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All Journal IBDA` : Jurnal Kajian Islam dan Budaya Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam Geoplanning : Journal of Geomatics and Planning SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jurnal Berdaya Mandiri International Journal of Multi Discipline Science (IJ-MDS) IBDA': Jurnal Kajian Islam dan Budaya Jurnal Komunikasi Indonesia
Titis Srimuda Pitana, Titis Srimuda
Universitas Sebelas Maret, Surakarta Jl. Ir. Sutami No. 36 A (+62-271) 646624 Surakarta 57126
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CULTURAL REVIVALISM OF MANGKUNEGARA VII AND THE ISLAMISM DISCOURSE IN THE EARLY 20th CENTURY Wardhana, Adi Putra Surya; Pitana, Titis Srimuda; Susanto, Susanto
ULUL ALBAB Jurnal Studi Islam Vol 20, No 1 (2019): Islamic Politics and Society
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (550.395 KB) | DOI: 10.18860/ua.v20i1.5664

Abstract

This article aims at studying Javanese cultural revivalism of Mangkunegara VII, its function, and meaning, within the context of the rise of Islamism in the early 20th century. Mangkunegara VII was a Mangkunegaran ruler who actively participated in developing Javanese culture. When he was young, he was an essential figure in Budi Utomo, a movement organization that represented Javanese nationalism which was influenced by the complex relations between language awareness, colonialism, modernism, and Islamism. He was also involved in various Kejawen organizations. Using Michel Foucault's discourse theory, this paper argues that Javanese cultural revivalism is a Javanese nationalist success to overcome the excessive radicalism of Islamic discourse. When Islamism arose with their attacks against the abangan, he carried out counter-narratives through Javanese cultural organizations. As a ruler, he was successful in assuming legitimacy from the Mangkunegaran people as well as to influence the Dutch colonial government, and other Javanese nationalists as well.
Pemetaan Kawasan Wisata Riung Kabupaten Ngada Nusa Tenggara Timur Muhayat, Nurul; Majid, Imam Abdul; Hadi, Syamsul; Ariawan, Dody; Pitana, Titis Srimuda; Prasetyo, Ari
Jurnal Berdaya Mandiri Vol 2, No 2 (2020): Jurnal Berdaya Mandiri (JBM)
Publisher : Universitas PGRI Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (584.934 KB) | DOI: 10.31316/jbm.v2i2.1369

