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Artistic Expression of Harvest Ceremony Ritual of Wehea Dayak Tribe Sutarya, Abdul Majid; Winata, Gita
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65782

The Lom Plai harvest ceremony ritual is an essential tradition of the Wehea Dayak tribe in East Kalimantan that combines artistic expression with spiritual and social values. However, in-depth studies on the form and meaning of artistic expression in this ritual are still limited. This study aims to describe how visual elements such as costumes, masks, colours, motifs, musical instruments, and spatial and dance movement patterns play a role in strengthening the cultural and spiritual identity of the Dayak Wehea community. The method used is a descriptive qualitative approach with a visual ethnography model through participatory observation, in-depth interviews, and visual documentation in Nehas Liah Bing Village, East Kutai. Thematic analysis based on symbolic theory and cultural structure was used to interpret the symbolic meaning of artistic expression elements. The results show that artistic expression in the Lom Plai ritual functions as a medium of spiritual communication that strengthens human relationships with nature and ancestors and strengthens social solidarity and preservation of cultural values amid modernization.

Integration of Lateral Thinking in Puzzle Games: Implications for Creativity and Problem Solving Fikri Hendaputra, Raden Mohammad; Ratri, Dianing
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65954

Creative thinking and problem-solving are essential skills that adolescents need to navigate the challenges of the 21st century. Unfortunately, formal education systems still tend to emphasize linear thinking and often fall short in providing space to nurture cognitive flexibility. One alternative approach that has shown promise is lateral thinking—a non-linear thinking method that can be effectively applied through puzzle games. This study aims to explore late adolescents’ perceptions of the effectiveness of lateral thinking in puzzle games, as well as the potential of such games in fostering creativity and problem-solving skills. A descriptive qualitative approach was employed using Focus Group Discussion (FGD) as the primary method. Ten participants aged 17–22 took part in a structured discussion about their gaming experiences and their perspectives on the concept of lateral thinking. The data were analyzed thematically. The findings indicate that most participants viewed lateral thinking as an effective approach for tackling problems that require creative solutions. Puzzle games designed with contextual challenges, tiered reward systems, and engaging narratives were considered effective in stimulating idea exploration and flexible thinking. Social features such as multiplayer modes and strategy discussions were also seen as enhancing motivation and cognitive collaboration among players. Participants reported that they began applying alternative thinking patterns in real-life situations, such as when developing organizational strategies or resolving social conflicts. This suggests a transfer of skills from the gaming environment to real-world contexts. In conclusion, integrating lateral thinking into puzzle game design presents a relevant educational approach to enhance adolescents' thinking skills. These types of games hold great potential as enjoyable alternative learning tools that simultaneously build cognitive capacity.

Revitalizing the Significance of Sumbang Duo Baleh in the Development of Social Ethics Among the Minangkabau Youth Generation Agustina, Agustina; Elpalina, Srimutia; Azis, Adek Cerah Kurnia; Sugito, Sugito
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.66061

The social ethical crisis that hit the young generation today is a serious concern in the world of education and culture. Phenomena such as bullying, degradation of manners, and a decline in the sense of social responsibility are real symptoms of the weakening of moral values that should be formed from an early age. In the context of the Minangkabau community, the customary values contained in the Sumbang Duo Baleh are one of the sources of local wisdom that is rich in ethical guidelines and social conduct. This article aims to analyze the relevance of Sumbang Duo Baleh in the formation of social ethics of the younger generation, as well as offer a strategy for revitalizing these values so that they remain contextual in the modern era. The method used is a literature study with a descriptive qualitative approach, through the analysis of cultural documents, scientific literature, and reflection on cultural practices in the Minangkabau community. The results of the study show that the Baleh Duo Contribution, which consists of twelve ethical norms such as kato (speaking politely), cembang danga (listening well), sumcontribution karajo (being responsible for work), and incest (acting appropriately), has great potential as a guideline in shaping the social attitudes and character of the younger generation. However, these values are starting to be marginalized due to the lack of cultural literacy and the strong flow of global values. Therefore, the revitalization of these customary values needs to be carried out through synergy between schools, families, and indigenous peoples, with the support of digital technology as a medium for transforming values that are adaptive and attractive to Generation Z. The implications of this study show the need for a character education policy that is more based on local wisdom, as well as the development of culture-based learning media to strengthen the identity and integrity of the younger generation.

