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All Journal Linguistik Indonesia Dharma Sastra Jurnal Citrakara Sevanam: Jurnal Pengabdian Masyarakat Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra
Sentana, Gek Diah Desi
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media

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Peningkatan SDM Wanita Hindu Melalui Pengabdian Masyarakat (Tematik ) Pemberdayaan Perempuan Anti Korupsi Widiantana, I Kadek; Sentana, Gek Diah Desi; Perbowosari , Heny
Sevanam: Jurnal Pengabdian Masyarakat Vol 1 No 1 (2022): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v1i1.11

Abstract

Corruption can be found in all civilizations. Corruption can appear in various forms and has a wide impact on society. Community Service (Thematic) Women's Empowerment Against Corruption is one of the efforts to improve the quality of human resources, especially Hindu women, in terms of preventing acts of corruption. Implementation of Community Service (Thematic) Women's Empowerment Against Corruption using training methods. Community Service as one part of the Tri Dharma Perguruan Tinggi (Three Pillars of Higher Education comprising Education, Research and Community Service) to provide knowledge and skills to Hindu women. Through service activities, Hindu women are expected to have the knowledge, understanding and skills in anti-corruption measures and the empowerment of Banten (offerings) as a form of community self-reliance movement, especially Hindu women, with the hope that women can take a big role in anticipating the emergence of corruption activities. Keywords: anti-corruption, swadesi
Pelatihan Menulis dan Membaca Aksara Bali dalam Media Lontar di Museum Lontar Dukuh Penaban, Desa Adat Dukuh Penaban, Kecamatan Karangasem, Kabupaten Karangasem Widiantana, I Kadek; Indrayani, A.A.Diah; Sentana, Gek Diah Desi; Ranem, I Nyoman; Adnyana, Gede Agus Budi
Sevanam: Jurnal Pengabdian Masyarakat Vol 1 No 1 (2022): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v1i1.211

Abstract

Balinese language, script, and literature are important knowledge that must be mastered by Balinese people, and Balinese ancestors have also inherited thousands of Lontar manuscripts that should be known because they are full of noble values. However, with abundant of literary heritages, only a few people have the interest and ability to write, read, or study the contents of the Lontar. Efforts are needed from an early age, in order to prepare regeneration that is able to maintain and develop the knowledge stored in the Lontar manuscripts. Based on the above background, the dedication of the Department of Religious Language and Literature Education in the 2021 fiscal year will be carried out at the Lontar Dukuh Penaban Museum, Dukuh Penaban Customary Village, Karangasem Sub-district, Karangasem Regency. The method implemented in relation to the Balinese Literacy Writing and Reading Training in Lontar Media at the Lontar Dukuh Penaban Museum, Dukuh Penaban Customary Village, Karangasem Sub-district, Karangasem Regency is a training method. At the beginning, the service team gave an explanation in advance about "Pasang Aksara Bali". With this initial explanation, it is hoped that an initial mapping can be made regarding the ability to write Balinese script for the service participants. Activities are not immediately directed to the writing of Lontar, because before the stage of writing in the Lontar, of course, the service participants must first understand the rules for writing Balinese script, which are called "Pasang Aksara Bali". The activity of writing Balinese script on lontar media only started at the 4th meeting, which began with an introduction to the tools used in writing lontar. The tools that need to be prepared include: Pangrupak, Blangko Lontar, rubber/Panyepit, Lungka-Lungka, and candlenut that has been burned. After the writing tools have been distributed, it is continued with a presentation on how to hold the Pangrupak correctly and how to form the letters in the Lontar.
Bentuk Verbal “Ngaba” Dalam Bahasa Bali: Kajian Metabahasa Ryandika, I Wayan Wira; Mastini, Gusti Nyoman; Sentana, Gek Diah Desi
Dharma Sastra : Jurnal Penelitian Bahasa dan Sastra Daerah Vol 3 No 2 (2023): Oktober
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ds.v3i2.3094

