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Muh Jaelani Al Pansori
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INDONESIA
SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26210851     DOI : -
SEBASA: Jurnal Pendidikan Bahasa dan Sastra Indonesia adalah berkala ilmiah yang dipublikasikan oleh Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Hamzanwadi. Jurnal ini menerima artikel dari dosen, peneliti, mahasiswa, atau pemerhati yang berupa hasil penelitian, hasil pemikiran, telaah kritis atau tinjauan akademik tentang topik di bidang bahasa, sastra, dan pembelajarannya. Jurnal ini terbit dua tahun sekali, yaitu Maret dan September.
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Articles 269 Documents
TALIWANG-SASAK CODE-MIXING USED AMONG LUNYUK SPEECH COMMUNITY IN SUMBAWA BARAT Arnis Alfiani, Medina; Soepriyanti, Henny; Amrullah, Amrullah
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 2 (2024): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v7i2.27927

Abstract

The Taliwang and Sasak languages ​​are an integral part of the cultural and linguistic identity of the West Nusa Tenggara region in Indonesia. These languages ​​serve not only as media of communication but also as carriers of cultural heritage, reflecting their respective communities' values, traditions and history. Taliwang, primarily spoken by people in the Taliwang region, is deeply embedded in local culture and plays a vital role in its speakers' daily lives. Likewise, Sasak, the primary language of the Sasak people in Lombok, is an essential element of Sasak's cultural identity. This research adopts a qualitative case study approach to explore complex social phenomena such as code-mixing in specific communities. A case study allows an in-depth examination of the linguistic practices of the Lunyuk community, focusing on how and why speakers mix Taliwang and Sasak in their daily interactions. This research uses qualitative method to analyze the data. This data includes the types of code-mixing such as: insertion, alternation, and congruent lexicalization.
DEKONSTRUKSI CITRA PEREMPUAN PADA LIRIK SATU BULAN DAN KATA MEREKA INI BERLEBIHAN KARYA BERNADYA Ramadhan Rasyid, Mohammad Ricky
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 2 (2024): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v7i2.27977

Abstract

This study analyzes the representation of women's images in two Bernadya songs through the perspective of Simone de Beauvoir's existentialist feminism, especially how women are depicted in patriarchal love relationships. The method used is critical discourse analysis with a hermeneutic approach, examining the hidden meanings behind the language and narrative in the lyrics. Data was obtained from the lyrics of both songs, sourced from credible music platforms, and analyzed based on de Beauvoir's concept of 'the Other.' The findings indicate that women are positioned in a subordinate role, trapped in the effort to achieve perfection in the eyes of their partners, yet never quite sufficient to gain equal recognition. This study contributes to the understanding of gender inequality in popular music media, with implications that music can serve as a tool to explore gendered power imbalances within patriarchal culture.
MERAJUT KESADARAN LINGKUNGAN MELALUI CERITA ANAK LUH AYU MANIK MAS KARYA NI NYOMAN AYU SUCIARTINI: KAJIAN EKOKRITIK Wardani, Kadek Devi Kalfika Anggria; Gorda, Anak Agung Ngurah Eddi Supriyadinata
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 2 (2024): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v7i2.28177

Abstract

Environmental damage has become an urgent global issue, including in Indonesia. Related to these problems, environmental education through children's story media can be used as a strategic approach to instill ecological awareness from an early age. One of the relevant children's literary works used is Luh Ayu Manik Mas: Ngelawan Luu Plastik, which not only raises environmental issues but also integrates local wisdom values. By using an ecocriticism approach, this study aims to analyze how the relationship between humans and nature is represented in children's stories. The research uses a content analysis method with a ecocritism approach, which focuses on three main aspects: environmental criticism, environmental education, and local wisdom. The results of the study show that this story conveys a strong criticism of the use of single-use plastics and their impact on ecosystems, such as coastal pollution and threats to marine life. Environmental education is present through dialogue that encourages readers to play an active role in reducing plastic waste. In addition, the local wisdom of the Hindu community in Bali is also depicted in the narrative of the story through a number of rituals, daily life practices that prioritize sustainability, and the philosophy of Tri Hita Karana to promote harmony between humans, nature, and spirituality. Thus, this story is not only an effective educational medium, but also serves as a means of preserving relevant local cultural values to face global environmental challenges.
MULTIMODALITAS YANG MENGKONSTRUKSI HUMOR DAN TEKS TERJEMAHAN TAKARIR YANG MENGANDUNG UNSUR BUDAYA SPESIFIK PADA SERIAL KOMEDI Ilham, Ilham; Verawati, Verawati; Arnisyah, Siti; Perdana, Indra
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 2 (2024): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v7i2.28181

