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Nia Kusstianti
Universitas Negeri Surabaya
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Journal : JBC

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Bentuk dan Makna Tata Rias Pengantin Tradisional Sari Agung Lumajang Jawa Timur Maspiyah, Maspiyah; Lutfiati, Dewi; Kusstianti, Nia
Journal of Beauty and Cosmetology (JBC) Vol. 1 No. 1 (2019): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v1n1.p1-8

Abstract

The purpose of this study is to identify the type and meaning of Sari Agung bridal make-up from Lumajang, East Java, which includes makeup and hairdo, and also clothing and accessories worn. This study is a descriptive study with qualitative approach. Data collection techniques using triangulation methods, which includes 1) interviews, 2) observation, and 3) documentation. Data sources in this study are senior bridal makeup artist in Lumajang, chairman of DPC Harpi Melati, and head of the Arts and Culture section of the Lumajang City Tourism Office. From the study results it is known that the Lamajang Sari Agung Bridal Makeup is a beautiful makeup, while the form of hair makeup is in the form of ˜ukel konde. Clothing and jewelry worn by the Lamajang Sari Agung bride; such as: jewelry made of silver; illustrates that Lumajang is a producer of silver crafts. The ˜dodot sinebab motives illustrate ˜pisang agung which is an icon of Lumajang. ˜Sekar manggis, ˜sulur pakis, etc describes natural wealth of Lumajang. Cinde fabric with empty palace motive describes the Lumajangs community belief that humans are born empty, carrying nothing.
Pembuatan Srinatha pada Tata Rias Pengantin Bali Agung Usodoningtyas, Sri; Kusstianti, Nia
Journal of Beauty and Cosmetology (JBC) Vol. 1 No. 2 (2020): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v1n2.p57-67

Abstract

 Srinatha is a dumanggal (crescent-shaped) decoration on the forehead of Bali Agung's bride to make it look elegant, beautiful and attractive. The method of forming Srinatha generally uses the finger gauge. This method often causes problems, because the fingers have different sizes, and so do the forehead brides have different sizes. The purpose of this study is to describe the technique of making Srinatha with traditional and proportional methods and to find the suitability of Srinatha between traditional methods and proportional methods. This type of research is descriptive qualitative. Data collection techniques with observation to provide an assessment of the work. The results of this study note that the making of srinatha by traditional methods relies on fingers and ignores the shape of the bride's forehead, making it difficult to produce an exact and symmetrical Srinatha. The proportional method is adjusted to visualize the bride's face and pay attention to the shape of the forehead. In terms of flexibility, symmetry, compatibility and accuracy with the face shape the proportional method is better than traditional methods. This research contributes an alternative method of making Srinatha by considering the shape of the face.
SURVEI PENGGUNAAN MASKER RAMBUT BERBAHAN DASAR JAHE UNTUK PERAWATAN RAMBUT Prastyani, Desi Nur; Kusstianti, Nia
Journal of Beauty and Cosmetology (JBC) Vol. 2 No. 2 (2021): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v2n2.p34-45

Abstract

Chemical exposure is a factor that causes a decrease in hair health, especially when there is no adequate nutrition in the hair. This research was conducted to analyze the function of hair masks made of ginger in improving hair health. The method used is a survey. The data collection technique used was sampling on a sample of customers in one of the salons, namely Salon Tiya, totaling 100 respondents. It is in accordance with the method that the required instrument is SPSS. The results showed that 31% of respondents aged 18 years experienced damage in the form of hair loss. Meanwhile, 55% have never used a ginger mask. Most of the respondents do not understand the ingredients in the hair care products they use, especially anti-dandruff products. Keywords: ginger mask, hair care, survey
Perbandingan Hasil Penggunaan Nail Gel Pada Kuku Asli dan Kuku Palsu Motif Leopard FilaHasena; Puspitorini, Arita; Kusstianti, Nia; windayani, novia
Journal of Beauty and Cosmetology (JBC) Vol. 3 No. 1 (2021): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v3n1.p31-38

