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Sutasoma : Jurnal Sastra Jawa
Published by Universitas Negeri Semarang
ISSN : -     EISSN : 26865408     DOI : https://doi.org/10.15294/sutasoma
Core Subject : Education,
Other
All manuscripts submitted to this journal must follow the journals focus, scope, and author guidelines. The submitted manuscripts must address scientific merit or novelty appropriate to the focus and scope. All manuscripts must be free from plagiarism contents. All authors are advised to use plagiarism detection software to check similarity. Editors check the plagiarism detection of articles in this journal using Turnitin software.
Arjuna Subject : Ilmu Sosial - Pendidikan
Articles 40 Documents
 1   2   3   4 
Analysis of Iconic Grammatical Elements of the Sesulih Pratama Purusa Phrase in the Text of Raden Said Published by Perpusnas Press R. Adi Deswijaya; Agus Efendi; Tri Widiatmi; Nur Auliyani, Zalfa Zahiroh; Alfi Sahri
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.12448

Abstract

This research aims to (1) analyze the grammatical elements of sesulih pratama purusa phrases or third-person pronominal phrases found in the transliterated book of Raden Said text. (2) explain the types of iconicity of sesulih pratama purusa phrases or third-person pronomina phrases found in the transliterated book of Raden Said text; and (3) describe the reference form and meaning of the iconicity of sesulih pratama purusa phrases or third-person pronomina phrases found in the transliterated book of Raden Said text. Data collection was conducted using the listening method with a note-taking technique. The data were analyzed using agih method with semantic approach. This study found that the grammatical elements of third-person pronomina phrases and nomina phrases hold the most usage role, as many as 20 times from the total data of 28 third-person pronomina phrases. A total of 28 forms of third-person pronominal phrases were found to be the most iconic in the form of symbols. The most common reference for third-person pronoun phrases is endophoric reference, anaphora, followed by katafora.
Metaphysics of Wayang Tauhid Play 'Wedhare Sadat Tembayat' Presented by Ki Sunardi Wirocarito Luwiyanto; Syamsuddin, M. Mukhtasar; Lasiyo
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/e1reyx08

Abstract

Wayang has a closeness to the behavior and mindset of Javanese people. It is believed that there is a broad and deep philosophical thought system. The wayang performance, character, or nature of the wayang figures conveys the intellectual values ​​of life. Each character comes from a reflection or representation of humans' attitude, character, and nature. Wayang Tauhid, the play Wedhare Sadat Tembayat, which is full of the delivery of philosophical values, is the object of this research. Based on the material object's characteristics, the study focuses on the metaphysical approach. How can humans reveal reality's most profound meaning through metaphysical studies and explanations. The purpose of this study and explanation is to open the way for humans to gain knowledge of the actual reality, namely the existence of Allah. This study is included in qualitative research in the realm of library research. Because the material object is philosophy, this study uses the hermeneutic philosophical method. The hermeneutic philosophical method provides a comprehensive and in-depth approach to studying philosophy. From a metaphysical perspective, the study's results indicate that the WST play has an existential orientation, suggesting that humans have material, emotional, and spiritual limitations. The WST play teaches humans to live based on the oneness of Allah, the True Being. Everything in the world is an event, as a being that does not exist, is only created by Allah, the True Being. This reminds humans that life in the world is only temporary and has limits, so life should not chase worldly things too much, but carry out human obligations to get closer to Allah through faithful prayer. This statement shows that the metaphysics of the WST play is monistic and spiritual.
The Desire to Become a Chosen Woman in Sěrāt Mějang Dhatěng Garwa R.P. 366.45 Rahayu, Wiwien; Hernawan, Vighna
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.15487

Abstract

Sufism as a divine teaching is present in various Javanese literary works, one of which is Serat Mejang Dhateng Garwa R.P. 366.45, a macapat text that is part of the serat piwulang, containing the advice of a father to his daughter. Despite its didactic nature, this text is rich in Sufi values that guide women as active subjects toward the perfection of life and closeness to the Divine. This process of inner education aligns with the concept of suluk or the spiritual journey toward God, giving the text a spiritual didactic dimension. This study aims to understand how the father's advice to his daughter is conveyed, the strategies used, and how women are positioned as chosen figures. The research method used is qualitative with a Lacanian psychoanalytic approach to gender. The results show that in the text, the song serves as a medium for conveying messages; women are positioned as subjects who recognize their shortcomings to fulfill their spiritual needs. The title represents the symbolic relationship between the prologue (husband) and the content (wife). At the same time, the daughter as a subject relates directly to the mother and indirectly to the father. This text represents Sufi values and gender awareness within the aesthetics of macapat.
Philological Studies and Discussion of Human Obligations in the Manuscript of Raos Jawi Panêmbah Gangsal Prakawis Widya Ayu , Setiani; Ekowati, Venny Indria; Mulyani, Hesti; Prastowo, Galang
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/h9a5dn09

