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All Journal ANDHARUPA Panggung Proceeding of International Conference on Art, Language, and Culture Visualita : Jurnal Online Desain Komunikasi Visual Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Wayang Nusantara: Journal of Puppetry Besaung : Jurnal Seni Desain dan Budaya Aksara: Jurnal Ilmu Pendidikan Nonformal Visual Heritage: Jurnal Kreasi Seni dan Budaya ARTISTIC : International Journal of Creation and Innovation Dikmas: Jurnal Pendidikan Masyarakat dan Pengabdian Jurnal Dimensi Seni Rupa dan Desain Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Panggung
sigit purnomo adi
Fakultas Seni Rupa Dan Desain Universitas Sebelas Maret Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PERKEMBANGAN SENI RUPA URBAN DI SURAKARTA Agustinus Sumargo; Sigit Purnomo Adi
Jurnal Dimensi Seni Rupa dan Desain Vol. 10 No. 1 (2013)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1347.056 KB) | DOI: 10.25105/dim.v10i1.931

Abstract

AbstractAmong the various ar forms existing and developing in Indonesia today, the urban art has a unique history of emergence. This form of art did not emerge through the process common to other nations, where it grew up out of a long tradition. The factors behind the appereance of urban art in Indonesia are also different. In general, the growth and development of international urban art has been inseparable from the artist's treatment of aesthetic values. When these young artist's had just begun to delve into urban art, other art forms had already entered their respective modern period. Because of this, the urban art seemed to sudenly appear in the midst of other established art form in IndonesiaAbstrakDi antara berbagai aliran seni yang ada dan berkembang di Indoensia saat ini, seni urban memiliki sejarah kemunculan yang unik. Seni Urban tidak muncul melalui proses yang umum di negara-negara lain, di mana terdapat tradisi yang panjang. Faktor-faktor di belakang kemunculan seni urban di Indoensia juga berbeda. Secara umum, pertumbuhan dan perkembangan seni urban Internasional tidak dapat dipisahkan dari perlakuan senimannya terhadap nilai-nilai aestetik. Begitu seniman seniman muda ini mulai terjun ke dalam seni urban, akiran seni lainnya sudah memasuki masa modern. Oleh karena  itu sepertinya seni urban muncul secara mendadak di tengah aliran seni lainnya
Pelatihan Teknik Cetak Tinggi dengan Format Mini Sebagai Hiasan di Café-Café Kekinian Pada Komunitas Grafis Makmur Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Ariesa Pandanwangi
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 8, No 3 (2022): September 2022
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.8.3.2387-2396.2022

Abstract

The proliferation of contemporary cafes in the Surakarta area and its surroundings has added to the increasing wheel of the economy. It is recognized that during the Covid 19 pandemic these efforts were somewhat dimmed, but after or after the Covid 19 pandemic, these efforts continued to increase. Contemporary cafe businesses, especially those that open coffee shops, mostly require something artistic, it can be in the form of decoration, appearance in arranging the room to other things. Decorations or cool language, aesthetic elements are needed to make these cafes more attractive to visitors, especially young people. Young people or children today need places to gather or hang out as well as places for selvi or making stories. Seeing this very promising business opportunity makes the author quite intrigued by this problem. Business opportunities, especially those engaged in making aesthetic elements on the walls of contemporary cafes. Based on the experience gained by the author as a graphic artist, it encourages the author to find suitable partners to be trained in the creation of graphic art works in the form of aesthetic elements, especially those using high and mini-sized printing techniques. The author finally chose the Makmur Graphic Community. This community is a community engaged in graphic studios, exhibition venues and also a place for graphic art work. The purpose of this PKM is to train and assist the Makmoer Graphic Community so that they can produce high-tech graphic art products in a mini format, as an aesthetic element in contemporary cafes in the Surakarta area and its surroundings. The choice of the Makmur Graphic Community as a partner is because this community is inhabited by very young members, besides that this community is already very present in the graphic arts arena, especially in the Surakarta area and its surroundings. Many events have been held both online and offline, it's just that this community has shortcomings, especially in the products produced. For the methodology, Asset Based Community Development (ABCD). The impact is clear that the Makmur Graphic Community is now not only able to produce works of graphic art as a medium of expression, but can also produce decorative works or aesthetic elements. The second clearly produces a significant impact in the economy because the demand for these crafts from time to time has increased. And this is very supportive of the theme of this national seminar, namely the role of universities in community empowerment in supporting progress after the Covid 19 pandemic.
Workshop Mix Media Print (Cetak Tinggi dan Kolase Digital) Seni Kaligrafi Arab di The Park Mall Sukoharjo Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi; Fuad Safrudin
Aksara: Jurnal Ilmu Pendidikan Nonformal Vol 9, No 1 (2023): January 2023
Publisher : Magister Pendidikan Nonformal Pascasarjana Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/aksara.9.1.75-82.2023

