Article Per Year (5 Year)
p-Index From 2021 - 2026
4.024
P-Index
This Author published in this journals
All Journal Sabda: Jurnal Kajian Kebudayaan HUMANIKA Jurnal Ilmu Perpustakaan Paramita: Historical Studies Journal KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Pattingalloang : Jurnal Pemikiran Pendidikan dan Penelitian Kesejarahan Jurnal Sejarah Citra Lekha Berkala Arkeologi ENDOGAMI Jurnal Ilmiah Kajian Antropologi Kiryoku: Jurnal Studi Kejepangan HARMONI Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Journal of Maritime Studies and National Integration KALPATARU Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Historia Madania: Jurnal Ilmu Sejarah Jurnal Sosiologi, Antropologi, dan Budaya Nusantara Journal of Artificial Intelligence and Digital Business Journal of Gastro Tourism (JOGASTO) Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Berkala Arkeologi
Siti Maziyah
Department Of History, Faculty Of Humanities, Universitas Diponegoro
Religion Arts Humanities Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

Published : 49 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 49 Documents
Search

 1   2   3   4   5 
Transformasi Pabrik Gula Colomadu: dari Suikerfabriek hingga Menjadi Destinasi Pariwisata, 1998-2020 Ramadhan, Fauzan Syahru; Maziyah, Siti; Baihaqi, Ahmad Fauzan; Meliala, Bryna Rizkinta Sembiring
Jurnal Pattingalloang Vol. 12, No. 2 (2025)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/pattingalloang.v12i1.72295

Abstract

Artikel ini membahas tentang transformasi Pabrik Gula Colomadu dari 1998 hingga 2020. Penelitian ini menggunakan metode sejarah yang terdiri atas empat tahap yaitu heuristik (pengumpulan sumber), kritik (pengujian sumber), interpretasi (penafsiran sumber), dan historiografi (penulisan). Tujuan dari kajian ini adalah melihat perubahan Pabrik Gula Colomadu yang sebelumnya merupakan pabrik gula yang aktif beropreasi, namun sempat dilakukan penutupan oleh PTPN IX pada 1 Mei 1998 karena kekurangan bahan baku tebu untuk memproduksi gula. Pabrik Gula Colomadu selama kurang lebih 20 tahun mangkrak sejak dilakukan penutupan oleh PTPN IX, maka Pemerintah Republik Indonesia pada 8 April 2017 melalui konsorsium BUMN dengan membentuk PT. Sinergi Colomadu melakukan revitalisasi terhadap bekas Pabrik Gula Colomadu dengan menggunakan konsep adaptive reuse. Hasil kajian ini menjelaskan bahwa pada 24 Maret 2018, bekas Pabrik Gula Colomadu berubah menjadi salah satu tempat destinasi pariwisata di Kabupaten Karanganyar dengan mengubah nama menjadi “De Tjolomadoe” dan beralih fungsi menjadi cultural center, museum, tempat kegiatan MICE, serta sebagai comercial area.
Pengaruh Brand Experience dan Trust Terhadap Customer Satisfaction dengan Mediasi Brand Love Cahyo, Septian Dwi; Maziyah, Siti; Patmasari, Eka Kurnia
RIGGS: Journal of Artificial Intelligence and Digital Business Vol. 4 No. 3 (2025): Agustus - October
Publisher : Prodi Bisnis Digital Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/riggs.v4i3.2046

Abstract

This study aims to examine the influence of brand experience and brand trust on customer satisfaction with brand love as a mediating variable. The case study focuses on users of MS Glow at Store Sinok Ayu, Kendal. A quantitative method was employed with data collected through online questionnaires from 118 respondents. The data were analyzed using Partial Least Squares–Structural Equation Modeling (PLS-SEM) via WarpPLS 8.0. Seven hypotheses were tested to assess both direct and mediated effects. The results reveal that brand experience, brand trust, and brand love have a positive and significant effect on customer satisfaction. Furthermore, brand love is found to significantly mediate the relationship between brand experience and customer satisfaction, as well as between brand trust and customer satisfaction. This study is limited to a single local skincare brand (MS Glow) and one geographic location, which may limit the generalizability of the findings. The findings suggest that companies should enhance brand experience and trust to foster emotional connections, thereby increasing customer satisfaction. This research enriches the literature by positioning brand love as a mediating variable, offering insights into the emotional and cognitive mechanisms driving customer satisfaction in the skincare industry.
IMPLIKASI KULINER SESAJI DAN DHANYANG DALAM UPACARA TRADISI DI JEPARA Indrahti, Sri; Maziyah, Siti; Alamsyah; Prasetyawan, Yanuar Yoga
Berkala Arkeologi Vol. 39 No. 1 (2019)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v39i1.327

