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Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan
Published by Universitas Nahdlatul Wathan Mataram
ISSN : 25274465     EISSN : 25490524     DOI : https://doi.org/10.51673/trendi
Core Subject : Education,
Education Languange, Linguistic, Communication & Media
Jurnalistrendi: Jurnal Linguistik, Sastra, dan Pendidikan, diterbitkan oleh Prodi Pendidikan Bahasa Indonesia FKIP Universitas Nahdlatul Wathan Mataram, bertujuan untuk menerbitkan berbagai laporan penelitian, studi literatur dan tulisan ilmiah tentang fonetik, fonologi, morfologi, sintaksis, analisis wacana, pragmatik, antropolinguistik, bahasa dan budaya, dialektologi, dokumentasi bahasa, linguistik forensik, linguistik sejarah komparatif, linguistik kognitif, linguistik komputasional, linguistik korpus, neurolinguistik, pendidikan bahasa, penerjemahan, perencanaan bahasa, psikolinguistik, sosiolinguistik, sastra modern dan daerah, sastra lisan, sastra anak, pembelajaran bahasa dan sastra, pengembangan media dan metode pembelajaran bahasa Indonesia dan inggris. Terbit secara berkala dua kali setahun pada bulan April dan November. Setiap artikel yang dimuat di Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan melalui proses reviwu yang mendalam. Penulis diundang untuk mengirimkan naskah yang termasuk dalam ruang lingkup Kajian linguistik, sastra dan pendidikan Bahasa Indonesia serta Inggris. Silakan baca informasi tentang proses peer-review . Artikel yang diterbitkan di Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan akan melalui proses peer-review double-blind. Oleh karena itu, keputusan diterima atau tidaknya artikel ilmiah tersebut menjadi hak Dewan Redaksi berdasarkan rekomendasi dari peer reviewer.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 274 Documents
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Language Styles in UFC Trash Talk : a Sociolinguistics Study Muhammad, Faizi Noor; Simatupang, Ervina CM
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2593

Abstract

This research explores how fighters in the Ultimate Fighting Championship (UFC) use language in their press conferences and media appearances, with a focus on the styles and purposes of their verbal exchanges. Using a qualitative approach, the study looks at transcripts from UFC events between 2010 and 2025, especially the words of well-known fighters such as Conor McGregor, Nate Diaz and other Fighters. The analysis is based on Labov’s (1972) framework for storytelling, which includes parts like the abstract, orientation, complicating action, evaluation, resolution, and coda, as well as Jakobson’s (1960) ideas about the different functions of language. The research identifies three main ways fighters use language: confrontational, which involves direct insults and threats; humorous, which includes sarcasm and irony; and performative, which is more about making a dramatic or showy statement. Out of 20 data of UFC trash talk, the analysis revealed that fighters strategically employ various language styles to construct their public personas, intimidate opponents, and engage audiences. Regarding language style classification, the data shows a relatively balanced distribution across narrative categories. Orientation, Complicating Action, and Evaluation were the most frequently used styles, each (20%) of the analyzed data, abstract and Coda each accounted for (15%), resolution appeared least frequently with only (10%). This research contributes to to sociolinguistics, particularly in understanding how language is strategically used in sports media discourse. It highlights how trash talk functions as a context-dependent communicative practice shaped by social norms, performance, and interactional goals
Lexical Ambiguity in The Movie Ford V Ferrari (2019) By James Mangold : a Semantics Study Fadilla, Muhammad Hikmal; Simatupang, Ervina CM
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2594

