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All Journal Jurnal Sendratasik Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya JURNAL PENDIDIKAN TAMBUSAI These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan MASALIQ: Jurnal Pendidikan dan Sains Student Scientific Creativity Journal Jurnal Multidisiplin West Science Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi

Herlinda Mansyur

Prodi Pendidikan Tari, Universitas Negeri Padang

Author-ID : 2728499

Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Social Sciences Other

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Koreografi Tari Ratok Maik Katurun Di Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung Izlatul Maulida; Herlinda Mansyur
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal and describe the Choreography of Ratok Maik Katurun Dance in Padang Laweh Village, Koto VII District, Sijunjung Regency. Therefore, this study explores the problems related to the choreography contained in the Ratok Maik Katurun dance in Padang Laweh Village, Koto VII District, Sijunjung Regency. This research belongs to a qualitative research using descriptive methods. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing tools and voice recorders. Types of data used were primary and secondary data. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted through data collection, data reduction, data presentation, and conclusion making. The results show that Ratok Maik Katurun Dance is a traditional dance which uses a choreographic approach and is created by raising the life of nature and the people of Padang Laweh village. Ratok Maik Katurun dance has a unique cultural value. It is dancing at the death of a leader in Padang Laweh village. Ratok Maik Katurun dance has two main aspects. The first one is the aspect of form including: motion (10 types of motion); simple floor designs such as straight and curved lines, top designs such as angular, medium, low, high, contrast and curved designs; group composition such as synchronously and balanced;female dancers aged 30-50 years; music using gondang boghek, talempong, and gong instruments; costumes worn is black baju kuruang basibah (Malay traditional clothes) and black songket (skirt); and properties in the form of shawls which are only worn in the oghak salendang movement. The second one is the aspect of content including: The idea, in Ratok Maik Katurun dance the idea isrelated to death and the atmosphere whichis sad. Music and dendang ratok used as accompaniment of the dance movements make the dance conveyed and complemented. Thus, it can be concluded that Ratok Maik Katurun Dance has choreographic aspects so that it can be researched using choreography knowledge.

UPAYA PEWARISAN TARI BUAI- BUAI DI NAGARI PAUH IX KELURAHAN KURANJI KECAMATAN KURANJI KOTA PADANG Dede Putri Perdani; Indrayuda Indrayuda; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to reveal and describe the efforts of the Inheritance of Buai-Buai Dance in Nagari Pauh IX, Kelurahan Kuranji, Kecamatan Kuranji, and Padang City.This type of research was qualitative research, using descriptive methods. This research instrument was the researcher. Techniques of data collection were carried out by using literature study, observation, interview and documentation. Data analysis was carried out by data reduction steps, carrying out data display/data preparation and drawing verification conclusions. The results show that the Buai-Buai Dance is almost extinct due to the number of heirs who were getting old. An effort to inherit the Buai-Buai dance is performed by the Minang Saiyo studio which is by providing training to the community as the next generation. Keywords: Inheritance, Buai-Buai Dance

Rintihan Kamilia Maghfudzah; Herlinda Mansyur
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

The "Moans (Rintihan)" artwork aims to elevate personal life into motion elements, create dance artworks, stimulate art performers to increase creativity in art and express the experience of writers as beginner choreographers in the field of dance art creation. The form of presentation in the “Moans (Rintihan)" artwork was representational. The “Moans (Rintihan)" artwork depict family activities that began with a beauty and harmony of the family that end in something not as expected. In this work, the choreographers used movements that have meaning and pure motion that had been distributed with motion techniques adapted to the theme, so that the designs of motion have strenght that could be used as starting points in the work, the most preferred in this work was aesthetic of the motions, full of soul and artistic motions, since the dance is also the choreographer’s priority.