Abstract

Nail art is the art of decorating nails so that one's appearance can look more presentable and beautiful by adjusting the condition of the client's nails. Nail art uses nail gel as a nail dye. This study aims to determine the comparison of the results of using nail gel applied to real nails and false nails with a leopard pattern. This research is a type of descriptive quantitative research. The purpose of this study was to determine the results of applying nail gel to natural nails and artificial nails and to compare the results between the two nails. Data collection was obtained through an online questionnaire distributed through social media facilities, namely Google forms to students of SMK Negeri 4 Banjarmasin, Skin & Hair Beauty Department. The data analysis technique uses the results of the percentage in terms of neatness, the result of greasing, in terms of beauty, suitability of motifs, and the results of the respondent's overall preference and the average result is calculated from the results of calculating these percentages. The results showed that (1) in terms of neatness of nail gel on natural nails scored 90.3% while false nails were 9.7% (2) In terms of applying nail gel on natural nails a score of 80.6% while fake nails 19.4 % (3) In terms of the suitability of nail gel motifs on natural nails, the score is 92.5% while fake nails are 7.5% (4) In terms of the beauty of nail gel on natural nails, the score is 91.4% while false nails are 8.6% ( 5) Overall preference for nail gel on real nails scored 92.5% while fake nails were 7.5%. From the score obtained when calculated using the average formula for nail gel on natural nails, it scores 89.46% and fake nails gets a score of 10.54%. Keywords: Nail art; nail gel; nails; fake nail
Co-Authors Afida, Ummu Nadia Afkarina, Risqa Alfin Afifi, Astrida AMELIA, LINDA Ampouw, Debby Arita Puspitorini Ascaya, Made Milenia Candrawati Atmaka, Srinirmala Nindya Azizah, latiffany Balqois, Ratu Bella, Yuniar Anisa Binagdy, Vennas Amalla Chasanah, Ilfa Damaranti, Angger dewayana, Agatha Dewi Lutfiati DIAH DWI JAYANTHI, KADEK Dindy Sinta Megasari Edo Shamsidar, Afzalur EKI PURBOSETYO, MIFTASYA ELOK PUTRI BAHARI, RUSYNTA Evanggelista, Delaya FAJAR MAGFIROH, SITI Fatin, Hanani Auliya Febriana, Aulia Rizqiika Febrianti, Mitha Indah Festiana, Ailsa FilaHasena Fitriyani, Pramitha Anisa Hartanti Wulandari, Ririn Noor Helmi, Dian Atika Ikbar, Idel Eg Nidia Imansari, Inez Dwina Inayati, Indah Indra, Zahra Natasya Jayanti, Khusmira Dwi KECVARA PRITASARI, OCTAVERINA Lailla Putri Anggita Dewi Leony, Dita Angie Luftha Rudiyanto, Michelle Grezanda Madani, Ekki Febijay MASPIYAH Maspiyah Maspiyah Megasari, Dindy Muliana, Amma Mutimmatul Faidah Ningrum, Fatichatul Ilma Wahyu ningrum, Yuliana Ni’mah, Alfiatun Nofitasari, Sonia Novia Restu Windayani, Novia Restu Nurul Indawati Nurwulandari, Laily Dewi Oktavia, Rhelen Bunga Piwi, Adela Sanya Prahesti, Salsabila Prajastiwi, Handika Pramesti, Adetyas Prastyani, Desi Nur Pratiwi, Evita Citra Pritasari, Octaverina Pritasari, Octaverina Kecvara Puspita, Vivian Putri Ardiana putri, Monique Jingga Trifinda QOLBI, TSAMROTUL Qoyyimah, Millah Rachmawati, Eka Yolanda Sakila Ramadhanti, Rizqullah Rekhananda , Karin Safitri, Binti Inna safitri, Yesi intan SILVI GHONI MAHFIRO, KHAFIDHATUL SOFIA MAHARANI, NITA Sri Dwiyanti Suhartiningsih Suhartiningsih SUZENTY, INDRYA swardika, Farah SYAH PRASTIKA NOOR SHOLIKIN, WENDI Trishantini, namira Usodoingtyas, Sri Usodoningtyas, Sri VEGATAMI, PRADITA VENTIANA WATI, DICHA Verina Mayang Sari VIA LAKSHITA, YUNANDA WAHYUNIH, SRI Waluyo, Nadya Sabrine Wardani, Annisa Aprilia Wijaya, Nieke Andina Wilujeng, Biyan Wilujeng, Biyan Yesi windayani, novia yuhaa, Fastami limaa YUSNI, ALIFIA SHAFIRA