Abstract

This study investigates the phenomenon of lexical ambiguity in the film Ford v Ferrari (2019) through the lens of semantics. Lexical ambiguity, which occurs when a single word have more than one meaning, plays a significant role in both everyday communication and cinematic dialogues. The research aims to identify the types of lexical ambiguity found in the movie and analyze the meanings conveyed through those ambiguities. This study employs a qualitative descriptive method. The data were collected through several techniques, including watching the movie repeatedly, transcribing selected dialogues, identifying ambiguous words or utterances, and note-taking. By applying the theories semantics from George Yule (2010), Hurford et al. (2007), and Leech (1981). The data analysis technique involves classifying the ambiguous expressions into types of lexical ambiguity (polysemy and homonymy) and interpreting their meanings based on contextual usage, particularly affective and connotative meanings. To assure data validity, the researcher used theoretical triangulation, which involves comparing several semantic theories and rechecking the data to preserve consistency and accuracy. By highlighting how language ambiguity functions within the film's context, this study contributes to the broader understanding of semantics in audiovisual media and underlines the significance of interpreting meaning in cinematic discourse.
Slang In The Film Deadpool (2016): Sociolinguistics Study Ardira, Cipta Yudistira; CM Simatupang, Ervina
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2595

Abstract

This study analyzes the use of slang in the film Deadpool (2016) from a sociolinguistic perspective, focusing on how informal language portrays character identity and social meaning. The purpose of this study is to identify the different types of slang used by Wade Wilson (Deadpool) and examine how these slang functions sociolinguistically in the film's dialogue. A qualitative descriptive method is applied using the film and its official transcripts as the primary data sources. A total of nine slang expressions spoken by the main character were collected through documentation and note-taking techniques, selected based on the criteria of containing standard, community, taboo, fresh and creative, acronym, and borrowed slang elements relevant to sociolinguistic analysis. The data were validated through triangulation of theory to ensure accuracy in classification and interpretation. The results show that Deadpool often uses innovative and inappropriate expressions to convey comedy, sarcasm, and emotional intensity, thus reinforcing his rebellious and humorous persona. This study demonstrates that slang in audiovisual media functions as a sociolinguistic phenomenon, fostering character development and narrative engagement, and reflecting group identity and social dynamics. By providing insight into the relationship between informal language and sociocultural expressions in popular media, this study contributes to sociolinguistic studies and offers a reference for further research on sociolinguistics.
TRANSFORMASI SOSIAL DAN IDENTITAS DI ERA AI: KAJIAN POSTHUMANISME DALAM NOVEL MENANAM GAMANG Murahim, Murahim; Efendi, Mahmudi; Jaeka, Farida; Karoluslina, Karoluslina; Apriani, Wahida
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2602

Abstract

The novel Menanam Gamang by Dhianita Kusuma Pertiwi reflects a post-pandemic world dominated by technology and artificial intelligence (AI) in human life. Set two decades after a global pandemic, the novel depicts humanity’s uncertainty in facing both the comfort and the existential void brought about by dependence on technology. This study aims to examine how social transformation and human identity are represented in the novel using a posthumanism theoretical approach. The method employed is qualitative research based on literary text analysis, focusing on narratives, dialogues, and descriptions related to the relationship between humans and technology. The findings reveal that technology in the novel functions not merely as a tool but has transformed into an entity that reshapes the way humans think, feel, and interact. Human identity becomes fluid, social relations undergo disruption, and traditional values are marginalized. These findings suggest that literature can serve as a reflective space for understanding the dilemmas of humanity amidst the relentless tide of technology. Keywords: Posthumanism; Identity; AI; Novel; Technology.
Evaluasi Kemampuan Menulis Teks Berita Siswa Kelas VII SMP Negeri 3 Purwokerto: Pendekatan Struktur Teks Van Dijk Utami, Zahra Amalia; Sudaryanto, Memet; Sholikhati, Nur Indah
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2670

