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All Journal Jurnal Sendratasik Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya JURNAL PENDIDIKAN TAMBUSAI These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan MASALIQ: Jurnal Pendidikan dan Sains Student Scientific Creativity Journal Jurnal Multidisiplin West Science Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi

Herlinda Mansyur

Prodi Pendidikan Tari, Universitas Negeri Padang

Author-ID : 2728499

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Social Sciences Other

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PERKEMBANGAN TARI ILAU KREASI DI KENAGARIAN SALAYO KECAMATAN KUBUNG KABUPATEN SOLOK Endang Nuryani; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 4, No 2 (2015)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to reveal and explain the impact of exploration methods for learning local dance elapsed areas. This research is a qualitative descriptive method. Data obtained by direct observation and interviews. Data were analyzed based on the phenomena that occur in learning, to interpret the relationship between the phenomena occurring in the learning. The results showed, exploratory methods in teaching dance at resulted in increased imagination and creative power and ability of the students in the birth of new motifs from local dance movement. Another impact is that students feel they have freedom of expression, and is able to explore the body with improvisation, so that ideas can create new movement patterns are used for local dance lessons. Keywords: Ilau Dance Creation and development.

TINJAUAN KOREOGRAFI TARI SAMBUT SEBIDUK SEHALUAN DI MARTAPURA KABUPATEN OKU TIMUR SUMATERA SELATAN Rahmi Ul Fadhilah; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aimed to describe the choreography of Sambut Sebiduk Sehaluan dance in Martapura, East OKU Regency, South Sumatera.This research was conducted by using descriptive analysis of qualitative design. There were primary and secondary data. The object of the research was Sambut Sebiduk Sehaluan dance in Martapura. The main instrument was the researcher herself and the additional instruments were stationary and camera. The data were collected through library research, observation, interview and documentation. The data were analyzed based on the following theory: data collection, data reduction, interpretation, and making inference. The result showed that the analysis was seen from the form and the content of the dance. The form of the dance included the dancers (5female dancers), movement (15 original motives), floor pattern (straight line and V straight line), top design (dominated by the low-top design), group composition (simultaneously and alternately), music (kulintang tanjung kemala), costume and make-up (baju kurung and red songket of Tanjung Batu; beautiful make-up). The content included: idea of Sambut Sebiduk Sehaluan was created in order to greet special guests visiting Martapura and atmosphere of this dance were happiness, peace and elegance. Keywords: review of Dance choreography, Greet Sebiduk Favors

ANALISIS KOREOGRAFI TARI INDANG TAPUAK SITUJUAH PADA SANGGAR SENTAK SAIRIANG DI KOTA PARIAMAN Fernanda Putri; Nerosti Nerosti; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to disclose and describe analysis Dance choreography Indang Tapuak Situjuah on Sentak Sairiang Studio. This type of qualitative research is using descriptive motode. The object of this research is to analyze the Dance choreography Indang Tapuak situjuah on Sentak Sairiang in the workshop of Pariaman. The type of data in this study is the primary data and secondary data. The technique of collecting data in this research is the observation, interviews, and documentation. The results showed that the shape of the choreography Dance Indang Tapuak Situjauh using the composition of large groups. In Indang Tapuak Situjuah Dance menggamabrkan quiet, cheerful atmosphere and excitement, Indang Tapuak Situjuah motion consists of 42 motif motion performed by dancers Indang Tapuak Situjuah with Frisky when the dancers play rapa'i the floor patterns and varied as there is in the form of a diagonal straight line, circle, rectangle, triangle, sometimes dancers spread dipentas three people form a triangle on the back in the middle of performances and four dancers line up abreast at the front. So the interaction between dancer and spectator. Contents of the Tapuak Dance in Indang Situjuah, reflects the idea or notion of Indang Tigo Jerong Dance which has three motif motion and choreographers develop it. The lines were crossed by the dancers to form as many as 10 group formation design. Tari Indang Tapuak Situjuah also has 10 top design that is focused upon the design, low, flat, angle, and high contrast. Dance costumes in Indang Tapuak Situjuah is the costume tradition has been dikreasikan in Pariaman, which had dikreasikan in accordance with the needs of Indang Tapauak Situjuah Dance with does not eliminate the costumes typical of the mngambarkan a girl minang. Music and Dance Tapuak Situjuah has the content, instruments played fast tempo, slow and fast, which can convey the mood and expression of Indang Tapuak Dance Situjuah. the instruments used Talempong, Gandang, shehnai and jimbe. Pawpaw and jimbe instrument is very instrumental in menbangkitkan atmosphere in Indang Dance Tapuak Situjuah, with a flow of calm, joyful and settlement. Key words: analysis of Dance choreography, Indang Tapuak Situjuah

