Articles
<![CDATA[PENINGKATAN KEMAMPUAN DESAIN DAN REKAYASA PROSES BENGKEL MANUFAKTUR ]]>
<![CDATA[Dwi Aries Himawanto]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ BUDIMAS : JURNAL PENGABDIAN MASYARAKAT Vol 3, No 2 (2021): BUDIMAS : VOL. 03 NO. 02, 2021 ]]>
Publisher : <![CDATA[LPPM ITB AAS Indonesia Surakarta ]]>
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DOI: 10.29040/budimas.v3i2.3343
<![CDATA[Kegiatan ini muncul dengan didasarkan pada permasalahan yang dihadapi oleh dua usaha kecil dalam kegiatan ini, yaitu berupa keterbatasan akses pasar, rendahnya produktivitas dan kurangnya inovasi. Usaha kecil mitra dalam kegiatan ini bergerak dalam bidang jasa fabrikasi terutama dalam bidang pengelasan. Peluang pasar dalam bidang usaha ini masih terbuka seiring dengan berkembangnya kegiatan perekonomian di daerah eks Karesidenan Surakarta. Permasalahan utama yang dirasakan oleh kedua mitra kegiatan adalah, meskipun telah berdiri cukup lama, namun pengembangan pasar kedua mitra dirasakan kurang begitu cepat dikarenakan keterbatasan akses pasar yang dikarenakan oleh keterbatasan inovasi yang dilakukan dalam merebut pasar hal tersebut diduga karena belum lengkapnya peralatan yang dimiliki oleh kedua mitra kegiatan tersebut. Untuk memecahkan permasalah tersebut diatas, maka dilakukan strategi penciptaan produk khusus yang ditopang oleh strategi inovasi dan teknologi dengan mempertimbangkan tingkat teknologi produksi yang digunakan guna merebut pelanggan dan pasar yang ada berupa peningkatan kapasitas produksi mitra dengan mengintroduksikan beberapa peralatan produksi untuk meminimalkan outsourcing dan memacu munculnya kreativitas dalam membuat produk baru dan perlunya peningkatan skill mitra dalam hal desain produk baru guna membuka pasar guna peningkatan usaha mitra,]]>
<![CDATA[BUDAYA NOMAD DALAM PERTARUNGAN WACANA MUSIK INDUSTRI INDONESIA STUDI KASUS: BOY-GIRL BAND ]]>
<![CDATA[Dolly Nofer]]>;
<![CDATA[Titis Srimuda Pitana]]>;
<![CDATA[Dwi Susanto]]>
<![CDATA[ Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 47, No 2 (2019) ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Negeri Malang ]]>
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<![CDATA[Boy-girl band K-pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.Keywords: K-pop Music Discourse, Music, Life Style and Culture Arena.]]>
<![CDATA[Peraq Api Tradition in Lombok: A Bourdieu Perspective Review ]]>
<![CDATA[Nur Azizah Zuhriah]]>;
<![CDATA[Warto Warto]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ Humaniora Vol. 11 No. 1 (2020): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v11i1.6205
<![CDATA[The research aimed to dismantle the meaning of peraq api in its social practices involving habitus and the field in Sasak cosmology. Pierre Bourdieu’s social practice theory was used as an analysis to uncover the meanings built in the tradition of the peraq api. The meaning of peraq api in its social practice was discussed using qualitative methods, interpretative descriptive data analysis techniques, and using a hermeneutic approach. The results of indicate that the tradition of peraq api is a manifestation of life that represents the creation of beings. This happens because the attitude and perspective of Sasak society about nature originated from the monotheism’s cosmology. This perspective gives rise to behavior to maintain the cosmological balance. Tawhid is a general view of reality, truth, the world, space and time, and human history, which is represented through the tradition of the peraq api. ]]>
<![CDATA[REVITALISATION OF FEMALE GAMELAN’S PLAYERS IN SEBLANG OF BAKUNGAN A STUDY CASE ]]>
<![CDATA[Agnes Serfozo]]>;
<![CDATA[Titis Srimuda Pitana]]>;
<![CDATA[Wakit Abdullah]]>
<![CDATA[ Proceeding of International Conference on Art, Language, and Culture 2018: Proceeding of 3rd International Conference on Art, Language, and Culture ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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<![CDATA[The local agricultural spirit of Osing people of Banyuwangi district, East Java produced many of various rites. These function as mediation between human community and supranatural forces to influence the fertility of soils even to guarantee the welfare of the community. Seblang is the oldest among these traditions, still kept and implemented by the villagers of Bakungan as a part of yearly village purification ceremony. The entity of woman as spiritual being associated to fertility and to the food-giving Mother Earth (pertiwi)and rice field goddess (Mbok Srindani)is essential in the Seblang ritual. Woman is also the preserver of local wisdom about ecological equilibrium as the part of the traditional agricultural worldview. In the last two decades myths, beliefs and discourses of Seblang changed, in parallel with the social-, cultural- ecological changes of the regional development leaded by Banyuwangi`s post-reformation government. This changes modificate elements in the original implementation of this rite. One of these changes was the arbitrary exchange of the Seblang`s female gamelan’s players