Abstract

Kawasan Riung terletak di pantai utara Pulau Flores, Provinsi Nusa Tenggara Timur, Ngada. Kawasan ini memiliki banyak pulau yang membentuk suatu kawasan pariwisata yang saling melengkapi satu sama lain dan membentuk sebuah taman laut surgawi yang unik. Banyak keunikan-keunikan yang ditawarkan oleh Riung, diantaranya keanekaragaman hayati, pantai berpasir putih dengan birunya air yang sangat jernih, hingga pulau-pulau yang masih “suci” dengan keunikan alamnya yang tidak dapat ditemukan di daerah lain. Namun, keindahan akan Riung belum banyak terekspos baik secara nasional bahkan internasional, sehingga wisatawan yang datang masih cenderung sedikit. Menindaklanjuti permasalahan yang ada maka tim Kuliah Kerja Nyata, Universitas Sebelas Maret (KKN UNS) merekomendasikan untuk dilakukan pemetaan dengan menggunakan drone sehingga potensi wisata yang ada di Riung bisa disebarkan dengan lebih menarik dan secara luas di dunia. Pemetaan dilakukan secara professional menggunakan drone yang telah dimodifikasi oleh tim KKN UNS, sehingga menghasilkan video yang menarik untuk disaksikan. Hasil pemetaan menunjukkan bahwa terdapat banyak lokasi wisata yang ada di Riung masih belum terekspos media, padahal lokasi ini mempunyai potensi besar untuk menarik wisatawan dalam maupun luar negeri. Beberapa lokasi tersebut adalah pegunungan, air terjun dan rumah adat yang ada di kabupaten Ngada, Nusa Tenggara Timur.
Presenting Local Wisdom: A Multimodal Analysis of Sedekah Gunung Merapi Video as a Tourism Promotion in Boyolali Regency Rachmawati, Julianne Indah; Warto, Warto; Pitana, Titis Srimuda
JURNAL KOMUNIKASI INDONESIA Vol. 7, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Upacara tradisional Sedekah Gunung adalah salah satu kearifan lokal yang dimiliki oleh masyarakat Desa Lencoh, Selo, Kabupaten Boyolali. Upacara ini bertujuan untuk mengungkapkan rasa terima kasih penduduk desa dan meminta perlindungan Tuhan dari bencana. Upacara ini memiliki potensi karena sering menjadi daya tarik wisata. Liputan media diperlukan untuk menyebarkan konten dan informasi tentang upacara ini. Salah satu contoh liputan media tentang tradisi ini adalah video yang diunggah di situs berbagi video YouTube bernama Sedekah Gunung merapi. Tulisan ini menganalisis beberapa aspek: (1) Apa sarana yang digunakan dalam video Sedekah Gunung Merapi untuk menghadirkan Sedekah Gunung sebagai objek wisata Kabupaten Boyolali? (2) Bagaimana penyajian kearifan lokal Boyolali dalam video Sedekah Gunung Merapi mempromosikan pariwisata Kabupaten Boyolali? (3) Apa makna penyajian kearifan lokal dalam video Sedekah Gunung merapi sebagai promosi pariwisata di Kabupaten Boyolali? Metode yang digunakan dalam penelitian ini adalah nalisis multimodal yang dikembangkan oleh Kress dan van Leeuwen. Video yang diteliti mengandung lebih dari dua sistem semiotik yang terdiri dari linguistik, visual, audio, gestural, dan spasial. Penelitian ini menemukan bahwa wacana tentang kearifan lokal dibangun untuk menonjolkan kekayaan budaya yang dimiliki oleh komunitas Boyolali. Wacana dikemas dan disebarluaskan melalui video untuk mengkomersialkan pariwisata kabupaten Boyolali. The traditional ceremony of Sedekah Gunung is one of the local wisdoms possessed by the community of Lencoh Village, Selo, Boyolali Regency. The ceremony aims to express the villagers’ gratitude and requests the protection of God from disasters. This ceremony has potency as it often becomes a tourist attraction. media coverages are needed to disseminate contents and information about this ceremony. one example of existing media coverages on the tradition is a video uploaded on video-sharing website YouTube named Sedekah Gunung Merapi. This paper analyzes several aspects: (1) What are the means used in the Sedekah Gunung Merapi video to present Sedekah Gunung as a tourist attraction of Boyolali Regency? (2) How does the presentation of Boyolali’s local wisdom in Sedekah Gunung merapi video promotes Boyolali Regency’s tourism? (3) What is the meaning of presenting local wisdom in Sedekah Gunung Merapi video as tourism promotion in Boyolali Regency? The method used in this research is multimodal analysis developed by Kress and van Leeuwen. The studied video contains more than two semiotic systems consisting of linguistic, visual, audio, gestural, and spatial. The research finds that discourses on local wisdom are constructed to accentuate the cultural richness possessed by Boyolali’s community. discourses are packaged and disseminated through the video to commercialize the regency’s tourism.
PKM Pemetaan dan Dokumentasi Cagar Budaya Desa Genggelang Untuk Peningkatan Kesadaran Budaya Kamila, Aisyah Rahma; Virgie, Arrley; Sulistyaningati, Endah; Badriah, Maulida Nabilah; Ernawati, Nurul; Faviansyah, Okta Arkana; Putri, Salsabila Adinda; Ananda, Wildan Purbo; Firmansyah, Yusuf; Pratama, Yuwanda Budi; Pitana, Titis Srimuda
J-ADIMAS (Jurnal Pengabdian Kepada Masyarakat) Vol 12, No 2 (2024)
Publisher : (STKIP) PGRI Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29100/j-adimas.v12i2.6551