AYUAN BAGANDAI Pransisko Pransisko; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

The dance "Ayuan Bagandai" aims to enjoy traditional dance in different forms without losing the traditional elements. The dancers work on the dance "Ayuan Bagandai" with a form of dance creation that is sourced from the traditional dance of the Muko-muko community, namely Gandai dance. The dancers tell how we keep the traditional dance is increasingly liked and known by many people. The dance "Ayuan Bagandai" is inspired by the phenomenon of the Muko-muko society, which nowadays, the majority of the people do not care about a traditional dance. When the era of dance increase and become an asset to the local area, it will gradually disappear without supporting of the society to preserve the dance. this phenomenon is seen by the dancers in Muko-muko District. They prefer to play modern dance, without realizing they want to eliminate the traditional dance that has grown within the society group.

TINJAUAN KOREOGRAFI TARI MANGKIK SATAIH DI DINAS KEBUDAYAAN DAN PARIWISATA KOTA SUNGAI PENUH PROVINDI JAMBI Lara Sintia; Herlinda Mansyur; Afifah Asriati
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aimed to describe and explain the choreography of Mangkik Staih Dance in Sungai Penuh Tourism Culture Office, Jambi Province. The type of this research was qualitative using descriptive method. The object of this research was Mangkik Staih dance. The techniques of data collection were literature study, observation, interviews, and documentation. The techniques of data analysis were conducted by selecting the data that were considered important, compiling the selected data, analyzing the data with interpretation techniques. The results of this study indicated that the Mangkik Staih dance was a creation dance which was the development of the Asik dance which functioned as entertainment. the choreography of Mangkik Staih dance was in the form of a large group dance, the musical instruments used were tambourine, keyboard, car, bass, drum, costume that were used by Kerinci Traditional, Plate Property, Small Bowls Contain Seven Variety Flowers, Large Bowls Contain Rice and Sirih, Light Torch from Coconut, Bamboo, Broken Dishes, Stoves and Cauldrons. Keywords: Assessment, Choreographer, Staih Mangkung Dance

MENINGKATKAN HASIL BELAJAR SENI TARI DI KELAS IV.7 SD YPPI PERAWANG KABUPATEN SIAK DENGAN METODE TUTOR SEBAYA Mardiani Mardiani; Yuliasma Yuliasma; Herlinda Mansyur
SENDRATASIK UNP Vol 2, No 3 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract The Dance Lessson is one of lesson in SD YPPI Perawang Especially for the class IV.7 SD YPPI Perawang. The goal of the study is to describe result in art at class IV.7 SD YPPI Perawang. For avoiding this problem, it takes the researching Class Aktivity ( PTK ) in class IV.7 for the second semester by the formula of observation in the student activity and the Learning Result Proses. By observing this research and the learning result in this case. Can use the tutorial in same age. It can improve the students learning result in class IV.7 SD YPPI Perawang.