Abstract

Studies on student-written news texts tend to focus on language errors, whereas research that systematically examines text structure based on van Dijk’s model remains relatively limited. This study aims to describe the structure of news texts written by seventh-grade students at SMP Negeri 3 Purwokerto based on macro-structure, superstructure, and micro-structure aspects. This study employs a qualitative approach using a descriptive method. The research data consisted of ten news texts written by students, obtained through documentation and analyzed using the model by Miles, Huberman, and Saldana (2014). The results indicate that regarding macro-structure, 9 out of 10 texts (90%) contained clear and relevant topics, including themes such as traffic accidents, natural disasters, environmental issues, and crime. In terms of superstructure, 7 out of 10 students (70%) were able to compose news texts coherently in accordance with journalistic conventions (headline, lead, body, and conclusion), although 3 texts still featured a concluding section that was persuasive and opinionated. Regarding microstructure, the semantic, stylistic, and rhetorical aspects were each met by 9 out of 10 students (90%), while syntax was the weakest aspect, with only 8 students (80%) meeting it; the main weaknesses were found in the inefficient use of compound sentences, the placement of conjunctions at the beginning of sentences, and punctuation errors. These findings indicate that students possess the ability to develop themes and organize news structures but still require reinforcement in linguistic aspects. This study contributes to demonstrating the application of van Dijk’s model in analyzing student texts and provides practical implications for teaching news writing in schools.
Indonesia Lokalitas Budaya Sasak pada Film Perempuan Sasak Terkahir Lana, Indah Rosita; Saharudin, Saharudin; Sirulhaq, Ahmad
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2691

Abstract

The research question addressed in this study is how Sasak cultural locality and cultural elements are portrayed in the film Permpuan Sasak Terakhir. This study aims to uncover the Sasak cultural locality and cultural elements contained in the film Permpuan Sasak Terakhir by Sandi Amaq Rinjani. The research design employed in this study is qualitative descriptive research, with data sourced from the film Permpuan Sasak Terakhir Data collection was conducted using the observation method, followed by note-taking. The results of this study indicate the presence of distinct Sasak cultural locality and cultural elements. These include cultural locality, knowledge system locality, artistic locality, and technological system locality. Keywords: Locality, Sasak Culture, Permpuan Sasak Terakhir
Analisis Gaya Bahasa Kiasan Pada Lirik Lagu "o, Tuan" Karya .Feast Raid, Nofrisha Arkana; Melasarianti, Lalita; Sholikhati, Nur Indah
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2695

Abstract

This study aims to describe the use of figurative language in the lyrics of the song “O, Tuan” from the album *Membangun & Menghancurkan* by .Feast through a stylistic analysis. This study employs a descriptive qualitative approach using the Simak Bebas Libat Cakap (SBLC) method and note-taking techniques to identify, classify, and analyze the forms of figurative language that appear in the song lyrics. The results of the study indicate that there are six types of figurative language, based on Gorys Keraf’s classification, found in the lyrics of “O, Tuan,” namely metaphor, personification, antonomasia, synecdoche, hypallage, and innuendo. These six figures of speech play a role in building the expressive power of the lyrics, such as metaphors and personification, which provide poetic and emotional nuances, as well as antonomasia and synecdoche, which offer variations in the representation of meaning. Additionally, hypallage and innuendo provide a more complex interpretive layer through deviations from standard structure and the subtle or implied conveyance of meaning. This finding confirms that .Feast employs language choices in an aesthetic, symbolic, and deliberate manner to reinforce the artistic message and social critique intended to be conveyed. Thus, the figurative language in the lyrics of “o, Tuan” is not merely an aesthetic element but also functions as a linguistic strategy that enriches meaning, deepens the message, and reinforces the social critique and existential reflection on humanity’s limitations regarding time and death conveyed symbolically and poetically to the listener. Keywords: Stylistics, Figurative Language, Feast
Bentuk Tindak Tutur Perlokusi Ekspresif pada Dialog Tokoh Ian dalam Film Perayaan Mati Rasa Karya Umah Shahab Saputra, Farrel Rizki; Wijayawati, Dyah; Nugroho, Bivit Anggoro Prasetyo
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2721