KAJIAN BENTUK, FUNGSI DAN KREATIVITAS RUMAH RAJUT SYAFIR KOTO LAWEH Hendra; Harissman; Nofrial; Ferawati; Zam, Riswel
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstrak Kerajinan rajut tangan “Rumah Rajut Syafir”, merupakan sentra kerajinan rajut yang berada di Nagari Koto Laweh Kecamatan X Koto Kabupaten Tanah Datar. Usaha yang dirintis tahun 2016 dan menghasilkan beragam produk rajutan. Produk yang dihasilkan memiliki keberagaman bentuk dan fungsi. Penelitian ini bertujuan untuk mengetahui pengaruh dari keberadaan Rumah Rajut Syafir bagi perkembangan kriya rajut Sumatera Barat. Seiring dengan perkembangan zaman dan perubahan selera masyarakat, Rumah Rajut Syafir juga selalu berupaya untuk meningkatkan kualitas dan kuantitas produk yang dihasilkannya. Untuk mengulas lebih jauh mengenai produk yang dihasilkan, maka digunakan pendekatan dengan menggunakan teori bentuk dan fungsi sehingga dapat dianalisa mengenai keberagaman bentuk dan fungsi produk. Data diperoleh dengan pendekatan kualitatif untuk mendapatkan beragam informasi terkait bentuk dan fungsi produk yang dihasilkan. Produk yang dihasilkan berupa aksesoris sederhana seperti gelang, boneka kecil, tempat tisu dan lainnya. Namun seiring berjalannya waktu, produk yang dihasilkan juga semakin beragam seperti jaket rajut, tas rajut dengan motif khas Minangkabau dan hiasan dinding dan hal ini tentunya merupakan respon rumah Rajut Syafir terhadap selera pasar. Untuk menganalisis produk yang dihasilkan maka digunakan teori bentuk Clive bell dan teori fungsi yang dikemukakan oleh Feldman. Hasil dari analisis data di lapangan dapat dilihat bagaimana karakter bentuk, fungsi dan kreativitas dari pengrajin di rumah Rajut Syafir. Dari analisis tersebut dapat disimpulkan bahwa kerajinan Rajut Syafir bertransformasi menghasilkan produk yang menyesuaikan dengan kebutuhan masyarakat. Kata Kunci: Rajut Syafir, Bentuk, Fungsi, Kreativitas Abstract The hand-knitting craft "Shafir Knitting Home" located in Nagari Koto Laweh, X Koto District Tanah Datar. This craftbusiness was started in 2016 and produces a variety of knitted products. The products that made have a variety of shapes and functions. This study aims to influence the existence of the Syafir Knitting House for the development of West Sumatra knitting crafts. Along with the times and changes in people's tastes, Syafir's Knitting House also always strives to improve the quality and quantity of the products it produces. To review more about the products produced, an approach is used using the theory of form and function so that it can be analyzed regarding the diversity of product forms and functions. The data was obtained using a qualitative approach to obtain a variety of information regarding the shape and function of the products produced. The products produced are in the form of simple accessories such as bracelets, small dolls, tissue holders and others. However, as time goes by, the products produced are also increasingly diverse, such as knitted jackets, knitted bags with Minangkabau motifs and wall hangings and this is of course Syafir's Knitting house's response to market tastes. To analyze the product that produced, Clive Bell's form theory and function theory proposed by Feldman are used. The results of the data analysis in the field can be seen how the character forms, functions and creativity of the craftsmen at Syafir's Knitting house. From this analysis it can be concluded that Syafir's knitting craft is transformed into products that adapt to the needs of the community. Keywords: Syafir knitting, shape, function, creativity

AKTIVITAS TAREK PUKAT SEBAGAI EKSPRESI SIMBOLIK DALAM KRIYA SENI KAYU Fitria, Fitria; Asril, Asril; Anshori, Ubai Dillah Al
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.42905