Abstract

Sebagai bagian dari Program Kuliah Kerja Nyata (KKN) UNS 102 dan 104 di Desa Genggelang, Lombok Utara, proyek ini berfokus pada pemetaan dan dokumentasi situs cagar budaya dari 30 Juli hingga 20 Agustus 2024. Inisiatif ini bertujuan untuk mengidentifikasi dan melestarikan artefak budaya serta situs bersejarah di desa. Proyek ini mencakup pendataan artefak di rumah-rumah warga, katalogisasi barang-barang di museum desa, serta observasi dan pendataan makam bersejarah dan petilasan. Selain itu, koordinasi dengan lembaga adat setempat juga dilakukan. Hasil dari upaya ini adalah pembuatan buku "Situs Cagar Budaya Desa Genggelang Vol 1", yang memberikan catatan rinci mengenai warisan budaya Desa Genggelang. Dokumentasi ini penting untuk meningkatkan kesadaran budaya dan melestarikan warisan sejarah desa.Kata kunci:    Warisan budaya; pemetaan situs; Desa Genggelang; dokumentasi artefak; pelestarian budaya.
The New Museology Discourse at the Radyapustaka Surakarta Museum Sugara, Badra; Warto, Warto; Pitana, Titis Srimuda
International Journal of Multi Discipline Science (IJ-MDS) Vol 7, No 2 (2024): Volume 7 Number 2 August 2024
Publisher : STKIP Singkawang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26737/ij-mds.v7i2.6634

Abstract

This qualitative descriptive research, within the field of cultural studies, aims to explore the practice of New Museology discourse at the Radyapustaka Museum in Surakarta. The data sources included: informants, namely museum managers and visitors; the event location, the Radyapustaka Surakarta Museum; and relevant documents and references. Data collection was carried out through field observation, document studies, literature review, and interviews with selected informants using purposive and snowball sampling techniques. Data validity was ensured through triangulation, and data analysis was performed using interpretive techniques based on generalized propositions. The results of this study showed that activities carried out at the museum, such as exhibitions, workshops, and similar events, are practices of The New Museology discourse at the Radyapustaka Surakarta Museum.
The Symbolism of The Ruwat Banyu Panguripan Tradition: Culture and Religion Integration Perspective Ilafi, Afiliasi; Sudardi, Bani; Subiyantoro, Slamet; Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 22 No. 2 (2024): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v22i2.12267

Abstract

This study aims to explore the symbols in the tradition of Ruwat Banyu Panguripan in the integration of culture and religion in commemorating the Islamic New Year in Pemalang Regency. Banyu panguripan literally means water of life. This tradition reflects a harmonious combination of cultural values and community beliefs correlated with the Islam adhered to. The Ruwat Banyu Panguripan ruwat tradition exists in the Pulosari District, especially at the Manunggal Jati Utama College. This study uses a qualitative approach with a qualitative descriptive method in collecting data through observation, interviews, and literature related to the tradition of Ruwat Banyu Panguripan. This research shows that the tradition of Ruwat Banyu Panguripan in Pulosari is not exclusively organized by the Wong Gunung Festival but also by the Manunggal Jati Utama College, which was formerly a member of the Prabasari Padepokan. The Ruwat Banyu Panguripan tradition aims to deliver each individual's wishes to God. In the process of Ruwat Banyu Panguripan, water intake comes from four directions of the compass (the west, west, south, and north). For several months, verses of the Qur'an were chanted by members of the College until, at the time of this unification, the Prophet's prayer was recited. It shows that preserving local culture is integrated with the routine of the Muslim community, specifically reading the Qur'an and praying to the Prophet in a clean and holy state.
Hiperrealitas Nostalgia dalam Video Klip Sakura Abadi Karya Diskoria Bersama Laleilmanino dan Neida Paramanandana, Satrya; Pitana, Titis Srimuda; Ardianto, Deny Tri
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 7, No 2 (2025): Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v7i2.1489

