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Metahumaniora
Published by Universitas Padjadjaran
ISSN : 20854838     EISSN : 26572176     DOI : 10.24198/metahumaniora
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Metahumaniora adalah jurnal dalam bidang bahasa, sastra, dan budaya yang diterbitkan oleh Fakultas Ilmu Budaya Universitas Padjadjaran sejak tahun 2012 dan bertujuan menyebarluaskan pemikiran-pemikiran konseptual maupun hasil riset yang telah dicapai dalam rumpun ilmu humaniora. Fokus dan ruang lingkup Jurnal Metahumaniora adalah kajian dalam rumpun ilmu humaniora, meliputi bidang bahasa (linguistik mikro, linguistik makro, dan linguistik interdisipliner), sastra, filologi, sejarah, dan kajian budaya. Metahumaniora diterbitkan pertama kali pada 10 Februari 2012 dalam versi cetak dengan nomor ISSN 2085-4838. Dan seiring dengan perkembangan sistem teknologi dalam bidang literasi, pada tanggal 12 April 2019 Jurnal Metahumaniora telah menggunakan Online Journal System (OJS) dengan nomor EISSN 2657-2176. Redaksi menerima tulisan yang diangkat dari hasil penelitian, gagasan konseptual, kajian, dan aplikasi teori, serta ulasan buku. Naskah yang diserahkan harus sesuai dengan fokus dan ruang lingkup jurnal serta sesuai dengan format penulisan yang telah ditetapkan (rujuk format penulisan). Penerbitan Metahumaniora dilakukan tiga kali dalam setahun, yaitu April, September, dan Desember. Meskipun demikian, penerimaan naskah dilakukan sepanjang tahun. Proses penyerahan, penilaian, dan penerbitan naskah seluruhnya dilakukan secara online. Metahumaniora menerapkan proses peer review. Semua artikel yang dikirimkan akan direview secara tertutup (blind review) oleh para mitra bestari. Pada umumnya, setiap artikel akan direview oleh satu sampai dua orang reviewer. Tanggapan dari para reviewer ini akan dijadikan landasan bagi Editor untuk menentukan apakah suatu artikel dapat diterima (accepted), diterima apabila direvisi (accepted with major/minor revision), atau ditolak (rejected).
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 291 Documents
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REPRESENTATION OF CULTURAL VALUES IN THE FILM THE ARCHITECTURE OF LOVE (2024) IN THE VIEW OF KLUCKHOHN AND STRODTBECK Parasian, Nehemia Anugrah; Perangin-angin, Alemina Br.
Metahumaniora Vol 15 No 2 (2025): METAHUMANIORA, AGUSTUS 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i2.62759

Abstract

This research explore explores the representation of cultural value orientations in the film The Architecture of Love using Kluckhohn and Strodtbeck’s theoretical framework. The research focuses on five key dimensions of cultural values: human nature, man-nature, time, activity, and relational orientations. Employing a qualitative descriptive method, this study analyzes selected scenes and dialogues from the film to identify implicit and explicit cultural meanings. The findings reveal that the film portrays human nature as dynamic and emotionally complex, emphasizing individual capacity for healing and growth. The relationship between human and nature is shown through symbolic interactions with urban architecture, suggesting a harmonious coexistence with the environment. The man-nature orientation is reflected in the characters’ symbolic relationship with urban architecture as a living space imbued with memory, emotion, and personal transformation, suggesting a harmonious interaction between human experiences and the built environment. Time orientation is reflected through characters’ struggles with past trauma and their efforts to reconstruct the future. Activity orientation emerges as a transformation from emotional passivity to active engagement with life. Most prominently, relational orientation is manifested through strong social bonds, where emotional recovery is facilitated by familial and communal support. These values are represented not as isolated traits, but as interrelated dimensions embedded in character development and narrative progression. This research contributes to a deeper understanding of how cultural ideologies are constructed and conveyed through cinematic narratives, offering insights into the intersection of culture, emotion, and identity in contemporary film.
FROM GOTHIC TO NEO-GOTHIC: FRANKENSTEIN NOVEL INTO LISA FRANKENSTEIN (2024) FILM ADAPTATION BY ZELDA WILLIAMS Putri, Marchelinda Okta Brianti Eka; Pujiati, Hat
Metahumaniora Vol 15 No 2 (2025): METAHUMANIORA, AGUSTUS 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i2.63833