Tarek pukat is the activity of fishing communities in catching fish using pukat (nets) by being ditarek (pulled). Tarek pukat activity in modern times is experiencing extinction, the cause is tiger trawling. The tiger trawl has triggered a shift in the value of the Tarek pukat activity. Tarek pukat activity for the people of Aceh has become part of them and their lives. This activity is present because of the results of the thinking of previous people by doing it together and giving birth to interactions between fellow fishing communities. The phenomenon of Tarek pukat activity is explored using a symbolic expression approach. Symbolic expression is a way to express the phenomenon of Tarek pukat activities in works of art by expressing through pouring symbols as a form of value to be presented. The purpose of this creation is to convey messages and provide self-awareness for the general public and the people of Aceh itself. The methods in the creation of this artwork are: exploration, design in the form of experiments, materials, tools, techniques, and realization. The medium used is surian wood, meranti wood, and jackfruit wood. Techniques are scroll and intarsia. The final stage of the creation of finishing works using melamine system, the achievement of the shape and final result of a work can be influenced by the finishing results.The work created by the artist is a two-dimensional work of art in the form of decorative artwork placed on the wall with the title of the work: "Kulet Bak Meucheue Tuboh" (like the skin becomes the body protector), and "Musafe La'ot" (sea traveler). The artworks presented through this symbolic expression give birth to a new form of activities with the message that the artist wants to convey to the Tarek pukat activity seen today. With the presence of this artwork, it is hoped that it willbe able to become an awareness for the people of Aceh to respond to the results of keunebah indatu (ancestral heritage), so that it can trigger the enthusiasm of the community to be preserved again. The birth of this artwork certainly presents meanings and values that are considered necessary to be conveyed by the author.Keywords: tarek pukat, symbolic expression, intarsia. AbstrakTarek pukat adalah aktivitas masyarakat nelayan dalam menangkap ikan menggunakan pukat (jala/jaring) dengan cara ditarek (ditarik). Aktivitas tarek pukat pada saat zaman modern ini mengalami kepunahan, penyebabnya adalah pukat harimau. Pukat harimau menjadi pemicu terjadinya pergeseran nilai yang ada dalam aktivitas tarek pukat tersebut. Aktivitas tarek pukat bagi masyarakat Aceh sudah menjadi bagian dari mereka dan kehidupannya. Aktivitas ini hadir karena hasil olah pikir orang terdahulu dengan melakukan secara bersama-sama dan melahirkan interaksi-interaksi antar sesama masyarakat nelayan. Fenomena aktivitas tarek pukat digarap menggunakan pendekatan ekspresi simbolik. Ekspresi simbolik menjadi suatu cara untuk menuangkan fenomena aktivitas tarek pukat dalam karya seni dengan cara diekspresikan melalui penuangan simbol-simbol sebagai wujud dari nilai yang mau dihadirkan. Tujuan dari penciptaan ini adalah untuk upaya pesan dan memberi kesadaran diri bagi masyarakat umum maupun masyarakat Aceh sendiri. Metode dalam penciptaan karya seni ini yaitu: eksplorasi, perancangan berupa eksperimen, bahan, alat, teknik, dan perwujudan. Medium yang digunakan berupa kayu surian, kayu meranti, dan kayu nangka. Teknik berupa scroll, dan intarsia. Tahap akhir penciptaan karya finishing menggunakan melamine system, pencapaian bentuk dan hasil akhir dari sebuah karya dapat dipengaruhi dari hasil finishing. Hasil karya yang diciptakan pengkarya merupakan karya seni dua dimensi berupa karya seni dekoratif yang ditempatkan pada dinding dengan judul karya: œKulet Bak Meucheue Tuboh (ibarat kulit menjadi pelindung badan), dan œMusafe La™ot (musafir lautan). Karya seni yang dihadirkan melalui ekspresi simbolik ini melahirkan suatu bentuk aktivitas-aktivitas yang baru dengan isian pesan yang ingin disampaikan oleh pengkarya terhadap aktivitas tarek pukat yang terlihat hari ini. Dengan hadirnya karya seni ini, diharapkan mampu menjadi kesadaran bagi masyarakat Aceh agar menyikapi hasil keunebah indatu (peninggalan leluhur), sehingga bisa memicu semangat masyarakat untuk dilestarikan kembali. Lahirnya karya seni ini tentunya menghadirkan makna-makna serta nilai yang dianggap perlu disampaikan oleh pengkarya.Kata Kunci: tarek pukat, ekspresi simbolik, intarsia.Authors:Fitria : Institut Seni Indonesia PadangpanjangAsril : Institut Seni Indonesia PadangpanjangUbai Dillah Al Anshori : Universitas Muhammadiyah Sumatera Utara References:Apriliana, A., Akmal, A., & Yulika, F. (2021). Penciptaan Kriya Tekstil Tengkuluk Batik Kumbuah. Gorga: Jurnal Seni Rupa, 10(2), 323-343.Ardianti, S. R. (2021). Pemanfaatan Teknik Tapestri Pada Rompi Dengan Bahan Renda.Gorga: Jurnal Seni Rupa, 10(2), 486-494.Dharsono, S. K. (2016). Kreasi Artistik: Perjumpaan Tradisi Modern dalam Paradigma Kekaryaan Seni. Jaten Karanganyar: Citra Sain.Dharsono, S. K. (2017). Seni Rupa Modern. Bandung: Rekayasa Sains.Fitriani. (2017). Nelayan Sebagai Ide Penciptaan Tari Tarek Pukat Dalam Kajian Interaksi Simbolik. Imaji, 15(2), 179-188.Gustami, S. P. (2007). Butir-Butir Mutiara Estetika Timur: Ide Dasar Penciptaan Seni Kriya Indonesia. Yogyakarta: Prasista.Laksono, M. A., & Mubarat, H. (2022). Ekspresi Bejana Perunggu Kerinci Sebagai Penghias Interior. Melayu Arts and Performance Journal, 5(2), 140-151.Saputra, M. I., & Asril, A. (2022). Ekspresi Plak Pleng Pada Interior Ruang Tamu: Penciptaan Kriya dengan Pendekatan Eksplorasi Atas Ornamen Kerajaan Lamuri. Bercadik: Jurnal Pengkajian dan Penciptaan Seni, 5(2), 134-144.Wardoyo, S., Wulandari, T., Guntur, G., Dharsono, D., & Zulkarnain, Z. (2021). Penciptaan Selendang Batik Sri Kuncoro Khas Budaya Samin Margomulyo Bojonegoro. Gorga: Jurnal Seni Rupa, 10(2), 407-414.Yulhanis, Y. (2019). Tradisi Tarek pukat Dalam Masyarakat Aceh. Aceh: Bulletin Haba No. 19.

PERANCANGAN IDENTITAS VISUAL LAYANAN MOBILE GROOMING HI PETS Lemuela, Jemima Katherine; Chandra, Edy
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.43343