Abstract

The trend of returning to the past or retro—particularly in the realm of music—has recently gained popularity on social media. This phenomenon has grown rapidly since the Covid-19 pandemic, with the 1980s being the chosen decade. One of the music groups that initiated this trend in Indonesia is Diskoria. This DJ duo has revived the creative pop genre of the 1980s in the present day, reproducing nostalgia in a way that can be enjoyed across generations. Sakura Abadi is one of Diskoria's music videos on YouTube that embodies this concept both in audio and visual aspects. This study aims to explore the hyperreality of nostalgia constructed by Diskoria through the music video and its impact on viewers, as reflected in the comments section. This research employs a netnographic method and is analyzed using Baudrillard’s concept of hyperreality and Boym’s theory of nostalgia. The findings reveal that Sakura Abadi is a pastiche of Fariz RM’s 1980 song Sakura and TVRI programs such as Selekta Pop and Aneka Ria Safari. The use of neon fonts, VHS recording effects, and fashion in the video also draw inspiration from 1980s pop culture. Meanwhile, YouTube users’ responses to the video show that they experience a sense of nostalgia, as if returning to the 1980s. Thus, it can be concluded that Sakura Abadi successfully evokes a hyperreality of nostalgia for its audience. Abstrak Tren kembali ke masa lalu atau retro, terutama di bidang musik belakangan populer di media sosial. Fenomena ini berkembang pesat sejak pandemi Covid-19 dan periode yang dipilih adalah dekade 1980-an. Salah satu grup musik yang memulai tren ini di Indonesia adalah Diskoria. Grup DJ ini menghidupkan kembali genre pop kreatif dari dekade 1980-an di masa kini dan mereproduksi nostalgia sehingga dapat dinikmati lintas generasi. Sakura Abadi adalah salah satu video klip musik karya Diskoria di YouTube yang mewakili konsep tersebut baik dari aspek audio maupun visual. Penelitian ini bertujuan untuk mengetahui tentang hiperrealitas nostalgia yang dibangun Diskoria melalui video klip tersebut dan dampaknya bagi penontonnya dalam kolom komentar. Penelitian ini menggunakan netnografi kemudian dianalisis dengan konsep hiperrealitas Baudrillard dan nostalgia Boym. Hasil penelitian menunjukkan bahwa Sakura Abadi merupakan pastische terhadap lagu Sakura karya Fariz RM (1980) dan program TVRI seperti Selekta Pop dan Aneka Ria Safari. Font neon, efek rekaman VHS dan fesyen dalam video klip tersebut juga mengadaptasi dari budaya populer dekade 1980-an. Sementara respons pengguna YouTube yang melihat video klip tersebut menunjukkan bahwa mereka merasakan nostalgia seperti kembali ke dekade 1980-an. Oleh karena itu, dapat disimpulkan bahwa Sakura Abadi berhasil menghadirkan hiperrealitas nostalgia bagi para penikmat video klip mereka.
The Islamization of Traditional Arts: Transformation of Reyog Ponorogo in the Context of Javanese Cultural Identity Saputro, Muhammad Handri Aris; Warto, Warto; Pitana, Titis Srimuda
Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Vol. 9 No. 2 (2025)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/rjsalb.v9i2.40009

Abstract

Islamization has been one of the dominant discourses in the Ponorogo region, shaping various aspects of social and cultural life. The traditional art of Reyog Ponorogo represents a local cultural practice that cannot be separated from this discourse. This study aims to examine the influence of Islamization discourse on the traditions of Reyog Ponorogo. The research employs a qualitative method with a descriptive approach and a critical paradigm. Data were collected through in-depth interviews, observation, and documentation, and analyzed using the interactive model developed by Miles and Huberman. Michel Foucault’s discourse theory (1926–1984) serves as the primary analytical framework. The findings reveal that Islamization discourse in Ponorogo has significantly transformed the values embedded in Reyog Ponorogo and shaped public perceptions of traditional culture. This transformation is evident in the modification of song lyrics, costume design, ritual offerings, and the gemblak tradition. Furthermore, Islamization has influenced how Reyog Ponorogo is practiced within the broader context of cultural development and preservation. The study contributes to a deeper understanding of shifting cultural identity in Ponorogo and demonstrates the relevance of Foucault’s theory in analyzing the dynamics of religious discourse. The originality of this research lies in its application of Foucault’s discourse theory to the transformation of Reyog Ponorogo, a perspective that has not been systematically explored in previous studies.
Shapes of Javanese Keris as A Symbolic Sign: Transformation toward The Islamic Period Ariwibowo, Widodo; Purwasito, Andrik; Pitana, Titis Srimuda
el Harakah: Jurnal Budaya Islam Vol 19, No 2 (2017): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v19i2.4057

