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All Journal Jurnal Komunikasi Jurnal Ilmu Komunikasi Jurnal Kajian Komunikasi ProTVF Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan Jurnal ASPIKOM Anterior Jurnal Riau Journal of Empowerment Jurnal Profetik Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi) Jurnal Manajemen Komunikasi Communication Avant Garde Jurnal Ilmiah Dinamika Sosial Salasika Jurnal Ilmiah Ilmu Komunikasi Communique Journal of Servite JURNAL TEKNOLOGI INFORMASI & KOMUNIKASI DALAM PENDIDIKAN
Eni Maryani
Program Studi Manajemen Komunikasi Fakultas Ilmu Komunikasi Universitas Padjadjaran
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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An ethnographic study of communication with HIV-infected children at Rumah Cemara Yustikasari Yustikasari; Atwar Bajari; Ponpon Idjradinata; Eni Maryani
Jurnal Kajian Komunikasi Vol 10, No 1 (2022): June 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v10i1.24089

Abstract

This study examines the ethnography studies of communication with HIV-infected children at Rumah Cemara Bandung by reviewing the elements of communication components. This research uses a qualitative approach with an ethnographic type of communication study. The research subjects were children infected with HIV in Bandung who was selected using the purposive method. Data were obtained through in-depth interviews, participatory observation, document analysis, and literature study. The results revealed that the genre in the communication component of children infected with HIV at Rumah Cemara was seen in the delivery of problems, namely the presence of viral infections in children. The setting that occurs in the communication component is carried out at the child's home/residence and Rumah Cemara as a community location and Klinik Teratai, Hasan Sadikin Hospital, Bandung. Children use Indonesian and Sundanese as their daily languages. All HIV-infected children are infected with the virus because it is transmitted from their parents, namely the mother, and the mother is infected with HIV from her husband. Conversations that are usually carried out by informants when meeting at Klinik Teratai, Rumah Cemara, and at home are usually related to conditions of health development, children's adherence to taking anti-retroviral drugs, and mental and social development of children with messages of mutual encouragement and support as well as instilling a sense of optimism. Psychologically among People With HIV/AIDS (ODHA). The non-verbal language that children do in the form of silence; smiles; a nod of the head; shaking of the head, and laughing out loud.
Penggunaan Media Digital Dalam Komunikasi Pemasaran Desa Wisata Ciburial, Samarang, Garut Pramono Benyamin; Eni Maryani; Meria Octavianti
Communication Vol 12, No 2 (2021): COMMUNICATION
Publisher : Fakultas Ilmu Komunikasi - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/comm.v12i2.1505

Abstract

Penelitian ini membahas aktivitas komunikasi pemasaran di bidang pariwisata yang mengangkat unsur-unsur lingkungan sebagai daya tariknya. Konsep back to nature memiliki potensi yang sangat besar untuk mendatangkan wisatawan mancanegara sebagai penghasil devisa bagi negara. Desa Wisata Ciburial juga dikembangkan untuk menarik wisatawan nasional untuk meningkatkan pendapatan daerah. Tujuan dari penelitian ini adalah untuk memahami penggunaan media digital dalam komunikasi pemasaran di Desa Wisata Ciburial serta implikasinya. Metode yang digunakan adalah metode kualitatif dengan pendekatan studi kasus. Pengumpulan data dilakukan melalui wawancara mendalam, observasi dan studi literatur. Hasil penelitian menunjukkan bahwa komunikasi pemasaran tentang Desa Wisata Ciburial menarik dan mampu meningkatkan pengetahuan dan ketertarikan orang untuk datang. Melalui media digital diunggah berbagai informasi untuk memasarkan Desa Wisata Ciburial yang layak dikunjungi. Penggunaan beragam platform digital yaitu website, facebook dan Instagram untuk memasarkannya dinilai efektif karena mampu menyebarkan konten yang cukup memberikan gambaran tentang Desa Wisata Ciburial, dan memiliki kemasan konten yang menarik karena terdiri dari beragam format baik teks, foto maupun video. Semakin banyak orang yang berkunjung baik internasional, nasional dan lokal, dan berkembangnya bentuk-bentuk wisata yang ditawarkan merupakan salah satu bukti efektivitas komunikasi pemasaran yang diperoleh. Keberhasilan komunikasi pemasaran yang dilakukan tidak saja memberi banyak peluang bagi pengembangan Desa Wisata Ciburial dan masyarakat sekitarnya akan tetapi juga menghadirkan tantangan terkait keberadaan dan dampaknya pada masyarakat maupun keberlangsungannya. Terdapat tantangan terkait dengan kebersihan dan keberlanjutan lingkungan, keterbatasan guide untuk memandu wisatawan asing, serta kesadaran masyarakat menghindari konflik terkait dengan isu ekonomi dan perbedaan pandangan dalam memahami keberadaan Desa Wisata Ciburial serta implikasinya pada masyarakat dan lingkungannya.
Peluang dan Tantangan : Penggunaan Media Digital di Kalangan Perempuan Jatinangor Eni Maryani; Kismiyati El Karimah
Avant Garde Vol 7, No 2 (2019): Avant Garde
Publisher : Fakultas Komunikasi & Desain Kreatif - Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/ag.v7i2.926

