cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Panji Suroso
Contact Email
panjisuroso@unimed.ac.id
Phone
+6285173022012
Journal Mail Official
gondang@unimed.ac.id
Editorial Address
Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
Location
Kota medan,
Sumatera utara
INDONESIA
Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
 25   26   27   28   29 
Art and Activism; Empowering Batik Skills for Disabilities by Batik Contemporary Artisan Cahyani, Isma Awal Fitroh
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64117

Abstract

ABSTRACTThe current trend of artists, both individually and collectively, is to try to carry out activism-based art practices as an effort to explore the role of the artist in the community that supports them. In craft art, there is a term Craftivism which was first discovered by a craftsman Betsy Greer in 2007. An actor/activist in Sukabumi City, a craftsman and owner of the Batik Lokatmala production house named Fonna Melania, presents typical Sukabumi batik motifs to bring sustainable benefits to the community and the surrounding environment, craftsmen try to respond to social problems that are present in their environment using batik as a method. Namely the existence of people with disabilities who do not have the opportunity to work, craftsmen try to invite and offer training as well as work, namely batik. Until collaborating with the Sentra PHALA MARTA Foundation (social rehabilitation center), the aim is to increase the skills of people with disabilities. This research is the result of an analysis of an art movement and activism carried out by a batik craftsman in solving problems that are present in his environment. Using the Craftivism analysis method by Alyce McGovern, there are three aspects that need to be considered, the first aspect is the personal aspect of batik craftsmen who try to respond to social problems in their environment, the second aspect is the Lokatmala Batik community which is led directly by craftsmen in creating an ecosystem of relations/collaboration between craftsmen and people with disabilities in the production process at the Lokatmala batik house, and the third aspect is politics (power), namely how craftsmen present solutions, make statements and take a stand on problems in their social environment while fighting for change. The activism fought for by craftsmen through batik art is carried out for the purpose of change for the better, improving the standard of living and welfare of disabled groups in their social environment.  ABSTRACTThe current trend of artists, both individually and collectively, is to try to carry out activism-based art practices as an effort to explore the role of the artist in the community that supports them. In craft art, there is a term Craftivism which was first discovered by a craftsman Betsy Greer in 2007. An actor/activist in Sukabumi City, a craftsman and owner of the Batik Lokatmala production house named Fonna Melania, presents typical Sukabumi batik motifs to bring sustainable benefits to the community and the surrounding environment, craftsmen try to respond to social problems that are present in their environment using batik as a method. Namely the existence of people with disabilities who do not have the opportunity to work, craftsmen try to invite and offer training as well as work, namely batik. Until collaborating with the Sentra PHALA MARTA Foundation (social rehabilitation center), the aim is to increase the skills of people with disabilities. This research is the result of an analysis of an art movement and activism carried out by a batik craftsman in solving problems that are present in his environment. Using the Craftivism analysis method by Alyce McGovern, there are three aspects that need to be considered, the first aspect is the personal aspect of batik craftsmen who try to respond to social problems in their environment, the second aspect is the Lokatmala Batik community which is led directly by craftsmen in creating an ecosystem of relations/collaboration between craftsmen and people with disabilities in the production process at the Lokatmala batik house, and the third aspect is politics (power), namely how craftsmen present solutions, make statements and take a stand on problems in their social environment while fighting for change. The activism fought for by craftsmen through batik art is carried out for the purpose of change for the better, improving the standard of living and welfare of disabled groups in their social environment.
Exploring Sound Waves through a Frequency Study of the Ambience Music Weightless by Marconi Union Andriyanto, R.M. Aditya; Budiawan, Hery; Safrina, Rien; Rahman, Putri Safrani; Fredlina, Oriana Aisha; Putri, Lara Heltna Yuma
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64558