Abstract

Abstract The article describes the culinary imp lic ation of offerings and d hanyang in 5 (five) villages in Jepara in the form of traditional ceremonies of Jembul Tulakan, Hari Jadi Kota Jepara, Sedekah Laut, Perang Obor, and Pesta Baratan. Only three out of five ceremonies were present ing culinary offerings as a representation of the dhanyang presence. The objective of this study is to reveal the existence of culinary offerings and d hanyang both by their food types and the intended dh anyang. This study was using a qualitative method which includes the collection of primary and secondary sources through literature study, observation, participants, structured interviews, indepth interviews, and Focus Group Discussion. The approaches which were used are anthropological and hermeneutical approaches. The study reveals a symbolic meaning from the presence of various culinaries presented to dhanyang and wishes expressed implicitly or explicitly in the ceremony. The wishes include the requests of safety, kindness, protection, etc. Recently, these wishes have shifted which caused by better knowledge, belief, and social experience of the performers towards their religion. Public belief in the power of d hanyang still exists even though it is not dominant.
Majalah Panjebar Semangat Sebagai Pelestari Bahasa dan Sastra Jawa, Tahun 1998-2013 Khotimah, Muzamil Chusnul; Maziyah, Siti
Sabda: Jurnal Kajian Kebudayaan Vol 16, No 1: 2021
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.16.1.16-28

Abstract

This research discusses the background to the founding of Panjebar Semangat magazine as a medium for developing Javanese language and literature, its role as a medium for preserving Javanese language and literature, as well as the efforts made to preserve Javanese language and literature. To examine this problem, this research uses a historical method consisting of four sequential stages, namely heuristics, source criticism, interpretation, and historiography. The research results show that the Panjebar Semangat magazine was founded in 1933. As the name suggests, the aim of establishing the Panjebar Semangat magazine was to spread and ignite the spirit of nationalism to win the independence of the Republic of Indonesia from the hands of Dutch colonial rule. This magazine is a medium for preserving the Javanese language and literature, which has been demonstrated since its inception. This magazine has consistently used Javanese as its language of instruction and has been productive in publishing Javanese language works in literary sections such as Crita Cekak, Taman Geguritan, Crita Sambung, Crita Rakyat, Crita Gambar, and Alaming Lelembut. The efforts made by Panjebar Semangat to develop Javanese literature include giving Literary Prizes to Javanese literature authors whose work is considered good and interesting, creating new rubrics, holding contests or writing competitions for Javanese literature, and developing online media.
PAMERAN AKSARA GATA DI KEBUMEN SEBAGAI UPAYA SOSIALISASI AKSARA MASA LALU Putri, Atika Kurnia; Maziyah, Siti; Indrahti, Sri; Alamsyah, Alamsyah
Harmoni: Jurnal Pengabdian Kepada Masyarakat Vol 9, No 2 (2025): HARMONI
Publisher : Departemen Linguistik, Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/hm.9.2.41-48

Abstract

Pengabdian Kepada Masyarakat ini berjudul “Pameran Aksara Gata di Kebumen sebagai Upaya Sosialisasi Aksara Masa Lalu”. Adapun tujuannya adalah untuk memberikan pemahaman kepada masyarakat terkait aksara yang telah lampau dan digunakan pada masa lalu. Kegiatan ini sekaligus memberikan pemahaman kepada masyarakat terkait salah satu bidang kajian dalam ilmu arkeologi, yaitu epigrafi, dan pemanfaatannya untuk masyarakat. Kegiatan ini dimulai dengan koordinasi dengan pihak yang terlibat dalam kegiatan, yaitu koordinasi dengan PAEI sebagai mitra dalam kegiatan ini, dan Dinas Pariwisata dan ebudayaan Kabupaten Kebumen. Setelah itu, kegiatan dilanjutkan dengan menentukan waktu, dan lokasi pameran. Adapun koleksi yang dipamerkan adalah informasi tentang aksara yang ada di Indonesia, lontar Bali dan replika arca Buddha Vairocana, dan beberapa prasasti tembaga. Kegia tan ini diharapkan mampu memberikan wawasan kepada masyarakat terkait penggunaan aksara pada masa lalu dan pemahaman serta pemanfaatan epigrafi.
Membedah Struktur Prasasti untuk Memahami Tradisi Literasi: Perbandingan Prasasti Kuna dan Prasasti Baru di Jawa Siti Maziyah; Sri Indrahti; Alamsyah Alamsyah; Cika Anabel Paskania Putri
Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Vol 10, No 2 (2026): Juni
Publisher : Program Studi Ilmu Perpustakaan, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/anuva.10.2.390

