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All Journal Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa IPTEK Journal of Proceedings Series Mintakat: Jurnal Arsitektur JPM17: Jurnal Pengabdian Masyarakat Jurnal IPTEK Journal of Research and Technology JPP IPTEK (Jurnal Pengabdian dan Penerapan IPTEK) Prosiding Seminar Nasional Sains dan Teknologi Terapan Fair Value: Jurnal Ilmiah Akuntansi dan Keuangan Pena Justisia: Media Komunikasi dan Kajian Hukum Nusantara Science and Technology Proceedings Tekstur (Jurnal Arsitektur) Journal of Civil Engineering, Planning, and Design (JCEPD)
Wiwik Widyo Widjajanti
Institut Teknlogi Adhi Tama Surabaya
Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Energy Engineering Environmental Science Industrial & Manufacturing Engineering Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mechanical Engineering Medicine & Pharmacology Social Sciences Other

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Arsitektur Eco-Technology Sebagai Tema Desain Robotics Center di Surabaya Jawa Timur Ulumiddin, Muhammad Ihya; Widjajanti, Wiwik Widyo; Salisnanda, Randy Pratama
Tekstur (Jurnal Arsitektur) Vol 2, No 2 (2021): Tekstur
Publisher : Institut Teknologi Adhi Tama Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kota Surabaya memiliki antusiasme masyarakat di bidang robotik yang dapat mendorong terwujudnya sebuah rancangan baru pusat robotika yang menjadi tempat untuk melakukan aktifitas dan pembelajaran maupun ajang berkompetisi terkait dengan hal robotika dan teknologi. Kota Surabaya merupakan ibu kota provinsi Jawa Timur yang memiliki penggemar robotik berjumlah ± 875 orang, dengan kegiatan KRAI atau kontes robot ABU Indonesia yang diselenggarakan oleh Pusat Prestasi Nasional, Kementrian Pendidikan dan Kebudayaan Republik Indonesia setahun sekali, juga banyaknya lembaga pendidikan yang memiliki kegiatan robotik. Perancangan Robotics Center mengangkat tema Arsitektur Eco Technology merupakan gabungan dari dua prinsip antara prinsip dalam merancang bentuk arsitektur yaitu pembangunan berkelanjutan dan teknologi mengambil tempat di Surabaya Barat karena banyaknya sekolah yang memiliki kegiatan robotik. Perancangan “Robotics Center” mengangkat konsep makro “kontemporer” agar tidak lekang oleh waktu. Konsep mikro tatanan lahan terkait analisa tapak memiliki konsep “community service”. Konsep mikro terkait bentuk mengambil konsep “dinamis” karena akan menghasilkan bentukan yang tidak kaku. Konsep mikro terkait dengan ruang mengambil konsep interaktif yang akan menghasilkan ruang-ruang sehat karena memiliki keterkaitan dengan alam dan lingkungan sekitar. Hasil rancangan ini diharapkan dapat memberikan wadah yang bermanfaat dan membantu berkembangnya ilmu pengetahuan dan teknologi khususya di bidang robotika serta memberikan suatu hal baru dalam dunia arsitektur.
Arsitektur Neo Vernakular sebagai Salah Satu Aspek Penunjang Pelestarian Kebudayaan Lamaholot S.T.H., Anastasia Eka; Laksono, Sigit Hadi; Widjajanti, Wiwik Widyo
Tekstur (Jurnal Arsitektur) Vol 1, No 2 (2020): Tekstur
Publisher : Institut Teknologi Adhi Tama Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31284/j.tekstur.2020.v1i2.1152