Abstract

This study explores the creation process of "Weightless," a relaxation music piece by Marconi Union, with a focus on its compositional elements and how frequencies are manipulated. The aim is to deepen the understanding of both educators and undergraduate students regarding the use of Digital Audio Workstations in composing music, thereby promoting digital literacy within 21st-century music education. The research employs a descriptive qualitative method, utilizing an exploratory approach and content analysis.Through this analysis, it becomes clear that "Weightless" effectively incorporates slow tempos, minimalistic textures, and gradual changes in dynamics to create a relaxing atmosphere. The frequency analysis highlights the importance of low frequencies (ranging from 20 to 200 Hz), which contribute to a sense of depth and tranquility. In contrast, mid and high frequencies are carefully balanced to ensure they do not overwhelm the listener. Additionally, the loudness analysis reveals a smooth dynamic range, with an average level of -13.9 LUFS and no sudden peaks, which guarantees a pleasant listening experience across various playback devices. Overall, these findings emphasize the critical role of precise frequency manipulation and loudness control in producing effective relaxation music, providing valuable insights for both music composition and education.
Manipulative Figure of Kabut Asap Character in Mata Air Mata Drama Play of Lab Teater Ciputat Pusposari, Wulan; Anoegrajekti, Novi; Attas, Siti Gomo
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64559

Abstract

The issue of manipulation in the problem of environmental damage is a topic that never expires. Literary works as a medium to disseminate good values ​​and morals in life. One of them is the drama script Mata Air Mata (MAM) by Lab Teater Ciputat which raises environmental issues. Dissemination of this good message can be done because the MAM script is a collection of collective unconsciousness that needs to be traced to the markers and signifieds of the characters it presents. This study will discuss the collective unconsciousness in the form of archetypes, semiotic archetypes, and character ideologies from an ecocritical perspective, in the MAM drama script. The limitation of the problem focuses on the dominant archetype of each character in the MAM drama script, namely the character of Kabut Asap. The research methodology uses qualitative descriptive. The discussion uses the theory of the collective unconscious of Carl Gustav Jung and the semiotics of Charles Sanders Peirce. The results of this study show that the dominant archetype of the Kabut Asap character, namely the trickster, shows the ideology of anthropocentrism.
Laras and Surupan in the Song Panghudang Rasa by Eutik Muchtar: a Study of Sundanese Kepesindenan Maulana, Marsel Ridky; Sutanto, Toni Setiawan
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64560

Abstract

The song “Panghudang Rasa” is one of the musical repertoires in the form of sekar-gending that is often presented in Kliningan and Wayang Golek performances. Eutik Muchtar's work is known to have a high level of musical difficulty, especially in the kepesindenan genre. This research aims to uncover the song's musical uniqueness, which includes the use of multi-laras, complex surupan variations, and deep poetic meanings. Using a descriptive qualitative method, this research analyzes audio and video recordings to identify its musical structure. The results show that this song uses Dwi-Laras, namely Degung and Madenda laras, with nine surupan: Madenda 4= Tugu, Madenda 4= Panelu, Madenda 5= Tugu, Madenda 2= Tugu, Madenda 5= Galimer, Madenda 2= Galimer, Degung 2= Tugu, Degung 3= Panelu, and Degung 5= Tugu. The song combines vocal and musical aspects, resulting in a complex and aesthetic structure. This finding confirms that “Panghudang Rasa” is a work that is not only beautiful in terms of musical aesthetics, but also rich in philosophical values.
Character Design in Golek Puppet: Daster Rombeng Warrior and the Powerful Storyteller Chotimah, Fanny; Handriyotopo, Handriyotopo
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64562