STRUKTUR TARI SAKIN DI NAGARI PITALAH KECAMATAN BATIPUH KABUPATEN TANAH DATAR Lativa Andriani; Afifah Asriati; Herlinda Mansyur
SENDRATASIK UNP Vol 5, No 2 (2016)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to analyze and describe the structures Sakin Dance in nagari Pitalah Kecamatan Batipuh Kabupaten Tanah Datar. The formulation of the problem What is the Structure Sakin Dance in nagari Pitalah Kecamatan Batipuh Kabupaten Tanah Datar. The research is a qualitative descriptive method of analysis. The object of this study was Sakin dance in Nagari Pitalah Batipuh District of Tanah Datar. Data was collected through literature study, work studio, observations, interviews, and documentation. While the research instrument that researchers themselves and use tools to record and collect data that use tools - stationery, photo camera, Handy-cam, tape recorder or hp. Data analysis was carried out based on the steps-steps proposed by Sugiono, namely data collection, data reduction, data presentation, and conclusion.The results showed that the hierarchical relationship management grammatical Sakin dance is composed of several constituent components, ranging from the smallest to largest component. The smallest component unit at the start of the kinetic elements, form a motif, then forming parts and eventually into motion a whole dance. Tata hierarchical relationships contained in Sakin dance consists of 109 overall kinetic and kinetic 25 primary, 29 motif, 6 parts and eventually become the overall dance movement called Sakin dance.Keywords: Structures, Motion, Sakin Dance.

Manajemen Seni Pertunjukan Di Sanggar Puti Limo Jurai Kota Bukittinggi Tiaranti Dwi Pradita; Darmawati Darmawati; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

The research aims to describe the Management of the performing arts in the workshop of Puti Limo Jurai Bukittinggi. Type of this research is descriptive research using qualitative methods. The main instrument in this study is the researchers themselves and supporting instruments such as assisted with writing instruments and cameras. The type of the data in the research is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. Technique of data analysis performed with the measures include: the reduction of the data, the presentation of data, conclusions and make a report. The results showed that Sangar Puti Limo Jurai still retain cultural values in the performing arts. As an organization that is engaged in the arts with a democratic system, where all the decisions taken based on the results of the mutual agreement. All the process is carried out by management as good as possible. System performance or the workings of the organization performing arts at Sanggar Puti Limo Jurai belongs to the semi professional performing arts organizations because the Sanggar Puti Limo has been working with the Kings ' management approach, both in terms of function or process. In terms of personal profession, and the members of the Sanggar Puti Limo Emblem also has a profession other than the workers of art. But in terms of their ethics remain subject to rules that have been set.

BENTUK PENYAJIAN SILEK GALOMBANG DI NAGARI PAGARUYUNG KECAMATAN TANJUNG EMAS KABUPATEN TANAH DATAR Raudatul Hayati; Herlinda Mansyur; Zora Iriani
SENDRATASIK UNP Vol 2, No 1 (2013): Seri D
Publisher : FBS Universitas Negeri Padang

Abstract This research was aimed at revealing and documenting the presentation of Silek Galombang in Nagari Pagaruyung Kecamatan Tanjung Emas Kabupaten Tanah Datar which was performed in welcoming the official guests. This was a qualitative research which used descriptive method. In collecting the data, the researcher observed the process of welcoming the guests in Istano Silinduang Bulan Pagaruyung. Silek Galombang is a kind of arts performances which applies self-defense (silat) arts movements performed by 8 men mastering silek and 2 men carrying carano. The performance was preceded by kata sambah and batagua accompanied by some musical instruments including calenang, gandang, bansi and sarunai. The costumes worn by anak silek were baju taluak balango, celana guntiang ampek hitam, deta batik hitam and sesampiang. The men bringing the carano wore black and blue taluak balango suit and red sesampiang. Silek Galombang was performed in a group with rampak simultan and straight-line floor pattern. This was done in a field which was closed by delivering batagua words and sowing beras kuning. Kata kunci : Silek Galombang, laki-laki, carano, kata sambah, bataguah

