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Artistic negotiation, religious and cultural values: an Islamic dance aesthetic in the perspective of Muhammadiyah tarjih decision Siswantari, Heni; Ahimsa-Putra, Heddy Shri; Maarif, Samsul
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1712

Abstract

This research aims to show the efforts to build Islamic dance aesthetics through artistic negotiations of dance works with art norms in tarjih decisions and cultural values in Muhammadiyah dance performances. The results of this intersection gave rise to a new value in Islamic dance art that speaks not only to divine oneness as an Islamic principle but also to Indonesian cultural factors in its aesthetic performance. Data was collected for 6 months using interview techniques and audio-visual data analysis of 3 dance works and artists in Muhammadiyah. Interviews with the general chairman policymakers in the field of tarjih and art institutions in Muhammadiyah also support analysis related to religious values in artworks.  The analysis shows that the dance works performed result from the artist's religious interpretation of the norms in the Muhammadiyah tarjih decision. There is a negotiation between artists and Muhammadiyah administrators that takes place continuously in Muhammadiyah dance performances. Artists conduct artistic negotiations in the dance works performed to harmonize with Islamic values without eliminating cultural elements. The adaptation process is more on content (variety of dance movements), performance (costumes and dance supporting elements), and ideas (philosophical values within the cultural framework). The theoretical contribution of this research is to understand the relationship between art, culture, and religion, especially in the context of Islamic performing arts. This research also makes an important contribution to building the theory of Islamic dance aesthetics, which talks about artistic beauty and religious meaning in every element of performing arts and shows it through the perspective of dance diversity in Indonesia.
Tourism development and changes in life satisfaction: Case of Balinese community in Canggu traditional village, North Kuta Wisnu Pramudya; Heddy Shri Ahimsa-Putra; Dyah Widiyastuti
International Journal of Studies in Social Sciences and Humanities (IJOSSH) Vol. 1 No. 3 (2025): March
Publisher : P3M Politeknik Negeri Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25047/ijossh.v1i3.5665

Abstract

Extensive research on Bali's tourism has explored its development and various impacts, yet there is limited understanding of how tourism specifically affects the life satisfaction of local communities, particularly the Balinese. This study aims to investigate the changes in life satisfaction within the Balinese community of Canggu traditional village, driven by the rapid development of tourism. Adopting a qualitative approach, the research utilized participant observation and semi-structured interviews for data collection. A total of 17 informants were purposively selected to ensure diverse perspectives, enhancing the methodological rigor. Thematic analysis was conducted to identify patterns in how life satisfaction has evolved in response to tourism growth. The findings reveal that tourism has notably influenced various aspects of life satisfaction in Canggu, with significant improvements observed in financial stability. Before tourism, life satisfaction in the community was primarily derived from simple living, a sense of gratitude, strong social bonds, and adherence to traditional values, although financial limitations often led to dissatisfaction. With the expansion of tourism, improved economic conditions have enabled the community to enhance religious rituals, gain better access to education and healthcare, enjoy more leisure activities, and improve the condition of basic needs such as food, clothing, and housing. Moreover, the growth of cultural activities has fostered stronger social interactions, further enriched social relations, and boosted overall community satisfaction. However, to sustain these benefits, balancing tourism development with community welfare is crucial through strategies that promote both economic and cultural sustainability.
Dampak Pengembangan Pariwisata Dalam Perspektif Masyarakat Desa Adat Canggu, Bali Pramudya, Wisnu; Ahimsa-Putra, Heddy Shri; Widiyastuti, Dyah
Tulisan Ilmiah Pariwisata (TULIP) Vol 8, No 1 (2025): Juni
Publisher : Program Studi S1 Pariwisata, Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/tulip.8.1.73-83.2025

Abstract

This study explores the impacts of tourism development from the perspective of indigenous people in Canggu, Bali (a village undergoing rapid transition from agriculture to tourism). As tourism reshapes the physical, socio-cultural, and economic landscape of Canggu, concerns arise over the sustainability of this transformation. Using a qualitative approach, data were gathered through participant observation and in-depth interviews with 17 informants, followed by thematic analysis. Findings indicate that tourism has brought economic benefits such as increased income, new job opportunities, and improved infrastructure. Ownership of accommodation units by many households reflects a relatively equitable distribution of economic gains. However, the shift away from agriculture raises concerns about food security and the erosion of traditional livelihoods. Culturally, tourism has helped revive arts and rituals, yet also risks commodification and altered communal values. Traditions like Ngayah have adapted into more pragmatic forms. Environmentally, residents are worried about land conversion, congestion, pollution, water scarcity, and the existence of irrigation systems like Subak. Weak regulation and declining trust in governance worsen these issues. Despite this, tourism remains widely supported, highlighting a tension between economic benefit and ecological stability. The study calls for community-driven tourism strategy that balances growth with cultural and environmental sustainability.
Tarling Music Virtual Concert Remediation Strategies in the COVID-19 Pandemic Era Imawan, Khaerudin; Ahimsa-Putra, Heddy Shri; Simatupang, G.R. Lono Lastoro
k@ta: A Biannual Publication on the Study of Language and Literature Vol. 25 No. 00: SPECIAL EDITION, MARCH 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.00.74-80

Abstract

The Covid-19 pandemic is driving changes in how music concerts are produced, and tarling music is no exception. The government's policy, which included the implementation of Large-Scale Social Restrictions (PSBB) and the Enforcement of Restrictions on Community Activities (PPKPM), forced the event organizer, which used to hold entertainment stage concerts, including tarling music, to cease operations. Economically, the tarling musicians lose money because they are out of work for too long. Tarling musicians in Cirebon, West Java, are trying to break through in a variety of ways, including holding virtual music concerts. The purpose of this research is to uncover the practice of tarling music production in the era of the Covid-19 pandemic, as well as how tarling music agents adapt to their new habits regarding production methods through remediation strategies practiced through virtual and hybrid environments. This is a qualitative study that employs the paradigm of cultural materialism, as defined by Marvin Harris (1980a, p. 277), who believes that the material conditions of society determine human consciousness rather than the other way around. This research uses documentation study, observation, interviews, recording, and literature study as data collection methods. As a result, the Tarling music artist agency aggressively reforms the form of stage performance that is perceived as reality and presents it in the form of virtual and hybrid reality.