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Matra
Published by Universitas Sultan Ageng Tirtayasa
ISSN : -     EISSN : 28092775     DOI : -
Core Subject : Education, Art,
Arts Education
Jurnal Seni dan Pendidikan Seni Musik Tari Teater dan Rupa MATRA: Jurnal Musik Tari Teater & Rupa adalah jurnal peer-review yang diterbitkan pada bulan Januari dan Juli. Isi jurnal dikelola oleh Prodi Pendidikan Seni Pertunjukan FKIP Untirta. MATRA menyediakan ruang bagi akademisi, profesional, peneliti, dan seniman untuk menyampaikan dan berbagi pengetahuan berdasarkan hasil penelitian dan kreasi seni musik, Tari, Teater, Rupa, dan bidang sejenis lainnya.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 53 Documents
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KAJIAN STRUKTUR DAN MAKNA LARIK ADU PANTUN DI YAYASAN SENI DAN BUDAYA BEKSI MARHALI KECAMATAN BATUCEPER KOTA TANGERANG BANTEN Rohadi Rohadi; Alis Triena Permanasari; Giri Mustika Roekmana
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 1 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

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Abstract

Adu Pantun sebagai salah satu sastra lisan yang dikembangkan menjadi bentuk seni atau disebut juga dengan teater tutur. Kesenian Adu Pantun di Yayasan Seni dan Budaya Beksi Marhali Kecamatan Batuceper, Kota Tangerang-Banten mempunyai ciri struktur dan makna dalam larik Adu Pantun. Struktur larik Adu Pantun menggunakan pantun berbalas oleh pantun jual (pihak mempelai perempuan) dan pantun beli (pihak mempelai laki-laki)  yang meliputi pantun pembuka, pantun isi, dan pantun penutup. Makna yang dapat dipahami dalam bait-bait Adu pantun yang terdiri makna teks dan makna konteks. Makna teks adalah ukuran yang bersifat verbal dan speechless dalam aktivitas sosial sebagai ekspresi unit linguistik yang digunakan untuk menyatakan apa saja yang dipikirkan oleh penutur pantun. Begitu pula makna konteks ialah arti pemahaman dari seorang penutur atau pelaku pantun dalam penuturan atau mengungkapkan isi larik pantun . Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif, sebagai pengambilan sampel sumber data dengan tujuan dan, tentu saja, trigonometri, pengumpulan data, dan menganalisis data induktif/kualitatifKata Kunci: Adu Pantun, Kajian Struktur, Makna Larik, Pantun Betawi Banten
Struktur Gerak Dasar Silat Bandrong di Padepokan Tunas Muda Bojonegara Kabupaten Serang Banten Yusuf, Burhanudin; Suhaya, Suhaya
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 1, No 2 (2022)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v1i2.13500

Abstract

ABSTRACT This research is motivated by the difficulty of obtaining written references regarding the basic movement structure of Sila Bandrong t in Padepokan Tunas Muda. This study aims to determine the general description of Silat Bandrong Tunas Muda Padepokan and describe the basic movement structure of Silat Bandrong in Tunas Muda Padepokan. This research method is descriptive qualitative with an ethnographic approach, aiming to get a description of culture. The object of this research is Padepokan Silat Bandrong Tunas Muda Bojonegara, Serang Regency, Banten. The data used comes from the results of observations and interviews. Based on the results of the research, the Silat Bandrong Tunas Muda Padepokan continues to grow and is active in Silat Bandrong activities in Bojonegara. The people of Bojonegara really like the uniqueness of the Silat Bandrong movement at the Tunas Muda Padepokan. The basic movement of Silat Bandrong at Padepokan Tunas Muda is called Kick 1 (one). The basic movement structure of Silat Bandrong in Padepokan Tunas Muda has a repetition of moves in it with separate names according to the form of the move. Keywords: Basic Movement Structure, Silat Bandrong, Tunas Muda Padepokan.ABSTRAK Penelitian ini dilatarbelakangi oleh sulitnya mendapatkan refrensi tertulis mengenai struktur gerak dasar Silat Bandrong di Padepokan Tunas Muda. Penelitian ini bertujuan untuk mengetahui gambaran umum Padepokan Silat Bandrong Tunas Muda dan mendeskripsikan struktur gerak dasar Silat Bandrong di Padepokan Tunas Muda. Metode penelitian ini adalah deskriptif kualitatif dengan pendekatan etnografi, untuk mendapatkan deskripsi tentang kebudayaan. Objek dalam penelitian yaitu Padepokan Silat Bandrong Tunas Muda Bojonegara, Kabupaten Serang Banten. Data yang digunakan berasal dari hasil observasi dan wawancara. Berdasarkan hasil penelitian Padepokan Silat Bandrong Tunas Muda terus berkembang dan aktif dalam kegiatan Silat Bandrong di Bojonegara. Masyarakat Bojonegara sangat menggemari keunikan gerak (jurus) Silat Bandrong di Padepokan Tunas Muda. Gerak dasar Silat Bandrong di Padepokan Tunas Muda dinamakan Jurus 1(satu). Struktur gerak dasar Silat Bandrong di Padepokan Tunas Muda terdapat pengulangan jurus didalamnya dengan penamaan tersendiri sesuai dengan bentuk jurus. Kata Kunci: Struktur Gerak Dasar, Silat Bandrong, Padepokan Tunas Muda.
Fungsi Kesenian Ubrug Mang Cantel Bagi Masyarakat Kampung Prisen Kecamatan Walantaka Kota Serang Banten Uyi Lasmana; Alis Triena Permanasari; Giri Mustika Roekmana
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 1, No 1 (2022)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