Abstract

This study aims to show the transformation of the Gothic genre from Frankenstein’s novel to the Neo-Gothic genre in Lisa Frankenstein’s film and to reveal the underlying motives. This qualitative research uses Linda Hutcheon and O’Flynn’s Adaptation theory and is supported by Nick Lacey’s Image and Representation analysis technique. The data are narrative events from the Frankenstein novel in the form of words, phrases, and paragraphs, as well as narrative events in Lisa Frankenstein’s film in the form of screenshots containing frames per scene, dialogue, sound, backsound music, and film shooting techniques. The collected data is analyzed comparatively between the narration in the novel and the film, by reading images and representation analysis techniques in Lacey’s Barthesian semiotics perspective, and discursively as proposed by Linda Hutcheon in the theory of adaptation. The results of the study show that the Lisa Frankenstein film adaptation turns into a feminine style of the creation through the playfulness of the dark comedy narration of Lisa’s domestic skills in reviving the crature. The dark comedy is in line with romantic and sexual relationships between Lisa and the creature, which shows the transformation of genre from gothic novel into neo-gothic film. The transformations shown in the film are influenced by the director’s agency as an adapter and the involvement of various parties, such as Hollywood, which aims to provide novelty to maintain audience interest and maximize the sales profit.
AJARAN ILMU FIQIH SYEIKH MUHAMMAD AZHARI AL-FALIMBANI BIN MA’RUF DALAM NASKAH SAFINAH AL-GHULAM (SEBUAH KAJIAN FILOLOGI) Wijaya, Tomy; Saputra, Dicky Jhonson; Andika; Anggraini, Kesi; Hudaidah; Yati, Risa Marta
Metahumaniora Vol 15 No 2 (2025): METAHUMANIORA, AGUSTUS 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i2.63859

Abstract

Penulisan ini mengkaji naskah Safinah Al-Ghulam, sebuah kitab fikih karya Syeikh Muhammad Azhari Al-Falimbani Bin Ma’ruf, yang banyak diajarkan di pesantren dan madrasah Nahdlatul Ulama (Nahdliyyin). Kitab ini berfungsi sebagai panduan dasar bagi pelajar dan mahasiswa baru dalam memahami hukum Islam, khususnya dalam mazhab Syafi’i. Secara terminologis, fikih adalah ilmu yang membahas hukum syariah Islam secara rinci, meliputi ibadah, muamalah, serta aturan sosial dan personal. Safinah Al-Ghulam, yang juga dikenal sebagai Safinatun Najah, menyajikan dasar-dasar fikih yang mencakup bersuci (thaharah), shalat, puasa, zakat, dan haji, sesuai dengan mazhab Imam Syafi’i. Melalui kajian filologi terhadap kitab ini, dapat diperoleh pemahaman yang lebih mendalam mengenai ajaran fikih yang sesuai dengan syariat Islam serta perkembangan ilmu fikih dalam tradisi keilmuan Islam Nusantara. Studi ini berkontribusi dalam melestarikan warisan intelektual Islam dan memperkaya literatur fikih dalam dunia akademik.
POLITIK, KERUDUNG, DAN FILM MASA ORDE BARU: GAMBARAN PERUBAHAN KERUDUNG DALAM FILM ISLAMI TAHUN 1977-1991 Sumiati, Wina
Metahumaniora Vol 15 No 3 (2025): METAHUMANIORA, DESEMBER 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i3.63863

Abstract

Abstract The use of the veil for Indonesian Muslim women was not very popular until the end of the 20th century. Apart from Islamic da'wah that has not been progressive, the New Order government's policy of restricting its use, especially in public schools through Decree No. 052 of 1982 is also one of the reasons. This ban was actually the beginning of the revival of Islam in the New Order era which had an impact on increasing awareness of wearing the veil in Indonesia. One way to see how changes in the use of the veil are reflected in society is through Islamic films produced during the New Order era. This article aims to analyze the representation of the use of the veil in three Islamic films—Al-Kautsar (1977), Titian Serambut Dibelah Tujuh (1982), and Nada and Da'wah (1991)—to understand the changes in the veiling style of Indonesian Muslim women during this period. Through film analysis, this article shows how the veil serves as a symbol of religion and identity, as well as how political and social influences affect that representation. The method used in this study is the historical method, including heuristic, source criticism, interpretation, historiography. The results of the study show that the change in the style of the hijab depicted in the film reflects the social, political, and increased consumption of Islam that occurred in Indonesia, from restrictions at the beginning of the New Order to the rise of Islamic consciousness in the late 1980s and 1990s.Keywords: Veil; New Order; Islamic films; Indonesia
THE ROLE OF KOREAN CUISINE IN NEGOTIATING CULTURAL IDENTITY IN MICHELLE ZAUNER’S CRYING IN H MART Tri Wijayanto, M. Ganjar; Setiawan, Ikwan; Astutiningsih, Irana
Metahumaniora Vol 15 No 3 (2025): METAHUMANIORA, DESEMBER 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i3.63866