Abstract

Di zaman yang terus berkembang ini, ada banyak aspek dalam tatanan kehidupan yang mulai berubah, hilang ataupun terlupakan, salah satunya adalah kebudayaan, yang merupakan identitas dan kebanggaan bagi setiap suku bangsa di dunia. Lamaholot merupakan salah satu suku dalam kebudayaan yang ada di Nusa Tenggara Timur, yang mulai mengalami kekagetan dan pergeseran budaya, terkhusus yang berada di kabupaten Lembata. Dari permasalahan itu Neo Vernakular dirasa memiliki peran yang besar guna mendukung keberlangsungan pelestarian kebudayaan Lamaholot, khususnya bidang arsitektural, hal tersebut dapat diimplementasikan kedalam bentuk fisik (bentuk, konstruksi) maupun non fisik (konsep, filosofi, tata ruang) dalam proyek Perencanaan dan Perancangan Pusat Edukasi Kebudayaan Lamaholot di Nubatukan, Kabupaten Lembata, Nusa Tenggara Timur. Peran Arsitektur Neo Vernakular yaitu mengemas kebudayaan Lamaholot ke dalam bentuk arsitektural yang dapat dilihat, dinikmati dan digunakan dengan baik, tanpa harus meninggalkan kaidah-kaidah normative yang berlaku. Prinsip-prinsip arsitektur lokal Lamaholot yang diterapkan berupa penggubahan dan pola tatanan lahan yang memiliki area kumpul pada bagian tengahnya atau “namang” dalam peyebutan kampung adat, penerapan bumbungan atap “kote mane” pada seluruh bangunan yang ada pada rancangan serta pengaplikasian aspek-aspek kebudayaan seperti motif kain tenun yang diwujudkan menjadi ornamen dan dekorasi pada bentuk dan ruang pada rancangan. Metode kajian yang digunakan yaitu kualitatif dengan tahap pengolahan data yang melalui proses pengelompokkan dan penstrukturan baik hasil dari studi teori pustaka, literatur, survei lapangan, dan observasi sesuai kategori dan klasifikasi yang dilanjutkan dengan analisa data dan perancangan.
Recreation Concept of The Chocolate Farmer Education Complex in North Kalimantan Akbal, M; Azizah, S; Widjajanti, W W
IPTEK Journal of Proceedings Series No 6 (2018): International Conference on Advanced Engineering and Technology (ICATECH) 2018
Publisher : Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j23546026.y2018i6.4670

Abstract

The chocolate farmers in North Kalimantan, many do not know how and good chocolate treatment techniques, in order to get quality cocoa with high selling value. So that the resolution of the problem is by increasing the interest of the community, especially cocoa farmers, by providing attractive and comfortable containers, so that cocoa farmers can maximize the natural resources found on Sebatik island, North Kalimantan. To achieve this, the method used is to provide educational buildings, cocoa gardens, and processing facilities in one area. The process of obtaining a recreation concept in the chocolate farmers education complex includes several stages, ranging from identification, case studies, design programs and the basic concept of design. After going through these stages, a recreation concept is obtained in the form of a linear and centralized pattern of land structuring, which is a guide for visitors to access various facilities in the educational complex. It is expected that with the concept of this chocolate farmers education concept, it becomes a place of education and tourism that provides visitors with new comfort and knowledge.
ARSITEKTUR SIMBOLIS PADA DESAIN PUSAT IBADAH SEBAGAI WUJUD TOLERANSI BERAGAMA Aries Priyambodo; Wiwik Widyo Widjajanti; Sigit Hadi Laksono
Mintakat: Jurnal Arsitektur Vol 22, No 1 (2021): Maret 2021
Publisher : Architecture Department University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/jam.v22i1.4552