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Abstract

 ABSTRACT.Ubrug art is a traditional theater art that has elements of jokes, jokes or commonly referred to as genre comedy.This research aims to describe the function of ubrug traditional theater art for the community.The source of this research data is Ubrug Mang Cantel workshop located in prisen village, Walantaka district, Serang Banten City.The theory used in research is function theory and cultural studies.The method used is a descriptive qualitate method. The collection of research data is conducted with interview techniques, direct observation, documentation and literature studies.From the results of the study found several Functions of Art Ubrug Mang Cantel for the people of Kampung Prisen including as a medium of entertainment and spectacle, Ubrug as an economic media for the perpetrators, as a medium of defense of The Javanese language Serang and Sunda Banten, as a medium of moral planting for and as a media of cultural defense banten.Kata kunci : fungsi, ubrug, teater rakyat banten.
ORGANOLOGICAL REVIEW OF ARI GUNADI'S CLASSIC GUITAR BRACING IN RANGKASBITUNG Furqon, Aynan; Permana, Rian; Rizal, Syamsul; Purwinarti, Wiwin
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 2 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i2.19859

Abstract

Ari Gunadi, luthier from Rangkasbitung has been made classical guitar for years. He has problems, when he wants to make a good guitar, but only have cheap materials and tools. Ari realized that bracing is the most important part of the quality of a classical guitar. The aim of the study was to find out in detail about the organology of Ari Gunadi's bracing, and to find out the differences between Ari Gunadi's guitar bracing and similar bracing. The methodology used is descriptive qualitative by using observation, interviews, and literature as a medium for data collection. The research results obtained, that organologically Ari Gunadi used the "Fan Bracing" with using local hibiscus and mahogany wood, and using cheap tools. But, Ari Gunadi made changes to the shape of his guitar frame, such as the small frame on the top bracing wavy, and the large frame on the back bracing where the seat was curved. So when compared with fan bracing on other guitars, there are many differences that cannot be compared and becomes a unique characteristic of classical guitar bracing made by Ari Gunadi.
Increasing Students Confidence in Learning Characterizations in Arts lessons using The Dramatic Learning Model (PTK in X Science 6 Class, High School 4 Serang City) Azis, Abdul; Roekmana, Giri Mustika; Rizal, Syamsul
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 1 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i1.18647

Abstract

Learning activity is an effort done consciously by man for a process of better changes, from the ones who are unable to be able, and from those who haven’t gotten used to it to got used to it. As a student, we need to have confidence, especially in the learning process, for lack of confidence could be an obstacle not just for the students but also the the educational staff to create a good learning environment. As according to what had been said in the teacher’s ethnicsl code, that teachers should create a greater school environment that highly supports the success of a learning process. The goal of this research is to know the students learning process and to increaser their confidence in those learning process. A classroom action research is the method used for this research by using the Dramatic Learning model an using Spiral Kemmis and Mc. Taggart’s research designed. The result of this research showed a students learning process that have an increase in the active learning process based on a better confidence in the students, the increasing students confidence in the pre cycle showed an average of 24%, cycle 1 showed an average of 39% after three action was done, and cycle 2 showed an average 76% after three actions was done. Based on this research, it can be concluded that learning using the Dramatic Learning model can increase the students confidence.
Analisis Tokoh Utama “Sultan Haji” Pada Naskah “Surosowan Burak” karya Toto St Radik Saiyah, siti; Permanasari, Alis Triena; Roekmana, Giri Mustika
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 1, No 2 (2022)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v1i2.14850

