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DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA
Published by Universitas Kristen Indonesia
ISSN : 23382635     EISSN : 27981371     DOI : https://doi.org/10.33541/dia.v9i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
FOCUS AND SCOPE Journal of Dialektika is a professional, double-blind peer-reviewed international journal devoted to promoting scholarly knowledge and exchanging academic research and professional findings on all aspects of English such as English literature, second or foreign language (ESL/EFL) learning, including translation studies. To this end, Dialektika publishes theoretical and empirical studies in the form of original research, research reviews, case studies, conceptual frameworks, and innovative educational and social ideas with both regional and global perspectives. Dialektika has a clear preference for manuscripts with a solid theoretical foundation and tangible educational and research implications. We, therefore, invite original submissions from around the world that fit within this aim. Authors are encouraged to submit complete, unpublished, original, and full-length articles that are not under review elsewhere. The online version of the journal is free to access and download.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 123 Documents
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INSTRUMENTALITY OF WOMEN IN DAMSEL MOVIE (2024) Yosep Liderman Panggabean; Mike Wijaya Saragih
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 1 (2024): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i1.6029

Abstract

In the film Damsel (2024), directed by Juan Carlos Fresnadillo, the traditional damsel in distress narrative is subverted by the character of Princess Elodie, who transforms from a passive pawn to an empowered individual. The film critiques societal structures that objectify women by exploring Elodie’s journey from being a tool in an arranged marriage and a sacrificial victim to confronting a dragon. This study aims to explore how the film portrays the instrumentalization of Elodie through qualitative descriptive methods, grounded in Nussbaum's theory of objectification, particularly the concept of instrumentality. As the result, the study identifies three forms of Elodie's instrumentalization: subjected to an arranged marriage, subjected to a life sacrifice, and subjected to a target for revenge. From these three forms of Elodie's instrumentalization, this film shows Elodie's gradual assertion of autonomy and rejection of the roles assigned to her, deconstructing conventional girl tropes and highlighting the broader implications of challenging patriarchal norms. The finding of the instrumentalization of Elodie in the film Damsel is shown to become more complex along with the resistance carried out to oppose the prevailing patriarchal norms.
KONSEP DOXA DALAM BUDAYA BALI DAN MAKASSAR: KOMPARASI TEKS GEGURITAN JAYAPRANA DAN SINRILIK I DATUK MUSENG Rahmatia Ayu Widyaningrum
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 1 (2024): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i1.6077