PENERAPAN MODEL ADVANCE ORGANIZER PADA PEMBELAJARAN SENI TARI DI SMA NEGERI 3 PARIAMAN Zulfika Putri; Fuji Astuti; Herlinda Mansyur
SENDRATASIK UNP Vol 7, No 4 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This research aimed to describe the implementation of Advance Organizer model on Dance subject at SMA 3 Pariaman.This research was qualitative research using descriptive method. The object of the research was 30 students of XI grade of SMA 3 Pariaman, The research instrument was the researcher herself and additional instruments were observation sheet and test. The data were attained through library research, observation, documentation, performance test. Then, the data were analyzed. The results of this study indicated that the implementation of Advance Organizer learning model in Dance subject with material to identify the type, role, and development of paired dance / group of archipelago at SMA 3 Pariaman with 3 meeting ran well. Students are motivated and interested in learning. This can be seen from the cognitive improvements and students’ learning activities at each meeting with indicators: paying attention to teacher’s explanation, doing question and answer, expressing opinions, the spirit of learning, and being able to conclude the lesson. At the meeting I, II, and III, it was seen the development of learning in the cognitive domain of students. From the lack of responses from students until students become more active and the cognitive of students in the lesson rose. Improvement can also be seen from the achievement of dance learning objectives. Thus it can be concluded that the application of Advance Organizer model in Dance subject were very effective in improving the students' cognitive knowledge, and mad the learning atmosphere become more fun so that it can increase students’ activity. With the increase of students’ learning activities, it will increase in knowledge along with it and appear on students’ learning outcomes at SMA 3 Pariaman.Kata Kunci: Model Advance Organizer, Seni Tari

Bentuk Penyajiantari Silek Harimau Di Nagari Padang Laweh Kecamatan Koto VII Kabupaten Sijunjung Suci Wahyuni Sukhma; Herlinda Mansyur
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The research aims to reveal, describe, and analyze the presentation form of Silek Harimau Dance in Padang Laweh village, Koto Tujuah District, Sijunjung Regency. This research belongs to a qualitative research using descriptive analysis method. The object of this research was Silek Harimau Dance in Padang Laweh village. The main instrument in this research was the researcher itself supporting by tools in the form of stationeries and a camera. The data were collected through literature study, observation, interview, and documentation. The steps of analyzing data were collecting the data, describing the data, and concluding the data. The results prove that the form of Silek Harimau Dance is presented in two groups in opposite directions. The elements of the presentation form consist of: (1) Motion. Silek Harimau dance consists of gripping and wrestling. (2) Floor design. It uses a straight line pattern. (3) Dancers. It is performed by 2 women and 3 men. (4) Music. It consists of gandang, tambur, oguang / gong and talempong. (5) Costumes. Female players of Silek Harimau dance wear purple or black clothes while the men wear tiger costumes. (7) Place and time of performance. It is performed at official events or festivals. Silek Harimau dance is a traditional dance of the community in Padang Laweh village, Koto VII District, Sijunjung Regency.

PELAKSANAAN PEMBELAJARAN RANDAI PADA PENGEMBANGAN DIRI DI SMPN 14 PADANG Gemala Dewi; Herlinda Mansyur; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aimed to find and describe the implementation of Randai Learning on Self-Development at SMPN 14 Padang. The type of this research was qualitative research. This research applied descriptive method. Data collection in the field was done by observation, interviews, and documentation. In addition, data were collected from library studies, observations, and interviews. The analysis of data was conducted by qualitative data analysis, and then the analysis was described and concluded. The results of the research showed that the implementation of Randai Learning on Self-Development at SMPN 14 Padang was influenced by factors that inhibited the effectiveness of Randai activities. These factors were internal and external factors. Internal factors consisted of urge factors, attention factors, and participation factors that came from the students themselves, while external factors of students included parents, teacher factors, and facility factors. These factors can be specified as follows: 1) Students did not always pay attention to the teacher and trainer. 2) Less interest in students in paying attention to teachers had an impact on students' lack of understanding of the mastery toward the material given. 3) The material for combining music with legaran based on dendang became difficult material for students because of the short time given and the distracted attention of students. 4) Lack of mastery of material that caused students unable to display what had been given well. Keywords: Randai and Self Development

