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All Journal MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni calaccitra: jurnal film dan televisi Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Global Art Creativity Conference
Kadek Dwiyani
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Global Art Creativity Conference

 1 
Ecological Folklore "I Swarnangkara" and Pramoedya Ananta Toer's View in The Perspective of Realism-Socialist Literature Dwiyani, Ni Kadek; Swandi, I Wayan; Karja, I Wayan; Bayu Pramana, I Made
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.637

Abstract

Ecological folklore is a part of literature that is widely developed by raising environmental themes through theme responses and moral messages conveyed as an effort to save the environment. One example of ecological literature in the form of Balinese folklore that also tends to convey character education values to save the forest is Balinese oral literature entitled "I Swarnangkara". The purpose of the study is to examine the existence of oral literature "I Swarnangkara" in Pramoedya Ananta Toer's view in the perspective of Socialist Realist Literature. The method used is descriptive qualitative to facilitate the delivery of the results of the analysis elaborated with the theory of Ecological Literature and Socialist Realist Literature. The object of the research is the oral literature "I Swarnangkara" which represents the message of saving the forest by a young man who grew up in Watukaru Village, precisely in Watukaru forest in Wongaya Gede Village, Tabanan Regency. The results show that the existence of oral literature "I Swarnangkara" contains social realist values that highlight efforts to save the forest environment as a strategy to balance the role of humans and nature for survival. The existence of ecological literature "I Swarnangkara" in the perspective of Social Realist Literature shows that oral literature can function as an educational medium to foster responsibility in protecting nature, especially forests which are the axis and source of oxygen for the world.
THE CONTEXT OF MARGINALISATION OF WOMEN IN THE FILM 'KARTINI' Dwiyani, Ni Kadek; Raharja, I Gede Mugi; Negara, I Nengah Sudika
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.609

Abstract

"Kartini" The Movie (2017) directed by Hanung Bramantyo can be considered as a work of appreciation for the struggle of women in Indonesia. Kartini as one of the Indonesian heroines who fought for women's rights in Indonesia is worthy of being called a symbol of the struggle against the marginalisation of women. The nature of a woman in the culture attached to Kartini as the daughter of noble descendants often exposes her to situations where the clash of culture and logic she has raises inner conflicts, which tends to make her considered a child who dares to break the rules in her family. Kartini's figure is not portrayed as a woman who is only silent when she is faced with a situation where her "rights" as a human being are never taken into account. However, the treatment of women that she felt at the time, made her moved to have her own strength to dare to voice what she wanted for her life and nature as a woman. The context of marginalisation that appears in the film "Kartini" is heavily influenced by cultural factors and mindsets that at that time were still very closed to providing equal space for women. Kartini's struggle in this film is depicted as having a very strong desire to fight for the marginalisation of women in that era through her intelligent thoughts. The life journey of the figure of "Kartini" in fighting for equal rights and dignity of Indonesian women is at least able to be heard to a wide audience, so that the film "Kartini" can function as a medium of education for women who are currently still experiencing injustice in the context of marginalisation, to be more courageous in fighting for the rights they should get.
Co-Authors Ariesta, Rangga Bertrand BAYU PRAMANA, I MADE Darmawan, I Dewa Made Desak Putu Yogi Antari Tirta Yasa Dewa Ayu Leliana Sari Dwipayana, Dewa Kadek Gede Basuyoga Prabhawita Gede Pasek Putra Adnyana Yasa Hari Kayana Putra, Ida Bagus Hery Budiyana, Ketut I Gede Wahyu Diatmika I Kadek Agus Ari Wirawan I Kadek Puriartha I Kadek Widnyana, I Kadek I Ketut Buda I Made Angga Wicaksana Yasa I Made Denny Chrisna Putra I Nengah Sudika Negara I NYOMAN PAYUYASA . I Putu Adi Sanjaya I Putu Sathyana Rayana I Wayan Mudra, I Wayan I Wayan Swandi Kadek Yooka Desy Damayu Lawranta, Gangga Leliana Sari, Dewa Ayu Putu Made Rai Budaya Bumiarta Marhaeni, Ni Komang Sekar Mubarik, Hanif Syahrul Nanda, Putu Arya Dhamma Ni Nyoman Trisna Dewi Cahyani Ni Putu Cempaka Pariharta Novian, Ramadhan Dwi Puriartha, I Kadek Putra, Ida Bagus Hari Kayana Raditya Pandet, Putu Raharja, I Gede Mugi Rinto Widyarto Satyani, Ida Ayu Wayan Arya Setiawati, Fadila Sita Shahab, Fauziah Spencer Gunawan, I Putu Sudarta, I Gusti Ngurah Suratni, Ni Wy. Surya, Dimas Mahesa Susanthi, Nyoman Lia Tri Murti, Raditya Wahyu Indira Wayan Karja Wiguna, I Gede Juniartha Pratama Wirawan, I Gusti Ngurah Yasa, Desak Putu Yogi Antari Tirta Yehuda Yehuda Yusuf Jacka Ardana