Abstract

Abstrak Tulisan ini mengungkapkan konsep doxa yang terdapat di dalam teks Geguritan Jayaprana dan Sinrilik I Datu Museng. Keduanya adalah teks yang berkisah tentang lingkungan istana yang memiliki legitimasi membangun konstruksi budaya. Geguritan yang berbentuk puisi dibacakan dengan cara ditembangkan, begitu pula dengan Sinrilik yang disampaikan melalui nyanyian atau deklamasi dengan iringan musik tradisional. Keduanya berasal dari dua budaya berbeda, yaitu Bali dan Makassar. Namun, kedua karya sastra ini menggambarkan konsep doxa yang dianggap sebagai sebuah kebenaran tanpa perlu diperdebatkan. Terdapat perbedaan wacana dalam konsep doxa keduanya. Dalam Geguritan Jayaprana, konsep doxa yang dipakai adalah wacana orthodoxy atas tunduknya Jayaprana terhadap titah raja dan pati wrata (bunuh diri) yang dilakukan oleh Ni Layonsari sebagai bentuk kesetiaan istri kepada suaminya. Berbeda halnya dengan kisah dalam Sinrilik I Datu Museng, konsep doxa yang terlihat adalah wacana heterodoxy dengan berusaha melawan nilai-nilai yang berlaku yang diberikan oleh kelompok dominan (penjajah). Budaya siri’ untuk membela harga diri adalah hal yang wajib dilakukan dalam tradisi Bugis dan Makassar, seperti halnya semangat puputan yang terjadi di Bali. Kata Kunci: Doxa, Geguritan, Sinrilik, Bali, Makassar. Abstract This article elaborates on the concept of doxa as portrayed in the texts Geguritan Jayaprana and Sinrilik I Datu Museng, originating from revered royal settings and carrying significant cultural weight. Geguritan is presented in poetic form, and recited through singing, while Sinrilik is conveyed through singing or declamation with traditional musical accompaniment. Despite their distinct cultural origins in Bali and Makassar, both texts exemplify doxa as an accepted truth that transcends debate. It is important to note the disparities in the discourse surrounding the concept of doxa within both texts. In Geguritan Jayaprana, the concept of doxa highlights the discourse of orthodoxy, emphasizing Jayaprana's adherence to the king's command and Ni Layonsari's pati wrata (suicide) as an expression of spousal loyalty. Conversely, in Sinrilik I Datu Museng, the concept of doxa is rooted in the discourse of heterodoxy, depicting resistance against the prevailing values of the dominant colonizers. The cultural practice of siri', aimed at defending one's honor, is an obligatory facet of Bugis and Makassar traditions, akin to the puputan spirit in Bali. Keywords: Doksa, Geguritan, Sinrilik, Bali, Makassar, This article elaborates on the concept of doxa as portrayed in the texts Geguritan Jayaprana and Sinrilik I Datu Museng, originating from revered royal settings and carrying significant cultural weight. Geguritan is presented in poetic form, and recited through singing, while Sinrilik is conveyed through singing or declamation with traditional musical accompaniment. Despite their distinct cultural origins in Bali and Makassar, both texts exemplify doxa as an accepted truth that transcends debate. The concept of doxa is investigated within the framework of genetic structuralism theory, also known as Pierre Felix Bourdieu's constructivist structuralism. It is important to note the disparities in the discourse surrounding the concept of doxa within both texts. In Geguritan Jayaprana, the concept of doxa highlights the discourse of orthodoxy, emphasizing Jayaprana's adherence to the king's command and Ni Layonsari's pati wrata (suicide) as an expression of spousal loyalty. Conversely, in Sinrilik I Datu Museng, the concept of doxa is rooted in the discourse of heterodoxy, depicting resistance against the prevailing values of the dominant colonizers. The cultural practice of siri', aimed at defending one's honor, is an obligatory facet of Bugis and Makassar traditions, akin to the puputan spirit in Bali. Keywords: Doksa, Geguritan, Sinrilik, Bali, Makassar,
ANALYSIS TYPES OF DEIXIS IN THE SPEECH TAYLOR SWIFT AT NEW YORK UNIVERSITY 2022 Velin Jusbina Manalu; Lisbeth Juliana Sirait
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 1 (2024): JUNI
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i1.6081

Abstract

This research aims to analyze the types of deixis in Taylor Swift's speech at New York University in 2022. Using a descriptive qualitative approach, this research highlights the use of deixis in the context of public speeches and how deixis plays a role in interpreting contextual meaning in conversation. Through deictic analysis based on Levinson's theory of deixis, this research identifies personal, place, time, social and discursive deixis in the speech. Data was obtained from the transcript of Taylor Swift's speech and analyzed to understand the contextual meaning conveyed. The research results show that deixis plays an important role in conveying rich meaning in discourse. By using secondary data and simple random sampling techniques, this research succeeded in identifying 30 deixis in the speech. The implications of this research are to provide a deeper understanding of the use of deixis in the context of public speech and provide a basis for further research in the field of pragmatics.
PRAGMATIC ANALYSIS OF THE POLITENESS STRATEGIES USED IN THE DIRECTIVE SPEECH ACTS IN PAPUA NEW GUINEA’S NATIONAL PARLIAMENT SITTING SESSION ON MAY 30TH 2024 Andreas Noreewec
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6082