Tinjauan Koreografi Tari Balanse Madam Di Kota Padang Yolanda Putri; Herlinda Mansyur
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v9i2.110544

This research aims to explain and describe the Balanse Madam dance in Padang City. This type of research is descriptive qualitative research with descriptive methods of analysis. The main instruments in this study are researchers themselves and assisted with supporting instruments such as stationery and mobile phones. Data types are based on primary data and secondary data. Data collection techniques are obtained from library studies, observations, interviews and documentation. Data is analyzed with data collection, data reduction, data collection and conclusion drawing approaches. The results of this study showed that Balanse Madam Dance was based on the results of cultural acculturation between the Portuguese and Nias people in Padang city. The source of the motion is based on dance dance which is a Portuguese culture that is often seen by nias people in Padang city. In terms of form there is a pure motion that is simple but done on a repetitive way. floor design that tends to be straight and circular. The composition of the group used by the large group. Dancers must be even because this dance is a dance performed in pairs. The costumes used are for male dancers wearing bay stripes and batik pants or black base pants coupled with sarong and peci fabric. For female dancers using malay clothes, batik fabrics coupled with scarves that are covered in shoulders and gloves, female dancers wear beautiful makeup while male dancers do not use special makeup. The music used in this dance uses gamad music using the accompaniment of violin instruments, guitars, drum sets, tambur, and tamburin.. So it is concluded that Balanse Madam dance is a traditional dance that already has aspects of choreography in it so that it can be researched using choreography.

MENINGKATKAN HASIL BELAJAR SENI TARI SISWA MENGGUNAKAN MEDIA AUDITIF DI SMP NEGERI 25 PADANG Haryono Haryono; Fuji Astuti; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract The background of the research was low mastery of students towards a learning material that would cause the low accomplishment of the most dance learning outcomes of students. It had not reached the Minimum Completeness Criteria (KKM) in the class VIII.4 SMP Negeri 25 Padang. One of the factors that influence the low learning outcomes of students was the application of learning media that had not been able to demand the active role of students. Therefore it was necessary to do research by applying auditive media to see student dance learning outcomes. The type of this research was classroom action research. The subject in this study were students of class VIII.4 SMP Negeri 25 Padang registered in the 2017/2018 school year consisting of 32 students. In this study, the method of data collection was using the learning outcome test in the form of posttest at the end of each cycle and observation sheet. The data obtained were analyzed using the classical learning completeness formula. Based on the results of the study, it was found that there was an enhancement of students in each cycle. In the first cycle, the students who got the score of 70 and above (according to the success criteria of the action) were 20 (62.50%) and 12 students (37.50%) who still got the score below 70. For cycle II, the number of students who got score above 70 was increased to 25 people (81.25%) while students who got below 70 were decreased to 7 people (18.75%) which meant the learning outcomes f dance have been increased. Thus, it could be concluded that the application of auditive media could improve the students’ learning outcomes of dance at SMP Negeri 25 Padang. Keywords: Auditive Media, Students’ Learning Outcomes

BENTUK PENYAJIAN TARI PUTRI BERHIAS DI KOTA LUBUKLINGGAU Fadhilah Amalia Hasanah; Herlinda Mansyur; Afifah Asriati
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aims to describe the performance of Putri Berhias dance in Lubuk linggau city, since Putri Berhias dance is a traditional dance which has not been researched as well as its documentation data. With the presence of documentation of Putri Berhias dance into a form of writing, it is expected that the dance still preserved as cultural identity and the identity of Lubuk linggau city. Data obtained from the results of documents study, observation, interview and documentation. In this study, the researcher used triangulation to valid the data, that was a kind of technique which utilized something else.The research showed that the performance of Putri Berhias dance in Lubuklinggau city was in the form of purely representational. Its form included elements or main element and supporting dance. Those elements were the motions of Putri Berhiasdance which consists of thirteen kinds of motion maknawi. The design of the floor with pattern of horizontal, vertical and diagonal lines. Music design composed of traditional instruments, accordion, Melayu drums, rebana, and tambourine. Make up used is beautiful. Costumes worn were baju kurung, songket limas, and kebo munggah necklace, kembang murai , kano bracelet, lotus, earrings, gandik pilis, pending, and cempako. Putri Berhias dance used selendang as property. It could be performed on the proscenium stage and open areas.Key words: Dance performance, Putri Berhias