Abstract

Kota Batu, Jawa Timur memiliki beberapa kriteria yang sesuai untuk didirikan pusat ibadah berbagai umat beragama. Kota Batu merupakan salah satu kota destinasi wisata nasional yang tentu saja sangat mungkin menjadi kota tempat bertemunya masyarakat Indonesia dari berbagai daerah dengan keragaman suku dan agama. Keragaman agama di Indonesia yang dilindungi hak-hak dan kewajibannya oleh negara. Kota Batu sebagai lokasi sangat relevan untuk memiliki fasilitas umum berupa pusat tempat ibadah. Pusat ibadah di Kota Batu menjadi sebuah representasi diterapkannya toleransi antar umat beragama memberikan banyak manfaat. Di antaranya adalah diharapkan untuk dapat meningkatkan jumlah wisatawan yang datang. Pusat Ibadah dalam tulisan ini adalah fasilitas umum berupa tempat ibadah yang bersebelahan sebagai perwujudan dari kerukunan antar umat beragama. Desain dan metode pendekatan yang dipilih diantaranya adalah pendekatan fungsi perwadahan dari aktifitas dengan  mempelajari kegiatan sosial yang dapat diwadahi untuk memupuk toleransi antar umat. Pendekatan lainnya adalah arsitektur simbolis yang dimaksudkan untuk menghadirkan cirikhas dari masing masing agama. Arsitektur simbolis juga sekaligus dimaksudkan untuk mengekspresikan suatu jati diri sebuah karya arsitektural yang bermakna kerukunan beragama di Indonesia. Bentuk dan simbol diambil dari  karya arsitektur tempat ibadah yang monumental dari 6 (enam) agama di Indonesia. Karya-karya tersebut  mempunyai ciri khas desain memusat dengan menonjolkan bentuk yang dikenal oleh lingkungan luas serta perwujudan simbol alam semesta yang luas tinggi dan tak terhingga. Secara keseluruhan desain diharapkan bisa mewadahi aktifitas peribadatan yang dapat memupuk toleransi umat beragama khususnya di Kota Batu. Kata Kunci : Agama, Arsitektur Simbolis, Toleransi ABSTRACTBatu City, East Java has several criteria that are suitable for establishing a worship center for various religious communities. Batu City is one of the national tourist destination cities which of course is very likely to be a city where Indonesian people from various regions meet with ethnic and religious diversity. Religious diversity in Indonesia whose rights and obligations are protected by the state. Batu City as a location is very relevant to have public facilities in the form of a center for places of worship. The worship center in Batu City is a representation of the implementation of tolerance between religious communities and provides many benefits. Among them is expected to be able to increase the number of tourists who come. Worship Centers in this paper are public facilities in the form of adjoining places of worship as a manifestation of inter-religious harmony. The design and method of approach chosen include an approach to the function of the accommodation of activities by studying social activities that can be accommodated to foster tolerance among people. Another approach is symbolic architecture which is intended to present the characteristics of each religion. Symbolic architecture is also intended to express the identity of an architectural work which means religious harmony in Indonesia. The shapes and symbols are taken from the architectural works of monumental places of worship from 6 (six) religions in Indonesia. These works have the characteristic of a centralized design by highlighting the forms known to the wider environment and the embodiment of the symbol of the universe which is vast and infinite. Overall the design is expected to accommodate worship activities that can foster religious tolerance, especially in Batu City. Keywords: Religion, Symbolic Architecture, Tolerance
Application of Symbolic Architecture to The Design of The Fashion Carnaval Cultural Activity Center in The Jember City Febriany Nurshella; Wiwik Widyo Widjajanti; Nareswarananindya Nareswarananindya
Jurnal IPTEK Vol 25, No 2 (2021)
Publisher : LPPM Institut Teknologi Adhi Tama Surabaya (ITATS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31284/j.iptek.2021.v25i2.2337

