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Andi Muhammad Ruum Sya'baan
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JUSCIA
Published by PT. CASA CENDEKIA MEDIA
ISSN : -     EISSN : 31235298     DOI : -
Core Subject : Humanities, Education, Social,
Humanities Education Environmental Science Social Sciences
JUSCIA (Jurnal Sastra Cendekia) is a scholarly journal that focuses on the development of literary studies and literature education. This journal publishes research articles, theoretical studies, literary criticism, and innovations in the teaching of literature aimed at enhancing the appreciation and understanding of literary works. The journal serves as an academic platform for researchers, lecturers, teachers, students, and literary enthusiasts to disseminate scientific ideas and findings in the fields of Indonesian literature, world literature, and literary pedagogy.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 14 Documents
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The Myth of Cross-Cultural Love in Five Songs by Ebiet G. Ade: A Semiotic Study of Roland Barthes: Mitos Cinta Lintas Budaya dalam Lima Lagu Ebiet G. Ade: Semiotika Roland Barthes Amirudin
Jurnal Casa Cendekia Vol 1 No 3 (2026): Juscia (Jurnal Sastra Cendekia), Vol. 1 No. 3, July 2026.
Publisher : CASA CENDEKIA MEDIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66225/27qvnt93

Abstract

This study aims to interpret the cross-cultural myth of love in five songs by Ebiet G. Ade from the album "Puisi-Puisi Cinta Ebiet G. Ade" using Roland Barthes' semiotic framework. The analysis focuses on Camellia 1, Elegi Esok Pagi, Nyanyian Kasmaran, Cinta di Kereta Biru Malam, and Cintaku Kandas di Rerumputan. Employing a qualitative interpretive approach, the study examines denotative, connotative, and mythic levels of meaning. Rather than claiming direct cultural representation, the findings suggest that the songs can be read as resonating with multiple cultural value systems, including Javanese subtlety, action-oriented expressions associated with Buton cultural perspectives, and more explicit expressive tendencies often linked to Western contexts. The findings indicate that the songs can be read as articulating a cross-cultural myth of love that resonates with three cultural traditions: the subtlety and indirectness often associated with Javanese culture (Camellia 1), the appreciation of action and meaningful silence found in certain readings of Buton cultural values (Elegi Esok Pagi, Cintaku Kandas di Rerumputan), and the expressive boldness frequently linked to Western culture (Cinta di Kereta Biru Malam). The analysis also indicates that Nyanyian Kasmaran may be interpreted as a critique of excessively passive forms of emotional restraint through its emphasis on honesty and openness. The myth formulated is that love is nature's gift that flows like dew, but it will only become real if manifested with courage, even if that courage may lead to suffering, sin, or failure. This research contributes to the development of literary semiotics and cultural anthropology in Indonesia.
Social Criticism in The Novel Lebih Senyap Dari Bisikan by Andina Dwifatma: Kritik Sosial dalam Novel Lebih Senyap dari Bisikan Karya Andina Dwifatma Muhammad Safar; Irianto Ibrahim; La Tike; Nur Israfyan Sofian
Jurnal Casa Cendekia Vol 1 No 3 (2026): Juscia (Jurnal Sastra Cendekia), Vol. 1 No. 3, July 2026.
Publisher : CASA CENDEKIA MEDIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66225/122fqg49