Hi Pets was founded in 2020, selling dog and cat equipment. hi pets is also a provider of grooming services. hi pets already has a physical store in the kelapa gading area, north jakarta. in the last 2 years the pet shop business has grown rapidly, thereby increasing competition. this is the background behind the owner of hi pets to create a new business unit, namely mobile grooming services. with this new service, a visual identity is needed that can represent the value of the service. this design was made with the aim of producing a visual identity design for mobile grooming services that displays the value of the service, as well as the application of visual identity in supporting media. the methods used in this design are problem identification, data collection, data analysis, research, creative process, and design execution. in addition, qualitative methods are also used which aim to obtain descriptive and in-depth data. and supported by an analysis of strengths and weaknesses to find out the right strategy to use in this design. the results of designing this visual identity are in the form of a logo, as well as its application in various media in the form of car boxes / van grooming, staff uniforms, apron groomers, name cards, stationery sets, price list designs, invoice designs, loyalty cards, social media content, mini websites, grooming equipment and merchandise.Keywords: mobile grooming, design, visual identity. AbstrakHi Pets berdiri pada tahun 2020, dengan menjual perlengkapan anjing dan kucing. Hi Pets juga merupakan penyedia jasa layanan grooming. Hi Pets telah memiliki toko fisik di Kawasan Kelapa Gading, Jakarta Utara. Dalam 2 tahun terakhir bisnis usaha pet shop berkembang pesat, sehingga meningkatkan persaingan. Hal ini lah yang melatarbelakangi owner dari Hi Pets untuk membuat unit bisnis baru yaitu layanan mobile grooming. Dengan adanya layanan baru tersebut maka diperlukan sebuah identitas visual yang dapat merepresentasikan value layanan tersebut. Perancangan ini dibuat bertujuan untuk menghasilkan rancangan identitas visual layanan mobile grooming yang menampilkan value dari layanan tersebut, serta pengaplikasian identitas visual pada media pendukung. Metode yang digunakan dalam perancangan ini adalah identifikasi masalah, pengumpulan data, analisis data, riset, proses kreatif, dan ekesekusi perancangan desain. Selain itu digunakan juga metode kualitatif yang bertujuan untuk mendapatkan data yang bersifat deskriptif dan mendalam. Serta didukung dengan analisis kelebihan dan kekurangan untuk mengetahui strategi yang tepat untuk digunakan dalam perancangan ini. Hasil dari perancangan identitas visual ini berupa logo, serta pengaplikasiannya di berbagai media berupa Mobil Box / Van Grooming, Seragam staff, Apron groomer, Kartu Nama, Stationery Set, Desain Daftar Harga, Desain Invoice, Loyalty Card, Konten Sosial Media, Mini Website, Peralatan grooming, dan Merchandise.Kata Kunci: mobile grooming, desain, identitas visual. Authors:Jemima Katherine Lemuela : Universitas TarumanagaraEdy Chandra : Universitas Tarumanagara References: Cornellin, E., & Paramita, S. (2019). Komunikasi Pemasaran Brand Lokal Kepada Masyarakat Indonesia (Studi Terhadap Beras Sikoki). Prologia, 3(1), 86“98.Darmawanto, E. (2019). Desain Komunikasi Visual II Perancangan Identitas Visual. Unisnu Press.Hanum, A., Azani, B., Purnomo, E., & Zaim, R. A. (2022). Perancangan Kemasan Rakik Mak Nis. Gorga: Jurnal Seni Rupa, 11(2), 286“379.Karsono, K., Purwanto, P., & Salman, A. M. Bin. (2021). Strategi Branding Dalam Meningkatkan Kepercayaan Masyarakat Terhadap Madrasah Tsanawiyah Negeri. Jurnal Ilmiah Ekonomi Islam, 7(2), 869“880.Landa, R. (2018). Graphic Design Solutions. Cengage Learning.Press, E. (2009). Start Your Own Pet Business and More: Pet Sitting, Dog Walking, Training, Grooming, Food/treats, Upscale Pet Products. Entrepreneur Press.Putra, R. W. (2021). Pengantar Desain Komunikasi Visual dalam Penerapan. Penerbit Andi.Rustan, S. (2021). LOGO 2021. Jakarta: Nulis Buku Jendela Dunia.Sari, D. M., Fitryona, N., & Sandra, Y. (2022). Konsep Kreatif Desain Ikon Bangunan Peta Shelter Mitigasi Universitas Negeri Padang. Gorga: Jurnal Seni Rupa, 11(2), 355“360.Soleh, O., Wuryani, R., & Farizi, R. (2017). OPet™s is Petshop Mobile Application to Meet All The Needs of Pets (Day-Care, Shopping And Grooming): Development And Business. 2017 2nd International Conferences on Information Technology, Information Systems and Electrical Engineering (ICITISEE), 141“146.Wispandono, M. (2012). Penciptaan Entrepreneur Kompetitif Melalui Pengoptimalan Otak Kanan (Studi Kasus Pada Mahasiswa UTM). Prosiding Seminas Competitive Advantage, 1(2).Wrona, K. (2015). Visual Identity and Rebranding. Marketing of Scientific and Research Organizations, 16(2), 91“119.

PENERAPAN STORYLINE TEMA THE KINGDOM UNDER THE SEA PADA AREA DISPLAY JAKARTA AQUARIUM Intan, Intan; Mutiara, Maitri Widya; Pane, Sri Fariyanti
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.43710

