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All Journal Majalah Forum Teknik UGM Humaniora Jurna lAntropologi Indonesia KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora WALISONGO Islamika Indonesiana LITERASI: Jurnal Ilmu-Ilmu Humaniora Jurnal Mamangan Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism Walisongo: Jurnal Penelitian Sosial Keagamaan Communicatus: Jurnal Ilmu Komunikasi Panggung Berkala Arkeologi Patanjala : Jurnal Penelitian Sejarah dan Budaya k@ta International Journal of Interreligious and Intercultural Studies Gelar : Jurnal Seni Budaya Jurnal Masyarakat dan Budaya Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya MABASAN Jurnal Socius: Journal of Sociology Research and Education International Journal of Visual and Performing Arts Atrat: Jurnal Seni Rupa Masyarakat Indonesia Tulisan Ilmiah Pariwisata (TULIP) Borobudur Lembaran Antropologi Mamangan Social Science Journal Jurnal Multidisiplin West Science Berkala Arkeologi Jurnal Kawistara Panggung The International Journal of Studies in Social Sciences and Humanities (IJOSSH)
Heddy Shri Ahimsa-Putra
Departemen Antropologi Budaya Fakultas Ilmu Budaya Universitas Gadjah Mada
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences

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Digitalisasi Ideologi: Mediatisasi Hegemoni Ritual Rambu Solo di Media Sosial Rivi Handayani; Heddy Shri Ahimsa-Putra; Christian Budiman
Communicatus: Jurnal Ilmu komunikasi Vol 4, No 1 (2020): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v4i1.8493

Abstract

This article argues that the emergence of contents related to the Rambu Solo ritual on social media is a manifestation of the hegemonic ideology that was digitalized by the new generation of Toraja. Using the theoretical framework of mediatization, this article aims to explore how the hegemony of Rambu solo ritual operates in social media context. By using virtual ethnography method, it can be explained that the mediatization of the hegemony of Rambu Solo rituals on social media are basically implying three things; firstly, the narrative about the Rambu Solo ritual on social media has given birth to a new form of interaction and communication in a broader scope; secondly, the narrative of Rambu Solo ritual on social media has made the media as a new domain to find meanings about the Rambu Solo ritual; and third, the narrative of Rambu Solo ritual indicates the accommodation efforts of the Torajanese new generation towards the rules that apply in the context of social media with the general characteristics of user-generated content. The Torajanes new generation has voluntarily "continued" this ritual hegemony.Artikel ini berargumen bahwa kehadiran konten-konten ritual Rambu Solo di media sosial merupakan manifestasi dari ideologi hegemonik yang mengalami digitalisasi oleh generasi baru Toraja. Menggunakan kerangka teori mediatisasi, artikel ini bertujuan untuk mengeksplorasi tentang bagaimana hegemoni ritual Rambu Solo ini beroperasi dalam konteks media sosial. Dengan menggunakan metode etnografi virtual, dapat diuraikan bahwa mediatisasi hegemoni ritual Rambu Solo di media sosial ini telah mengimplikasikan tiga hal; Pertama, narasi tentang ritual Rambu Solo di media sosial telah melahirkan bentuk baru dari interaksi dan komunikasi dengan cakupan yang lebih luas; kedua, narasi ritual Rambu Solo di media sosial telah menjadikan media sebagai ranah baru untuk menemukan makna-makna tentang ritual Rambu Solo; dan ketiga, narasi ritual Rambu Solo mengindikasikan adanya upaya akomodasi yang dilakukan oleh para generasi muda Toraja terhadap aturan-aturan yang berlaku dalam konteks media sosial dengan ciri umum user-generated content. Generasi baru Toraja secara sukarela telah “melanjutkan” hegemoni ritual ini.
KELAHIRAN SEMAR; REPRESENTASI NALAR JAWA (SEBUAH ANALISIS STRUKTURALISME LEVI STRAUSS) Catur Nugroho; Heddy Shri Ahimsa-Putra
Gelar : Jurnal Seni Budaya Vol 14, No 2 (2016)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (913.096 KB) | DOI: 10.33153/glr.v14i2.2079

