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All Journal Visual Art Journal of Visual Art and Design Panggung JURNAL TEKNOLOGI DAN OPEN SOURCE Ultimart: Jurnal Komunikasi Visual Journal Albion : Journal of English Literature, Language, and Culture Jurnal Socius: Journal of Sociology Research and Education Jurnal Seni Nasional Cikini Jurnal Kreatif : Desain Produk Industri dan Arsitektur Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Asian Journal of Social and Humanities
Irma Damajanti
Faculty Of Visual Art And Design, Institut Teknologi Bandung
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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Bentangan Imaginer: Reinvokasi Memori pada Gangguan yang Ditimbulkan oleh Kecerdasan Buatan Durahman, Deden Hendan; Piliang, Yasraf Amir; Damajanti, Irma; Langi, Armein Z.R.
Journal of Visual Art and Design Vol. 17 No. 1 (2025): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2025.17.1.3

Abstract

The rise of generative AI has significantly transformed the creative process, altering artistic workflows and redefining the human role in artmaking. While some artists resist this shift, engaging with machine intelligence has become increasingly inevitable in today’s digital landscape. This paper explores the disruptive impact of artificial intelligence on artistic practices and how such disruption may benefit rather than hinder creativity. Grounded in Jean Baudrillard’s concept of the hyperreal—particularly his theory of third-order simulation—it examines how AI generates realities that never existed but are perceived as real. These pseudo-realities challenge traditional notions of authenticity and memory in art. Through a performative research method and interdisciplinary approach, the author proposes the concept of ‘re-invocation’—a process of reclaiming the authority of human memory in collaboration with AI. This process is structured in iterative stages involving both human intention and algorithmic intervention. The study demonstrates that incorporating non-human memory has become an unavoidable aspect of art production in the generative AI era. Ultimately, it argues that re-invoking human memory through AI collaboration may offer a critical and innovative foundation for contemporary artistic expression.
Unsur Female Gaze dalam Narasi Game “Mouthwashing” Ilma, Rahyanninta; Damajanti, Irma; Putri, Kiki Rizky Soetisna
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 5 No 2 (2025): DIVAGATRA #10
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v5i2.18001

Abstract

“Mouthwashing” is a game that has achieved many prestigious awards and nominations just within a few months after its’ release on 24th September 2024. This horror game was conceptualized and written by Johanna Kasurinen which then got developed to a game by Wrong Organ Studio. While it’s nothing new, it’s still rare to find a female game creator and even rarer is when a game made by women has achieved as many awards as “Mouthwashing” had. This research is a critical reading of the female role in the game “Mouthwashing” and how a female’s view is applied in her works. This is qualitative research with the data taken from a game playthrough video and interview articles with Kasurinen. The main theory used for this research is the female gaze theory by Laura Mulvey. In the game, there’s only one female character named Anya whose role is quite significant both in gameplay function and the overall theme. Kasurinen herself had stated in interviews that she often looks back upon herself while writing characters that aren’t only not good, but also human. In conclusion, despite the strong female gaze aspect, the narration of the overall game doesn’t fit into the feminist category.
Caring Design: A Multimodal Analysis of Woman Embodiment in Kampung Halaman Foundation Design by Novi Kristinawati Agustin, Senja Aprela; Saidi, Acep Iwan; Damajanti, Irma; Ahmad, Hafiz Aziz
PANGGUNG Vol 34 No 2 (2024): Estetika, Budaya Material, dan Komodifikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i2.3513