Indonesia is a maritime country and the sea is one of the most important natural resources, but many Indonesian people are not aware of and do not care about the balance of the ecosystem. This resulted in marine life being threatened and extinct unnoticed. Oceanarium is a place of recreation and education, as well as a place of conservation that displays marine life in the aquarium. One of Oceanarium in Jakarta is the Jakarta Aquarium which is located inside the Neo Soho Mall. Jakarta Aquarium is one of the aquarium tours featuring various sea water biota in Indonesia. At this time there is a great need for an introduction to seawater biota. To create a fun and educative atmosphere, as well as present storyline good, appropriate interior design is needed and supports the Jakarta Aquarium by applying the concept of the theme "The Kingdom Under the Sea, an underwater kingdom using a technology. The design methodology used for the design of the Jakarta Aquarium is Rosemary Kilmer's design method and data collection is carried out directly and indirectly according to the problems encountered and the goals to be achieved. With an interesting aquarium visualization and interactive facilities can help build and instill a sense of curiosity.Keywords: aquarium, storyline, interior, technology.AbstrakIndonesia adalah negara maritim dan laut merupakan salah satu sumber daya alam yang paling penting, tetapi banyak dari masyarakat Indonesia tidak sadar dan tidak peduli terhadap keseimbangan ekosistem. Hal ini mengakibatkan kehidupan laut mulai terancam dan punah tanpa disadari. Oceanarium merupakan salah satu tempat rekreasi dan edukasi, serta sebagai tempat konservasi yang menampilkan biota laut di dalam akuarium. Salah satu Oceanarium di Jakarta adalah Jakarta Aquarium yang terletak di dalam Mall Neo Soho. Jakarta Aquarium merupakan salah satu wisata akuarium yang menampilkan berbagai biota air laut di Indonesia. Saat ini sangat dibutuhkannya pengenalan mengenai biota air laut. Untuk menciptakan suasana menyenangkan dan edukatif, serta menyajikan storyline yang baik, diperlukan perancangan interior yang sesuai dan mendukung pada Jakarta Aquarium dengan menerapkan konsep tema œThe Kingdom Under the Sea, sebuah kerajaan dibawah laut dengan menggunakan sebuah teknologi. Metodologi desain yang digunakan untuk perancangan Jakarta Aquarium merupakan metode perancangan Rosemary Kilmer serta pengumpulan data dilakukan secara langsung dan tidak langsung sesuai dengan masalah yang ditemui dan tujuan yang ingin dicapai. Dengan adanya visualisasi akuarium yang menarik dan adanya fasilitas interaktif dapat membantu membangun dan menanamkan rasa keingintahuan.Kata Kunci: akuarium, alur cerita, interior, teknologi. Authors:Intan : Universitas TarumanagaraMaitri Widya Mutiara : Universitas TarumanagaraSri Fariyanti Pane : Institut Kesenian Jakarta References: Andanwerti, N., Astuti, N. W., & Ferdinand, F. (n.d.). ANALISIS ALUR CERITA (STORYLINE) PAMERAN DI MUSEUM SENI RUPA DAN KERAMIK JL. POS KOTA, TAMAN SARI, JAKARTA BARAT. ANALISIS ALUR CERITA (STORYLINE) PAMERAN DI MUSEUM SENI RUPA DAN KERAMIK JL. POS KOTA, TAMAN SARI, JAKARTA BARAT.Arsyad, N. (2020). Yurisdiksi Indonesia Di Laut Natuna: Perspektif Hukum Internasional. PETITUM, 8(1 April), 20“36.Christian, A. J., Bangsa, P. G., & Christianna, A. (2017). Perancangan Media Board Game untuk Meningkatkan Kepedulian Anak-Anak Terhadap Kondisi Laut Indonesia. Jurnal DKV Adiwarna, 1(10), 13.Dictionary, O. E. (1989). Oxford English Dictionary. Simpson, Ja & Weiner, Esc, 3.Haryanto, I., Yusril, Y., & Martarosa, M. (2020). PERANCANGAN PERTUNJUKAN TEATER RAMBUN PAMENAN DALAM POLA TEATER TRADISIONAL RANDAI DENGAN PENDEKATAN TEATER MODERN (WELL MADE PLAY). Gorga: Jurnal Seni Rupa, 9(2), 256“260.Hasim, E. M., & Indrawan, H. (2020). The Role of Aquarium in Increasing Visitors Interactivity in Interior Design of Jakarta Aquarium. The 2nd Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2020), 374“378.Juniartini, N. L. P. (2020). Pengelolaan Sampah Dari Lingkup Terkecil dan Pemberdayaan Masyarakat sebagai Bentuk Tindakan Peduli Lingkungan. Jurnal Bali Membangun Bali, 1(1), 27“40.Kertesz, F. (1968). THE STORY OF™™PROJECT AQUARIUM™™. Oak Ridge National Lab., Tenn.Kilmer, R., & Kilmer, W. O. (2014). Designing interiors. John Wiley & Sons.Lamrose, T., Budiwiwaramulja, D., Azmi, A., & Muslim, M. (2019). Pemanfaatan Media Video Tutorial Terhadap Hasil Pembelajaran Menggambar Siswa Kelas Viii Smp Negeri 1 Mardinding. Gorga: Jurnal Seni Rupa, 8(1), 30“35.Paramita, N. G. A., Mudra, I. W., & Remawa, A. A. G. R. (n.d.). CENGKEH SEBAGAI INSPIRASI PENGEMBANGAN MOTIF BATIK BERBASIS DIGITAL DI KABUPATEN BULELENG. Gorga: Jurnal Seni Rupa, 11(2), 426“432.Pratiwi, N. I. (2017). Penggunaan Media Video Call dalam Teknologi Komunikasi. Jurnal Ilmiah Dinamika Sosial, 1(2), 202“224.Ramadhani, W. P. (2022). Tarekot Malang Riverpark Dengan Pendekatan Water Sensitive Design. Malang: Universitas Islam Negeri Maulana Malik Ibrahim.Safitri, S. (2021, December). Makna Laut Bagi Indonesia Secara Politik. In SEMINAR NASIONAL PENDIDIKAN IPS (Vol. 1, pp. 121-125).Sanjaya, E. A. (2015). Landasan Konseptual Perencanaan dan Perancangan Oceanarium di Kawasan Wisata Pantai Parangtritis. UAJY.Stefani, V. (2017). Bengkulu Oceanarium. UAJY.