Abstract

In articulating the visual elements of Keris we will find the concept of symbols, each of which corresponds to the typology of signs. The relationships among the trichotomy signs associated with the codes represent the horizon of the Javanese society regarding the Keris culture. All the Keris signs establish the abstracts relationship model that never has any function before being associated with the code. Principally, people who become the message recipient can perform decoding act by associating the signs with certain conventions. The expression articulation through the Keris elements is a symbol in the typology of signs. The Javanese society’s response or appreciation concerning the invented conventions needs to be investigated to conversely understand the system of signs production. The word kris, as an example, is semiotically classified into other words; keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, and katga, all of which refers to the same sign, which is the tipped stabbing weapons and covered in scabbard. This study found the cultural event of the ideological masking which represents certain period i.e. the deconstructive meanings on the luk of keris (kemba and rengkol) illustrated the ideological transformation from Hinduism to Islamic era. Dalam mengartikulasikan unsur visual Keris kita dihadapkan dengan konsep simbol, di mana setiap simbol sesuai dengan tipologi tanda-tanda. Hubungan antara trikotomi tanda-tanda yang terkait dengan kode mewakili cakrawala masyarakat Jawa tentang budaya Keris. Semua tanda-tanda Keris membangun hubungan abstrak model yang tidak akan pernah memiliki fungsi apapun sebelum dikaitkan dengan kode. Pada prinsipnya orang yang menjadi sasaran penyampaian pesan bisa melakukan decoding dengan cara mengaitkan tanda-tanda pada keris dengan konvensi-konvensi tertentu. Artikulasi ekspresi melalui unsur-unsur dalam Keris memanfaatkan simbol-simbol dalam tipologi tanda. Respons maupun apresiasi orang Jawa terkait dengan konvensi-konvensi yang telah diciptakan para leluhur perlu diketahui untuk melihat secara terbalik dalam sistem produksi tanda. Pemaknaan kata kris misalnya, secara Semiotis dapat diklasifikasikan berdasarkan beberapa kata referensial di antaranya keris, dhuhung, dhuwung, curiga, wangkingan, duwung, curiga, dan katga semua menunjukkan petanda yang sama yaitu senjata tikam yang berhulu dan berwarangka. Penelitian ini menemukan terjadinya peristiwa budaya berupa penopengan (masking) ideologi yang mewakili zaman tertentu, misalnya dekonstruksi pemaknaan bentuk luk keris (kemba dan rengkol) menggambarkan transformasi ideologi zaman Hindhu menuju zaman Islam.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Ananda, Wildan Purbo Andrik Purwasito Ari Prasetyo Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Deny Tri Ardianto Dody Ariawan Dwi Susanto Ernawati, Nurul Erwin Herlian Faviansyah, Okta Arkana Firmansyah, Yusuf Gunawan Gunawan Hikmawati, Hanifah Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kriskartika, Septi Anggita Made Suastika Majid, Imam Abdul Mohammad Masykuri Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nurul Muhayat Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Putri, Salsabila Adinda Rachmawati, Julianne Indah Saputro, Muhammad Handri Aris Slamet Subiyantoro Sri Yuliani Sugara, Badra Sulistyaningati, Endah Susanto Susanto Syamsul Hadi Tri Joko Daryanto Virgie, Arrley Warto - Warto Warto Wiwik Setyaningsih Zuhriah, Nur Azizah