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All Journal Grenek: Jurnal Seni Musik BAHAS JURNAL PENGABDIAN KEPADA MASYARAKAT Jurnal Pendidikan dan Kajian Seni Panggung Gondang: Jurnal Seni dan Budaya Jurnal SOLMA Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Sitakara JCRS (Journal of Community Research and Service) Socius (Jurnal Pendidikan dan Pembelajaran Ilmu Pengetahuan Sosial) (Edisi Elektronik) Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) (JSM) Jurnal Seni Musik
Uyuni Widiastuti
Universitas Negeri Medan
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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The ensemble of Keteng-Keteng Telu Ngawan Adina S Sembiring; Uyuni Widiastuti; Purbatua Manurung; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2408

Abstract

The creation of three-segment keteng-keteng (telu ngawan) with high, midle, and low characters, is carried out through the Soprano, Alto, tenor, and Bass frequency approaches, so that the keteng-keteng telu ngawan instrument becomes a “new” musical ensemble called the keteng-keteng Ensemble. Keteng-keteng Telu Ngawan. The frequency of keteng-keteng telungawan with soprano character is on a scale of 261,626-1046.50 Hz, the frequency of keteng-keteng telungawan with alto character is on a scale of 174,614-698,456 Hz, the frequency of keteng-keteng telungawan with tenor character is on a scale of 130,813-523,251, and the frequency of keteng-keteng telungawan bass character is on a scale of 82.4069-329.628. The determination of the tuning of the four keteng-keteng telungawan is done by recording the sound of the four keteng-keteng telungawan then transferring the sound to a string instrument category and entering it into several music tuner applications such as Da Tuner, Guitar Tuna or other similar applications. The results of the music tuner will be entered into the website so that it will automatically know where the frequency of the sound for each keteng-keteng telu ngawan is.
Co-Authors Ade Fauzi Ade Fauzi Ade Fauzi, Ade Adina S Sembiring Adina S Sembiring Adina Sembiring Anggraini, Adisty Asmon, Shafira Permata Dewi Brepin Tarigan Christine Helena Natalia Eben Haezarni Telaumbanua Elvi Mailani Erfinaika Siringoringo Ewin Johan Sembiring Ewin Johan Sembiring HERNA HIRZA Hesti Fibriasari Ifwanul Hakim Inggit Prastiawan Iskandar Muda Julio Pegenusa LALA JELITA ANANDA Lamhot Basani Sihombing MANURUNG, PURBATUA Merdy R. S Togatorop Merdy Roy Sunarya Togatorop Mukhlis Nainggolan, Pitriana Nurkhaliq, Raja Fitrian Obed Sembiring Panji Suroso Pegenusa, Julio PITA HD SILITONGA Putri, Tansa Trisna Astono Rahmat Riswan Aidil Syahputra Siregar Rifandi, Ilham Ruth Hertami Dyah Nugrahaningsih Samosir, Rully Yohanes Sembiring, Adina S Sembiring, Adina Sastra Sembiring, Hendy Obed Simanjuntak, Angelina Natalia Sitti Rahmah Sitti Rahmah Sugito - Suharyanto Tarigan, Brepin Togatorop, Merdy R. S Wiflihani Wiflihani