Abstract

The discussion of digital media usage in various societal contexts is a necessity that cannot be avoided since it has both positive and negative impacts. This article will raise the issue of digital media usage by women in Jatinangor. Jatinangor is an educational area on the east side of Bandung and including the Sumedang Regency area. Jatinangor has quite dynamic social economic development and has experienced a significant change with the number of student arrivals in the area. The development of communication technology infrastructure also has implications for the growing use of digital media among women in the Jatinangor area. Using a qualitative approach with in-depth interviews observation and literature studies, this study seeks to uncover the implications of digital media among Jatinangor women related to patriarchal values that generally affect women's thoughts, attitudes and actions. The results of the study show that there are opportunities for women who use digital media to overcome some cultural barriers in gaining communication space for themselves, especially in the public domain. However, the use of digital media also challenges these women to develop selective, critical and rational attitudes that are not familiar for them. The lack of these attitudes can actually make these women objects or targets of various commercial and criminal communication activities.
BUDAYA KOREAN WAVE SEBAGAI KOMODITAS INDUSTRI MEDIA INDONESIA Mahardika Mahardika; Eni Maryani; Edwin Rizal
Jurnal Ilmiah Ilmu Komunikasi Communique Vol 5 No 1 (2022): Jurnal Ilmiah Ilmu Komunikasi Communique
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/jikq.v5i1.132

Abstract

Korean Wave sebagai fenomena globalisasi budaya menjadi sebuah istilah yang dipergunakan untuk menjelaskan penyebaran budaya Korea dalam berbagai bidang kebudayaan. Produk-produk kebudayaan yang ditawarkan oleh Korea Selatan adalah berupa film, drama Korea, musik pop Korea (K-Pop), mode fashion, bahasa Korea, kuliner, teknologi, dan sub-kebudayaan lainnya yang memiliki unsur budaya Korea di dalamnya. Salah satu dampak dari hadirnya Korean Wave adalah dominasi konten kebudayaan pada berbagai negara di dunia dan salah satunya adalah Indonesia. Tujuan dari penelitian ini adalah untuk meneliti mengenai komoditas budaya dalam konteks Korean Wave dan eksistensi budaya pada industri media di Indonesia. Dengan menggunakan metode penelitian kualitatif analisis studi literatur untuk memaparkan kajian mengenai Korean Wave, penelitian ini menghasilkan beberapa temuan penelitian terkait Korean Wave. Pertama adalah komoditas kebudayaan Korea yang hadir secara trans-nasional mengalami ekspansi besar seiring berjalannya waktu dalam konteks komoditas budaya. Kedua adalah masuknya konten kebudayaan Korea pada industri media Indonesia dipandang menjadi sebuah imperialisme budaya yang berimplikasi pada penyesuaian konten-konten lokal di Indonesia. Ketiga adalah mengenai strategi serta faktor-faktor yang mempengaruhi keberhasilan penetrasi Korean Wave dalam konteks global. Korean Wave dipandang menjadi sebuah produk komoditas budaya oleh Korea Selatan untuk berdiplomasi sesuai dengan Teori Soft Power. Diplomasi budaya ini menjadi upaya yang dilakukan oleh Korea Selatan dalam rangka nation branding.
ANALISIS SEMIOTIK JOHN FISKE: KOMODIFIKASI TUBUH PEREMPUAN DALAM PROGRAM TV THE HOTMAN Mochamad Arbani; Eni Maryani
JURNAL YAQZHAN: Analisis Filsafat, Agama dan Kemanusiaan Vol 8, No 2 (2022)
Publisher : IAIN SYEKH NUR JATI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/jy.v8i2.11493

