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All Journal WIDYA DUTA VYAVAHARA DUTA Jurnal CoreIT Kamaya: Jurnal Ilmu Agama Ganaya: Jurnal Ilmu Sosial dan Humaniora Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Vyavahara Duta Jurnal Penelitian Agama Hindu Metta : Jurnal Ilmu Multidisiplin Lektur, Jurnal Ilmu Komunikasi Advances In Social Humanities Research RIDE Sama Jiva Jnanam (International Journal of Social Studies) IPSSJ
Anggara Putu Dharma Putra
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Chemistry Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Physics Public Health Social Sciences Other

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PEMANFAATAN TALKBACK DALAM KEGIATAN PASANTIAN PENYANDANG DISABILITAS SENSORIK NETRA DI SANGGAR SENI RWA BHINEDA DENPASAR Arya Mahesa Ardana, I Ketut; Anggara Putu Dharma Putra; Made Ika Kusuma Dewi
Integrative Perspectives of Social and Science Journal Vol. 3 No. 06 Juni (2026): Integrative Perspectives of Social and Science Journal
Publisher : PT Wahana Global Education

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Abstract

Disabilitas adalah kondisi yang membuat seseorang mengalami keterbatasan dalam hal fisik, berpikir, atau mental sehingga mengalami kesulitas dalam berinteraksi dengan lingkungan sehari-hari secara mandiri. Keterbatasan sensorik adalah kondisi ketika seseorang mengalami gangguan dalam fungsi salah satu atau lebih dari panca inderanya, seperti penglihatan (tunanetra). Media asistif adalah alat, perangkat keras/lunak, yang dirancang untuk membantu penyandang disabilitas agar dapat belajar, berkomunikasi, atau melakukan aktivitas sehari-hari secara lebih mandiri. Salah satu bentuk media asistif yang sangat berdampak pada kehidupan para penyandang disabilitas netra adalah aplikasi Talkback. Sejurus dengan hal tersebut maka penelitian ini ditetapkan dengan judul “Pemanfaatan Talkback Dalam Kegiatan Pasantian Penyandang Disabilitas Sensorik Netra di Sanggar Seni Rwa Bhineda Denpasar”. Berorientasi pada latar belakang tersebut, peneliti merumuskan tiga permasalahan yaitu sebagai berikut: 1.Bagaimana proses komunikasi pembelajaran melalui Talkback dalam kegiatan Pasantian penyandang disabilitas netra? 2.Apa hambatan penggunaan Talkback dalam kegiatan Pasantian penyandang disabilitas netra? 3.Bagaimana implikasi penggunaan Talkback terhadap efektivitas pembelajaran Pasantian dan kemandirian komunikasi penyandang disabilitas netra di Sanggar Seni Rwa Bhineda Denpasar?. Penelitian ini bertujuan untuk memperoleh gambaran, pengetahuan, pemahaman serta informasi yang jelas dan akurat mengenai penggunaan Talkback dalam kegiatan Pasantian penyandang disabilitas di Sanggar Seni Rwa Bhineda Denpasar. Metode yang digunakan dalam penelitian ini yaitu; (1) Jenis penelitian yaitu kualitatif dengan pendekatan sosial humanities, (2) Lokasi Penelitian yakni dilaksanakan di Sanggar Seni Rwa Bhineda Denpasar, (3) Jenis data yaitu kualitatif yang bersumber dari data primer dan juga data sekunder, (4) Penentuan Informan yaitu menggunakan teknik purposif sampling (5), Instrumen Penelitian menggunakan alat perekam, buku catatan dan alat tulis (6) Metode Pengumpulan Data tehnik observasi, wawancara, dokumentasi, dan kepustakaan, (7) Teknik Analisis Data reduksi, klasivikasi, interpretasi, dan menarik kesimpulan, (8) Teknik Penyajian Analisis Data dengan menggunakan logika deduktif dan induktif. Hasil penelitian dapat dijabarkan sebagai berikut: Proses komunikasi pembelajaran melalui Talkback dalam kegiatan Pasantian penyandang disabilitas sensorik netra di Sanggar Seni Rwa Bhineda Denpasar meliputi tiga tahapan yaki pemilihan dan digitalisasi teks kakawin, pindai data melalui Talkback oleh anggota sanggar, dan pelatihan makakawin oleh pengurus dan guru sanggar. Hambatan penggunaan Talkback dalam kegiatan Pasantian penyandang disabilitas sensorik Netra di Sanggar Seni Rwa Bhineda Denpasar meliputi hambatan mekanis dan hambatan kesenjangan generasi. Implikasi penggunaan Talkback terhadap efektivitas pembelajaran Pasantian dan kemandirian komunikasi penyandang disabilitas Netra di Sanggar Seni Rwa Bhineda Denpasa meliputi Aksesibilitas Universal, Peningkatan Kualitas Hidup, dan Integrasi Sosial.
KOMUNIKASI INTRAPERSONAL PELUKIS MUSNAWI DALAM PEMERTAHANAN IDEALISME SENI KONVENSIONAL DITENGAH PERKEMBANGAN TEKNOLOGI DIGITAL I Gusti Ngurah Ketut Yoga Sentanu; I Wayan Wirta; Anggara Putu Dharma Putra
Integrative Perspectives of Social and Science Journal Vol. 3 No. 06 Juni (2026): Integrative Perspectives of Social and Science Journal
Publisher : PT Wahana Global Education