Abstract

Abstract This study presents a pragmatic analysis of the politeness strategies employed in directive speech acts during the Papua New Guinea National Parliament sitting session on May 30th, 2024. Utilizing Brown and Levinson's politeness theory as the analytical framework, the research examines how members of parliament navigate face-threatening acts through linguistic strategies to maintain social harmony and achieve political goals. Data for the study were collected from the official parliamentary transcripts, focusing on instances of directives such as requests, commands, and suggestions. The analysis reveals a predominance of negative politeness strategies, reflecting a high sensitivity to hierarchical structures and the desire to mitigate imposition. Additionally, the study identifies contextual factors, such as the socio-political environment and cultural norms, influencing the choice of politeness strategies. The findings contribute to a deeper understanding of the intersection between language, power, and culture in parliamentary discourse, offering insights into the pragmatic dynamics of political communication in Papua New Guinea. This research underscores the importance of context in the pragmatic realization of politeness and highlights the role of language in shaping political interactions within legislative settings. Keywords: Politeness strategies, Directive speech acts, Papua New Guinea National Parliament
POLA METODOLOGI NEO-POSITIVISME PENELITIAN BAHASA Ida Maulida; Dwi Septiani; Didah Nurhamidah; Abdul Hamid Aly; Endry Boeriswati; Saifur Rohman; Renzy Agathy Amazeli
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6269

Abstract

Metodologi disusun untuk mencapai tujuan.1. Jika tujuannya adalah memperoleh pembuktian tentang keberhasilan atau kegagalansebuah rancangan, maka kita perlu langkah hipotesis-deduktif. Hipotesis dibuktikan dalamuji coba di lapangan. Metodenya empiris-analitis. Sifatnya adalah teknis.2. Jika tujuannya untuk memperoleh kebijaksanaan akal budi dala kerangka intersubjektif,maka kita perlu langkah historis-hermeneutis. Mengetahui latar belalkang dan menafsirkannya.Metodenya penafsiran. Sifatnya adalah praktis.3. Jila tujuannya untuk memperoleh tindakan yang teratur maka kita perlu langkah refleksi-diri,yakni normatif-analitis. Refleksi berarti mengevaluasi sedangkan “diri” mengacu pada tindakanyang teratur dari subjek. Sifatnya adalah praksis.
KAJIAN FENOMENOLOGI PADA PENELITIAN BAHASA Epos Sister Krismon Selan Dakhi; Sri Zulfida; Endry Boeriswati; Saifur Rohman; Yules Sianipar; Mimin Aminah
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6440

Abstract

Fenomenologi, dikonseptualisasikan oleh Edmund Husserl, berpusat pada pengalaman subjektif individu saat mereka terlibat dengan dan memanfaatkan bahasa (Husserl, 2012). fenomenologi berfokus pada bagaimana bahasa dipahami dan dialami oleh individu (Bonyadi, 2023). Pendekatan ini menghindari generalisasi kuantitatif dan lebih mengedepankan eksplorasi kualitatif atas makna dan persepsi bahasa oleh penutur (Ritunnano et al., 2023). Digunakan untuk menggali pengalaman subjektif pengguna bahasa, dengan fokus pada makna yang dihasilkan individu dalam penggunaan bahasa. Metode ini sering melibatkan teknik seperti wawancara mendalam dan analisis naratif, yang memungkinkan peneliti untuk memahami bagaimana individu membentuk makna melalui bahasa. Pendekatan fenomenologis dalam analisis historis bahasa menekankan pengalaman subjektif individu, menawarkan wawasan tentang bagaimana konteks pribadi dan sosial membentuk pemahaman bahasa. Fokus fenomenologi pada pengalaman subjektif sangat relevan dalam memahami penggunaan bahasa dalam konteks sejarah, seperti pengaturan kolonial, di mana dominasi budaya memainkan peran penting
METODOLOGI PENELITIAN BAHASA DENGAN KAJIAN POSITIVISME Endry Boeriswati; Saifur Rohman; Ahmad Zaki Munibi; Saiyidinal Firdaus; Erfi Firmansyah; Hendrawanto CH; Sastri Br Rajaguk-guk
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6441