Abstract

Penelitian ini berusaha untuk mengungkap model struktur pada lakon Laire Semar yang secara khusus bermuarapada pencapaian makna kelahiran Semar. Penelitian ini menggunakan perspektif strukturalisme Levi-Straussyang berkembang dalam disiplin ilmu antropologi budaya untuk memahami model struktur berpikir orang Jawayang terdapat dalam lakon Laire Semar. Berpijak pada rangkaian peristiwa serta relasi yang muncul dapatditarik beberapa simpulan penting ke arah pemaknaan Semar. Pertama, lakon Laire Semar menampilkanadanya pertentangan antara sinkretisme Jawa-Hindu dan Jawa- Islam. Pertentangan inilah yang kemudianmenempatkan nalar Jawa pada posisi “antara” (liminal), yaitu adanya konsep sak madya yang mengarahpada pencapaian keselarasan. Kedua, lakon Laire Semar menunjukkan adanya sistem klasifikasi simbolikdalam budaya Jawa. Klasifikasi berunsur dua dapat dicermati pada adanya klasifikasi kosmologi mengenaioposisi sukma dan wadag. Klasifikasi ganda-tiga dapat dipahami pada rangkaian peristiwa kelahiran Tejamaya,Ismaya, dan Manikmaya. Adapun klasifikasi berunsur lima yang merujuk pada konsep keblat papat limapancer terimplikasi pada keberadaan Ismaya yang mampu “mengendalikan” empat unsur yang mengelilinginya,yaitu Sang Hyang Wenang, Sang Hyang Tunggal, Tejamaya, dan Manikmaya. Ketiga, kelahiran Semarmerupakan jawaban atas sumpah Sang Hyang Tunggal, yaitu berwujud sukma dan raga serta pada tataranyang lebih dalam perannya sebagai pamong sejati membawa pada kewenangannya atas tri loka. Keempat,kelahiran Semar adalah representasi idealisme nalar Jawa sak madya atau yang tidak berlebihan. Konsekuensilogis dari idealisme ini ialah terciptanya keselarasan dan keharmonisan. Semua ini terimplikasi pada kapasitasIsmaya atau Semar. Oleh karena itu, Semar adalah representasi nalar Jawa.Kata kunci: lakon Laire Semar, Strukturalisme Levi-Strauss, makna, kebudayaan Jawa.
PEMBERDAYAAN MASYARAKAT DAN PELESTARIAN KAWASAN: -SEBUAH SKETSA PEMIKIRAN- Heddy Shri Ahimsa-Putra
Borobudur Vol. 1 No. 1 (2007): Jurnal Konservasi Cagar Budaya Borobudur
Publisher : Balai Konservasi Borobudur Magelang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1151.13 KB) | DOI: 10.33374/jurnalkonservasicagarbudaya.v1i1.43

Abstract

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Regenerative-Relational Tritangtu: Sundanese Triadic Transformation Model Wanda Listiani; Heddy Shri Ahimsa-Putra; GR LonoLastoroSimatupang; Yasraf Amir Piliang Amir Piliang
PANGGUNG Vol 23, No 2 (2013): Eksplorasi Gagasan, Identitas, dam Keberdayaan Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (366.618 KB) | DOI: 10.26742/panggung.v23i2.91

Abstract

ABSTRACT Tritangtu or Trinity mindset is a Sundanese and Minang community cosmology that consists of three entities (three patterns). Tritangtu as the local wisdom is also underlying the creative actors mental structure on making their works either in the form of performance, artifacts philosophy value, or in other cultural products in Indonesian community. This study used ethnographic method with data collection techniques were participant observation in-depth interviews and documentation. The object of study is the creative actors practice at the design field in Bandung.The result of study pointed out the Sundanese Tritangtu transformation from the permanent struc- ture to dynamic structure. The change in the structure is determined by the relation between the de- sign elements forming structure with the global market segmentation. Lending Sundanese identity markers, especially the folk culture or the past traditions is regenerative efforts to harmonize the three patterns in encountering and winning the free-market competition in Indonesia. Keyword:  Tritangtu, Sundanese Triadic Transformation ModelAbstrak Tritangtu atau pola pikir tritunggal merupakan kosmologi masyarakat Sunda dan Minang yang terdiri dari tiga entitas (pola tiga). Tritangtu sebagai kearifan lokal juga melatarbelakangi struktur mental pelaku kreatif dalam membuat karya baik berupa pertunjukan, nilai filosofi artefak mau- pun produk budaya lainnya di masyarakat Indonesia. Penelitian ini menggunakan metode etnografi dengan teknik pengumpulan data observasi partisipasi, wawancara mendalam dan dokumentasi. Obyek penelitian ini adalah praktik pelaku kreatif di bidang desain di Bandung. Hasil penelitian ini menunjukkan adanya transformasi tritangtu Sunda dari struktur yang tetap menjadi struktur dinamis. Perubahan struktur ini ditentukan oleh relasi antar struktur pembentuk unsur desain de- ngan segmentasi pasar global. Peminjaman penanda identitas Sunda khususnya budaya rakyat atau tradisi masa lalu merupakan upaya regeneratif dalam usahanya untuk harmonisasi pola tiga dalam menghadapi dan memenangkan persaingan pasar bebas di Indonesia. Kata kunci : Tritangtu, Model Transformasi Triadic Sunda 
Monica Wilson’s Model of Social Change: A Critical Discussion Heddy Shri Ahimsa-Putra
Jurnal Masyarakat dan Budaya Vol 2, No.2 (1999)
Publisher : LIPI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14203/jmb.v2i2.737