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Pelukis Musnawi merupakan seniman yang tetap mempertahankan seni lukis konvensional di tengah pesatnya perkembangan teknologi digital. Karya melukisnya dilakukan di kawasan Sukawati, Gianyar, dengan menjadikan proses refleksi diri sebagai bagian penting dari komunikasi intrapersonal yang membentuk idealismenya dalam berkesenian. Penelitian ini menggunakan pendekatan kualitatif dengan studi kasus tunggal. Data dikumpulkan melalui wawancara dan observasi mendalam. Hasil penelitian menunjukkan bahwa Musnawi tidak hanya menolak integrasi teknologi digital dalam pemasaran karya, tetapi juga menerapkan strategi yang berorientasi pada nilai spiritual dan pendekatan interaktif sebagai bentuk pemasaran berbasis budaya. Temuan ini menunjukkan bahwa komunikasi intrapersonal berperan penting dalam membentuk keteguhan sikap seniman tradisional dalam menghadapi tantangan era digital.
Implementasi Konsepsi Ke-Esaan Tuhan Dalam Tri Murti Puja di Pura Samuantiga: Perspektif Komunikasi Hindu I Wayan Wirta; Anggara Putu Dharma Putra; Sintyananda Gayatri; Made Suta
Metta : Jurnal Ilmu Multidisiplin Vol. 6 No. 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v6i1.4916

Abstract

The understanding of the concept of the Oneness of God among Hindu devotees is often reduced to symbolic and traditional ritual practices, resulting in a gap between Vedic theological teachings and everyday religious practice. This condition underscores the importance of studies that position Tri Murti Puja not merely as a ritual expression, but as a form of theological communication that represents the doctrine of the One Supreme God in Hinduism. This study aims to examine the concept of the Oneness of God based on Hindu sacred texts and its implementation in Tri Murti Puja practices through the perspective of Hindu communication. This research employs a qualitative approach with a descriptive-interpretative design. Data were collected through textual analysis of the Vedas, Upanishads, Puranas, and the Tri Sandhya mantra, as well as field research involving ritual observation, documentation of temple shrines (pelinggih), and interviews with temple priests and Hindu devotees at Pura Samuantiga. Data analysis was conducted inductively through processes of data reduction, categorization, and interpretation of the theological and communicative meanings of ritual practices. The findings indicate that the concept of the Oneness of God in Hinduism is consistently affirmed in Vedic teachings through the principle of Ekam Eva Advitiyam, which is symbolically implemented in Tri Murti Puja. The Tri Murti does not represent polytheism, but rather a differentiation of divine functions within a single transcendent reality. Ritual practices such as Ngambeng, Nampyog, and Siat Sampian function as media of religious communication that transmit theological, ethical, and social values to the community. Rituals serve as a system of signs that bridge abstract understandings of divine unity with concrete religious experience. This study confirms that Tri Murti Puja constitutes an effective form of Hindu communication in internalizing the doctrine of the Oneness of God. The integration of theological, symbolic, and communicative dimensions within ritual practices strengthens śraddhā and bhakti among devotees while ensuring the continuity of Hindu teachings within the local cultural context. The originality of this study lies in its use of a Hindu communication perspective to explain Tri Murti Puja as a theological medium for expressing the concept of the Oneness of God, a perspective that has been insufficiently explored in previous studies.
Sakralitas Digital Hindu Bali Translokasi Ruang Suci ke Media Sosial Anggara Putu Dharma Putra
Jurnal Penelitian Agama Hindu Vol 10 No 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i1.4481