Abstract

Jember is one of cities in East Java which has been very famous in the world. This city is dubbed as a carnaval city because it organizes an annual festival namely “Jember Fashion Carnaval (JFC)”. It is a fashion carnaval that presents the creativity of Indonesian artists. This sort of event has so famed that many foreign visitors come and see. Jember Fashion Carnaval has become a great event of entertainment and tourism that make Jember and even Indonesian people proud of. Moreover, this event exhibits cultural and art fashion show in the international level. Unfortunately, a specific place which can accommodate this kind of activity has not been available yet. As a result, JFC and art show are paraded along the roads in Jember. Thus, a Cultural Activity Centre of Fashion Carnaval in Jember is necessary to be designed by employing symbolic architecture. To collect the data, the researcher implemented field study and literature study as well as descriptive analysis method. The macro concept of this design entitled iconic under the symbolic theme will make Jember as a Carnival city. Meanwhile, the micro concept of recreational land order is actualized in centered-circulation pattern getting the philosophy of JFC logo. The micro concept of adaptive shape occurs by adapting the shape of JFC symbol as the costume of building, whereas the micro concept of thematic space derives from the philosophy of JFC fashion products which have different themes for every event. The facilities provide show area, convention hall, organizer office, restaurant and inn, training and workshop, art gallery, and souvenir shop. They are designed to facilitate all activities related to JFC. Accordingly, this design is expected to be an area which can support JFC event for youths who want to develop and continue the art works produced by Indonesian people so that this event can last long and improve other subsequent events.
Konsep Bentuk dan Tata Ruang pada Komplek Museum Sejarah Wali Songo di Kota Kediri dengan pendekatan Arsitektur Vernakullar Jawa Rizky Rusmal; Wiwik Widyo Widjajanti; Broto Wahyono Sulistyo
Jurnal IPTEK Vol 25, No 1 (2021)
Publisher : LPPM Institut Teknologi Adhi Tama Surabaya (ITATS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31284/j.iptek.2021.v25i1.1005

Abstract

Kota kediri merupakan kota yang kental dengan sejarah , alam,  budaya dan agama. Dengan beragamnya kebudayaan dan agama tersebut Kota Kediri belum mempunyai objek wisata dari segi religi islami. Sejarah perkembangan Islam dan pengaruh Islam dikota tersebut sangat besar dan mayoritas penduduknya memeluk agama islam. Komplek museum wali songo merupakan salah satu cara mengembangkan sektor pariwisata di Kota tersebut dari segi religi Islami. Komplek museum ini menyajikan fasilitas yang lebih lengkap dan lebih interaktif. Selain sebagai museum , kawasan ini juga sebagai wadah kegiatan masyarakat sekitar dan sebagai Ruang Terbuka Hijau sebagai indikator kota sehat. Mengunakan analisis deskriptif untuk mengulas objek bentuk dan ruang pada museum tersebut . Konsep Bentuk dengan pendekatan Arsitektur Vernakullar Jawa Timur yang terdiri dari empat tlatah yang berbeda , diaplikasikan pada bentuk museum tersebut dengan tampilan yang lebih modern dan heterogen . Konsep Tata Ruang mengadopsi dari Vernakullar Ruang Pada Rumah Jawa Timur yang secara garis besar dibagi menjadi tiga zona , Pendopo , Pringgitan dan Omah Dalem. Sehingga kesatuan antara Bentuk dan Ruang memiliki kesatuan sehingga dapat mempermudah pengujung dalam mengenali karakter masing-masing Wali Songo dan memberikan edukasi tentang hubungan kebudayaan asli Jawa dan Agama Islam yang dibawakan oleh Wali Songo.
Identifikasi Karakteristik Permukiman Masyarakat Berpenghasilan Rendah di Area Barat Terminal Pesiapan, Tabanan, Bali I Made Odde Arca Winata; I Nyoman Ryu Arca Wiguna; I Gede Damarutha Adrian Nugraha; Made Suryanatha Prabawa; Wiwik Widyo Widjajanti
Undagi : Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa Vol. 9 No. S1 (2021): UNDAGI: Jurnal Ilmiah Jurusan Arsitektur Universitas Warmadewa (Special Issue
Publisher : Program Studi Arsitektur, Fakultas Teknik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/undagi.9.S1.4284.89-98