Abstract

This research discusses Zauner’s journey of identity as a second-generation Korean American diaspora living in America. She wants to negotiate her Korean identity in a dominant society using Korean cuisine as the ultimate gateway. The data for this research were taken from a memoir titled Crying in H Mart by Michelle Zauner, analyzed using Stuart Hall’s Cultural Identity theory, specifically the concepts of being, becoming, and positioning, to clarify how Zauner’s identity journey unfolded. This research aims to reveal the construction of diaspora cultural identity through cultural negotiation, utilizing Korean cuisine as a primary tool to explore cultural heritage. The results of this research indicate that Zauner’s identity is not static but dynamic instead, representing her complex life journey. Before deciding to negotiate her Korean identity, Zauner experienced many things in America, including discrimination that once made her ashamed of her Korean heritage. As she matured, she realized that Korean cuisine was not merely a means of sustenance but a tool for navigating Korean culture within American society. Thus, it becomes evident how the writing in this memoir constructs a framework that reveals the author’s purpose in writing the memoir or the author’s position. There is a construction of soft power diplomacy in her memoir, emphasizing detailed descriptions of cooking methods, serving, and Korean cuisine.
TRAGEDI 1965 SEBAGAI LANDASAN FABULA DAN SYUZHET DALAM CERPEN “SURAT NURLAN DAULAY KEPADA JUNJUNGAN JIWANYA” KARYA MARTIN ALEIDA: KAJIAN FORMALISME RUSIA Penggalih, Aura Zahradiva
Metahumaniora Vol 16 No 2 (2026): METAHUMANIORA, AGUSTUS 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v16i1.63870

Abstract

Although literary works are seen as fictional products, discourses about the reality of life are not completely absent. Armed with the creativity of language, writers often use historical facts as the basis of storytelling in their works, which are then referred to as fabula. Martin Aleida in his short story entitled "Surat Nurlan Daulay Kepada Junjungan Jiwanya" also uses historical facts as the basis for fabula in storytelling.Through a qualitative method with a close reading technique and note-taking approached combining with a Russian formalism study, this study aims to reveal historical facts of the 1965 Tragedy used by Martin Aleida in the short story of "Surat Nurlan Daulay Kepada Junjungan Jiwanya". The results of the study indicate that there are five historical facts related to the 1965 Tragedy trilogy according to Adam (2004) in the short story, including the Gerakan 30 September, the suppression of the PKI, Gerwani's black propaganda and violence against female political prisoners, Operasi Kalong, and the exile of political prisoners during the New Order on Buru Island. These five historical facts are defamiliarized and then processed into syuzhet in the narrative elements of the story.
PAKAIAN TRADISIONAL SEDULUR SIKEP DI BOJONEGORO SEBAGAI MEDIUM PEMERTAHANAN BUDAYA DI TENGAH ARUS MODERNISASI Mayani, Fatikha; Samidi, Samidi; Basundoro, Purnawan
Metahumaniora Vol 16 No 1 (2026): METAHUMANIORA, APRIL 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v16i1.63872

Abstract

This study aims to examine how the Sedulur Sikep community preserves its traditional clothing as part of efforts to preserve local culture amid the tide of modernization. This study uses a qualitative approach with literature study and visual observation methods and descriptive interpretive data analysis. Stuart Hall's theory of representation is used to understand how cultural identity is formed and communicated through clothing symbols, while Clifford Geertz's concept of culture as a system of meaning is used to reveal how the Sedulur Sikep community's clothing practices are part of the construction of social values passed down through generations. The research findings indicate that the traditional attire of the Sedulur Sikep community not only serves as a visual identifier of identity but also carries philosophical meanings related to simplicity, equality, and respect for ancestors. Efforts to preserve traditional Samin clothing include wearing it during important events such as community gatherings, weddings, and other cultural activities. Preservation efforts also involve transmitting values to younger generations and through local government policies that support the use of local cultural symbols in formal settings.
PENGARUH CUITAN VIRAL RIDWAN KAMIL TERHADAP OPINI PUBLIK & ELEKTABILITAS PADA PILKADA DKI JAKARTA 2024: KAJIAN ETNOGRAFI VIRTUAL DAN READER RESPONSE Mahara Haq, Tsanaa; Muthmainnah, Robi’atul; Penggalih, Aura Zahradiva; Dilsari, Alma Shafifa; Darmayanti, Nani
Metahumaniora Vol 16 No 1 (2026): METAHUMANIORA, APRIL 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v16i1.63875