Abstract

Peran perempuan dalam media massa, khususnya televisi sulit untuk dipisahkan terkait bagaimana ia ‘digambarkan’ agar menghibur ketika ditonton. Program televisi The Hotman memerlihatkan bagaimana perempuan dikomodifikasi lewat kebertubuhannya agar dapat menarik perhatian penontonnya. Penggunaan perempuan sebagai komoditi di dalam praktek kapitalisasi media membuat sejumlah persoalan terkait dengan bagaimana teks atau tanda terhadap kebertubuhan perempuan dibentuk. Dalam penelitian ini, peneliti tertarik untuk mengetahui bagaimana teks-teks yang mengomodifikasi pada kebertubuhan perempuan dalam program televisi The Hotman dijelaskan menggunakan Semiotik John Fiske meliputi kode-kode yang ada pada 3 tahapan yaitu level realitas, level representatif dan level ideologi. Hasil penelitian menjelaskan bahwa pada level realitas, peran perempuan menjadi sekunder dan ditampilkan hanya karena bentuk kebertubuhannya serta juga penggunaan pakaian, makeup dan gestur dibuat agar dapat menjadi daya tarik bagi penontonnya. Sedangkan pada level representasi, penggunaan teknik editing, pemilihan shot, musik dan suara memperkuat objektifikasi pada kebertubuhan perempuan lewat narasi, pemilihan peran, dialog dan karakter berupa perilaku yang sering membahas hal-hal yang syarat seksual secara ambiguitas. Terakhir pada level ideologis, The Hotman sengaja menggunakan tubuh perempuan untuk mendapatkan keuntungan ekonomis. Program acara televisi ini bukan hanya dilihat sebagai acara hiburan semata, tetapi secara ideologis lebih melihat pada tubuh perempuan sebagai komoditas dibandingkan sebagai eksistensi seseorang (misal keterampilan, profesi, bakat maupun pencapaian perempuan). Sistem kapitalisasi media secara sengaja terus melanjutkan komodifikasi terhadap kebertubuhan perempuan karena dinilai menguntungkan secara ekonomi tanpa memahami resiko yang berakibat pada perempuan itu sendiri.Kata Kunci: Komodifikasi, Kebertubuhan Perempuan, Semiotik John Fiske, Televisi, The Hotman
KONVERGENSI MEDIA SURAT KABAR LOKAL KALTENG POS: Media Convergence of Local Newspapers Kalteng Pos Muhammad Iqbal Rizaldy; Eni Maryani; Purwanti Hadisiwi; Pandan Yudhapramesti
Anterior Jurnal Vol. 21 No. 3 (2022): Anterior Jurnal
Publisher : ​Institute for Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/anterior.v21i3.3705