Abstract

This research aims to determine the verbal “ngaba” in Sebatu village.  The data source in this research is a collection of data obtained from interviews with several communities as sources regarding the verbal “ngaba” in Sebatu village. The method of collecting data in this research is through interview, observation, and literature study. Natural Semantic Metalanguage used to analyze verbal “ngaba” in Sebatu village. Verbal “ngaba” in Balinase Language especially Sebatu village has 41 equivalent form as follows: “nyuun, nengklek, mundut, nangal, ngemu, nyanggem, negen, nengelong, ngundit, nikul, ngéndot, nyunggi, nengkalung, ngandong, nyelepit, nyangkol, nyingal, nyangkil, nyelet, nyungkelit, ngadut, mungsel, ngondos, ngabin, nempong, ngembel, nyekel, ngepit, ngéncét, nampa, ngrampa, manjer, ngee, nyepit, dongdéng, ningting, ngoros, néngténg, natad, nandan, and nyabit.” The equivalent of verbal “ngaba” in Balinase language especially Sebatu village dialect has their own differences that can be seen from the way that word is used that related to the tools, places, subject, and object when the word “bring” is used.
Penguatan Peran Ayah dalam Keluarga dan Masyarakat: Strategi Meningkatkan Kesadaran melalui Literasi dan Apresiasi Sosial Paramitha, Ni Made Ayu Susanthi Pradnya; Dewi PF, Kadek Aria Prima; Mahardika, I Gusti Ngurah Agung Wijaya; Sentana, Gek Diah Desi; Suputra, I Kadek Darmo; Oktarina, Putu Santi; Krisdayanthi, Astrid; Perbowosari, Heny; Arini, Ni Wayan; Kristina, Ni Made Rai; Dewi, Putu Ayu Septiari; Dewi, Ni Luh PT. Putriyani; Wahyuni, Ni Nyoman Tri; Ariputra, I Putu Suyasa; Diaris, Ni Made; Dewi, Ni Made Umi Kartika; Sinarsih, Ni Ketut; Kantriani, Ni Ketut; Jaya, I Ketut Manik Asta; Mastini, Gusti Nyoman; Trisnadewi, Komang; Adnyani, Ni Wayan Satri; Lestari, Ni Gusti Ayu Made Yeni; Nerawati, Ni Gusti Ayu Agung; Premananda, Ni Luh Putu Uttari; Binawati, Ni Wayan Sariani; Kartika, Luh Gede Surya; Sukriani, Ni Luh; Permatasariid, I Gusti Agung Istri
Sevanam: Jurnal Pengabdian Masyarakat Vol 4 No 1 (2025): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v4i1.4764

Abstract

The phenomenon of fatherlessness in Indonesia is an issue that cannot be ignored, considering the importance of the role of fathers in character formation, emotional well-being, and family economic stability. The figure of the father not only functions as a breadwinner, but also as an educator, role model, and the main supporter in the development of children. Active father involvement contributes to the child's psychological balance, preventing negative impacts such as low self-confidence, difficulties in building social relationships, and an increased risk of mental problems. In addition, the role of men in society also contributes to community strengthening and inclusive social development. This service activity aims to increase public awareness of the importance of the presence and involvement of fathers and men in family and social life. One form of implementation of this program is the organization of a letter writing competition for fathers as a medium of reflection and appreciation. This activity is expected to be able to build collective awareness about the importance of the father figure, strengthen emotional relationships in the family, and encourage the community to appreciate the role of men in various aspects of life. Thus, this activity contributes to building a culture of appreciation for the role of fathers and encourages the active participation of men in forming a more harmonious family and community.
Keanekaragaman Kosakata Tanaman Obat dalam Warisan Budaya Usada Bali di Kabupaten Karangasem: Kajian Etnolinguistik Widiantana, I Kadek; Indrayani, A.A Diah; Paramitha, Ni Made Ayu Susanthi Pradnya; Sentana, Gek Diah Desi; Aditya, Gede Andre
Linguistik Indonesia Vol. 43 No. 2 (2025): Linguistik Indonesia
Publisher : Masyarakat Linguistik Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/li.v43i2.762

Abstract

Kabupaten Karangasem di Provinsi Bali terkenal dengan budaya dan biodiversitasnya yang unik. Penelitian ini mengkaji keanekaragaman kosakata tamanaman obat dalam warisan budaya usada di Karangasem dalam perspektif etnolinguistik. Sumber data primer berasal dari wawancara dengan praktisi usada (teks pengobatan), observasi, dan kajian literatur. Penelitian ini menemukan bahwa keanekaragaman kosakata tanaman obat dalam usada Bali tercermin dari kekayaan leksikal tanaman obat dalam teks pengobatan. Kekayaan leksikal tersebut tidak hanya berupa kekayaan varietas tanaman obat, tetapi juga banyaknya sinonimi tanaman obat dalam usada. Beragam sinonimi tanaman obat dibuat oleh tetua Bali yang tertuang dalam teks Dasanama dan Kertabasa. Kekayaan lainnya dibuktikan dengan banyaknya warisan teks usada yang ada di Bali. Saat ini keberadaan praktik usada Bali yang bersumber dari tanaman obat makin langka, sehingga sangat berpengaruh pada pengetahuan dan eksistensi tanaman obat tersebut.
METODE PENGAJARAN BAHASA BALI DALAM TRADISI LISAN GENDING MAMANDA DI DESA ADAT KEDISAN KECAMATAN KINTAMANI KABUPATEN BANGLI I Gede Mardi Yasa; Sentana, Gek Diah Desi; Arta, Putu Eddy Purnomo
Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra Vol. 13 No. 2 (2023): Vol 13 No. 2 Tahun 2023
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/kalangwan.v13i2.2801