Abstract

This study aims to analyze: (1) the multimodality system in constructing humor in the comedy series Malam Minggu Miko 2 and (2) the translation techniques applied to the subtitles of the series, with a particular focus on Culture-specific items. A qualitative descriptive method was employed to capture and analyze data from Malam Minggu Miko 2. The primary data comprised scenes containing cultural elements in the series' subtitles, while secondary data included additional relevant information supporting the study. The findings reveal that 36 scenes contained Culture-specific items, 14 of which were classified into specific domains such as character names, gimmicks, and food names. This study contributes by demonstrating how multimodal systems provide a comprehensive understanding of humor construction and the translation of Culture-specific items in Audio-Visual Translation (AVT). Furthermore, it offers new insights into the interplay between visual and textual elements in translation studies.
KEBERAGAMAN MASYARAKAT DALAM TEKS GARAP LAKON BRAMBANG ULUNG: STUDI WAYANG SASAK Habiburrahman, Lalu
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 7 No 2 (2024): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v7i2.28315

Abstract

This research is entitled Genetic Diversity in Working on Sasak Wayang Plays. This research uses strategy theory. Theoretical point of view using puppet strategy. The research method used from this point of view is the field research method. Data analysis uses narrative methods. This research found the emergence of the concept: Widi, Hyang Widi, Sang Hyang Widi or Sang Hyang Wiwakasan in wayang performances. Analysis uncovered a loan concept from Hindu beliefs. This concept is the concept of God in the dhalang-dhalang religion of the early Sasak wayang era. It's like: I Nengah Goang and I Nengah Giur. Further analysis found that these two dhalangs, which were popular in their Sasak era, had musicians from the Kumbung area. The Kumbung area is close to where work on the wayang play Brambang Ulung is taking place. Apart from that, the Penenteng Aik area where the work on the play took place also neighbors Hindu communities such as in Kraning and in Ubung. Data analysis concludes that the emergence of Hindu concepts in wayang sasak performances due to structural factors through the influence of popular dhalangs from the early era but is not rejected culturally due to the geographical proximity of the response hamlet, which is predominantly Muslim, to neighboring hamlets nearby, which are Hindu communities.
SEMANTIK LEKSIKAL PADA LIRIK LAGU ALBUM SEMOGA SEMBUH KARYA IDGITAF Uliana Hidayatika; Difa Aprilia; Neneng Nurjanah
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.28093

Abstract

This research is motivated by the popularity of sad songs. One of the famous albums that contains songs with sad nuances is the mini album Semoga Sembuh by Idgitaf. The researcher wants to draw meaning relations from lexical semantics that are paradigmatic in the lyrics of the mini album songs. Descriptive qualitative is used as a method by researchers in this article. The song lyrics on the mini album Semoga Sembuh are used as the data source. The results of this study found the existence of meaning relations that contain sadness and fear of the singer conveyed in the form of sung words. The meaning relation is drawn from the paradigmatic lexical semantic findings in the data source. Repetition is found 54 times (41%) which reinforces the feelings of the songwriter. Synonymy is found 20 times (15%) which on average is sadness and difficulty. Then antonymy is found 20 times (15%) which expresses the difference in feelings or conditions between happy times and sad times. Then hyponyms were found 36 times (27%), and hypernyms were found 2 times (2%), namely sadness and fear. Every meaning relation found can be used as a lesson in everyday life, especially for gen z to survive, always be strong, and be honest with one's own feelings in living life, especially in difficult times.
PERJUANGAN TOKOH PRIBUMI PADA NOVEL “NAMAKU ALAM” KARYA LEILA S. CHUDORI Rahmalia, Nadia Andi; Zahra Salwa, Reva; Yuza, Niken Sabika; Fadhilla, Indah
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.28558

