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Catharsis
Published by Universitas Negeri Semarang
ISSN : 25024531     EISSN : 25024531     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, performances (music, dance, drama/theater/play), creative process, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations (formal and informal).
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Articles 506 Documents
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The Performance Form of Dzikir Saman, Banjarsari Lebak Banten Teguh Hartomi; Restu Lanjari; Hartono Hartono
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.67712

Abstract

Arts is always considered to be related to culture, which becomes a feature. One of the performing arts that continues to exist and develop in Banten is Dzikir Saman. The Dzikir Saman performance is closely related to religious overtones, and thanksgiving is given with aesthetic wrapping. Therefore this research aims to examine the form of Dzikir Saman performances in Banjar Sari, Lebak Banten. This research used qualitative approach and data collection techniques, with observation, interviews, and documentation. From the results of data collection and data analysis, it can be seen that the Dzikir Saman art is divided into three performance structures, the first being tawasul, asyrokol, and saman, which contain elements of performance, such as performers, costumes, music, make-up, property of place and time. Keywords: Form of performance, arts, Dzikir Saman,
Individual-based versus Group-based Instructions in Classical Guitar Teaching at Indonesian Tertiary Arts Education Andre Indrawan; Agnes Iklimah
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.71353

Abstract

Higher education policy implementation impacts more programs’ development of new music studies that cause the emergence of different classical guitar study curricula with their durations and credit weights varieties, which overlap each other. There has also been a new discourse on controversial group-based instruction strategies in instrumental training among teachers who have been using individual-based in running classical guitar courses. The aim of this research is to investigate the shifting discourse from individual to group instructions in classical guitar courses. This study uses a qualitative survey of several classical guitar teachers at four music departments in Indonesian art universities. In conclusion, almost all teachers apply individual instruction and it seems that they opposed the discourse of classical guitar group instruction. Although they also recognise the benefits of the group-based instruction model, up to date the students-teachers ratio for classical guitar studies is still between one to five students, so individual instruction is more reasonable to apply. This research offers the basic concept of developing a blended learning model that combines individual and classroom instruction strategies to anticipate the future growth of classical guitar student interest.
Murals as Community Education Media in Surabaya: Cultural Semiotic Studies Amalia Hartiningrum; Djuli Djatiprambudi
Catharsis Special Edition 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i3.71547

Abstract

Visual signs that are displayed often appear in mural works in Surabaya as a means of communication and expression of the artist. The mural is significant with the reality of the time when the mural was made and the subsequent time span becomes important in seeing the significance of the mural on the image of Surabaya's public space. This study aims to examine murals as a medium of education through art in society, find out various public murals in Surabaya with consideration of the cultural semiotics of the surrounding community and describe the effects that arise related to education in the community through mural media with a cultural semiotic perspective. So it can be seen that the problems studied are qualitative in nature. The locations used during the research were limited to around South Surabaya, with the mural specifications intact. What is meant by intact is that the paint in the mural is still visible to the naked eye, the forms that make up the visual elements and the text still have clear legibility to the general public. This study shows The result of the research is that murals in Surabaya tend to display a narrative image style initiated by the government/institution with an educational message that appears in the visual signs, while the expressive image style is initiated by the mural artist/community, but the visual signs that appear are more critical and expressive. The mural structure has a fairly high legibility both in terms of visual and text. The existence of the mural is perceived as a spectator reaching individuals, but the understanding of each individual is the result of the relation between visual perception and the concept adopted. The process of community education can only reach individuals but cannot yet become a collective awareness that is able to move people to change their behaviour. The signs encountered are studied through the visual semiotic approach of Saussure and Yasraf with a socio-cultural approach in the people of Surabaya. The benefits of this research are to add to studies related to contemporary art and visual communication design, especially street art with a focus on murals, to identify mural forms in Surabaya, to become a reference material for similar research and to add the perspectives of other researchers regarding the study of cultural semiotics and to provide insights another for the learning process outside the formal environment, especially education in the community, through the mural media approach. Keywords: Mural, Cultural Semiotics, Public education.
Analysis of Broken Home Children Pictures at Salib Putih Orphanage Salatiga Arindy Sabilla Dewi; Syakir Syakir; Eko sugiarto
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.71555