Abstract

penelitian yang menggunakan positivisme telah secara efektif menerangi keterkaitan antara variabel sosial dan variasi linguistik, sebagaimana dibuktikan oleh studi Labov, (1971) tentang variasi fonologis di Philadelphia. berfokus pada fakta empiris yang dapat diamati, diukur, dan diverifikasi, dan sangat mendasari metodologi kuantitatif dalam penelitian. positivisme memungkinkan peneliti untuk mengumpulkan data kuantitatif yang dapat dianalisis secara statistik, seperti frekuensi penggunaan struktur sintaksis tertentu dalam bahasa kedua (L2). Tiga pendekatan utama yang sering digunakan dalam studi Bahasa adalah positivisme, neo-positivisme, dan fenomenologi. Ketiga pendekatan ini memiliki asumsi dasar yang berbeda tentang metode memahami bahasa, tetapi semuanya menawarkan pandangan penting tentang bagaimana studi Bahasa dapat dilakukan secara empiris dan analitis.
A SYNTACTICAL ANALYSIS OF PHRASES USED IN SONG LYRICS OF DREAM BY BABYMONSTER Ghafera Kamelia Zahrotuhayaty; Ari Fajria Novari; Rizdki Elang Gumelar
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6368

Abstract

This research is about a syntactical analysis of phrases in song lyrics of Dream by Babymonster wuth using Bottom-up tree diagram by Carnie. This research aims to analyze the type and the sum of phrases used in Dream by Babymonster song lyrics. This research used a qualitative approach with a qualitative descriptive method. The data collection technique in this research involved observation, documentation, and checklists. The finding showed that data had all types of phrases based on theory of Carnie, such as noun phrase, verb phrase, adjective phrase, adverb phrase, and prepositional phrase. All phrases found amounted to 150. Those are 65 noun phrases, 51 verb phrases, 16 adverb phrases, 11 prepositional phrases, and 7 adjective phrases. This research can be a contribution in teaching materials, particularly those related to phrases in Syntax subject.
SEMIOTIC ANALYSIS: MUSIC GENRES AND FASHION EXPRESSION AMONG ENGLISH LITERATURE STUDENTS AT UNIVERSITAS SUMATERA UTARA Yulia Pradinda; Muhammad Fakhran al Ramadhan
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6383

Abstract

This study used Charles Sanders Peirce's semiotic theory to analyze the influence of music genre on the fashion expression of English Literature students at the University of North Sumatra. This research used a descriptive qualitative method. Data was obtained through structured interviews with three informants who have preferences in punk, alternative rock, and K-pop music genres. The results show that each music genre influences different fashion elements regarding colors, accessories, and clothing styles. The punk genre reflects the values of freedom and resistance through dark colors and distinctive accessories, alternative rock highlights self-expression through edgy fashion elements, while K-pop carries modernity and femininity with pastel colors and styles inspired by Korean popular culture. The environment of USU's Faculty of Humanities also plays a vital role in supporting the diversity of student fashion expressions to interact with music subcultures and social identities. Thus, fashion is not only a visual representation of musical preferences but also functions as a sign system that communicates the identity, values, and affiliations of the student community on campus.
THE ANALYSIS OF THE USAGE OF INTERNET LANGUAGE FEATURES USED BY MEN AND WOMEN ON SOCIAL MEDIA Gunawan Tambunsaribu; Teguh Prasetyo
DIALEKTIKA: JURNAL BAHASA, SASTRA DAN BUDAYA Vol. 11 No. 2 (2024): Desember
Publisher : Prodi Sastra Inggris UKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33541/dia.v11i2.6416

Abstract

The rapid advancement of computers and the internet has led to the emergence of internet language as a prominent linguistic phenomenon. Exploring the distinctive features of this language has become an important area of study in recent years. This research analyzes the typical features of internet language used by men and women commenters on Instagram, with a particular emphasis on gender-based differences. The study investigates ten common digital language features: multiple punctuation marks, unconventional spelling, capitalization, asterisks for emphasis, written-out laughter, music/noise references, action descriptions, emoticons, abbreviations, and rebus writing. These features serve as the basis for data analysis. A qualitative approach is used to examine the collected data in-depth. The findings reveal that while both genders use capital letters (though not in all caps) and multiple punctuation marks (such as exclamation points and periods), women employ more internet language features overall—42 features compared to 31 by men. Additionally, woman users are more likely to extend consonants in their spelling, whereas men tend to repeat vowels. These differences illustrate how users modify language for efficiency and self-expression in digital communication.

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