Abstract

Kedisan Traditional Village is one of the Old Villages located in Kintamani District, Bangli Regency which is often referred to as Bali Aga Village or I Kraman Wingkang Ranu. Kedisan Traditional Village has various traditions, customs, culture, and dresta which are indeed passed down from generation to generation. Every inheritance of traditions in the village through various methods of its own. One of the traditions in the Kedisan Traditional Village is the oral tradition of gending mamanda. Gending mamanda is a type of sacred song sung by village women who are married and belong to the cluster of Let Village and Anyar Village, which number 185 people. This implementation is carried out at Dalem Pingit Temple when the ceremony and ceremony of the Nusaba ke-dasa are about to end or at the time of nganakin. But preceded by Mendak Ratu Puseh. Solving this problem by using descriptive qualitative methods with the type of method ex past facto. The preservation of Mamanda's music uses a learning method so that it remains sustainable in the midst of the onslaught of the globalization era. The methods used are the note-taking method, the reading method, and the listening method.
Kecak sebagai Seni Pertunjukan Monumental dan Representasi Identitas Budaya Bali Mariyana, I Nyoman; Sentana, Gek Diah Desi
CITRAKARA Vol. 7 No. 4 (2025): DESEMBER 2025
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kecak is a Balinese performing art that holds a monumental position in the Indonesian cultural landscape. Rooted in the sacred Sanghyang ritual, Kecak has undergone a transformation into a communal, aesthetic, and communicative performing art without losing its symbolic meaning. This article aims to examine Kecak as a monumental performing art as well as a representation of Balinese cultural identity. A qualitative approach is used through literature studies, performance observations, interviews, documentation and conceptual analysis of performing arts and cultural identity theory. The results of the study indicate that Kecak's monumentality lies in the dimension of the method used in this writing using qualitative descriptive research. Kecak has become the strongest representation (sign) of Balinese cultural identity and has given birth to various forms of art such as; Body Tjcak, "Kobagi", "Elektrik Kecak", "Perkusi Kecak", Cak Air, as well as symbolic power that represents the spiritual, social, and cosmological values ​​of Balinese society. Kecak not only functions as an aesthetic spectacle, but also as a medium for the articulation of Balinese cultural identity that continues to be negotiated amidst the dynamics of tourism and globalization. Thus, Kecak can be understood as a performing art that plays an important role in preserving, representing, and strengthening Balinese cultural identity both locally and globally.
Co-Authors Aditya, Gede Andre Adnyana, Gede Agus Budi Adnyani, Ni Wayan Satri Ariputra, I Putu Suyasa Arta, Putu Eddy Purnomo Binawati, Ni Wayan Sariani Dewi PF, Kadek Aria Prima Dewi, Ni Luh PT. Putriyani Dewi, Ni Made Umi Kartika Dewi, Putu Ayu Septiari Diaris, Ni Made I Gede Mardi Yasa I Kadek Darmo Suputra, I Kadek Darmo Indrayani, A.A Diah Indrayani, A.A.Diah Jaya, I Ketut Manik Asta Komang Trisnadewi Krisdayanthi, Astrid Kristina, Ni Made Rai Luh Gede Surya Kartika, Luh Gede Surya Mahardika, I Gusti Ngurah Agung Wijaya Mariyana, I Nyoman Mastini, Gusti Nyoman Nerawati, Ni Gusti Ayu Agung NI GUSTI AYU MADE YENI LESTARI, NI GUSTI AYU MADE YENI Ni Ketut Kantriani Ni Wayan Arini Oktarina, Putu Santi Paramitha, Ni Made Ayu Susanthi Pradnya Perbowosari, Heny Permatasariid, I Gusti Agung Istri Premananda, Ni Luh Putu Uttari Ranem, I Nyoman Ryandika, I Wayan Wira Sinarsih, Ni Ketut Sukriani, Ni Luh Wahyuni, Ni Nyoman Tri Widiantana, I Kadek