Article Per Year (5 Year)
p-Index From 2021 - 2026
3.706
P-Index
This Author published in this journals
All Journal Grenek: Jurnal Seni Musik BAHAS JURNAL PENGABDIAN KEPADA MASYARAKAT Jurnal Pendidikan dan Kajian Seni Panggung Gondang: Jurnal Seni dan Budaya Jurnal SOLMA Batoboh : Jurnal Pengabdian Pada Masyarakat Jurnal Sitakara JCRS (Journal of Community Research and Service) Socius (Jurnal Pendidikan dan Pembelajaran Ilmu Pengetahuan Sosial) (Edisi Elektronik) Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) Panggung (JSM) Jurnal Seni Musik
Uyuni Widiastuti
Universitas Negeri Medan
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 42 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
The ensemble of Keteng-Keteng Telu Ngawan Adina S Sembiring; Uyuni Widiastuti; Purbatua Manurung; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2408

Abstract

The creation of three-segment keteng-keteng (telu ngawan) with high, midle, and low characters, is carried out through the Soprano, Alto, tenor, and Bass frequency approaches, so that the keteng-keteng telu ngawan instrument becomes a “new” musical ensemble called the keteng-keteng Ensemble. Keteng-keteng Telu Ngawan. The frequency of keteng-keteng telungawan with soprano character is on a scale of 261,626-1046.50 Hz, the frequency of keteng-keteng telungawan with alto character is on a scale of 174,614-698,456 Hz, the frequency of keteng-keteng telungawan with tenor character is on a scale of 130,813-523,251, and the frequency of keteng-keteng telungawan bass character is on a scale of 82.4069-329.628. The determination of the tuning of the four keteng-keteng telungawan is done by recording the sound of the four keteng-keteng telungawan then transferring the sound to a string instrument category and entering it into several music tuner applications such as Da Tuner, Guitar Tuna or other similar applications. The results of the music tuner will be entered into the website so that it will automatically know where the frequency of the sound for each keteng-keteng telu ngawan is.
Performance Model of Kulcapi (Karo Musical Instrument) as a Teaching Material in Guitar Learning Panji Suroso; Adina Sastra Sembiring; Uyuni Widiastuti; Muklis Hasbulah; Bakhrul Khair Amal
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 1, No 4 (2018): Budapest International Research and Critics Institute December
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v1i4.102

Abstract

This study examines performance model of Kulcapi Karo as a teaching material in guitar learning classes at Music Art Study Program in Unimed. To obtain maximum learning outcomes in the learning process, creative strategies and methods are created in utilizing local music culture as a capital in improving music playing skills. Efforts are made in various ways to maximize learning by reviewing and analyzing matters related to the learning process such as; analyze learning objectives, teaching material, strategies or learning methods, including local cultural material as a learning resource that can be adapted to the development and needs of the community in the world of education that continues to grow. Based on this, it is very important if Kulcapi's musical instrument culture as local culture can be packaged and used as teaching material in learning guitar music instruments. This is intended to further enrich students' understanding of theoretical concepts and the practice of playing stringed musical instruments is not only limited to popular knowledge, but also on things that are more specifically including traditional ones. With the effort to study and understand the Kulcapi instrument as teaching material, students must absolutely understand the organology structure and the technique of playing Kulcapi to be able to be developed to the level of being able to play better musical instruments. The technique of playing Kulcapi instrument as a capital in developing students' abilities in guitar courses seems to be more able to improve the achievement of better quality learning outcomes
Character Formation Based on North Sumatra Local Wisdom Through Orchestral Learning in Music Education Study Program, Universitas Negeri Medan Adina Sembiring; Uyuni Widiastuti; Octaviana Tobing; Esra Siburian; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 4 (2019): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i4.594

Abstract

The objectives of this study are to: (1) Producing character building based on North Sumatra local wisdom through orchestral learning in Music Education Study Program,  Unimed; (2) Producing orchestral learning that can shape the character of students in the Music Education Study Program; (3) Producing characters that are formed through orchestral learning in Music Education Study Program,  Unimed. It is expected that the existence of research on the topic of orchestral learning in Music Education Study Program,  Unimed  can shape character based on local wisdom in North Sumatra
Co-Authors Ade Fauzi Ade Fauzi Ade Fauzi, Ade Adina S Sembiring Adina S Sembiring Adina S Sembiring Adina S. Sembiring Adina Sembiring Adina Sembiring Anggraini, Adisty Asmon, Shafira Permata Dewi Bakhrul Khair Amal Brepin Tarigan Christine Helena Natalia Eben Haezarni Telaumbanua ELVI MAILANI Erfinaika Siringoringo Esra Parmian Talenta Siburian Ewin Johan Sembiring Ewin Johan Sembiring Ewin Johan Sembiring Ewin Johan Sembiring HERNA HIRZA Hesti Fibriasari Ifwanul Hakim Inggit Prastiawan Iskandar Muda Iskandar Muda Julio Pegenusa LALA JELITA ANANDA Lamhot B Sihombing Lamhot Basani Sihombing MANURUNG, PURBATUA Merdy R. S Togatorop Merdy Roy Sunarya Togatorop Mukhlis Muklis Hasbulah Muklis Muklis Nainggolan, Pitriana Nurkhaliq, Raja Fitrian Obed Sembiring Octaviana Tobing Panji Suroso Pegenusa, Julio PITA HD SILITONGA Putri, Tansa Trisna Astono Rahmat Riswan Aidil Syahputra Siregar Rifandi, Ilham Ruth Hertami Dyah Nugrahaningsih Samosir, Rully Yohanes Sembiring, Adina S Sembiring, Adina Sastra Sembiring, Hendy Obed Simanjuntak, Angelina Natalia Sitti Rahmah Sitti Rahmah Sugito - Suharyanto Suharyanto Tarigan, Brepin Theodora Sinaga Togatorop, Merdy R. S Wiflihani Wiflihani