Abstract

Arabic calligraphy can be an art medium for da'wah, it can also be an aesthetic medium at home or in a mosque or otherwise. The arts-based activities are no exception. One of them is the art of Arabic calligraphy, the art of Arabic calligraphy itself is taught from elementary to high school based on Islamic schools. Calligraphy is indeed very interesting to teach, because it can be used as a medium to instill an attitude of religiosity and devotion to God Almighty through the media of art. Based on the experience that has been experienced by the author both as a creator of Arabic calligraphy works and also as a graphic artist, the author and the PKM TEAM are trying to find partners, especially schools that are suitable to be trained in the creation of calligraphy works by combining graphic art and collage techniques. The author considers the importance of inculcating religiosity among junior high school students with a touch of art and entrepreneurship. The purpose of this community service (PKM) is to train and assist students of SMP Muhammadiyah 9 Jaten, Karanganyar, especially in Arabic calligraphy art lessons so that they can progress and develop. The second is so that the work produced is not only an educational medium but can be a business opportunity in the arts, especially calligraphy. So that the resulting calligraphy works can be sold at art exhibitions, online stores and others. The training process went through several stages, including 1. Problem identification stage at the location 2. Training and mentoring stage at The Park Mall, Sukoharjo 3. Participants evaluation stage and the work produced.
ABSTRAKSI AIR PADA KARYA SENI GRAFIS Sigit Purnomo Adi; Pande Made Sukerta; Martinus Dwi Marianto; Sri Hadi
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 2 (2022): Prosiding Bali Dwipantara Waskita: Seminar Nasionar Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Air mempunyai kegunaan bermacam-macam yang tidak ada duanya. Air memberikan kita kenikmatan dan kehidupan. Dibalik hal tersebut ternyata air ternyata menarik untuk dijadikan objek visual dalam penciptaan karya seni grafis. Air dapat divisualkan secara realistis maupun secara abstraksi. Bentuk-bentuk abstraksi menimbulkan berbagai pertanyaan maupun penuh misteri dan filosofi. Seni grafis konvensional mempunyai empat teknik dasar yaitu cetak tinggi, cetak dalam, cetak saring dan cetak datar. Untuk metode penelitian ini menggunakan metode penciptaan seni proses kreasi artistik yang meliputi eksperimen, perenungan dan pembentukan karya. Metode tersebut bagus dikarenakan penelitian ini lebih ke penciptaan seni. Hasil dan solusi dari penelitian dengan metode penciptaan seni ini menghasilkan karya seni grafis dengan objek abstraksi air. Pengkaryaan seni grafis terutama yang menggunakan abstraksi air sebagai objek penciptaan seni grafis.
WAYANG GODHONG SEBAGAI MEDIA EDUKASI CINTA BUDAYA DAN ALAM SEJAK USIA DINI Purwanto, Agus; Octavia, Ercilia Rini; Adi, Sigit Purnomo
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 7 No. 01 (2021): February 2021
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v7i01.4081