PERANAN SILEK GALOMBANG DALAM ACARA PESTA PERKAWINAN DI JORONG PANDAN KENAGARIAN TANJUNG SANI KECAMATAN TANJUNG RAYA KABUPATEN AGAM Kurnia Hidayati; Darmawati Darmawati; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article was aimed to describe and explain role of Silek Galombang on wedding party in Jorong Pandan Kenagarian Tanjung Sani Kecamatan Tanjung Raya Kabupaten Agam. Type of this study was qualitative with analytical descriptive method. Technique of data collection were done by using library research, observation, interview and documentation. After collecting data, data were analyzed accurately and selected as needed and it’s relation with the posed problem. Result of this study showed that Silek Galombang was performed on wedding in Jorong Pandan and was a part of event on wedding party in that place. Roles of Silek Galombang were as medium of welcoming honorary guests, medium of tribute and medium of self-actualization on wedding party. Silek Galombang consisted of tagak alif motion, langkah suok, langkah kida, langkah suruik, langkah maju, balabek, maambek tagak itiak, simpia suok dan kida, simpia suruik, kudo-kudo langkah ampek, dan gerak sambah. The dancer number of Silek Galombang were 7-9 dancers, 1 dancer as Tuo silek (teacher). This dance was divided into 2 groups with face to face position. 1 group represented the guest and the other one represented the party organizer. Silek Galombang was performed at street in front of the party organizer house during the day. Keywords: Roles, Silek Galombang, Wedding Party

Co-Authors Afiatri Gelurena Afifah Asriati Almadina Putri Alya Putri Anak Agung Istri Sri Wiadnyani Aqilla, Qorri Ardina Khairunnisa Arif Agustakdir Rahman Arviani, Yohana Aulia R, Rindena Auliannisa Ramadhani Ayuning Dwi Kusrini Chintia Renata Putri Cici Aulia Sari Darmawati Darmawati Darmawati Darmawati David Hernandes Deby Deswariani Dede Putri Perdani Desfiarni Desfiarni Devina Utami Dina Mutiatul Khairat Dona Evrie Dona Indriani Elga Pratiwi Rahmadani Elizar Elizar Elizar Elizar, Elizar Endang Nuryani Etika junita Fadhilah Amalia Hasanah Fani Putri Anggraini Fara Tiurma Andrina Fernanda Putri Fitri Latifah Fitri Wahyuni Fittry, Hasanah Fuji Astuti Fuji Astuti Gemala Dewi Gusti Maharani Haryono Haryono Hasibuan, Sindi Melani Ichanur Safri, Oktry Indah Fajar Wati Indah Septiani Indrayuda Indrayuda Izlatul Maulida Jupriyanto Jupriyanto Kamilia Maghfudzah Khairah, Wardhatul Kurnia Hidayati Laily Wulan Rahmawati Lapeni Pebria Maibur Lara Sintia Lativa Andriani Lhaxmi Nuari Maghdalena Tri Jureta Maharani Maharani Meika Meika Meika Meizul Ofriananda Melany, Sandra Mikaresti, Pamela Muhammad Afif Nabila Rahmi Isdiani Nadila, Sagita Dwi Nelvy Ayunda Sari Nerosti Nia Mardiani Ningsih, Lisa Wahyu Niro Mayelza Nur Annisa Nurul Fazila Ismail Pransisko Pransisko Pransisko, Pransisko Putri S Mulyadi Putri, Chintia Renata Rafi Rafi Rafi, Rafi Rahayu Febri Armi Rahma Dianti Rahma Sinta Rahmi Ul Fadhilah Ramadhan, Adrian Rara Febiola Raudatul Hayati Reza Septiana Rianti, Muthia Rifatil Indah Riska Fitriani Risna Dewi Rizka Putri Ananda Sella Oktafira Gea Seri Malini Sindi Melani Hasibuan Soraya , Atika Sri Wahyuni Suci Silvia Ningsih Suci Wahyuni Sukhma Suci, Suci Silvia Ningsih Sury Rahmadani Susmiarti Syinta Triagnesti Tiara Virginia Aulia Tiaranti Dwi Pradita Tri Rafika Sari Uthi Sonia Utia, Yuwaffa Veny Apriliyola Yolanda Putri Yose Fernando Yosi Muliana Yuliasma Yuliasma Yundari, Yundari Zora Iriani Zulfika Putri

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