Koreografi Tari Zapin Bertasbih Pada Sanggar Tasik Malay Art Di Pekanbaru Yose Fernando; Herlinda Mansyur
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to analyze Zapin Bertasbih Dance Choreography in Sanggar Tasik Malay Art Pekanbaru. This type of research is qualitative research with descriptive methods of analysis. The research instrument is the researchers own and is assisted by supporting instruments such as stationery and cameras. Primary data types and secondary data. Data collection techniques are carried out by employing library studies, observations, interviews and documentation. The steps to analyze the data are to describe, interpret and draw conclusions. The results showed that Zapin Bertasbih dance choreography performed by choreographer Tri Sisca Noviani is a new dance creation worked with a choreographic approach. Zapin Bertasbih Dance Choreography can be seen in Form and Content. In the form motion, there are 15 kinds of motion, floor patterns in the form of vertical, horizontal, diagonal and zigzag, the composition of groups in the form of simultaneous and split, dancers (6 people), wearing Malay costumes, dance accompaniment by wearing gambus, accordion, flute, darbuka, marwas and tambur, property using tasbih. In content, among them the idea that arises from taking things done by Muslims in performing worship practices to the creator by using tasbih as his property. The atmosphere that appears in Zapin Dance is peaceful, joyful and calm. Therefore, Zapin Bertasbih Dance is worked on with choreographic planning by his stylist. Because Zapin Bertasbih Dance begins with an idea that departs from Zapin Melayu itself where Zapin Melayu underlies the creation of Zapin Bertasbih. The source of Garapan from Zapin Bertasbih is some movements from Zapin Melayu, namely the movement of worship, Middle Dizziness, Broken Chicks and the Movement of Meniti batang. Then worked by the stylist and arranged movements that have been created into a new form of dance. In content, among them the idea that arises from taking things done by Muslims in performing worship practices to the creator by using tasbih as his property.

Co-Authors Afiatri Gelurena Afifah Asriati Almadina Putri Alya Putri Anak Agung Istri Sri Wiadnyani Aqilla, Qorri Ardina Khairunnisa Arif Agustakdir Rahman Arviani, Yohana Aulia R, Rindena Auliannisa Ramadhani Ayuning Dwi Kusrini Chintia Renata Putri Cici Aulia Sari Darmawati Darmawati Darmawati Darmawati David Hernandes Deby Deswariani Dede Putri Perdani Desfiarni Desfiarni Devina Utami Dina Mutiatul Khairat Dona Evrie Dona Indriani Elga Pratiwi Rahmadani Elizar Elizar Elizar Elizar, Elizar Endang Nuryani Etika junita Fadhilah Amalia Hasanah Fani Putri Anggraini Fara Tiurma Andrina Fernanda Putri Fitri Latifah Fitri Wahyuni Fittry, Hasanah Fuji Astuti Fuji Astuti Gemala Dewi Gusti Maharani Haryono Haryono Hasibuan, Sindi Melani Ichanur Safri, Oktry Indah Fajar Wati Indah Septiani Indrayuda Indrayuda Izlatul Maulida Jupriyanto Jupriyanto Kamilia Maghfudzah Khairah, Wardhatul Kurnia Hidayati Laily Wulan Rahmawati Lapeni Pebria Maibur Lara Sintia Lativa Andriani Lhaxmi Nuari Maghdalena Tri Jureta Maharani Maharani Meika Meika Meika Meizul Ofriananda Melany, Sandra Mikaresti, Pamela Muhammad Afif Nabila Rahmi Isdiani Nadila, Sagita Dwi Nelvy Ayunda Sari Nerosti Nia Mardiani Ningsih, Lisa Wahyu Niro Mayelza Nur Annisa Nurul Fazila Ismail Pransisko Pransisko Pransisko, Pransisko Putri S Mulyadi Putri, Chintia Renata Rafi Rafi Rafi, Rafi Rahayu Febri Armi Rahma Dianti Rahma Sinta Rahmi Ul Fadhilah Ramadhan, Adrian Rara Febiola Raudatul Hayati Reza Septiana Rianti, Muthia Rifatil Indah Riska Fitriani Risna Dewi Rizka Putri Ananda Sella Oktafira Gea Seri Malini Sindi Melani Hasibuan Soraya , Atika Sri Wahyuni Suci Silvia Ningsih Suci Wahyuni Sukhma Suci, Suci Silvia Ningsih Sury Rahmadani Susmiarti Syinta Triagnesti Tiara Virginia Aulia Tiaranti Dwi Pradita Tri Rafika Sari Uthi Sonia Utia, Yuwaffa Veny Apriliyola Yolanda Putri Yose Fernando Yosi Muliana Yuliasma Yuliasma Yundari, Yundari Zora Iriani Zulfika Putri

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