Abstract

Tulisan ini memuat sebuah telaah kritis atas model dan metode penelitian yang ditawarkan oleh Monica Wilson (seorang ahli antropologi Inggris, Murid B. Malinowski) dalam bukunya Analysis of Social Change, yang juga telah diterapkannya dalam penelitian di kalangan orang Nyakyusa, di Afrika. Ada beberapa ketidakonsistenan yang ditemukan oleh penelaah dalam model masyarakat yang dikemukakan oleh M. Wison, terutama dalam pendefinisian beberapa konsep analitis yang penting. Akibatnya, menurut penelaah, model tersebut lantas kurang mampu menjelaskan beberapa fenomena perubahan social yang ada di kalangan orang Nyakyusa. Untuk mengatasi kelemahan ini penelaah mengusulkan pendefinisian kembali konsep-konsep analitis tersebut, serta penerapan yang lebih konsisiten dalam penelitian
Experiences of interreligious encounter at religiously affiated hospital: Striving to build amicable interreligious relationship through healthcare service in Yogyakarta context Jekonia Tarigan; Heddy Shri Ahimsa-Putra; Leonard Chrysostomos Epafras
International Journal of Interreligious and Intercultural Studies Vol 4 No 2 (2021): International Journal of Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol4.iss2.2021.1989

Abstract

This paper aims to examine the interreligious encounter experiences of patients and their families who have diverse religious backgrounds and come to religiously affiliated hospitals (different from their religion). The main question raised is how this experience strengthens their recognition and respect toward other religions, so they are enabled to build amicable interreligious relations. This study is necessary especially in the context of Yogyakarta, which claims itself as ‘City of Tolerance,’ but unfortunately, this claim and image have faded because of many cases of intolerance in multiple social settings, such as school, campus, worship place, religious event, boarding house, even also cemetery. Meanwhile, in Yogyakarta, three major religiously affiliated hospitals have served Yogyakarta residents for tens to hundreds of years, namely Bethesda, Panti Rapih, and PKU Muhammadiyah Yogyakarta. Following Peter L. Berger, this paper argues that hospital can be seen as a unique social setting, in which pluralism as empirical experience truly happens because, in terms of attitude, the hospital is an institution that is in its service should practice no discrimination toward people from a different background (ethnicity or religiosity) related to service for humanity. Therefore hospital will be a place of encounter for people from various backgrounds and identities. Within the religiously affiliated hospital, pluralism is not only a formal philosophical concept but a social situation in which people with different ethnicities, religions, worldviews, and moralities live together peacefully and interact with each other amicably.
Respons Masyarakat Kampung Naga terhadap Pembangunan Pariwisata Awaludin Nugraha; M. Baiquni; Heddy Shri Ahimsa-Putra; Tri Kuntoro Priyambodo
Patanjala: Journal of Historical and Cultural Research Vol 10, No 2 (2018): PATANJALA Vol. 10 No. 2, JUNE 2018
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (480.735 KB) | DOI: 10.30959/patanjala.v10i2.380

Abstract

Pada kurun 1975-2010 Pemerintah Kabupaten Tasikmalaya telah melakukan pembangunan pariwisata di Kampung Naga dengan tujuan meningkatkan kehidupan ekonomi masyarakatnya. Namun, masyarakat Kampung Naga melakukan respons negatif terhadap pembangunan tersebut. Mengapa masyarakat Kampung Naga melakukan respons negatif terhadap pembangunan pariwisata, padahal pembangunan tersebut dapat meningkatkan kehidupan ekonominya? Tujuan studi ini adalah untuk mendeskripsikan bentuk respons masyarakat Kampung Naga terhadap pembangunan pariwisata dan memahami penyebab munculnya respons itu. Metode penelitian yang digunakan adalah metode sejarah yang terdiri atas heuristik, kritik, interpretasi, dan historiografi. Pengumpulan datanya dilakukan dengan studi kepustakaan dan wawancara sejarah lisan. Teknik analisis datanya menggunakan model interaktif. Hasilnya menunjukkan bahwa bentuk respons negatif masyarakat Kampung Naga terhadap pembangunan pariwisata terjadi secara bertahap dari skala lokal sampai skala nasional. Respons negatif tersebut disebabkan adanya perbedaan pemaknaan terhadap konsep pariwisata. Bagi masyarakat Kampung Naga, pariwisata bermakna silaturahmi yang bertujuan mempererat persaudaraan, sedangkan bagi pemerintah adalah aset untuk mendapatkan keuntungan finansial. In the period 1975-2010 Tasikmalaya Regency Government has made tourism development in Kampung Naga. The purpose was to improve the economic life of Kampung Naga community. However, the Kampung Naga community responded negatively to that development. Why did the Kampung Naga community respond negatively to the development of tourism, whereas that development could improve the life of its economist? The purpose of this study is to describe the response form of Kampung Naga community to the tourism development and to understand the cause of the response. The research method used is a historical method, namely heuristics, criticism, interpretation, and historiography. Collecting data are using literature studiies and oral history interviews. Interactive model is used to analyze data. The result of this study shows that the negative response form of Kampung Naga community toward tourism development happened gradually from local scale to national scale. The response was caused by the difference of the meaning to the concept of tourism. For the community of Kampung Naga, tourism means a relationship that aims to strengthen the brotherhood, while for the government assets to improve financial benefit.
Arkeologi Pemukiman: Titik Strategis dan Beberapa Paradigma Heddy Shri Ahimsa-Putra
Berkala Arkeologi Vol 15 No 3 (1995): Edisi Khusus
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1511.141 KB) | DOI: 10.30883/jba.v15i3.665