Abstract

Prasasti adalah salah satu peninggalan sejarah berupa tulisan yang digoreskan pada benda keras seperti batu, logam, atau kayu. Penulisan prasasti kuna itu memiliki pola struktur yang sama. Berdasarkan isi informasinya terdapat prasasti panjang dan pendek. Berdasarkan bentuk hurufnya, prasasti yang paling awal ditemukan di Indonesia diperkirakan pada abad ke-4 M. Prasasti kuna yang dikaji dalam penelitian ini dibuat sekitar abad ke-5 hingga abad ke-14 di wilayah Jawa. Hingga kini pembuatan prasasti masih dilakukan untuk memperingati sebuah peristiwa penting. Permasalahan yang muncul adalah mengapa terdapat penyusutan volume tulisan pada prasasti masa kini? Untuk menjawab permasalahan tersebut, kita harus memahami pengertian prasasti, jenis prasasti, struktur prasasti, serta memahami perubahan literasi. Data yang digunakan adalah beberapa prasasti kuna terpilih dan beberapa prasasti baru untuk dapat menunjukkan penyusutan volume tulisan itu. Struktur prasasti diketahui terdiri atas empat unsur pokok, yaitu kalimat pembuka, unsur penanggalan, pejabat yang mengeluarkan prasasti, dan kejadian yang diperingati, yang tetap dipertahankan baik pada prasasti kuna maupun prasasti masa kini. Hasil penelitian menunjukkan bahwa penyusutan volume tulisan pada prasasti masa kini bukan berarti ada penyusutan informasi. Penyusutan volume tulisan terjadi karena tradisi menulis sudah banyak dilakukan tidak hanya berupa prasasti yang menggunakan media keras, akan tetapi sudah terdapat banyak media lain yang dapat digunakan untuk menuliskan informasi. Contohnya kertas dan media online. Kesimpulannya, seiring dengan perkembangan zaman, terdapat perubahan dalam tradisi literasi.
The Development of the Batik Industry in Gemawang Village Semarang Regency (2008–2021) Jihan Mahetsha Ariyanti; Alamsyah Alamsyah; Siti Maziyah
Historia Madania: Jurnal Ilmu Sejarah Vol. 10 No. 1 (2026): Historia Madania: Jurnal Ilmu Sejarah
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hm.v10i1.54799

Abstract

This article examines the development of the batik industry in Gemawang Village, Jambu District, Semarang Regency, from 2008 to 2021. The study focuses on two key entrepreneurs, Abdul Kholiq Fauzi of CV Batik Gemawang and Saiful Nurudin of Tinctori, who played an important role in revitalising the local batik sector. Their creative work introduced motifs inspired by coffee plants, regional folklore, and Indonesia’s seasonal cycle, particularly the rainy and dry seasons. Using a historical method consisting of heuristic data collection, source criticism, interpretation, and historiography, the research shows that the industry’s growth was influenced by individual initiative, consistency, design innovation, and adaptable marketing strategies. The batik industry contributed to the local economy by creating employment opportunities and fostering community participation. It also supported the development of local tourism through educational visits that showcased traditional batik techniques. Although production and marketing declined during the Covid-19 pandemic, industry actors adapted through online sales and product diversification, allowing gradual recovery. Overall, Gemawang batik industry not only preserves cultural heritage but also strengthens the village’s creative economy.
DARI TRADISI KE INOVASI: UPAYA KOMUNITAS DIAJENG SEMARANG DALAM MELESTARIKAN KEBAYA DAN JARIK Nursalima Tsalats Hadimar Putri; Siti Maziyah; Suryani Suryani
SABANA: Jurnal Sosiologi, Antropologi, dan Budaya Nusantara Vol. 4 No. 3 (2025): Desember 2025
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sabana.v4i3.6594

