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All Journal Sabda: Jurnal Kajian Kebudayaan Puitika SASDAYA: Gadjah Mada Journal of Humanities Wicara
Komariya, Siti
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Puitika

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Formula dan Ekspresi Formulaik sebagai Aspek Pembangun Tema melalui Gaya Bahasa dalam Syair Melayu Riau Sultan Abdul Muluk: Analisis Sastra Lisan Pratiwi, Dyani Prades; Komariya, Siti; Hawa, Andina Meutia
Puitika Vol 20, No 1 (2024)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i1.591

Abstract

Syair is an old poem in the form of a song that has been passed down from generation to generation. As a form of oral literature, Syair is formed by the presence of formulas and formulaic that build the story in the poem. This study aims to find formulas and formulaic that build the theme of Syair Sultan Abdul Muluk from the province of Riau, Indonesia. The method used in this research is descriptive qualitative method and formula theory proposed by Albert B. Lord. The results showed that there were formulas and formulaic expression in the form of character names, place names, scenes, and times. However, in the time section it is found that time is described in a non-specific manner. This is due to differences in culture or character of the place and its people. The formulas and formulaic expression build the theme of the story, which is leadership. In addition, the results of the study also show that the style of language used as a storyteller is the language style commonly used in old poem, which is rhyming and containing metaphorical figures of speech.
Peralihan Fokalisasi serta Ambiguitas Narator dan Tokoh sebagai Strategi Defokalisasi pada Narasi Novel Seperti Dendam, Rindu Harus Dibayar Tuntas Karya Eka Kurniawan Komariya, Siti; Prades Pratiwi, Dyani; Nurul Qarimah , Aryana
Puitika Vol. 21 No. 1 (2025)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i1.692

Abstract

Magical realism is a branch of science that is still relevant to be discussed today. Defocalization, which is a strategy of magical realism, is one of the ways to define a magical realism narrative by using a distinctive strategy in its storytelling style. Two forms found in the defocalization strategy are focalization switching and narrator ambiguity. The purpose of this study is to reveal the shift of focalization which then affects the ambiguity of the narrator. The theory used is magical realism by Wendy B. Faris by highlighting the Defocalization section. The novel Seperti Dendam, Rindu Harus Dibayar Tuntas has two forms of defocalization strategies and narrator ambiguity as part of the defocalization strategy offered in the form of ambiguous dialogue narration. From the switch of focalization, the ambiguity of the narrator emerges, which makes the narrative more confusing. This study found that in this novel several narratives contain focalization switches which then cause ambiguity in the position of the narrator. However, the novel also asserts that the switch of focalization and ambiguity of the narrator are not influenced by something magical because the role of the narrator and the character is more than the role of something else (magical).
Formula dan Ekspresi Formulaik sebagai Aspek Pembangun Tema melalui Gaya Bahasa dalam Syair Melayu Riau Sultan Abdul Muluk: Analisis Sastra Lisan Pratiwi, Dyani Prades; Komariya, Siti; Hawa, Andina Meutia
Puitika Vol. 20 No. 1 (2024)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i1.591

Abstract

Syair is an old poem in the form of a song that has been passed down from generation to generation. As a form of oral literature, Syair is formed by the presence of formulas and formulaic that build the story in the poem. This study aims to find formulas and formulaic that build the theme of Syair Sultan Abdul Muluk from the province of Riau, Indonesia. The method used in this research is descriptive qualitative method and formula theory proposed by Albert B. Lord. The results showed that there were formulas and formulaic expression in the form of character names, place names, scenes, and times. However, in the time section it is found that time is described in a non-specific manner. This is due to differences in culture or character of the place and its people. The formulas and formulaic expression build the theme of the story, which is leadership. In addition, the results of the study also show that the style of language used as a storyteller is the language style commonly used in old poem, which is rhyming and containing metaphorical figures of speech.
Formasi Ideologi dalam Cerita Pendek “God Sees Truth, But Waits” Karya Leo Tolstoy Qarimah, Aryana Nurul; Pratiwi, Dyani Prades; Komariya, Siti
Puitika Vol. 21 No. 2 (2025)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.735

Abstract

Formasi ideologi dalam cerita pendek “God Sees the Truth, But Waits” menjadi fokus utama penelitian ini, khususnya terkait bagaimana berbagai ideologi direpresentasikan dan dinegosiasikan dalam cerita. Dengan menggunakan kerangka hegemoni Antonio Gramsci, penelitian ini memandang teks bukan hanya sebagai cerita moral, tetapi sebagai ruang kontestasi ideologi. Pendekatan kualitatif diterapkan dengan desain analisis wacana kritis melalui teknik close reading untuk mengidentifikasi struktur naratif, penokohan, dialog, dan simbol sebagai penanda ideologis. Hasil penelitian menunjukkan bahwa tradisionalisme, materialisme, anarkisme, humanisme, dan spiritualisme hadir dan saling berinteraksi melalui hubungan ideologi kontradiktif, korelatif, dan subordinatif. Materialisme tampak sebagai ideologi dominan pada awal narasi, sementara spiritualisme secara bertahap menjadi ideologi penengah melalui transformasi tokoh utama. Pergeseran ini menunjukkan adanya negosiasi ideologi yang berlangsung melalui mekanisme konsensus alih-alih paksaan sebagaimana konsep hegemoni Gramsci. Penelitian ini menyimpulkan bahwa “God Sees the Truth, But Waits” tidak hanya menampilkan nilai moral dan spiritual, tetapi juga merepresentasikan ideologi kolektif yang mencerminkan pandangan sosial-politik Tolstoy sebagai pengarang.
Co-Authors A'la, Muhammad Faishal Rofiqil Agustin, Evi Yanti Aliffianto, Diaz Restu Arshanda, Rivalin Asykariya, Ifroh Alfi Citra P, Gusti Ayu Radeni Devitasari, Rafaela Tiara Dyani Prades Pratiwi Handaka, Theresia Rachel Aurelia Hawa, Andina Meutia Inzaghi, Muhammad Rizky Ken Widyatwati Kentjana, Berliana Dhanieta Tirta Khothibul Umam Laura Andri Retno Martini Malik, Ghiyats Al Mukafi, Muhammad Hamdan Nasution, Irzan Althaf Munif Nurul Qarimah , Aryana Patricia, Aretha Hanny Prades Pratiwi, Dyani Pramudyo, Gani Nur Pratiwi, Anjar Pratiwi, Dyani Prades Purnomo, Mulyo Hadi Qarimah, Aryana Nurul Rachmadhani, Aulia Rafsanjani, Singgasana Ratu Zahra Ramadan, Alvito Arief REDYANTO NOOR Rondiati, Choerud Salsabila Saputri, Novellia Shafa Nur Tedja, Muthia Fakhira Utama, Faisal Tri Wahyuningsih, Sari Puspita Widyasari, Sherly Gratia