Abstract

The relationship between humans and space is one of the many human relations studied by anthropologists. In relation to archaeological studies, the form of this relationship is evident in human settlements and the patterns they produce, whether consciously or not. Settlement patterns are an embodiment (expression) of the human conception of space, and are the result of human efforts to change and utilize their physical environment based on their views and knowledge about the environment.
SENI TRADISI, JATIDIRI DAN STRATEGI KEBUDAYAAN Heddy Shri Ahimsa-Putra
Jurnal Ilmu Sosial Mamangan Vol 4, No 1 (2015): Jurnal Ilmu Sosial Mamangan ( Not Accredited)
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3236.703 KB) | DOI: 10.22202/mamangan.v4i1.1195

Abstract

In this article the author identifies and describes three kinds of traditional arts in Indonesia: the arts of the Great Tradition, of the Little Tradition and of the Tribal Tradition. These kinds of tra-ditional arts need to be preserved and developed since they have  a number of functions for the so-cieties, namely: as tourist attractions; identities of their communities/societies; source of inspira-tions for the creation and development of new arts. In Indonesia, the efforts are hindered by several problems, such as the decline of the popularity of the traditional arts, lack of regeneration, lack of institutional support, and lack of grand design for the development. These problems need to be solved to develop the Indonesian traditional arts.
Out of Crisis: Maintaining Hegemony through Rambu Solo Ritual in Toraja Handayani, Rivi; Ahimsa-Putra, Heddy Shri; Budiman, Christian
Komunitas Vol 12, No 2 (2020): September 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v12i2.23014

Abstract

Rambu Solo ritual has been an inseparable part of the Toraja people for hundreds of years. Nevertheless, this luxurious funeral ritual had experienced various organic crises as new social forces emerged. Using ethnographic methods, this paper attempts to explore how traditional leaders of Toraja maintain the existence of this ritual. Using Gramsci’s theory of hegemony, this article argues that their efforts were carried out in three phases. Firstly, political awareness phase, namely as aristocrat elites, they legitimized the feudal and religious authority of Aluk Todolo belief system that supported the Rambu Solo ritual through modern political strategies; secondly, the phase of solidarity of interests which carried out by negotiating and building commitment with social forces opposing the Rambu Solo ritual; and third, the phase of reaching consensus from the subaltern group is done by involving them in the Pasilaga Tedong betting, one of a series of Rambu Solo rituals where they see it as a medium to show empathy for grieving families rather than betting.
Co-Authors Achmad Djunaidi Aminuyati Arya Ronald Awaludin Nugraha Bambang Hari Wibisono Bani Noor M Catur Nugroho Christian Budiman Christian Budiman Daru Winarti Devi Puspitasari Djoko Wijono Dyah Widiyastuti Fitria Akhmerti Primasita G. R. Lono Lastoro Simatupang, G. R. Lono Lastoro G.R. Lono Lastoro Simatupang GR LonoLastoroSimatupang GR LonoLastoroSimatupang, GR I Dewa Putu Wijana Jekonia Tarigan John Suprihanto Khaerudin Imawan Leonard Chrysostomos Epafras M. Baiquni Maria Immaculata Ririk Winandari Musni Lampae Nasrullah Nasrullah Nimas Ayu Pranita Kusuma Northcott, Michael S. Novita Restiati Ina Wea Pramudya, Wisnu Pujo Semedi Rivi Handayani Rivi Handayani Sartini, Sartini Siswantari, Heni Siti Aliyuna Pratisti Sjafri Sairin Soepomo Poedjosoedarmo Tony Atyanto D Tri Kuntoro Priyambodo Wanda Listiani Widiyastuti, Dyah Wisnu Pramudya Yasraf Amir Piliang Yasraf Amir Piliang Amir Piliang Yasraf Amir Piliang Amir Piliang, Yasraf Amir Piliang Amir Zainal Abidin Bagir