Abstract

This study discusses the visual expression of Broken Home children in the image of the pictures. For every individual, the family is referred to as a house that is always there in each of the individual conditions. However, it is not uncommon for the family to be a place to go home because of certain conditions experienced by an individual. This can be in the form of disharmony in the tang or broken home. The purpose of this study is to reveal whether the background factor of an individual can affect the work of the picture or not. This study uses a qualitative approach by applying the discipline of psychology and aesthetics. The research design is a case study, where data collection techniques use observations, interviews and document studies. For the validity of the data using the triangulation technique where this method is carried out by interview then followed by observation to obtain the same information. The study will be conducted at the Salib Putih Orphanage in Salatiga, with the research subject, the orphans who have a broken home background. The results revealed that a child's family background can affect the work of family -themed images. The child does not describe the state of his family in a bright manner. However, children tend to show their emotions and feelings honestly through the signs he made in his picture.
Mempertahankan Tradisi Membatik sembari Bersyair: Manajemen Konservasi Budaya Komunitas Pembatik Rifa’iyah Desa Kalipucang Wetan Gallah Akbar Mahardhika; Eko Sugiarto; Wandah Wibawanto
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.71561

Abstract

Batik Rifa’iyah menjadi salah satu batik yang mempertahankan nilai-nilai tradisi dan budaya, salah satunya dengan melantunkan syair dalam proses membatik. Nilai-nilai dalam budaya batik Rifa’iyah membuatnya bertahan di tengah persaingan industri tekstil. Tujuan penelitian untuk mengungkap manajemen konservasi budaya, oleh Komunitas Pembatik Rifa’iyah di Desa Kalipucang Wetan Kabupaten Batang. Penelitian menggunakan pendekatan kualitatif, dengan model studi kasus. Teknik pengumpulan data menggunakan observasi, wawancara, studi dokumen. Keabsahan data menggunakan triangulasi sumber. Analisis data menggunakan model interaktif, dengan tahap; reduksi, sajian, dan verifikasi data. Hasil penelitian menunjukkan manajemen konservasi budaya batik Rifa’iyah dilakukan dengan menerapkan prinsip konservasi (save, study, use) melalui fungsi manajemen POAC. Manfaat penelitian dapat dijadikan sebagai acuan dalam upaya konservasi budaya batik di daerah lain.
Family Communication Conflict: A Mise-En-Scene Analysis In The Series 'Sajadah Panjang: Sujud Dalam Doa' Trias Widha Andari
Catharsis Special Edition 2022
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v11i3.71876

Abstract

This research discuss conflicts around family communication which are represented in Sajadah Panjang: Sujud dalam Doa series. The series, which is available on Vidio, tells the story of a couple, Andhika and Aida, and their children. The objective of this research is to analyze the representations of series’ conflicts meaning shown with the ‘mise-en scene’ elements using Roland Barthes semiotic’s theory. This research is using descriptive qualitative method. The result shows that family conflict scenes that is presented by using the ‘mise-en-scene’ elements are able to clarify the meaning that is explicitly stated and that is implied in certain scenes. Scenes of family conflict shown in Sajadah Panjang: Sujud dalam Doa looks more dramatic, especially by differentiation of room decoration, the lighting that marks time and atmosphere, space and angle that show facial expression and gesture, and wardrobe selection based on location and condition. Those four elements support the fifth element: the actors’ and actresses’ acting. The significance of this research is that it serves as a reference for how a filmmaker might improve meaning in conflict scenes by integrating mise-en-scene elements.
Presentation Form of Candei Music Group in Sendari Song in Muara Enim Indah Rizky Heryana; Wadiyo Wadiyo; Udi Utomo
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.72015

Abstract

This research aims to analyze the changes in the performance of Rejung Music and interpret the changes in the sociology of Rejung Music. This research uses qualitative research methods with an interdisciplinary approach, namely ethnomusicology and sociology. The research design used is a case study with a research focus on the form of performance, sociocultural changes in Rejung Music. The data in this study are primary and secondary data obtained from observations, interviews and document studies. Data validation is carried out by triangualation techniques, data sources and theories. Data analysis techniques include; data collection, data reduction, data presentation and data verification. The results of this study show that the art of Rejung Music has experienced changes in socio-cultural behavior both in presentation including the form of presentation of Rejung Music has changed from the time of its creation until now. The form of presentation of Rejung Music that has undergone changes includes the following components, 1) Rejung music is no longer just sung in the yard or in love, rejung music has evolved into contemporary music with traditional wraps that are often held at major events. 2) Rejung music used to only use a single guitar and now uses modern music ensembles 3) The musical instruments used are not only single Guitars, but are already diverse. 4) not having to use traditional costumes (shirt of Kurung).
Symbolic Values and Meanings in Lasem Batik Motives Novia Dyah Mahesti; Eko Sugiarto; Rahina Nugrahani
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.72421