Abstract

This study aims to describe the historical reality and social stratification in the novel My Name is Nature by Leila S. Chudori using the theory of materialism and the theory of social class developed by Karl Marx. The type of research used is qualitative descriptive research, where data is collected through reading, recording, and literature study methods. The data analysis process is carried out using a descriptive approach. The results of this study show a picture of the historical reality that occurred in 1965, as well as social conflicts that are manifested in the division of social classes which are divided into four categories. The upper class is depicted through the Sastrowidjojo family who live in Papandayan, Bogor, who have the power to oppress the lower class. The lower class is depicted as a marginalized, poor, and weak society. This study also shows a shift in power from the dominant class to the more advanced class, which creates change or revolution. In addition, ideology is also revealed as a view that tries to describe a certain situation with the aim of deceiving others, when in fact the ideology only benefits the ruling class.
PEREMPUAN TANGGUH: FEMINISME DALAM NOVEL HELLO KARYA TERE LIYE Auliah, Nadillah Mirza; Ahmadi, Anas
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.28572

Abstract

The novel “Hello” by Tere Liye is one of the literary works that presents a representation of strong, brave, and independent women amidst the dominance of patriarchal culture. Women in this novel are depicted as being able to fight gender stereotypes and build self-awareness as free individuals. This study aims to describe the values ​​of feminism reflected in the character of strong women through the perspective of Simone de Beauvoir's existentialist feminist theory. This study uses a qualitative descriptive method with content analysis techniques that focus on the dialogue, actions, and narratives of the main characters in the novel “Hello”. Data were obtained through intensive reading and recording of relevant data based on the theory of existentialist feminism. The results of the study show that the character Ana as the main character represents a strong woman who refuses to be the Other as stated by Simone de Beauvoir. This is shown through Ana's brave attitude in facing social pressure, her courage to make decisions without relying on others, and her efforts to build her freedom and existence as a woman. The conclusion of this study confirms that the novel “Hello” not only presents empowered female characters, but also voices feminist values ​​that are relevant to women's struggles in modern society.
ANALISIS MAKNA KULTURAL PADA PROSESI PERNIKAHAN ADAT BUGIS: KAJIAN ETNOLINGUISTIK Nasution, Muhammad Muslim; Vahlepi, Sahrizal; Sholihah, Mar’atun; Izar, Julisah
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.28643

Abstract

This research aimed to explain in detail the cultural meaning of the Bugis traditional wedding procession. This research only focuses on analyzing cultural meanings at the pre-wedding stage and during marriage during the Bugis traditional wedding procession.  This type of research is descriptive research with a qualitative approach. The data collection techniques in this research are interview, recording and note taking techniques and the data analysis technique in this research uses flowing data analysis techniques. The results of the research found 21 objects and activities that were interpreted culturally and 17 objects and activities that were interpreted culturally where the cultural meaning was related to belief and contained noble values ​​that were guarded and preserved by the Bugis community.
PANTANG LARANG SEBAGAI BENTUK BUDAYA TABU MASYARAKAT MELAYU SAMBAS DI KECAMATAN SELAKAU Desinta Zahra Setiani; Widyastuti, Chattri Sigit
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.29018

Abstract

  Pantang larang is part of the taboo culture to do, which if violated will bring bad things. This research aims to find out the form of pantang larang that becomes a cultural taboo to do in the community, as well as the causes obtained when violating it. The method used in this research is the descriptive qualitative method. The data in this study are sentences that contain pantang larang which becomes a cultural taboo to be done by the Sambas Malay community in Selakau District. Meanwhile, the data comes from three informants who are native Sambas Malay in Selakau District. The data was obtained by using the interview method to three informants from Selakau District. Furthermore, the data were analyzed using the commensurate method through comparative historical linguistic studies focusing on taboo theory. This research produces findings in the form of five forms of pantang larang that become taboo culture, namely pantang larang prohibitions related to safety, fear of supernatural beings, activities or activities, gender, and pantang larang related to time. In this case, pantang larang is used as advice that provides moral teaching about life norms and is believed by the Sambas Malay community in Selakau District if violated will have bad consequences in everyday life.