PERSEPSI VISUAL GESTALT: DAMPAK DARI ELEMEN DESAIN MEDIA INFORMASI MITIGASI TSUNAMI Sumema, Sumema; Asrinaldi, Asrinaldi; Firosha, Ardian; Rotama, Hendra; Gusman, Taufik
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.45368

The condition of Indonesia, which is in a disaster-prone area (ring of fire), often causes disasters, especially earthquakes and tsunamis. Information media is important in providing information and education in increasing public awareness of disaster risks. With the threat of a tsunami disaster, researchers are interested in analyzing and evaluating one of the disaster mitigation programs, especially in a design perspective, which is about tsunami mitigation information media. Researchers want to find out how the influence of information media on public awareness in dealing with the tsunami disaster. The research conducted is descriptive analysis through the theory of design elements. The research was also strengthened by conducting FGDs to determine the process of visual perception through Gestalt Theory. The results of the analysis are the limitations and limitations of the media related to visual information from the design, affecting the public in understanding information.Keywords: media, perception, signage, infographics, tsunamis. AbstrakKondisi Indonesia, yang berada di daerah rawan bencana (ring of fire), sering menimbulkan bencana, terutama gempa bumi dan tsunami. Media informasi penting dalam memberikan informasi dan edukasi dalam meningkatkan kesadaran masyarakat terhadap risiko bencana. Dengan adanya ancaman bencana tsunami, peneliti tertarik untuk menganalisis dan mengevaluasi salah satu program mitigasi bencana, terutama dalam perspektif desain, yaitu tentang media informasi mitigasi tsunami. Peneliti ingin mengetahui bagaimana pengaruh media informasi terhadap kesadaran masyarakat dalam menghadapi bencana tsunami. Penelitian yang dilakukan adalah analisis deskriptif melalui teori elemen-elemen desain. Penelitian tersebut juga diperkuat dengan melakukan FGD untuk mengetahui proses persepsi visual melalui Teori Gestalt. Hasil analisis tersebut adalah kekurangan dan keterbatasan media informasi terkait visual dari desain, mempengaruhi masyarakat dalam memahami informasi.Kata Kunci: media, persepsi, signage, infografis, tsunami. Authors:Sumema : Politeknik Negeri PadangAsrinaldi : Institut Seni Budaya AcehArdian Firosha : Politeknik Negeri PadangHendra Rotama : Politeknik Negeri PadangTaufik Gusman : Politeknik Negeri Padang References:Hennink, M, M. (2014). Focus Group Discussions. United States of Amerika: Oxford University Press. 2.Hergenhahn, B. (2009). An Introduction to the History of Psychology. 6th Edition. Belmont: Cengage Learning.Hughes, K, A. (2019). Graphic Design: Learn it, do it: Boca Raton: CRC Press. 53-67.Koffka, K. (1935). Principles of Gestalt Psychology. New York: Harcourt, Brace & World.Kurzweil, E. (2015). Jaring Kuasa Struktualisme Dari LÃ¨vi-Strauss sampai Foucault. Diterjemahkan oleh Nurhadi. Bantul (ID): Kreasi Wacana.O™Connor, Z. (2015): Colour, contrast and Gestalt theories of perception: The impact in contemporary visual communications design, Color Research and Application 40(1): 85“92. doi:10.1002/col.21858.Rustan, S. (2013). Mendesain Logo. Jakarta: Gramedia Pustaka Utama.Sanyoto, S. (2005). Dasar-Dasar Tata Rupa dan Desain, Yogyakart: Arti Bumi Intaran.Sunaryo, S. (2002). Psikologi untuk Keperawatan. Jakarta: Penerbit Buku Kedokteran EGC.Sari, D. M., Afriwan, H., Purnomo, E., & Kharisma, M. (2021). Perancangan Infografis Shelter Bangunan di Kawasan Universitas Negeri Padang Sebagai Mitigasi Bencana Alam Gempa dan Tsunami. Gorga: Jurnal Seni Rupa, 10(2), 287-294.Sari, D. M., Fitriyona, N., Purnomo, E., & Sandra, Y. (2022). Konsep Kreatif Desain Ikon Bangunan Peta Shelter Mitigasi Universitas Negeri Padang. Gorga: Jurnal Seni Rupa, 11(2), 355-360.Sartain, J.; North, J.; Strange, R.; Chapman, M. (1973). Psychology: Understanding the Human Behavior. New York: McGraw-Hill.Siburian, S. A., Saragi, D., Harahap, S. (2020). Tinjauan Tata Letak (Layout) Poster Anti Narkoba Badan Narkotika Nasional Provinsi Sumatera Utara. Gorga: Jurnal Seni Rupa, 09(1), 01-06.

KARAKTERISTIK SULAMAN BENANG EMAS PADA BAJU PENGANTIN TRADISIONAL MINANGKABAU DI KECAMATAN LUBUK BEGALUNG Yuliarma, Yuliarma; Ismalita, Villia Nur
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.46436