Abstract

Digital transformation has blurred the boundaries between the sacred and the profane, positioning social media not merely as a means of communication but also as a new arena for religious expression. In the context of Balinese Hinduism, the translocation of sacred spaces onto digital timelines raises questions about how sacredness is produced, perceived, and renegotiated within the digital ecology. This study aims to examine the phenomenon of uploaded sacredness by emphasizing the dynamics of visual representation, authority, and online community validation. This research employs a qualitative approach through digital ethnography and visual anthropology. Data were collected through online observation, documentation of 120 posts on Instagram, Facebook, TikTok, and YouTube (2022–2024), as well as semi-structured interviews with 20 key informants, including priests, content creators, and Hindu practitioners. Data analysis was conducted inductively through visual coding, digital discourse analysis, and ethnographic interpretation. The study reveals four main findings. First, sacred spaces are aesthetically represented through photos, videos, and poetic captions that extend religious experiences into the virtual sphere. Second, the emergence of hybrid rituals marks the convergence of offline ritual practices and online content production. Third, religious authority shifts into the digital realm, producing dynamics of post-traditional religiosity in which young priests and content creators become authoritative figures. Fourth, community validation through likes, comments, and reshares constitutes the legitimacy of digital sacredness, although often accompanied by tensions between sanctity and commodification. The study demonstrates that sacredness does not disappear in its translocation to social media but is re-mediated through visual aesthetics, community participation, and platform logics. This research contributes to the study of religion, visual culture, and digital anthropology by asserting that uploaded sacredness is a hybrid religious phenomenon that is both global and local, while also enriching theoretical frameworks on religious mediation in the era of digital disruption.
Body Representation in Balinese Cultural Tourism: An Anthropological Study on Symbolism and Commodification Anggara Putu Dharma Putra
International Journal of Social Studies Vol. 4 No. 1 (2026): Vol. 4 No. 1 (2026)
Publisher : Fakultas Dharma Duta UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijoss.v4i1.6393