Abstract

Every batik motive has an interesting philosophy, as well as the Lasem batik motive. The Lasem batik motive also contains an interesting philosophy. This study aims to analyze the value and symbolic meaning contained in Lasem batik motives. This study uses a qualitative method by describing the object under study and using a semiotic approach. The dominant motives of Lasem written batik are Hong Bird, Gunung Ringgit, Dragon, Seruni, Latohan, Kricakan, Brayo, Gurdha and Lokcan motives. The Hong Bird motive means noble beauty and intelligence and has the value of effort and hard work. The Gunung Ringgit motive means abundant fortune and has the value of effort and hard work. The Dragon motive means strength and beautiful hope and has a strength value. The Seruni motive means well-being in old age, happiness and longevity, and has a value of beauty and harmony. The Latohan motive is a symbolic form of the latohan plant and has a natural wealth value. The Kricakan motive is a symbolic form of the construction of the Anyer-Panarukan road and has the value of hard work. The Brayo motive is a symbolic form of the Brayo plant and has natural wealth values. The Gurdha motive means valor, protection and fortitude and has heroic value. The Lokcan motive means love for fellow human beings and has a value of love.
Forms of Presentation of Ma'barutung Music Art in Parombean village, Curio district, Enrekang regency Ekomagrah Warsono; Widodo Widodo; Wadiyo Wadiyo
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ma'Barutung is a traditional art inherited from our ancestors which is still being maintained by the people in Parombean village, Curio district, Enrekang regency. Ma'barutung is a traditional music that uses bamboo as the main musical instrument and the type of bamboo used is pattung tara bamboo with a size of more than 1 meter. This ma'barutung music is a routine activity of local residents and has become a tradition in Parombean Village which is performed at certain events so that this music becomes an important tradition in which there are musical performances consisting of players, singers, instruments, clothing and stage setting. Ma'barutung music is highly guarded by the people of Parombean village because this art is the only art inherited from their ancestors that has musical presentations that are different from other musical arts and has cultural values and character education values in the performances. This study aims to analyze and discuss the form of presentation of ma'barutung music in Parombean village. This study used a descriptive qualitative method and its research approach used an ethnomusicological approach. data collection techniques namely observation techniques, interview techniques and documentation. The results of this study provide answers regarding the form of presentation of ma'barutung music which is a musical ensemble consisting of players, instruments, singers, songs, costumes, make-up and stage. Based on the results of the research, the researcher's suggestion is that the art of ma'barutung music can still be further developed in terms of its performance, namely the formation and stage setting, as well as the infrastructure, so that the government pays attention to and facilitates the performers of the art of ma'barutung music so that it is more developed and its existence can be recognized and more appreciated.
Form of Presentation of Pattudduq Sarawadang Dance in Majene Regency Nanda Resma Yulianti; Agus Cahyono; Malarsih Malarsih
Catharsis Vol 12 No 1 (2023)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v12i1.73199

Abstract

Pattudduq Sarawadang dance is one of the traditional dances originating from the Mandar area, Majene Regency, which still exists today. The purpose of this study was to analyze and describe the form of presentation of the pattudduq sarawadang dance in Majene Regency. This type of research is case study-based qualitative. The method used is a qualitative method with an ethnochoreological approach. Research data were collected by interview, observation, and document study techniques. Checking the validity of the data using triangulation. The research data were analyzed qualitatively through the stages of data collection, data reduction, data presentation, and data verification or drawing conclusions. The results showed that the form of the Pattudduq Sarawadang dance includes movement, dancers, fashion/makeup, floor patterns, music, property and venue. There are six kinds of motion in dance. The Pattudduq Sarawadang dance is performed by women with an even number of at least four people. The properties used are fans and scarves. The accompaniment in dance uses drums, gongs, and keke instruments as well as singing. The place for the Pattudduq Sarawadang dance performance is in an open arena. The findings in this study are that there is a transformation or change in shape that occurs in the range of motion, dancers, costumes used, music and props in the Pattudduq Sarawadang dance.

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