Abstract

AbstrakSeiring dengan perkembangan zaman, pertunjukan wayang berfungsi menjadi media pembelajaran. Demikian halnya dengan Wayang Godhong.  Wayang kontemporer yang berasal dari godhong (daun) jati, cengkeh, dan kopi ini mencoba menjadikan pertunjukan wayangnya sebagai media edukasi cinta budaya dan alam sejak usia dini di Kabupaten Magelang. Artikel yang disusun melalui metode penelitian kualitatif deskriptif ini, berhasil menemukan visualisasi figur/karakter Wayang Godhong yang representatif untuk anak usia dini dengan pendekatan visual yang ramah dan lucu. Kemudian proses penyampaian dalang Wayang Godhong saat pentas yang harus menggunakan mimik jelas (karena dalang di depan anak-anak, tidak di balik layar), sehingga bahasa yang digunakan pun harus bahasa yang mudah dipahami anak-anak dengan penyampaian humorisme.  Setelah melihat pementasan, anak-anak pun berkeinginan melakukan seperti yang dipesankan dalam pementasan yakni menanam pohon sebagai upaya melestarikan alam ini serta menjadi suka/cinta akan wayang. Dengan demikian Wayang Godhong dianggap mampu menjadi media edukasi cinta wayang sebagai hasil dari budaya Indonesia dan cinta alam dengan menanam/merawat pohon sejak usia dini. Kata Kunci: budaya dan alam, media edukasi, anak usia dini, Wayang Godhong AbstractAlong with the times, puppet shows function as learning media. Like wise with Wayang Godhong. Wayang Godhong, a form of contemporary wayang made from leaves of teak, cloves, and coffee, attempts to become a medium for children to foster a sense of love for nature and culture, especially in the Magelang Regency. This article, compiled through descriptive qualitative research methods, has succeeded in finding the visualization of the representative Wayang Godhong figures/characters for early childhood with a friendly and funny visual approach. The performance process of storytelling by the puppeteer must be used a clear facial expression (because the puppeteer stays in front of the children, not behind the scenes), the language must be easy to understand by the children by conveying humorism. After seeing the performance, the children wanted to do as instructed in the wayang performance, such as planting trees as an effort to preserve nature and became interested in wayang. Thereby, Wayang Godhong is considered capable of being a love for wayang educational media as a result of Indonesian culture and love for nature by planting/caring for trees from an early age. Keywords: children, culture and nature, education media, Godhong puppet
SOJIWAN TEMPLE RELIEF AS AN INSPIRATION FOR CERAMIC ARTWORK Arisutta, Dona Prawita; Adi, Sigit Purnomo
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5643

Abstract

This study explores the reception of monkey and crocodile figures depicted on one of the relief panels of Sojiwan Temple in Klaten, Central Java, Indonesia. The Sojiwan Temple reliefs visualize fairy tales from the Jataka, a collection of fables that often convey contextual and didactic themes. Through the lens of reception theory, this study identifies life lessons such as intelligence, dexterity, impartiality, and wisdom from the narrative panels of Sojiwan Temple and transforms them into ceramic art. Three ceramic artworks inspired by the monkey and crocodile reliefs highlight the notion that even a simple fairy tale does not possess a single, fixed meaning. Instead, there is a progressive interpretation that evolves with each reading of the reliefs at Sojiwan Temple. This research concludes that ceramics can serve as a medium to convey diverse interpretations, thereby enriching the aesthetic appreciation of the monkey and crocodile reliefs at Sojiwan Temple. Keyword: Monkey and Crocodile Relief, Sojiwan Temple, Life Learning, Reception Theory, Ceramic Art
THE GUNUNGAN METAPHOR IN THE URIP IKU URUP VIDEO ART adi, sigit purnomo; Mohamed Saat, Mohammad Khizal; Ajimahendra, Widy Dwi; Tri Marutama, I Gusti Ngurah
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3994

Abstract

Urip Iku Urup is a highly printed artwork made from plastic waste that serves as video art. Environmentally friendly relief prints used as video artworks motivate studies on their meanings. Thus, this study's problem is how to visualize the metaphor of the mountains (Gunungan) in the Urip Iku Urup video art. This qualitative-descriptive study seeks to discover the Gunungan metaphor in the video art by using the metaphor approach. The findings demonstrate that Urip Iku Urup's work uses the Gunungan metaphor as a manifesto for the three relationships between God, man, and nature. Gunungan, as a teaching in Javanese life philosophy, implies human desire or hope for future accomplishments.
Visualisasi Cerita Rakyat: Figur Perempuan dalam Karya Seni Batik Kontemporer Ariesa Pandanwangi; Sigit Purnomo Adi; Belinda Sukapura Dewi; Nuning Damayanti; Arleti Mochtar Apin
PANGGUNG Vol 31 No 4 (2021): Implementasi Revitalisasi Identitas Seni Tradisi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v31i4.1932