Abstract

The development of technology, information, and communication requires print media specifically for local newspaper to keep up with the development of the digital era by conducting media convergence, the same thing was done by the local newspaper Kalteng Pos. This study aims to see how the strategies and models of media convergence are carried out by Kalteng Pos along with the elements of the media's political economy. This research uses descriptive qualitative method with data collection in the form of interviews, observations, and literature studies. The findings of this study are Kalteng Pos in its media convergence adopts the convergence continuum model, newsroom convergence model, and content convergence model. Then in relation to the political economy of the media, there are elements of commodification, spatialization, and structuration in media convergence from Kalteng Pos.
Pelatihan Manajemen Media Digital Bagi Praktisi Media Lokal di Era Digital Eni Maryani; Ilham Gemiharto; Sinta Ningrum; Subekti Priyadharma
Journal of Servite Vol. 4 No. 2 (2022): Journal of SERVITE
Publisher : Lembaga Penelitian, Publikasi dan Pengabdian Masyarakat (LP3M), Institut Komunikasi dan Bisnis LSPR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37535/102004220221

Abstract

Berdasarkan analisis situasi yang dilakukan diasumsikan pelatihan bertema ‘Manajemen Media Digital bagi Praktisi Media Lokal” dibutuhkan oleh praktisi media lokal di Kabupaten Pangandaran dalam menghadapi era digital. Pelatihan yang kemudian dilakukan oleh tim Pengabdian Pada Masyarakat (PPM) Fikom Unpad ini menggunakan metode ceramah dan diskusi dengan peserta terbatas. Peserta terdiri dari para praktisi media lokal di Kabupaten Pangandaran yang tergabung dalam Aliansi Jurnalis Pangandaran (AJP). Berdasarkan hasil evaluasi terhadap pelatihan yang dilakukan ditemukan beberapa hal berikut. Praktisi media lokal adalah sumber daya yang memiliki keterbatasan baik dari segi fasilitas maupun kapasitas akan tetapi sangat antusias untuk meningkatkan kualitas mereka dengan mengikuti pelatihan terutama terkait dengan media digital. Peserta pelatihan memiliki idealisme berbasis pada prinsip-prinsip jurnalis dan kepedulian pada kepentingan lokal. Diperlukan peningkatan kemampuan untuk mengemas konten lokal di media digital. WhatsApp Group dengan nama ‘Diskusi Unpad” yang dibuat atas inisiatif peserta merupakan output pelatihan yang menjadi ruang komunikasi antara akademisi dan praktisi untuk berbagi pengetahuan tentang beragam isu serta mencari solusi beragam masalah yang dihadapi.
Communication and organizational learning in adaptation of the Radio Republik Indonesia Pandan Yudhapramesti; Deddy Mulyana; Eni Maryani; Dian Wardiana Sjuchro
Jurnal Kajian Komunikasi Vol 9, No 2 (2021): December 2021
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkk.v9i2.32521

Abstract

Radio Republik Indonesia (RRI) had been the state media during the New Order era. However, since the fall of that regime in 1998, followed by the ratification of the Broadcasting Law Number 32 of 2002, RRI’s status changed to a public broadcasting institution (LPP). The change requires an organizational adaptation process which is not easy in practice. This study finds that communication can be both a driving factor and an obstacle to the adaptation process within the RRI organization. This research aims to explore the operationalization of communication in the adaptation process of the RRI and reveal how the flow of communication builds the relationship between members of the RRI organization; how organizational communication works in the learning process within the organization; and the dynamics of organizational learning in the adaptation process of the RRI organization. The results indicate that the dynamics of communication flows affect the organization’s communication climate. Meanwhile, organizational communication operates in several ways, namely: communication is a means to acquire as well as to conceal knowledge among RRI employees; communication helps the members of the organization understand a phenomenon from different perspectives; communication flows affect the distribution of communications; communication can be an accelerator as well as a barrier to organizational learning abilities. This study suggests further research on the role of communication to promote the internalization values of an organization into strategic decisions and concrete actions and the research on the roles of organizational culture and local culture in organizational adaptation.
Sexual Objectification of Girls in Anime Series: Sara Mills’ Critical Discourse Analysis Sandra Hutagalung; Eni Maryani; Agus Setiaman
Lingkar Studi Komunikasi (LISKI) Vol 10 No 1 (2024): FEBRUARI 2024
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/liski.v10i1.7284