Abstract

The Raos Jawi Panêmbah Gangsal Prakawis manuscript is an ancient manuscript that contains human obligations worldwide. This text is interesting to research because it presents the concept of obligation from the perspective of Islamic teachings, which is integrated with the cultural values ​​of Javanese society. This research, which examines ancient Javanese manuscripts, aims to present the Raos Jawi Panêmbah Gangsal Prakawis manuscript through philological studies and explain the contents of the text regarding human obligations. This research uses modern philological and descriptive research methods. Research data was collected through philological research steps: manuscript inventory, manuscript description, text transliteration, text editing, text paraphrasing, and text translation. Data were analyzed using descriptive analysis techniques. The research results showed that (1) one copy of the manuscript was found; (2) the condition of the manuscript is good and the text can be read clearly; (3) transliteration results in the transfer of Javanese script to Latin; (4) there are four errors in writing the text; (5) paraphrasing produces text in the form of gancaran; (6) there are three categories of human obligations, namely absolute obligations towards God and the Messenger, general obligations towards kings, and positive obligations towards teachers and parents.
Suluk Linglung: Sufi Aphorism of Sunan Kalijaga Latifah, Kunfuaidah; Rahmawati, Lady Eka
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.18329

Abstract

Suluk Linglung Sunan Kalijaga is a literary work not widely known to the general public. This Suluk reflects Sunan Kalijaga’s comprehensive religious experience; it is his aphorism in expressing thoughts and ideas. Suluk Linglung tells of Sunan Kalijaga’s anxiety regarding spiritual journeys. The research method applies a hermeneutic approach with the help of philological theory. The primary data source is Suluk Linglung's text, which was translated by Kasri in 1993. The data collection technique uses literature study, while data analysis involves the stages of identification, clarification, hermeneutic, and contextual analysis. The study results found that Suluk Linglung emphasizes the science of nature more. Suluk Linglung places more emphasis on the science of nature. Its principles are based on the stage (maqam) in the Sufi tradition, which ends with the Insan Kamil phase. The first stage is the “preparation” phase, emphasizing the dimensions of consciousness within humans. The second stage, the process phase from exoteric to esoteric, is an effort to search for the essential sciences. In the third stage, the journey to Al Khalq, to achieve the science of hidayat, he met the Prophet Khidzir (inner teacher), who taught the science of hidayat. The fourth stage is Insan Kamil, where he has gained faith. Hidayat reached the tajalli phase. Search for the essential sciences. The third stage, the journey to truth, or from being to al-Khalq, is an effort to achieve the Science of Hidayat. He met the Prophet Khidzir (inner teacher), who taught the science of Hidayat. The fourth stage is Insan Kamil, where he has gained Faith in this phase. Hidayat reached the Tajalli phase.
A Comparison of Cognate Dialect Features in Javanese, Sundanese, Cirebon, and Indramayu Wibowo, Ridha Mashudi
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.21878

Abstract

This study aims to identify cognates based on form and meaning among Javanese, Sundanese, Cirebon, and Indramayu vocabularies and analyze their dialectal relationships. Using a list of one hundred Swadesh vocabulary items sourced from dictionaries of the four languages, the data were phonetically transcribed and compared to identify shared lexemes. Dialectometric analysis was then applied to quantify lexical distances and classify dialectal relationships. The findings show that the four languages share 28 cognates and exhibit varying degrees of linguistic proximity: Javanese and Cirebon show the closest relationship, while other pairs are classified as distinct dialects. While the study integrates qualitative and quantitative approaches and contributes insights into less-studied dialects such as Cirebon and Indramayu, it is limited by its reliance on secondary data and lack of fieldwork. Future research should incorporate direct elicitation from native speakers, phonological correspondence analysis, the etymological distinction between cognates and loanwords, and sociolinguistic and geographical mapping to deepen the understanding of dialectal variation in Java
Criminal Hegemony in the Novel Lodan saka Segara Kidul by Kukuh S. Wibowo: Gramsci's Perspective Wahyudi, Ahmad Rizky; Ahmadi, Anas
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.22927