Abstract

This study aims to describe the form of expressive perlocutionary speech acts in the dialogue of the character Ian in the film Perayaan Mati Rasa by Umay Shahab. This study is a qualitative descriptive study based on pragmatic studies, focusing on the use of language in the context of speech interactions. The research data are in the form of dialogue utterances of the character Ian containing expressive perlocutionary speech acts. The data were obtained through the Free Listening and Speaking (SBLC) method, which is a data collection technique by listening to the use of language without the researcher's direct involvement in the speech event, which is followed by a note-taking technique to systematically document the data. The collected data were then analyzed using the pragmatic equivalent method with the Determining Elements Selection (PUP) technique, namely analyzing speech based on the context of the speech situation and the determinants of meaning outside of language, such as the relationship between the speaker and the speech partner and situational conditions. Furthermore, the data were classified based on the theory of expressive speech acts proposed by Searle (1979), which includes forms of thanking, congratulating, apologizing, blaming, praising, expressing condolences, and complaining. The results of the study indicate that of the seven forms of expressive perlocutionary speech acts, six were found: thanking, apologizing, blaming, praising, expressing condolences, and complaining. Congratulating was not found. The most dominant form of expressive perlocutionary speech act was complaining, which represents the emotional distress and inner conflict experienced by the main character. This research is expected to contribute to the development of pragmatic studies, particularly the analysis of expressive perlocutionary speech acts in film media, as well as provide implications for the field of language and literature education as teaching materials for discourse analysis and learning to appreciate audiovisual literary works.
Pelanggaran Prinsip Kesantunan Berbahasa dalam Kolom Komentar pada Channel Youtube Ferry Irwandi Ikhsani, Rico; Pujihastuti, Etin; Krisnawati, Vera
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2724

Abstract

This study aims to describe the forms of violations of the principle of linguistic politeness by netizens in a video titled “Exposing the Lies About Black Magic & Indigo Children,” which was released on November 4, 2024. The approach used in this study is qualitative descriptive using the (SBLC) method as well as note-taking to identify, classify, and analyze netizens’ comments on the video titled “Exposing the Lies of Black Magic & Indigo” uploaded on November 4, 2024. The results of the study indicate that all six types of violations of the maxims of politeness according to Leech—namely the maxims of prudence, generosity, praise or appreciation, modesty, agreement, and sympathy—were found in the form of violations, with a total of 60 comments. The most dominant violation was found in the maxim of agreement, with 31 comments; next, violations of the maxim of praise or appreciation were found in 24 comments. Meanwhile, violations of the maxim of prudence were found in 2 comments, while violations of the maxims of generosity, modesty, and sympathy were each found in 1 comment. These findings indicate that in discussions regarding mystical issues on YouTube, netizens tend to disregard the principles of polite language, thus necessitating an increase in awareness of polite language within digital communication spaces. Keywords: Polite language; Violations; YouTube; Mysticism
Derivasi dan Infleksi Verba Berafiks ‘di-in’ pada Media Sosial X: Kajian Morfologi Alifya, Shafa Aura; Wibowo, Agur Hari
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2738

Abstract

This study examines the use of non-standard verbs with the di-in affix in posts by users of Social Media Platform X as a morphological phenomenon in contemporary Indonesian. The study aims to describe the di-in affixation pattern and explain the morphological processes involved, particularly the distinction between derivation and inflection. The study employs a descriptive qualitative approach grounded in Katamba’s morphological theory and concepts of Indonesian morphology. The research data consists of written posts by Social Media X users containing verbs with the di-in affix. Data were collected using the observe-and-record method and analyzed using the distributional method through the direct element technique, the substitution technique, and the elision technique. The results indicate that the di-in affixation is a productive and systematic non-standard affixation pattern in social media language. The di-in affix can attach to the base forms of verbs, adjectives, and nouns, thereby producing non-standard passive verbs. Morphologically, the di-in affixation is derivational when it causes a change in word class, particularly from nouns and adjectives to verbs, and is inflectional when it merely marks the passive grammatical relation without altering the word class of the verb base. These findings indicate that linguistic variation in social media is not random but follows specific morphological rules. This study is expected to contribute to the development of Indonesian morphological studies and serve as a reference for language learning and linguistic research in the digital age. Keywords: di-in affixation; derivation; inflection; morphology; social media X

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