Abstract

The "sex sells" marketing strategy is still used by anime, a form of entertainment that is becoming more and more popular worldwide, and one of them is Mushoku Tensei: Isekai Ittara Honki Dasu anime series. Due to the main character's vulgarity against girls, this anime series sparked debate among anime viewers. For a number of reasons, such as the freedom to work for artists and the fact that sexual objectification done through animation does not damage real girls, objections to this topic are frequently refuted. The goal of this study is to identify the various ways that girls are sexually objectified in anime, which could affect viewers' attitudes and actions. A qualitative approach is used through critical discourse analysis by Sara Mills. Discourse is utilized methodologically to dismantle forms of sexual objectification of women in anime series. It is revealed how women are portrayed as sexual objects in anime fan service through the male gaze through discourse analysis of characters, focalization, fragmentation, and cinema schemata. Findings from this study indicate that there existed instances of sexual objectification of women in the anime series Mushoku Tensei: Isekai Ittara Honki Dasu, particularly in relation to the love interest of the main male character. This study critically makes us aware that the growth of digital media, which can provide a wide range of content and depict a variety of male and female characters, nevertheless reinforces patriarchal value. Even in the digital age, animation—a creative form of entertainment—continues to treat girls as just objects of desire for men. This serves as a reminder that the conventional entertainment industry, which frequently makes fun of sexual harassment of women, still exists in the internet sphere. In light of this anime series, women participation in the digital sphere ought to be promoted in order to change people's perceptions of women. It has been proven that the freedom that many advocate in the digital age yet imposes restrictions on the presence of girls as a subject. Keywords: anime; digital; girls; objectification; male gaze;
REPRESENTATION OF FEMALE MASCULINITY IN NETFLIX SERIES’ SWEET HOME Lisa Oktiviani Tanaga; Eni Maryani; Evi Rosfiantika
Profetik: Jurnal Komunikasi Vol. 16 No. 2 (2023)
Publisher : Faculty of Social Sciences and Humanities Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i2.2640

Abstract

Sweet Home is a South Korean Netflix film series featuring predominantly masculine female characters. In South Korea, films or series with openly feminist issues receive backlash from parties who strongly oppose feminism. However, this film series gained success, and its masculine female characters received various praises. This study aims to identify the representation of female masculinity in the film. This study applied qualitative research using John Fiske’s semiotic analysis. It found that there are codes of masculinity in the female characters at the level of reality. The female characters are strong, athletic, active individuals, leaders, technicians, and adventurers. At the level of representation, the female characters are identified as masculinity as they are subjects who can determine attitudes and make decisions. Then, if the women in the film are allowed to speak, act, and behave like men, the women are superior to men. The female characters represent a belief that men are the opposite of women. The women need to appear to defeat or to be more significant, which can be categorized as radical feminism at the ideological level.
Co-Authors Aceng Abdullah Aceng Abdullah Agus Setiaman Anna Agustina Atwar Bajari Cut Meutia Karolina Daruning Rahayu Deddy Mulyana Detta Rahmawan Detta Rahmawan Detta Rahmawan Detta Rahmawan Detta Rahmawan Dian Wardiana Sjuchro Edwin Rizal Ersyad, Yasser Evi Rosfiantika Gregorius Fendi Arkandito Ilham Gemiharto Irma Garnesia Irma Garnesia Justito Adiprasetio Khayrani Kamal Bhojwani Kismiyati El Karimah Lisa Oktiviani Tanaga Mahardika . Mahardika Mahardika Mellawatie Arnie Meria Octavianti Mira Rochyadi-Reetz Mochamad Arbani Muhammad Iqbal Rizaldy Nindi Aristi Pandan Yudhapramesti PONPON IDJRADINATA Pramono Benyamin Preciosa Alnashava Janitra Purwanti Hadisiwi Reksa Anggia Ratmita Reksa Anggia Ratmita Rhafidilla Vebrynda Ryan Hara Permana S. Kunto Adi Wibowo Sandra Hutagalung Sarah Astari Sinta Ningrum Siti Karlinah Subekti Wirabhuana Priyadharma Teddy Kurnia Wirakusumah Yasser Ersyad Yustikasari