Abstract

The connection between thuggery and power gives rise to a new face of politics laden with criminal hegemony. This concept is vividly depicted in the Javanese novel Lodan saka Segara Kidul (LSSK) by Kukuh S. Wibowo. Through a mystery-driven narrative, the novel exposes the transformation of Rahsana, a criminal gang leader, who changes his name to Hendarsa Prabancana and reinvents himself as a politician using slick yet effective hegemonic strategies. This research aims to reveal the representation of criminal hegemony in LSSK by Kukuh S. Wibowo through the lens of Gramsci’s theory, supported by other theories such as the normalization of crime, political oligarchy, self-image management, and more. The study employs a descriptive-qualitative method, emphasizing content analysis and literature review to examine novel narratives. This approach aims to identify forms of criminal hegemony, strategies for transitioning from crime to politics, and their societal impact. The findings demonstrate that Rahsana/Hendarsa utilizes wealth acquired through crime, money politics, and public image-building to gain legitimacy and maintain power. Hegemony does not manifest solely through physical domination but also through ideology that infiltrates social structures. These findings reflect how criminal practices can adapt within democratic systems and become part of legitimate political frameworks. This research contributes to enriching the study of Indonesian crime fiction while opening a critical discourse on the relationship between crime, politics, and the legitimization of power.  
Keduk Beji Tradition: The Roots of Implementing Deep Ecology Environmental Ethics in Tawun Village Rufianjani, Esavalin Oktavia; Rizal, Maulfi Syaiful
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.23538

Abstract

To preserve the environment and culture, the people of Tawun Village in Ngawi Regency routinely carry out the Keduk Beji tradition once a year. This tradition is an annual ritual to clean Sendang Tawun, which aims to maintain ecological balance and prevent the emergence of disasters or plagues. The routine of the Tawun community in carrying out this tradition is based on the oral tradition of “the legend of Sendang Tawun” regarding the origin of Tawun Village. The existence of a tradition that is closely related to the environment has a significant impact on the ecological balance in Tawun Village. This study aims to (1) describe the correlation between Keduk Beji tradition and the legend of Sendang Tawun, (2) describe the procession of the Keduk Beji tradition, and (3) describe the implementation of deep ecology environmental ethics in the Keduk Beji tradition. This research is qualitative research with the object of study being the Keduk Beji oral tradition carried out in Tawun Village, Ngawi Regency. The method used in this study is ethnography, which provides a comprehensive understanding of the impact of implementing the Keduk Beji tradition. Data collection techniques are done through interviews, observations, and documentation studies. The study results show that the Tawun community applies environmental ethics (principles of deep ecology), which are guided by the values ​​inherited from their ancestors. This study distinguishes between empirical reality in the form of cultural practices of the community in the Keduk Beji tradition and ideal values contained in the principles of deep ecology as a reference in environmental conservation.
Reactualization of the Serat Menak Lare in the Wangsalan Sindhenan Srambahan ., Siswati
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.24281

Abstract

This study discusses the process of making Wangsalan Sindhenan Srambahan, which is based on the Menak story. Menak's story is one of the most popular stories in Java, and it has been adapted into wayang and dance performances. Of the many performances related to menak stories, the cakepan wangsalan sindhenan has not been found, which is an essential element when accompanying menak performances. Research about Wangsalan menak stories is expected to contribute to menak story performances. This qualitative research uses descriptive analysis methods and the transfer of vehicles method. Data were collected through literature studies and paramasastra processing. The data analysis technique used is the reciprocity of data from document studies with Paramasastra. The results of this study are Wangsalan Srambahan from Menak stories, which can be used as a reference when accompanying Menak-themed performances.
Sanggit Lakon Carangan: Semiotic Analysis of Bagong Figures in the Ki Seno Nugroho Puppet Show Widagdo, Sungging; Hadi Purnomo, Sucipto; Supriyanto, Teguh; Balighah Nur Fitriyati , Hikmatun
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.26094

Abstract

Wayang kulit rose and became the prima donna through the play of the character Bagong by Ki Seno Nugroho on social media. This article aims to analyze the role and meaning of Bagong in the play of wayang kulit by Ki Seno Nugroho through a semiotic approach. Ki Seno Nugroho can bring the character of Bagong to life, not only playing a comedic role but also voicing social criticism and the values of people's wisdom. Roland Barthes' semiotic analysis method examines data in the form of signs and meanings formed in dialogues, gestures, expressions, and scenes involving Bagong. This method consists of two levels, namely denotation (literal meaning) and connotation (cultural and ideological meaning). The semiotic approach was chosen because of its relevance in unraveling the layers of meaning of a cultural text to reveal deeper cultural and ideological implications as well. The data source was taken from the video documentation of Ki Seno Nugroho's performance on the Dalang Seno YouTube channel with the plays Bagong Ratu and Semar Mbangun Kayangan. The results of the analysis show that (1) Bagong plays a role as a representation of the common people, (2) Bagong serves as a medium of symbolic resistance to social inequality, and (3) Bagong serves as a communicative and entertaining conveyor of local wisdom. This study confirms the position of Punakawan as an important narrative device in the play of Javanese puppetry.

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