Abstract

This study addresses the growing importance of body representation within Balinese cultural tourism, where sacred Hindu aesthetics intersect with global tourism economies. While existing literature often emphasizes either symbolic meanings of the body in religious contexts or its commodification in tourism industries, a critical gap remains in understanding how these dimensions coexist and are negotiated in practice. This research aims to examine how the Balinese female body is constructed, represented, and commodified within cultural tourism spaces that simultaneously embody spirituality and commercial exchange. Employing a qualitative approach grounded in critical ethnography, the study was conducted over six months in Ubud, Seminyak, and Sanur (Denpasar). Data were collected through participant observation, 27 in-depth semi-structured interviews with key stakeholders, and document and media analysis. Field notes, interview transcripts, and visual-cultural materials were analyzed using thematic and symbolic interpretation supported by qualitative data software. The findings reveal that the female body in Balinese tourism operates as a hybrid cultural entity, functioning simultaneously as a sacred symbol in ritual contexts and as a commodified object within tourism and sexual economies. In ritual spaces, the body embodies spiritual values, purity, and cosmological harmony, while in tourism performances and spa industries, it is reframed as aesthetic and sensual capital. The study further identifies how sex workers actively negotiate identity and agency by appropriating cultural symbols, spiritual narratives, and traditional aesthetics to meet tourist expectations while maintaining personal boundaries. This duality produces a moral ambiguity within local communities, where the coexistence of sacred and profane practices is often tolerated through flexible cultural frameworks and economic considerations. The spatial and symbolic proximity between temples, spas, and nightlife venues further illustrates the blurred boundaries between spirituality and commodification. The study demonstrates that body representation in Balinese cultural tourism is not merely a process of sexualization but a complex reconfiguration of symbolic, economic, and cultural meanings. The body emerges as a contested site where religious values, global capitalism, and local agency intersect. This research contributes to anthropological discourse by proposing an integrated framework that bridges symbolic anthropology and tourism commodification, highlighting the need for culturally sensitive and ethically grounded approaches in managing tourism development in Bali.
Evaluation of the Latent Dirichlet Allocation for Modeling News Topics of Nusantara Capital City Luh Gede Surya Kartika; Anggara Putu Dharma Putra; Komang Rinartha; Megawati Megawati
Jurnal CoreIT: Jurnal Hasil Penelitian Ilmu Komputer dan Teknologi Informasi Vol. 11 No. 2 (2025): December 2025
Publisher : Fakultas Sains dan Teknologi, Universitas Islam Negeri Sultan Syarif Kasim Riau

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Abstract

Research regarding topic modeling on the coverage of the Nusantara Capital City (IKN) in national mass media remains limited. This study aims to not only model IKN-related topics but also rigorously evaluate the Latent Dirichlet Allocation (LDA) model to ensure its robustness for future implementation. The dataset comprises 1,498 news articles gathered from prominent Indonesian online media, specifically Detik (1,050 articles) and Kompas (448 articles). The methodology involves experimental variations of LDA parameters, including document volume, maximum features, and topic count, utilizing the Scikit-learn library. The results indicate that an increase in data volume and feature dimensions significantly correlates with longer computation times and a higher number of epochs required for convergence. Furthermore, the expansion of variables and data volume resulted in more negative log-likelihood values and increased perplexity, suggesting that model complexity challenges predictive precision. A convergence threshold of $1e^{-2}$ was applied to optimize the training cessation point. While this study establishes a baseline for static topic modeling, future research implies the necessity of Dynamic Topic Modeling (DTM) to capture the temporal evolution of topics, a dimension not addressed by the standard LDA model.
Co-Authors Agung, I Gusti Ngurah Pertu Arya Mahesa Ardana, I Ketut Atmaja, I Gusti Ngurah Bagus Ade Tegar Prabawa Chyen, Runita Dewi Chyen Cokorda Istri Puspawati Nindhia Dananjaya, Cokorda Gede Ari Diah Nirmala Dewi I Gusti Ngurah Ketut Yoga Sentanu I Ketut Wardana Yasa I Komang Rinartha Yasa Negara I Nyoman Ananda I Wayan Wirta I Wayan Wirta Kartika, Luh Gede Ketut Nurhayanti Komang Dewi Komala Yogantari Komang Rinartha Kusuma Dewi, Made Ika Laksana Utama, Putu Kussa Luh Gede Surya Kartika Made Ika Kusuma Dewi Made Ika Kusuma Dewi Made Suta Megawati Megawati Ni Ketut Listriani Pertu Agung, I Gusti Ngurah Putri, Made Maheswari Putri Ratih, Ida Ayu Sanjaya, I Gede Wahyu Sintyananda Gayatri Swarthini, Ni Nyoman Ayu Tagel, Dewa Putu Tagel, Dewa Putu Utama, I Komang Sudharka Wahyu Arinatha, I Dewa Agung Weda Dewi Parwati