Abstract

Literary works provide not only aesthetic experience but also a medium for criticizing unequal social realities. This study aims to describe forms of social criticism in Andina Dwifatma's novel Lebih Senyap dari Bisikan [Quieter than a Whisper] and to explain their contribution to sociological literary studies and literature learning. The research employed a descriptive qualitative method using a sociology of literature approach. The primary data source was the 2021 Gramedia Pustaka Utama edition of Lebih Senyap dari Bisikan, and the data consisted of narrative units, dialogues, and events representing social criticism. The data were collected through intensive reading, note-taking, coding, classification, and interpretive validation based on Soekanto's categories of social problems as adapted in literary sociology. The findings reveal 23 units of social criticism distributed into eight categories: family disorganization 7 units (30.43%), education 4 (17.39%), poverty 3 (13.04%), religion 3 (13.04%), youth in modern society 3 (13.04%), crime 1 (4.35%), bureaucracy 1 (4.35%), and environmental issues 1 (4.35%). The most dominant criticism concerns family vulnerability, particularly gendered inequality, reproductive pressure, domestic violence, and failed marital communication. The study concludes that the novel does not merely portray household problems but also reveals the interconnection among poverty, social institutions, religion, education, modern culture, and the female body. Its contribution lies in strengthening sociological readings of contemporary Indonesian prose and offering a socially responsive model for literature learning materials.
Women's Images in Iksaka Banu's Novel Rasina: A Feminist Literary Criticism Study: Citra Perempuan dalam Novel Rasina Karya Iksaka Banu: Kajian Kritik Sastra Feminis Miner Sintia; Irianto Ibrahim; Sumiman Udu; Andi Muh. Ruum Sya’baan
Jurnal Casa Cendekia Vol 1 No 3 (2026): Juscia (Jurnal Sastra Cendekia), Vol. 1 No. 3, July 2026.
Publisher : CASA CENDEKIA MEDIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66225/9cs1r275

Abstract

This study is motivated by the need for a critical reading of women's representations in colonial-themed literary works, since women's bodies, voices, and social positions are often shaped by patriarchal power relations as well as layered colonial systems. This study aims to describe the image of women in the novel Rasina by Iksaka Banu, covering self-image (physical and psychological aspects) and social image (family and colonial society). A qualitative approach with a descriptive-interpretative design was employed through reading and note-taking techniques, with textual units from the novel Rasina (2023) as the main data source. Data were analyzed through identification, classification, interpretation, and conclusion drawing within Ruthven's feminist literary criticism framework. The findings reveal that Rasina is portrayed as possessing physical allure alongside a wounded, violated body, experiencing psychological trauma and fear, and occupying a subordinate position both domestically and as an enslaved indigenous woman within the colonial legal system. These findings affirm that Rasina represents the layered oppression of indigenous women arising from the intersection of gender, class, and race within colonial structures.
An Analysis of the Stigma of Children Born Out of Wedlock and the Formation of Trauma in the Character Hanun in Isrina Sumia’s Novel Dia yang Haram Based on Freudian Psychoanalysis: Stigma Anak di Luar Nikah dan Pembentukan Trauma Tokoh Hanun dalam Novel Dia yang Haram Karya Isrina Sumia: Kajian Psikoanalisis Freud Bidadari Sakti; Irianto Ibrahim; La Ode Akhiri Zulzaman; Saidiman
Jurnal Casa Cendekia Vol 1 No 3 (2026): Juscia (Jurnal Sastra Cendekia), Vol. 1 No. 3, July 2026.
Publisher : CASA CENDEKIA MEDIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.66225/06vske91

Abstract

The study of literary psychology often uses Freud’s psychoanalysis merely to classify the id, ego, and superego, while the social dimensions that shape characters’ psychological wounds are less critically explored. This study aims to explain how the stigma of being born outside marriage shapes Hanun’s trauma in Isrina Sumia’s novel Dia yang Haram and how Freud’s personality structure operates in the processes of injury, self-defense, and resilience. This research used a descriptive qualitative design with a literary psychology approach. The primary data source was the novel Dia yang Haram, while secondary data included books and journal articles on psychoanalysis, social stigma, trauma, and resilience. Data were collected through reading, note-taking, thematic coding, and quotation documentation, then analyzed through data reduction, categorization, psychoanalytic interpretation, and conclusion drawing. The findings show that Hanun’s trauma emerges through verbal and social stigma, family rejection, emotional neglect, and internalized shame. These findings imply that Hanun’s inner conflict reflects the intersection of social stigma, unequal family relations, and the struggle to rebuild self-worth.

Page 2 of 2 | Total Record : 14

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