Abstract

As a multicultural nation, Indonesia holds an extensive and diverse cultural heritage, among which kebaya and jarik stand as profound representations of Indonesian women’s identity. Both have been officially recognized by UNESCO as elements of intangible cultural heritage. This study explores the preservation strategies of kebaya and jarik in Semarang City implemented by the Diajeng Semarang Community amidst the ongoing dynamics of modernization. Utilizing a qualitative approach with an ethnographic method, this research involved ten informants selected through purposive sampling, including community members and relevant stakeholders. The findings indicate that the Diajeng Semarang Community plays a pivotal role in sustaining the existence of kebaya and jarik through a range of creative initiatives such as social media campaigns, educational workshops, and collaborations with local designers, educational institutions, and government agencies. The study further demonstrates that the Diajeng Semarang Community has effectively positioned kebaya and jarik as cultural symbols that remain relevant within contemporary society. These findings underscore the dual function of cultural communities, not only as preservers of tradition but also as agents of social and cultural transformation. Consequently, the Diajeng Semarang Community serves as a concrete model of sustainable cultural preservation that bridges traditional values and modern practices.
From the Ritual Arena to the Political Arena: Reog Ponorogo, the Paguron Network, and Ideological Contestation, 1945–1966 Sri Widagdo Purwo Ardyasworo; Dhanang Respati Puguh; Siti Maziyah
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 10 No 2 (2026): Agustus
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v10i2.36370

Abstract

This article examines the transformation of Reog Ponorogo from a village ritual arena into a contested instrument of political mobilization between 1945 and 1966. Unlike Wilson's (1999) study, which centers on spirituality and power relations within the warok-gemblak tradition, this article explicitly traces how the paguron structure, the personal teacher-student bond within the warok community was repurposed as an infrastructure for party political mobilization, spanning Barisan Reog Ponorogo (BRP/PKI), Barisan Reog Nasional (BREN), and Cabang Kesenian Reog Agama (Cakra/NU). Employing a critical historical method that combines oral history with archival triangulation including video footage from the National Archives of the Republic of Indonesia and contemporary colonial and national press the article finds that the politicization of Reog reached its peak at the 1965 National Congress of Barisan Reog Ponorogo in Madiun, before undergoing selective depoliticization following the G30S/PKI events. The color-coding of the penadon costume accessory and the performance's musical repertoire are shown as markers of invented tradition in Hobsbawm's sense, while tensions between conflicting oral testimonies are read through Halbwachs's framework of collective memory and Portelli's account of the subjectivity of oral sources. The article contributes to broadening the historiographical understanding of Reog Ponorogo beyond a spiritual-performative tradition into a concrete arena of ideological contestation during the Guided Democracy period, while affirming that the impact of G30S/PKI on local tradition operated selectively rather than as total suppression.
Co-Authors A. Alamsyah Agustinus Supriyono Alamsyah Alamsyah Alamsyah - Alamsyah Alamsyah Alamsyah Alamsyah Alamsyah Alamsyah Alfharezi, M. Salman Amalia Novantia Anggraeni Angga, Vicky Very Baihaqi, Ahmad Fauzan Bryna Rizkinta Cahyo, Septian Dwi Cika Anabel Paskania Putri Dewi Yuliati Dhanang Respati Puguh Fauzan Syahru Ramadhan Jihan Mahetsha Ariyanti Kautsar, Nadafia Khotimah, Muzamil Chusnul Mahirta Mahirta MUHAMMAD ULIN NUHA Nafis, Warda Ayu Berliana Nursalima Tsalats Hadimar Putri Oktawirani, Panca Patmasari, Eka Kurnia Putri, Atika Kurnia Rabith Jihan Amaruli Rahayuningrum, Hesti Safitri, Ika Novita Slamet Subekti Sri Indrahti Sri Indrahti Sri Indrahti Sri Widagdo Purwo Ardyasworo Sumijati Atmosudiro, Sumijati Suryani Suryani Sutejo Kuwat Widodo Tri Maryanto A.A Yanuar Yoga Prasetyawan