by male ones five years ago. This paper analyzes how the changing power structures of center and periferic caused the marginalisation of female gamelan’s players of Seblang, in a concrete way, howthe dominant patriarchal class ignored the importance of female entity in the Seblang rite through the act of banishing the female gamelan’s players. After five years of their banishment, in 2018 Bakungan women got the opportunity to join again as gamelan’s player in Seblang. Present paper examines how the awareness of community about cultural competency the female gamelan’s players changed positively after Bakungan women were able to articulate their need to participate as musicians in the Seblang rite. This new awareness presents the emerging self-image of Osing woman and forming a change in the earlier male-dominant perspective.]]>
<![CDATA[THE MEANING OF PRACIMAYASA BUILDINGS PURA MANGKUNEGARAN SURAKARTA ]]>
<![CDATA[Sunarmi Sunarmi]]>;
<![CDATA[Bani Sudardi]]>;
<![CDATA[Pande Made Sukerta]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture ]]>
Publisher : <![CDATA[Universitas Sebelas Maret ]]>
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<![CDATA[The Meaning of Pracimayasa Building Pura Mangkunegaran Surakarta is a study of cultural studies. The problem of research, how the significance signs of Pracimayasa building Pura Mangkunegaran Surakarta. Globalization moves on the spirit and morality in favor of the interests of material activity. Pracimayasa building as a cultural heritage building used as a commodity in the global era. Research using critical approach with theory of deconstruction supported the theory of visual communication semiotics. The study is expected to give an opportunity to develop the creativity of interpreting the text, the interior of the cultural heritage building. Data collection with observation techniques, interviews, document studies and literature.The results showed that Pracimayasa building is the residence of the palace family especially for keputren. The reality of the building's private sign Pracimayasa seen from the location of buildings that are protected from other buildings and adjacent to the core building. The reality of keputren can be seen from the type of space and visual form Pracimayasa building. As a family residence, Pracimayasa buildings included in territorial areas that are not easily accessible physically and etiquette, not all ethical people enter. Therefore Pracimayasa building as a family residence is a symbol of ethics and manners within the life of Java.]]>
<![CDATA[Implementation of Sustainable Architecture to Support The Efforts to Achieve Green City ]]>
<![CDATA[Gatut Wicaksono]]>;
<![CDATA[Winny Astuti]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ Journal of Architectural Research and Design Studies Vol. 1 No. 1 (2017) ]]>
Publisher : <![CDATA[Departement of Architecture, Universitas Islam Indonesia ]]>
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DOI: 10.20885/jars.vol1.iss1.art1
<![CDATA[Recently, the phenomenon of climate change effect has been clearly seen. Green city as concept of development have been initiated in several countries in the world with the expectation to contribute to the mitigation of global warming impact. Green City is the city that prioritizes the balance of bio-ecosystem with the environment to create comfortableness for the city residents and visitors (Yunus, 2012). Attributes of green city is related with the concept of sustainable architecture as the effort to minimize the negative impact towards the environment to address environmental problems caused by architectural complications. This paper focuses on the implementation of sustainable architecture in supporting the effort to achieve green city. This research conducted exploration in the aspect of planning and implementation that accommodate the concept of green city in architectural aspect based on the city planning in Surakarta City. This research is conducted in several locations in Surakarta City such as Kampung Iklim Sekip Kadipiro, Selasar Budaya Kampung Jagalan, and Mojosongo. The three locations develop the planning and implementation of design with the principles of low cost, simple technology and low impact to the environment. Those efforts support the program to realize green city through sustainable architecture implemented in the building and simple supporting element of environment with low cost. Keywords: green city, sustainable architecture, eco-friendly, climate change ]]>
<![CDATA[THE FOOTSTEPS OF RESISTANCE IDEOLOGY IN MANGKUNEGARAN DANCE-STYLE ]]>
<![CDATA[Widodo Aribowo]]>;
<![CDATA[Andrik Purwasito]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ Proceeding IICACS No 2 (2017) ]]>
Publisher : <![CDATA[Proceeding IICACS ]]>