Abstract

This study aims to analyze the impact of tweets on the @ridwankamil account on voter decisions in the 2024 DKI Jakarta Pilkada. Using virtual ethnography and reader response methods, this research explores the full range of social media users responses and resulting influences. Equipped with descriptive qualitative methods, this method focuses on discussing in detail by creating a descriptive picture. The results are shown with virtual ethnographic analysis, through four levels, including the media space level, media document level, media object, and experience level. These levels are processed and show the conclusion that the tweets uploaded by Ridwan Kamil in the past caused scathing criticism directed at the DKI Jakarta regional head candidates. Of the 13 data of Ridwan Kamil's tweets on social media X used, all of them received 29,597 likes, 31,054 reposts, 5,535 quotes, and 2,837 comments. These data at the experiential level were analyzed using the reader response approach. This analysis was proven through a survey with the results of 35 respondents. Respondents who represent a sample of the community as well as voters in the 2024 DKI Jakarta Pilkada strongly agreed (51.4%) with the majority of the public or netizen X's protest against Ridwan Kamil's tweets.
ARTICULATION OF SELAWAT CONCERT FANDOM IN THE CONTESTATION OF POPULAR CULTURE ARENA Rohmanda, Miranti; Budiman, Manneke
Metahumaniora Vol 15 No 3 (2025): METAHUMANIORA, DESEMBER 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i3.63877

Abstract

This article examines the articulation of the selawat concert fan community built in the digital space, specifically Instagram. Selawat concerts are a phenomenon that positions hadroh groups as performers similar to pop music concerts. The arena of selawat concerts became popular after the emergence of participatory fan culture. In this context, cultural theorist Stuart Hall explains that communities will form articulations to create new meanings from a scattering of various elements that can be used to strengthen their cultural identity. This paper explores the multi-layered and interdisciplinary approach of Hall's interpretation of identity and applies it to discuss the identity formation and strategies of selawat fan communities, specifically Syekher Mania, Zahir Mania, and Syubban Lovers. This study analyzes content on Instagram related to Syekher Mania, Zahir Mania, and Syubban Lovers and literature review.
PELESTARIAN MANUSKRIP LONTAR: STUDI KASUS KAWASAN CAGAR BUDAYA NASIONAL TROWULAN Fatihah, Lauhil; Riyanto, Edi Dwi
Metahumaniora Vol 15 No 3 (2025): METAHUMANIORA, DESEMBER 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i3.63894

Abstract

Palm manuscripts are one of the rich cultural treasures of the Indonesian Nation that needs to be preserved, because they contain important values as a cultural heritage from the past and the preservation of palm manuscripts has currently been carried out, both by the community and the government. The Trowulan National Cultural Heritage Area is a conservation area protected by the Indonesian Government which also has cultural heritage in the form of palm manuscripts. Currently, the lontar manuscripts preserved in the area are managed by the Majapahit Information Management Unit, which is one of the units of Balai Pelestarian Kebudayaan Wilayah XI. This research aims to find out how the process of preserving lontar manuscripts, both as Cultural Heritage and Cultural Promotion Objects in the Trowulan National Cultural Heritage Area. This research is a quantitative research that uses a case study of lontar manuscripts in the Trowulan National Cultural Heritage Area. The data sources used in this research are primary data in the form of direct observation of palm manuscript collections and in-depth interviews with related parties, while secondary data are archival documents, policy reports, scientific publications, and other references related to palm manuscript preservation. This research uses data collection methods in the form of participatory observation, in-depth interviews, and document studies. The data analysis methods used in this research are data reduction, thematic categorization, contextual interpretation, verification and triangulation. The results of this study are that the preservation of palm manuscripts in the Trowulan National Cultural Heritage Area is carried out through efforts to preserve palm manuscripts as Cultural Heritage and as Objects of Cultural Advancement, but there are obstacles and challenges in the preservation process, namely in the form of natural factors and limited human resources.

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