Abstract

Gagasan perawatan dalam desain dan arsitektur melekat pada karya perempuan desainer se- bagai bentuk kebertubuhan perempuan yang berhubungan dengan konteks sosial. Demikianlah peran perempuan dalam tatanan sosial yang sering diasosiasikan dengan perawatan dan peng- asuhan seperti layaknya alam telah menggemakan dualisme gender, yang turut mempengaruhi perbedaan karakteristik desain yang diciptakan oleh keduanya. Beberapa penelitian sebelum- nya telah mengeksplorasi gagasan desain perawatan, terutama dalam arsitektur, mencakup eksplorasi material alami yang dapat menyampaikan identitas budaya, pengalaman multisen- sorik, dan arsitektur afektif. Namun, studi mengenai karya perempuan desainer, khususnya dalam arsitektur yang merangkul konsep ‘desain perawatan’, dan berfokus pada kebertubuhan masih kurang dieksplorasi. Penelitian ini bertujuan untuk memahami gagasan perawatan se- bagai bentuk kebertubuhan perempuan desainer yang terefleksikan dalam karyanya, dengan studi kasus desain arsitektur Yayasan Kampung Halaman di Yogyakarta oleh Novi Kristinawa- ti. Melalui metode semiotika, khususnya analisis multimodal teks dari Gunther Kress dan Theo van Leeuwen, makna perawatan diungkapkan melalui penelusuran tiga metafungsi: makna representasi, makna interaktif, dan makna komposisi yang muncul dari mode-mode sebagai sumber semiotika. Temuan studi ini memperlihatkan bahwa Novi Kristinawati merefleksikan kebertubuhannya dalam desain Yayasan Kampung Halaman. Gagasan perawatan sebagai bentuk kebertubuhan perempuan antara lain: muncul dalam simbol arketipe ibu; desain yang memberikan pengalaman multisensori dengan mengaburkan batas antara eksterior alam dan interior; desain yang fleksibel dan mengalir yang memenuhi nilai guna serta dapat memfasil- itasi jarak sosial pengguna desain; mengutamakan kesetaraan dan pengakuan kedua gender dalam desain tanpa sekat; serta desain yang mampu mendengarkan kebutuhan pemesan de- sain. Penelitian ini adalah upaya untuk memahami desain dalam kerangka kebertubuhan per- empuan dan kontribusinya dalam wacana pengetahuan desain. Kata Kunci: desain perawatan, perempuan desainer, kebertubuhan perempuan, analisis multimodal, arsitektur, Novi Kristinawati
Experimentation and The Vanishing Point of Photography In Contemporary Art Hendan Durahman, Deden; Amir Piliang, Yasraf; Damajanti, Irma; Z. R. Langi, Armein
Asian Journal of Social and Humanities Vol. 3 No. 4 (2025): Asian Journal of Social and Humanities
Publisher : Pelopor Publikasi Akademika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59888/ajosh.v3i4.486

Abstract

Photography has established itself as a dominant force in contemporary art, yet its boundaries are continuously challenged by experimental practices that merge traditional photographic principles with elements drawn from fine art traditions, such as painting. This presents a critical issue: how can photography evolve conceptually and aesthetically without losing its fundamental identity? This research aims to develop a framework for creating photographic artworks that explore the representational limits of the medium through bold experimentation while preserving its core principles. Employing G. Sullivan’s framework of interpretation, structure, and critical inquiry, the study examines how experimental practices transform photography into photographic imagery, pushing the medium to its conceptual and aesthetic vanishing points. The findings reveal that at these boundaries, photographic imagery transcends traditional representation and evolves into an ideological foundation, demonstrating the medium’s capacity for profound conceptual expression. Despite these transformations, the study concludes that experimentation does not compromise the essential nature of photography—its unique ability to evoke ostensibly truthful memories. By identifying and analyzing these dynamics, the research underscores the enduring relevance and adaptability of photography in contemporary art, highlighting its potential to navigate new creative frontiers while maintaining its intrinsic connection to reality.
Co-Authors Acep Iwan Saidi Acep Iwan Saidi Agustin, Senja Aprela Almira Belinda Zainsjah Almira Belinda Zainsjah Anggis Rizky Wiyaringtyas Anna Josefin Aprilia Ariesty Wibowo Ardhana Riswarie Armein Z. R. Langi Armein Z.R. Langi Asmudjo Jono Irianto Btari Widya Pradipta Danial - Deden Hendan Durahman Deden Hendan Durahman Diaz Ramadhansyah Hafiz Aziz Ahmad Handayani, Fanty Hendan Durahman, Deden Hidavat, Agustini Ilma, Rahyanninta Ira Adriati Ira Adriati Isni Sarah, Isni Karenina, Melita Jenar Kiki Rizky Soetisna Putri Lulu Lusianti Fitri Miryam Wedyaswari Nisa Ashila Ghaisani Nugroho, Edwin Adi Pradnya Kasita Purwaningrum, Rr Diah Asih Putri, Gaitsa Farah Zahira Putri, Kiki Rizky Soetisna Riama Maslan Sihombing RR Sri Wachyuni Rupiani, Dewi Salsabilla, Zahra Sari, Yulianti Mayank Senja Aprela Agustin Soemari, Herlien Dwiarti Sylviana Maya Damayanti Tinton S, Bonifacius Perdana Trusti Warni Wikaningtyas, Pratiwi Yasraf Amir Piliang Yasraf Amir Piliang Yasraf Amir Piliang Yustina Intan Intan Wulandari Z. R. Langi, Armein Zuhdi, Helmi