranya keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, dan katga semua menunjukkan petanda yang sama yaitu senjata tikam yang berhulu dan berwarangka. Penelitian ini menemukan terjadinya peristiwa budaya berupa penopengan (masking) ideologi yang mewakili zaman tertentu, misalnya dekonstruksi pemaknaan bentuk luk keris (kemba dan rengkol) menggambarkan transformasi ideologi zaman Hindhu menuju zaman Islam.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Agnes Serfozo Ahmad Adib Masruri Alfian Setya Nugraha Ananda, Wildan Purbo Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Anita Dianingrum Ari Prasetyo Ari Prasetyo Aries Adenata Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Budi Setiyono Deny Tri Ardianto Desi Nur Aini Dewi Adityaningrum Dody Ariawan Dolly Nofer Dwi Aries Himawanto Dwi Purbo Cahyono Nuswantoro Dwi Susanto Ernawati, Nurul Erwin Herlian Fauzan Ali Ikhsan Faviansyah, Okta Arkana Ferdiansyah Ali Firmansyah, Yusuf Galih Putra Pamungkas Gatut Wicaksono Gunawan Gunawan Haris Supratno Hikmawati, Hanifah Imam Abdul Majid Julianne Indah Rachmawati Julianne Indah Rachmawati Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kusumaningdyah Nurul Handayani Made Suastika Majid, Imam Abdul Marlina, Avi Maya Andria Nirawati Mohamad Muqoffa Mohammad Masykuri Muhammad Handri Aris Saputro Muhayat, Nurul Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nur Azizah Zuhriah Nurul Muhayat Pande Made Sukerta Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Pratiwi Anjar Sari Putri, Salsabila Adinda Rachmawati, Julianne Indah Roudhotul Munawaroh Septi Anggita Kriskartika Setyaningsih, Wiwik Situ Asih Slamet Subiyantoro Sri Kusuma Habsari Sri Kusuma Habsari Sri Yuliani Sugara, Badra Sujarwa Sujarwa Sujarwa Sujarwa Sulistyaningati, Endah Sunarmi Sunarmi Sunarmi Sunarmi Susanto Susanto Susanto Susanto Susanto, Susanto Syamsul Hadi Syamsul Hadi Tri Joko Daryanto Triguna, IBG Yudha Virgie, Arrley Wakit Abdullah Rais Warto - Warto Warto Widodo Aribowo Widodo Ariwibowo Winny Astuti Wiwik Setyaningsih Zuhriah, Nur Azizah