The purpose of the research is to describe The characteristics of the motif design include the shape of the motif, the decorative pattern, and the placement of the motif on the gold thread embroidered product which is applied to traditional Minangkabau wedding dresses in the industrial center of Lubuk Begalung District, Padang. Traditional motif designs that are applied to gold thread embroidered wedding dress products at the of Lubuk Begalung Padang Industrial center has the characteristics their distinguish them from embroidery from other regions. This research used a qualitative descriptive method with the type of data required in the form of primary data and secondary data. The data were collected through observation, interviews, and documentation studies. The characteristics of the traditional Minangkabau gold thread embroidery design is in the form of naturalist motifs such as the kaluak babungo motif, peacock, hong bird, orchid flower, and sponge. The decorative patterns used are free decorative patterns, sow decorative patterns, hanging decorative patterns, and walking fringe decorative patterns. The placement of the motif includes the neckline, the ends of the sleeves, on the bottom edge of the front and back clothes.Keywords: gold thread embroidery, wedding dress. AbstrakPenelitian ini bertujuan untuk mendeskripsikan karakteristik desain motif meliputi bentuk motif, pola hias, dan penempatan motif pada produk sulaman benang emas yang diterapkan pada baju pengantin tradisional Minangkabau di sentra industri Kecamatan Lubuk Begalung Padang. Desain motif tradisional yang di terapkan pada produk baju pengantin sulaman benang emas di sentra Industri Lubuk Begalung Padang memiliki ciri khas yang membedakannya dengan sulaman dari daerah lain. Penelitian ini menggunakan metode deskriptif kualitatif dengan jenis data yang diperlukan berupa data primer dan data sekunder. Data yang dikumpulkan melalui teknik observasi, wawancara, dan studi dokumentasi. Ciri khas desain motif sulaman benang emas tradisional Minangkabau berupa bentuk motif naturalis seperti motif kaluak babungo, burung merak, burung hong, bunga anggrek, dan bunga karang. Pola hias yang digunakan pola hias bebas, pola hias tabur, pola hias menggantung, dan pola hias pinggiran berjalan. Penempatan motif meliputi garis leher, ujung lengan, pada pinggir bawah baju depan dan belakang.Kata Kunci: sulaman benang emas, baju pengantin. Authors:Yuliarma : Universitas Negeri PadangVillia Nur Ismalita : Universitas Negeri Padang References:Ibrahim, A., Djafri, D., Bafiman, B., Yanis, M., Alimunar, A., Ilyas, M., & Akbar, R. (1986). Pakaian adat tradisional daerah Sumatera Barat.Pulukadang, Roesbani. (2009). Keterampilan Menhias Kain. Bandung: Angkasa.Riza Mutia. (2012). Ragam Hias pada Koleksi Museum Adityawarman. Padang.Rosma. (1997). Nukilan Bordir Sumatra Barat. Cipta Budaya Indonesia.Suhersono, Hery. (2006). Desain Bordir Motif Batik. Jakarta. PT. Gramedia Pustaka Utama.UTARI, A. G., Zahri, W., & Idrus, Y. (2014). Studi Tentang Kerajinan Sulaman Benang Emas di Nagari Saniangbaka Kecamatan X Koto Singkarak Kabupaten Solok. Journal of Home Economics and Tourism, 7(3). (http://ejournal.unp.ac.id/index.php/jhet/article/view/4324).Yuliarma. (2018). Model Of Embroidery Design ˜Kepala Peniti™ Minangkabau On Acculturative Batik. Vol 301 Seventh International Conference on Languanges and Arts (ICLA). (http://repostory.unp.ac,id/21978/1/EMBROIDERY%2DESIGN%200K.pdf).Yuliarma, Y. DESIGN CHARACTERISTICS OF NATURAL MOTIVES IN VARIOUS DECORATIVE AND MINANGKABAU TRADITIONAL EMBROIDERY.(http://repostory.unp.ac,id/21978/1/EMBROIDERY%2DESIGN%200K.pdf).Yuliarma, Y. (2019, March). Model of Embroidery Design ˜Kepala Peniti'Minangkabau on Acculturative Batik. In Seventh International Conference on Languages and Arts (ICLA 2018) (pp. 128-135). Atlantis Press. (https://www.atlantis-press.com/proceedings/icla-18/55914482).Yuliarma, Y. (2014). STUDI TENTANG DISAIN RAGAM HIAS PAKAIAN PENGANTIN TRADISIONAL LUBUK BEGALUNG PADANG. (Journal of Home Economics and Tourism, 6(2).(http://ejournal.unp.ac.id/index.php/jhet/article/view/3422).Yuliarma, Yuliarma (2021) Sulaman Benang Emas Tradisional Minangkabau. In: Sulaman Benang Emas Tradisional Minangkabau. UPTD Meseum Adityawarman, Padang, pp. 1-110. (http://repository.unp.ac.id/39133/).Yuliarma. (2013). Disain Ragam Hias. UNP.Riza Mutia. (2012). Ragam Hias pada Koleksi Museum Adityawarman. Padang.Rosma. (1997). Nukilan Bordir Sumatra Barat. Cipta Budaya Indonesia.

PRAKTIK REPRESENTASI SENI LUKIS FLORA DAN FAUNA PENGOSEKAN PADA PRODUK SENI KERAJINAN Purnamasari, Ni Putu Laras
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.47185