Abstract

Characters are divided into several types, namely the main character or central character and supporting characters. Every character must have a character or character which is also called characterization. Characterization is the author's way of presenting the characters in the story so that the character or nature of the characters can be known. The research method used is descriptive qualitative research method, a research conducted through an approach that emphasizes the researcher as a key research instrument that plans, implements, collects data, draws conclusions and compiling a complete and systematic research report. There are four scenes in Toto St Radik's "Surosowan Burak" mask. Analyzed by reading the script and observing the author's description of the character's form which includes: age, gender, appearance, social and psychological conditions that make it easy for the audience to recognize the character. the author's description of the form of character which includes: physiological dimensions (physical characteristics), psychological dimensions (mental) and sociological dimensions (social).Keywords: character, characterization, physiological, psychological, sociological
Pelatihan Tari Kreasi Banten Ing Tanah Jawara di Sanggar Seni Rajawali Pandeglang Siti Nurasiah Jamil; Alis Triena Permanasari,; Hadiyatno Hadiyatno
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 1, No 1 (2022)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

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Abstract

ABSTRACTThe Banten Ing Tanah Jawara dance training is a dance training process created by Rajawali Pandeglang art studio for male dancers. The Rajawali Pandeglang art studio was one of the studios in Pandeglang Regency that is active in the dance training and has a fairly good dancing quality, especially for male dancers. This can be seen from the techniques and movements performed by male dancers. This study aims to find out the process of the Banten Ing Tanah Jawara dance training for male members, as well as what factors are supporting and inhibiting the training process. This study used a descriptive method using a qualitative approach and supported by other supporting theories by looking at the training process of the Banten Ing Tanah Jawara creation dance at Rajawali Pandeglang art studio. Data collected  by using observational studies, interviews, and documentation. Based on the results of the study, it was shown that the training process for the creation of Banten Ing Tanah Jawara dance at the Rajawali Pandeglang art studio was held four times gradually, scheduled and systematic, each meeting covering planning, implementation, observation and evaluation, and the supporting factors for the training are the dancers's basic abilities and the trainers's roles, whereas the inhibitin factors in the training process is the discipline of training time.Keywords: Creative Dance Training Process, Creative Dance, Banten Ing Tanah Jawara.ABSTRAKProses pelatihan tari kreasi Banten Ing Tanah Jawara adalah proses pelatihan tari yang dilakukan di sanggar seni Rajawali Pandeglang dan diberikan kepada penari laki-laki. Sanggar seni Rajawali Pandeglang merupakan salahsatu sanggar yang ada di Kabupaten pandeglang yang aktif dalam proses pelatihan tari dan memiliki kualitas kepenarian yang cukup baik terutama bagi penari laki-laki. Hal ini dapat dilihat dari teknik dan pengolahan gerak yang dilakukan penari laki-laki. Penelitian ini bertujuan untuk mengetahui bagaimana proses pelatihan tari Banten Ing Tanah Jawara bagi anggota laki-laki, serta apa saja yang menjadi faktor pendukung dan penghambat dalam proses latihan tersebut. Metode dalam penelitian ini menggunakan metode deskriptif dengan menggunakan pendekatan kualitatif serta ditunjang dengan teori pendukung lainnya dengan melihat proses pelatihan tari kreasi Banten Ing Tanah Jawara di sanggar seni Rajawali Pandeglang. Teknik pengumpulan data dilakukan dengan studi observasi, wawancara, dan dokumentasi. Berdasarkan hasil penelitian menunjukan bahwa proses pelatihan tari kreasi Banten Ing Tanah Jawara di sanggar seni Rajawali Pandeglang dilakukan sebanyak empat kali pertemuan secara bertahap, terjadwal dan sistematis setiap pertemuan meliputi perencanaan,pelaksanaan, pengamatan dan evaluasi, dengan adanya faktor pendukung yakni kemampuan dasar penari dan peran pelatih, serta faktor yang menjadi penghambat dalam proses latihan adalah kedisiplinan waktu latihan. Kata Kunci : Proses Pelatihan, Tari kreasi,  Banten Ing Tanah Jawara
Marhabanan Structure Study in Cikatapis Village, Keong Village, Rangkasbitung District, Lebak, Banten Aditya, Dimas; Hadiyatno, Hadiyatno; Septian, Dadang Dwi; Rizal, Syamsul
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 2 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i2.20587