Abstract

Creative documentaries are not yet popular in Indonesia. So it needs to be produced to enrich the treasury of documentary films in the archipelago. The public needs to be given knowledge to recognize the variety of narratives and storytelling in the documentary category. This film can contribute as an alternative viewing for the public and also as an educational media related to the virtues of the storytelling tradition. The creation of this film aims to be a medium to revive the culture of storytelling in society based on the values ​​of the storytelling tradition itself. The character of the film as a puppet puppet puppet story figure that can be used as an illustration of the scene in visualizing the fairy tale of Si Leungli and Geber-geber Hihid Aing. The method of creating film art through research stages for enkranation or transfer of vehicles from the short story Pendekar Daster Rombeng and Pendongeng Sakti in the research and production stages of puppets as a creative strategy and artistic arrangement of the film.
Educational Strategy for Regeneration of Child Dancers in Satrio Bokor Tumpang Group Suprihatin, Endang Wara; Sumarwahyudi, Sumarwahyudi; Hidajat, Robby; Zandra, Rully Aprilia; Yatim, Heriyati; Rahman, Amalia Arifah
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64565

Abstract

Regeneration of traditional arts is an important thing that really needs to be done because it is a strategic step in maintaining the sustainability of local culture. Jaranan thrives in the Tumpang area, but only the Satri Bokor group has a group of children aged 6 to 15 years. This research was specifically conducted to analyse the regeneration strategy for child Jaranan dancers carried out in the Satrio Bokor Tumpang Group, Malang Regency. The research method uses a qualitative descriptive approach, where data is obtained through observation, interviews and documentation. The research results show that the regeneration strategy is carried out through routine training every afternoon after school, a family approach, and involvement in Jaranan performances and YouTube social media promotions. The main challenges faced are competition with other emerging arts, namely Bantengan, limited funds, and children's time commitment. However, this regeneration has had a positive impact on preserving culture and forming the character of the younger generation. In conclusion, the regeneration strategy implemented by the Satrio Bokor Group is effective in involving children in loving and preserving Jaranan art, although further support from various parties is needed.
The Art of Baksa Dance: Tradition and Education in Trusmi Village Sulistyami, Ibtisamah Hidayatullah; Sinaga, Syahrul Syah; Hartono, Hartono
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64566

Abstract

The researcher conducted research at Sanggar Gending Nada Bersemi on how Baksa dance is learned and its relevance for studio members in the preservation of Baksa dance at the Memayu ceremony in Trusmi Village, Plered District, Cirebon Regency. This research uses qualitative methods. The data collection procedures used in this research are observation, interviews, and documentation techniques. The steps for the selection process of the first baksa dance is the announcement of the traditional memayu ceremony of Trusmi village. The second step is the announcement of the selection of Baksa dancers, the third step is the first training to learn the basic movements of Baksa dance, then the trainer will select all dancers by assessing how the wiraganya is the accuracy of movement or the arrangement of movements when dancing Baksa dance. if the Baksa dancer selection participants are more than 40 people then in the first week elimination is carried out. the process of selecting Baksa dance dancers is carried out 14 days before the memayu traditional ceremony. Selection is carried out from the screening stage, selecting from basic movements, positioning, to performing pilgrimage activities. In learning Baksa dance, demonstration and contextual learning methods are used. Because baksa dance is a traditional ceremonial dance, the demonstration method is the most appropriate method because each movement has provisions and cannot be changed.
Kerawang Gayo Cloth's Symbolic Meaning as an Identity of the Gayo Aceh Community Putra, Iwansyah `; Muharamsyah, Rambang; Khairani, Cut
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64567