Abstract

Tabanan is one area that has the potential for very rapid development, with problems that arise along with developments in the region. If the population increases, if it is not followed by the development of settlements, it will lead to the emergence of settlements that are not suitable for habitation, with dense capacities, and will have an impact on the condition of the surrounding environment which becomes unfavorable, thus creating slum settlements in the area. The purpose of using the Tabanan area as an analysis of slum settlements is that this area has considerable potential for unorganized development, considering the increasing number of residents who are not accompanied by settlement development. In this settlement there are several facilities available, but with their ineffective use, this settlement becomes a slum. The problem of the economic crisis is very familiar among the people caused by the availability of job opportunities with demands that must be met. The majority of residents from these settlements have low incomes which causes residents to have makeshift houses by utilizing available materials or goods.
The Applications of Traditional Javanese Architecture with Javanese Philosophy for East Java Cultural Attractions Complex in Surabaya A W Ekaraga; W W Widjajanti; B W Sulistyo
IPTEK Journal of Proceedings Series No 6 (2018): International Conference on Advanced Engineering and Technology (ICATECH) 2018
Publisher : Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.442 KB) | DOI: 10.12962/j23546026.y2018i6.4618

Abstract

"Wong Jawa Ilang Jawane” (“Javanese people were losing their Javaneseness”) is an expression which refers to Javanese youngsters that adapting western culture. Therefore, this study an attempts to offer “Javaneseness” concept for Javanese tribe to reflect. The researchers are using descriptive method. The researchers are using tourist attractions standards and the cultural attractions. The applications of “Traditional javanese Architecture” theme will be the vessel of four cultural tlatah (areas) from East Java, and referring to “Manunggaling Kawula Gusti” as the theoretical framework from Javanese philosophy for cultural attractions complex in Surabaya.   
Approach to Healing Environment at A Heart Hospital in Surabaya M H Syaifudin; W W Widjajanti; E Poedjioetami
IPTEK Journal of Proceedings Series No 6 (2018): International Conference on Advanced Engineering and Technology (ICATECH) 2018
Publisher : Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (865.665 KB) | DOI: 10.12962/j23546026.y2018i6.4667

Abstract

Cardiovascular disease is the leading cause of death nearly 30% people around the world is caused by heart disease which comes from 80% poverty and developing countries. For Indonesia, cardiovascular disease also holds the record of non-communicable diseases with the highest case, especially East Java which is included the second predicate as the province with the largest heart disease. With the high mortality rate that occurs, it needs to plan a building that can be a service heart disease supporting the ideal healing process. Healing environment approach can pay attention to hospital building/hospital design which gives positive effect both physically and psychologically can make the healing process within the hospital itself. With the take this approach is considered in the heart hospital in Surabaya can make the hospital that can support the healing process optimally. The final result of heart hospital design in Surabaya with healing environment concept, the design of heart hospital to adjust to the environment around the site by putting forward three design approaches that are nature, senses, and psychological. With the heart hospital in Surabaya is expected to give benefits to the community in the face of heart disease is increasing from year to year.
eSport Building Design Role In Introducing Its Activities Y E Sutantio; E Poedjioetami; W W Widjajanti
IPTEK Journal of Proceedings Series No 6 (2018): International Conference on Advanced Engineering and Technology (ICATECH) 2018
Publisher : Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (771.719 KB) | DOI: 10.12962/j23546026.y2018i6.4673