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<![CDATA[This study aims to describe the ideology of resistance that grew and became the basis of the politics of cultural movement during the war to the establishment of Puro Mangkunagaran up to maintainaning the existence to the present. The study was descriptive analytic using 12 advanced-steps method of Spradley Ethnography, which was shortened into 4 research steps. Triangulation data research includes direct observation of Bedhaya Anglir Mendhung dance performance, dance manuscripts in Mangkunagaran, and interviews with two respondents. The findings of this study are: a) dance art in Puro Mangkunagaran are all themed with resistance except free-patterned dance like gambyong and golek; b) Bedhaya Anglirmendhung dance is the first Puro Mangkunegaran‘s Bedaya dance as well as an attribute of power in which ideologically articulates resistance;c) the ideology of resistance is also evident in the archetypal orstate logo artefacts, batik cloths, and the family of Mangkunagaran creeds.Keywords: ideology; representation; Mangkunagaran]]>
<![CDATA[WAYANG KAMPUNG SEBELAH, MEDIA SOSIAL, DAN MASYARAKAT YANG TERBELAH ]]>
<![CDATA[Widodo Aribowo]]>;
<![CDATA[Andrik Purwasito]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ Jantra. Vol 12 No 1 (2017): Peran Media Sosial dalam Pelestarian Budaya Daerah ]]>
Publisher : <![CDATA[Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta ]]>
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<![CDATA[Perubahan sosial pada masyarakat Jawa telah mengubah wajah pertunjukan wayang kulit. Masyarakat tradisional pelan-pelan ikut berubah menuju masyarakat kapitalis, dan selera masyarakat ikut terbelah. Di satu pihak masyarakat lama masih mempertahankan selera tinggi karena wayang bagian dari laku spiritual. Di pihak lain generasi baru mengusung budaya pop. Degradasi seni tinggi menuju seni pop menggelisahkan kalangan seniman, hingga muncullah Wayang Kampung Sebelah sebagai counter culture yang memperkaya pertunjukan wayang itu sendiri. Metode etnografi diharapkan dapat menguraikan hal-hal epistemologis budaya pop sebagai peristiwa budaya berupa produksi makna dan apresiasinya oleh masyarakat menurut selera mereka sendiri. Temuan dalam penelitian: terjadi diskursus dan pemanfaatan media sosial dalam menyampaikan ideologi demokrasi berupa penolakan dikotomi budaya tinggi-rendah.]]>
<![CDATA[DISKURSUS ARSITEKTUR ISLAM – JAWA MENUJU MASJID YANG ECO CULTURE ]]>
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ IBDA` : Jurnal Kajian Islam dan Budaya Vol 12 No 1 (2014): IBDA': Jurnal Kajian Islam dan Budaya ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto ]]>
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DOI: 10.24090/ibda.v12i1.439
<![CDATA[Tulisan ini ditujukan untuk memahami diskursus arsitektur Islam- Jawa dalam upaya mewujudkan ruang hidup material manusia yang berbentuk masjid yang ramah lingkungan dan budaya. Apa yang dilakukan atau dibahas dalam diskursus, seperti yang terjadi pada arsitektur Islam- Jawa yang diterapkan pada masjid yang ramah lingkungan dan budaya merupakan kehendak dan kekuasaan. Dalam hal ini, persoalan arsitektur bukan hanya berhenti pada persoalan geometris, penciptaan ruang, dan menghuninya, melainkan lebih pada dimensi “kekinian†yang disebut dengan “kemenjadian†(becoming); bukan hanya ada (being), namun juga mengada (beings) yang detail penjelasan dalam tulisan ini dibagi dalam tiga bagian, yaitu: 1) konsep dan wacana arsitektur Islam-Jawa; 2) pengembangan arsitektur Islam-Jawa dan perpaduannya dengan eco culture; dan 3) arsitektur masjid yang eco culture.]]>
<![CDATA[Oneness of God’s Concept from Rimba Watualang ]]>
<![CDATA[Hanifah Hikmawati]]>;
<![CDATA[Titis Srimuda Pitana]]>
<![CDATA[ IBDA` : Jurnal Kajian Islam dan Budaya Vol 16 No 1 (2018): IBDA': Jurnal Kajian Islam dan Budaya ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto ]]>
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DOI: 10.24090/ibda.v16i1.1392
<![CDATA[This article examines the intelligence process and attitude of Islamic Teens of Watualang (Remaja Islam Watualang or it is abbreviated as Riswa) which is quite striking in terms of the religious progressivity agenda. The agenda is arranged to have a synergy with the concept of nationalism and nationality. The group comes to the society as the efforts to reaffirm the understanding of Islamic as Ahlussunah Waljamaah in the middle of the religious extremism and radicalism. The encouragement for oneness of God (Tauhid) concept from Riswa becomes the pattern of syncretic Islam. It is implemented by Riswa to convince the teens to promote the moderate concept of Islam. The conception developed over the vision is to foster the pillars of humanity which includes ukhuwah insaniyyah, ukhuwah Islamiyyah, and ukhuwah wathaniyyah. In order to find out the fundamental motivation of Riswa’s establishment, the authors managed two research problems to clearly examine the research findings. They are: (1) What is the reason of the Islamic Teens of Watualang’s establishment? (2) How do the group members implement intelligence attitude to identify the moderate and syncretic pattern of Islamic preaching? The theory of intelligence and adaptation are implemented as a motivational breakdown analysis to obtain Riswa’s legitimacy. The above explanation is elaborated in a descriptive analysis and model forms.]]>