Abstract

Kerawang Gayo is a traditional cloth used by the Gayo people of Aceh province. The motif of the Kerawang Gayo has a philosophical meaning that has a function that is adjusted to the life of the Gayo people. The purpose of this study is to analyze the symbols found on the Kerawang Gayo cloth along with the meaning of the symbols as a form of the characteristics of the Gayo people. This study is qualitative and uses an ethnographic approach. The data sources in this study are Kerawang Gayo craft workers and the Gayo people from various circles. Data collection techniques in this study are observation, interviews, documents, and artefacts as supporting data such as old and new Kerawang Gayo cloth and Kerawang Gayo carvings. Data analysis in this study begins with domain analysis, taxonomy, components, and cultural analysis. The results of the study show that there are thirteen symbols of the Kerawang Gayo cloth; Emun Berkune, Mata Ni Lo, Puter Tali, Pucuk Ni Rebung, Embun Berangkat, Tekukur motif, Tapak Seleman, Emun Beriring, Rante, Peger, Tali Mestika, Emun Mupesir, and Emun Matumpuk. The influence of nature in Gayo openwork motifs has a fundamental meaning because the traditional patterns and symbolic meanings of the decorative motifs come from the attitudes of the Gayo people. This reflects the conditions and lives of the Gayo people in religion, culture, society, state, nation, democracy, and a sense of responsibility. Each motif found on the Gayo cloth, in addition to having aesthetic value, also has a value for the life of the Gayo people themselves, each motif has a symbol and meaning that describes how the Gayo people live their lives.
Salam Betawi Punya Aye: Brand Awareness Development Strategy For Visitors of KPB Betawi Setu Babakan Aprilia, Lu’luwatin Rosdiana; Putra, Bagus Alifiano; Chofifah, Marthika Nour
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64568

Abstract

This study explores strategies for developing visitor brand awareness through the use of "Salam Betawi Punya Aye" in the Betawi Cultural Village area of Setu Babakan. The SWOT (Strengths, Weaknesses, Opportunities, Threats), IFAS (Internal Factors Analysis Summary), and EFAS (External Factors Analysis Summary) analysis methods were employed to formulate appropriate strategies. Findings indicate the significant potential of "Salam Betawi Punya Aye" in enhancing brand awareness, yet it faces challenges such as lengthy duration and lack of financial support. Proposed strategies include capitalizing on opportunities such as promoting Betawi culture in the education and tourism sectors and leveraging technology. In conclusion, the primary focus should be on addressing weaknesses, such as shortening the duration of the greeting and increasing flexibility. This, it is hoped that these strategies will effectively strengthen the promotion and preservation of Betawi culture in Setu Babakan.
The Symbolic Meaning of Upuh Ulen-Ulen Cloth in the Socio-Cultural Context of Central Aceh Society Mufliah, Mufliah; Muharamsyah, Rambang; Khairani, Cut
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.64569

Abstract

Upuh ulen-ulen cloth is traditional clothing of the Gayonese people which has a karawang gayo motif in it. The Karawang Gayo motif is philosophical and has various functions that are adapted to the lives of local people. The aims of this research are to 1) reveal the meaning of the upuh ulen ulen cloth in traditional marriages, 2) reveal the symbolic meaning of the upuh ulen ulen clothing, 3) reveal the cultural value of upuh ulen ulen in everyday life. The approach used in this research is descriptive qualitative. Data collection techniques are carried out through observation, interviews and documentation. The subjects in this research were 6 people consisting of Gayo cultural figures and artists, MAG commissioners, teachers, entrepreneurs (farmers), and tailors. From the results of data analysis, it was found that the use of upuh ulen ulen cloth in marriage means a change in status, starting from becoming a husband and wife, and also the parents' expectations for their child's household life. Apart from that, the symbolic meaning of the upuh ulen ulen cloth is related to each symbol which has a philosophical meaning in the life of the Gayo community. Meanwhile, the cultural values ​​contained in the upuh ulen ulen cloth include customs and also values ​​found in social life.

Page 28 of 29 | Total Record : 287

 25   26   27   28   29 

Filter by Year

2017 2025


Reset
Filter By Issues
All Issue Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025 Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024 Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024 Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023 Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022 Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022 Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021 Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021 Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020 Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020 Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019 Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019 Vol 2, No 2 (2018): Gondang: Jurnal Seni dan Budaya, Desember 2018 Vol 2, No 1 (2018): Gondang: Jurnal Seni dan Budaya, Juni 2018 Vol 1, No 2 (2017): Gondang: Jurnal Seni dan Budaya, Desember 2017 Vol 1, No 1 (2017): Gondang: Jurnal Seni dan Budaya, Juni 2017 More Issue