Abstract

esport has the meaning of electronic sports, which the aspect of the sport is all facilitated by the electronic system. The definition of esport is a sport that does not compete physically, but is more concerned with strategy and competed online via computer, so players from each team can compete without face to face. In its development, esport enthusiasts from year to year increase, but unfortunately this is not balanced with the existence of  facilities that can support the development of esport. Some facilities are often used is a place with different functions. There is still no building with a special function that is used for esport activities. The purpose of  this research is to create a building facility that can accommodate the esport activities. Use method / application micro-concept of form is transformative, dynamic macro concept, and modern architectural theme, Result of building design that can present the function esport visually. So that building can be characteristic for esport building.
Co-Authors A W Ekaraga A.Sabita Bintang Mardiamsa A.Tutut Subadyo Abbi Ali Achmadi Abdullah Dani Fadhlur Rohman Achmadi, Abbi Ali Adi Cakranegara, Pandu Afifah, Zian Ahmad Fahmi Fatchur Rizal Ahmad Vicky Fahrezi Akbal, M Amansyah, Muhammad Amin Setyo Leksono Amir Mukmin Rachim Anastasia Eka S.T.H. Anna Triningsih Anna Triningsih Antariksa Ardhianty, Elsa Juliana Arief Fahmi Lubis Aries Priyambodo Arlini Dyah Radityaningrum Atika, Firdha Ayu Azizah, S B W Sulistyo Bayu Pratama Putra Bima Pratama Fauzi Putra Brina Oktafiana Broto Wahyono Sulistyo Broto Wahyono Sulistyo Broto Wahyono Sulistyo Broto Wahyono Sulistyo David Sony Setyawan Dede Agus dede agus, dede Dwi Eka Noor Safitri E Poedjioetami Esty Poedjioetami Esty Poedjioetami Evi Yuliawati Evi Yuliawati Evi Yuliawati Fahrezi, Ahmad Vicky Failasuf Herman Hendra Failasuf Herman Hendra Failasuf Herman Hendra Farissa Nuur Khamalis Sakinah Febriany Nurshella Gerdy, Tania Eka Putri Hardiana Martasari HERI IRAWAN Heri yanto I Gede Damarutha Adrian Nugraha I Gusti Bagus Wiksuana I Made Odde Arca Winata I Nyoman Ryu Arca Wiguna Ika Ratniarsih Inas Oktavia Putri Indra Komara, Indra Irawan, Heri Irfani, Muhammad Syihabuddin Karya Arsitra Rismansyah Kuspitsari, Rossy Shinta Liga Dwi Rudiantoro M H Syaifudin Made Suryanatha Prabawa Mardiamsa, A.Sabita Bintang Martasari, Hardiana Miftakhul Maulidyah Ulfatah Modesta Noberti Mohamad Hidayat Muhtar Muhammad Ihya Ulumiddin Muhammad Kinanjar Rahayu Nadhila, Nadia Nurarifah Nareswarananindya, Nareswarananindya Noberti, Modesta Noviyanti, Yuli Dwi Nur Wahyu Adelia Ratih Nurshella, Febriany Oktafiana, Brina Oryanto Untario Pawane, Filia Feronika Permanasari, Wahyu Dinda Prakoso, Gerhana Bagas Pramesti, Sheila Oktaviani Pratama, Muhammad Antoni Dana Pratama, Randy Putra, Bayu Pratama Putra, Bima Pratama Fauzi Rahayu, Muhammad Kinanjar Ramadhan, Zam Zami Ramadhani, Annisa Nur Randy Pratama Salisnanda Ratih, Nur Wahyu Adelia Ratna Puspitasari Rismansyah, Karya Arsitra Rizal, Ahmad Fahmi Fatchur Rizky Rusmal Rohman, Abdullah Dani Fadhlur Rozi, M. Fatchur Rusmal, Rizky S.T.H., Anastasia Eka Safitri, Dwi Eka Noor Salisnanda, Randy Pratama Samuel Kristian Bani Samuel Kristian Bani Selvi Marcellia Sigit Hadi Laksono Siti Azizah Suci Ramadhani Suci Ramadhani Suci Ramadhani, Suci Sulistyo, Broto Wahyono Syahrian Najma Alif Syarifudin Syamsuri Syamsuri SYAMSURI Syamsuri Syamsuri Syamsuri Syamsuri Syarifudin, Syahrian Najma Alif Tania Eka Putri Gerdy Ulfatah, Miftakhul Maulidyah Ulumiddin, Muhammad Ihya Untario, Oryanto Wulandari, Arviana Wulandari, Yustia Y E Sutantio Yaelt Lemus Vergara, Andrea Yoga Widianto Yulfiah, Yulfiah Yuli Dwi Noviyanti Yustia Wulandari Yustia Wulandari Mirzayanti Zamroni Abdussamad Zian Afifah