Abstract

Figur perempuan telah menjadi inspirasi sebagai subjek dalam karya seni seniman di seluruh dunia. Untuk waktu yang lama, diwujudkan dalam artefak artistik, baik dalam patung (seperti Venus dari artefak Willendorf) atau dalam lukisan yang diciptakan oleh maestro dunia. Figur perempuan yang mendominasi cerita dengan menggambarkan sosok kebaikan dan keibuan. Namun, sosok perempuan masih menjadi subjek yang mewakili ide-ide para seniman, seperti dalam lukisan batik kontemporer berdasarkan Cerita Rakyat yang menampilkan figur perempuan. Makalah ini menggambarkan hasil penelitian sebagai upaya untuk melestarikan budaya dalam lukisan Batik dan fokus pada Batik kontemporer yang mengadopsi Cerita Rakyat dengan perempuan sebagai karakter utamanya. Penelitian ini bertujuan untuk menggambarkan hasil penelitian yang berfokus pada estetika dan elemen visual, terutama sosok perempuan sebagai objek dalam lukisan Batik yang terinspirasi oleh Cerita Rakyat. Metode penelitian menggunakan sampel batik yang dianalisis deskriptif kualitatif melalui pendekatan analisis formal dan kritik seni tanpa interpretasi. Studi ini menunjukkan bahwa Cerita Rakyat dengan karakter perempuan memberikan inspirasi untuk penciptaan seni lukisan batik kontemporer. Subjek tokoh perempuan adalah salah satu objek utama yang divisualisasikan dengan menyederhanakan bentuk dengan dekoratif yang khas gaya Batik. Sosok wanita distorsi dan disesuaikan dengan proporsi bentuk perempuan. Sosok ini tidak cukup rinci untuk mewakili karakter, tetapi sebagai motif lukisan batik kontemporer dengan nilai genre yang berbeda seperti variasi gaya tradisional, modern, klasik, dan komprehensif. Kontribusi penelitian ini dapat menjadi wacana dalam menginisiasi dan memperkaya visualisasi Cerita Rakyat dengan karakter perempuan dalam pengembangan lukisan batik Indonesia kontemporer.Kata Kunci: Lukisan Batik Kontemporer, Konservasi Budaya, Figur Perempuan, Cerita Rakyat.
Teknik Cetak Tinggi Sebagai Media Duplikasi Pada Poster Kritik Lingkungan (RETRACTION) Adi, Sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 5, No 1 (2022): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v5i1.4035

Abstract

Artikel ini ditarik kembali karena telah terbit di jurnal lain, dapat dicek melalui pranala berikuthttps://jurnal.isi-ska.ac.id/index.php/TXT/article/view/4222/0
THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.
Co-Authors Adam Wahida Afatara, Narsen AGUS PURWANTO Agustinus Sumargo Agustinus Sumargo, Agustinus Ajimahendra, Widy Dwi Apin, Arleti Mochtar Ariesa Pandanwangi Ariesa Pandanwangi Aripin, Nur Adibah Nadiah Mohd Arissuta, Dona Prawita Arisutta, Dona Prawita Arleti Mochtar Apin Bagaskoro Ardhi Bahari, Nooryan Dyah Yuni Kurniawati, Dyah Yuni Fuad Safrudin I Gusti Ngurah Tri Marutama I Gusti Ngurah Tri Marutama M. Dwi Marianto M. Khizal Mohamed Saat Marutama, I Gusti Ngurah Tri Mataram, Sayid Mohamed Saat, Mohammad Khizal Mohammad Khizal Mohamed Saat Nadia Sigi Prameswari Nooryan Bahari Nuning Damayanti Nuning Damayanti Octavia, Ercilia Rini Pande Made Sukerta Pande Made Sukerta Pande Made Sukerta Pande Made Sukerta, Pande Made Purwantoro, Agus Rai, I Gusti Ngurah Tri Marutama Rohman Seviana Rinawati Sri Hadi Sri Hadi Sri Hadi Sri Hadi Taemprasit, Somporn Tri Marutama, I Gusti Ngurah Yudhanto, Sigied Himawan