The art of painting the flora and fauna of Pengosekan has a charming visual appeal. This visual object of painting then appeared in several arts and crafts in Gianyar Regency. These crafts include stone crafts, wood crafts and batik crafts. The representation of flora and fauna painting in craft arts can be seen in terms of themes, shapes, lines and colors. This research focuses on the practice of representing the flora and fauna of Pengosekan on arts and crafts products. The method used is a qualitative method with an analytical approach to visual representation and textual text, data obtained through observation, literature study, documents and in-depth interviews with sources in the field. The results of the research show that the presence of painted images of Pengosekan flora and fauna is attached to several arts and crafts products in Gianyar district. Some of these craft products include the art of stone crafts, the art of wood carving crafts, and the art of batik crafts.Economic needs are one of the factors causing the practice of representation, as well as being supported by the creativity of craftsmen, as well as the current trend in the painting market with Balinese natural themes, especially flora and fauna. Some of these things influence the thoughts and behavior of craftsmen to create a characteristic visual language leading to the art of painting the flora and fauna of Pengosekan. Representation can be identified in terms of themes and visual styles in the products created. From an economic, social and cultural perspective, this representational practice has had both positive and negative impacts on society, although basically this behavior has helped the existence of the art of painting flora and fauna, even in different media and functions.Keywords: representation, Pengosekan painting, crafts.AbstrakSeni lukis flora dan fauna Pengosekan memiliki pesona daya tarik pada visual karya. Objek visual seni lukis ini kemudian muncul pada beberapa seni kerajinan di Kabupaten Gianyar. Seni kerajinan tersebut antara lain kerajinan batu padas, seni kerajinan kayu, dan seni kerajinan batik. Representasi seni lukis flora dan fauna pada seni kerajinan terlihat dari segi tema, bentuk, garis, dan warna. Penelitian ini fokus pada praktik representasi seni lukis flora dan fauna Pengosekan pada produk seni kerajinan. Metode yang digunakan adalah metode kualitatif dengan pendekatan analisis representasi visual dan teks tekstual, data diperoleh melalui observasi, studi kepustakaan, dokumen, dan wawancara mendalam dengan narasumber di lapangan. Hasil penelitian menunjukkan bahwa kehadiran citra seni lukis flora dan fauna Pengosekan melekat pada beberapa produk seni kerajinan di kabupaten Gianyar. Beberapa produk kerajinan tersebut antaralain seni kerajinan batu padas, seni kerajinan ukir kayu, dan seni kerajinan batik. Kebutuhan ekonomi merupakan salah satu factor penyebab terjadinya praktik representasi, selain juga karena didukung oleh kreatifitas perajin, serta kecenderungan pasar lukisan saat itu dengan tema-tema alam Bali khususnya flora dan fauna. Beberapa hal tersebut mempengaruhi pikiran dan perilaku perajin untuk meciptakan karakteristik bahasa visual mengarah pada seni lukis flora dan fauna Pengosekan. Representasi dapat diidentifikasi dari segi tema dan gaya visual pada produk yang diciptakan. Dari segi ekonomi, sosial, dan budaya praktik representasi ini sangat memberi dampak baik positif maupun negativ kepada masyarakatnya, meskipun pada dasarnya perilaku ini telah membantu eksistensi seni lukis flora dan fauna meskipun pada media dan fungsi yang berbeda.Kata Kunci: representasi, seni lukis Pengosekan, kerajinan. Authors:Ni Putu Laras Purnamasari : Universitas PGRI Mahadewa Indonesia References:Budiwirman, B., Syeilendra, S., Ramadhan, A., & Syafei, S. (2023). Seni Tradisional dalam Seni Musik Modren: Analisis Berdasarkan Nilai Pendidikan. Gorga: Jurnal Seni Rupa, 12(1), 108-115.Cavallaro, D. (2004). Teori Kritis dan Teori Budaya. Yogyakarta: Niagara.Purnamasari, N. P. L., & Adiputra, A. M. (2020). Unsur Visual Seni Lukis Flora Dan Fauna Pengosekan Pada Seni Kerajinan Batu Padas Di Desa Singapadu. Stilistika: Jurnal Pendidikan Bahasa dan Seni, 9(1), 122-133.Purnamasari, N. P. L. (2022). Identification Of Painting Arts In Padas Stone Crafts In Singapadu Village. Mudra Jurnal Seni Budaya, 37(1), 69-77.Purnamasari, N. P. L. (2021). Tema Flora dan Fauna, Nataloka Studio. Hasil Dokumentasi Pribadi: 17 Maret 2021, Bali.Ramadhani, S. A., & Nelmira, W. (2023). Transformasi Motif Burung Merak pada Produk Bordir Kebaya Pila Kebaya di Kecamatan Harau Kabupaten Lima Puluh Kota. Gorga: Jurnal Seni Rupa, 12(1), 56-62.Sudikan, S. Y. (2001). Metode Penelitian Kebudayaan. Surabaya: UNIPRESS.Mubarat, H., Saaduddin, S., & Ihaq, M. (2022). Implementasi Ragam Hias Songket Palembang pada Ruang Publik Sebagai Representasi Estetik Budaya Lokal Palembang. Gorga: Jurnal Seni Rupa, 11(2), 529-537.Mudra, I. W., Raharja, I. G. M., & Sukarya, I. W. (2019). Motif Tradisi Wayang Khas Bali pada Penciptaan Seni Keramik. Gorga: Jurnal Seni Rupa, 8(2), 320-326.Mudra, I. W., Mahadi, M., & Karuni, N. K. (2020). Inovasi Produk Kriya Di Bali. Gorga: Jurnal Seni Rupa, 9(1), 56-63.

Home Page

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Reviewer

Google Scholar

Contact Name
Adek Cerah Kurnia Azis

Contact Email
adek_peros@yahoo.com

Phone
+6285278021981

Journal Mail Official
gorgajurnalsenirupa@unimed.ac.id

Editorial Address
Jl. Willem Iskandar / Pasar V, Medan, Sumatera Utara – Indonesia Kotak Pos 1589, Kode Pos 20221

Location
Kota medan,

Sumatera utara

INDONESIA

Abstract

Abstract

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Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Adek Cerah Kurnia Azis

Contact Email adek_peros@yahoo.com

Phone +6285278021981

Journal Mail Official gorgajurnalsenirupa@unimed.ac.id

Editorial Address Jl. Willem Iskandar / Pasar V, Medan, Sumatera Utara – Indonesia Kotak Pos 1589, Kode Pos 20221

Location Kota medan, Sumatera utara INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Adek Cerah Kurnia Azis

Contact Email
adek_peros@yahoo.com

Phone
+6285278021981

Journal Mail Official
gorgajurnalsenirupa@unimed.ac.id

Editorial Address
Jl. Willem Iskandar / Pasar V, Medan, Sumatera Utara – Indonesia Kotak Pos 1589, Kode Pos 20221

Location
Kota medan,

Sumatera utara

INDONESIA