Abstract

Banten is a province that has arts in the same family as West Java. Bsnten people have one type of Islamic art that focuses more on sound. The Islamic art found in Banten is Marhabanan art, an Islamic art that will show the characteristics and identity of art among communities in other regions. This research uses qualitative research methods with a Case Study approach which is used to investigate and understand an event or problem that occurs by collecting various kinds of information which are then processed to get a solution so that the problem that occurs can be resolved. This research will also describe the results of the research in a narrative manner, and the data collection uses 3 stages, namely: (1) observation, (2) interview and (3) documentation. From the results of the study it can be concluded that Marhabanan has important structures contained in it, namely: (1) Outer Structure and (2) Inner Structure, as well as knowing the functions in reading Marhabanan. in this case, the Marhabanan art in Banten can be categorized as one type of Islamic art and performing arts owned by the people of Banten and makes it a distinctive Islamic art owned by the people of Banten.
STRATEGI DALAM MENCETAK GURU DALAM ERA DIGITAL Edy Riyanto
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 1 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

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Abstract

There are three kinds of intelligence that humans have. The first is intellectual intelligence, which is an intelligence that provides the ability to count, analogize, imagine, and have the power of creation and innovation. The second is emotional intelligence includes self-control, enthusiasm, and perseverance, as well as the ability to motivate yourself and survive the frustration, the ability to control impulses and emotions, not excessive in pleasure, regulate mood and keep the burden of stress does not paralyze the ability to think , to read other people's deepest feelings (empathy) and pray, to maintain the best possible relationship, the ability to resolve conflicts, and to lead oneself and the surrounding environment. Furthermore, spiritual intelligence is the intelligence to deal with problems of meaning or value to place our behavior and life in the context of a broader and richer meaning. Future teachers are teachers who have intellectual abilities, emotional and spiritual abilities and have skills that can create optimal learning outcomes, have sensitivity in reading the signs of the times, have intellectual insight and forward thinking, and have never been satisfied with knowledge available to him if the three intelligences above we can have, and implemented as a professional teacherKeywords: Teacher, Professional, Intellectual Intelligence, emotional
TEKNIK ALIENASI BRECHT PADA KEAKTORAN MANG BROSOT DALAM KESENIAN UBRUG Harisah, Harisah; Permanasari, Alis Triena; Roekmana, Giri Mustika
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 1, No 2 (2022)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v1i2.15204

Abstract

Aktor berperan untuk menjembatani antara cerita dengan penonton, dibutuhkan keterampilan yaitu teknik sebagai cara seorang aktor dalam mengoptimalkan dirinya menjadi peran yang dimainkan, terutama pada keaktoran Ubrug yang membutuhkan aktor handal seperti Mang Brosot, namun tidak memahami tentang Mang Brosot pada media sosial serta ketidaktahuan terkait teknik yang dilakukan Mang Brosot dalam keaktorannya. salah satunya yaitu Teknik Alienasi yang mengupayakan penerapan pada diri aktor dengan peran yang dimainkan, serta membuat sesuatu yang biasa menjadi sesuatu yang tidak biasa. Penelitian ini bertujuan untuk mengetahui Gambaran Umum Mang Brosot dan untuk mengetahui, mendeskripsikan serta menganalisis teknik Alienasi Brecht pada keaktoran Mang Brosot dalam pertunjukan Ubrug. Penelitian ini dilakukan di Kampung Kemayungan RT/RW 003/001 Desa Sukajaya, Kecamatan Pontang, Serang dengan subjek penelitian Mang Brosot. Metode penelitian yang digunakan yaitu kualitatif. Keaktoran Mang Brosot ditemukan teknik Alienasi berupa keluar masuk peran, serta membuat sesuatu yang biasa menjadi tidak biasa/asing.Kata Kunci: Aktor, Mang Brosot, Alienasi, Ubrug

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