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All Journal ANDHARUPA Panggung Proceeding of International Conference on Art, Language, and Culture Visualita : Jurnal Online Desain Komunikasi Visual Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Wayang Nusantara: Journal of Puppetry Besaung : Jurnal Seni Desain dan Budaya Aksara: Jurnal Ilmu Pendidikan Nonformal Visual Heritage: Jurnal Kreasi Seni dan Budaya ARTISTIC : International Journal of Creation and Innovation Dikmas: Jurnal Pendidikan Masyarakat dan Pengabdian Jurnal Dimensi Seni Rupa dan Desain Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Panggung
sigit purnomo adi
Fakultas Seni Rupa Dan Desain Universitas Sebelas Maret Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PIS BOLONG POSTER DESIGN: THE ACCULTURATION OF CHINESE AND BALINESE CULTURE IN INDONESIA Rai, I Gusti Ngurah Tri Marutama; Adi, Sigit Purnomo; Taemprasit, Somporn
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i1.6324

Abstract

This study explores the integration of Chinese and Balinese cultural elements in poster design as a means of visual communication. This study aims to understand how cultural acculturation is manifested in poster design by integrating visual idioms from both cultures to convey messages of solidarity, tolerance, and cultural appreciation and preservation. Using qualitative research and a Design Thinking approach, this study seeks to present cultural acculturation values in poster design elements and evaluate their impact on the audience. The research findings demonstrate that the combination of Chinese and Balinese cultural symbols, colors, and patterns effectively produced a communicative and aesthetically appealing visual narrative. These findings highlight the significance of cultural comprehension in visual communication design and contribute to the development of culture-based design practices. This study enhances our understanding of the function of design in communicating cultural values.
PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL Adi, sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3824

Abstract

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. 
PERSEPSI MAHASISWA TERHADAP SENI RUPA TRADISI DAN KONTEMPORER SERTA RELASI PROSES PENJELAJAHAN IDE KREATIF DALAM BERKARYA Afatara, Narsen; Adi, Sigit Purnomo; Mataram, Sayid; Prameswari, Nadia Sigi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (462.691 KB) | DOI: 10.33153/bri.v10i2.2325

Abstract

ABSTRACTThe essence of art is creating beauty. Since ancient times beauty is something that is always sought after by humans. The beauty is getting worse due to traditional art increasingly abandoned. Traditional art is all things related to values in a particular community which are maintained purely from generation to generation. In contrast to contemporary art, one of the most prominent and prominent characteristics in contemporary art is the disappearance of boundaries between art. Both forms and styles of fine arts need to be preserved by students as the next generation. The importance of preserving art is part of the preservation of the arts and culture of the nation's heritage. Traditional and contemporary art are taught in the realm of education, especially at the university level through fine arts courses. The purpose of this study is to find out the perceptions of art students on traditional art and contemporary art, so that students as young people can identify and determine their interest in one form and style between traditional and contemporary art. Keywords: Fine Art, Contemporary and Traditional
PEMANFAATAN KOLASE DENGAN MEDIA KERTAS DAN PLASTIK BEKAS DALAM KARYA MONOPRINT Adi, Sigit Purnomo; Tri Marutama, I Gusti Ngurah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (642.405 KB) | DOI: 10.33153/brikolase.v11i1.2668

Abstract

The use of used plastic and used paper to produce an alternative in the use of media in the process of visual processing specifically graphic artwork, this step is one of the efforts to save the environment with the help of art. By utilizing used goods, mostly used paper, plastic will not directly reduce the damage caused by plastic and paper materials. Paper and plastic are explored as sustainable media, while graphic art works are not only an aesthetic realm, but seniors as a way to provide awareness and care will discuss the environment. This creation uses monoprint and collage techniques as techniques for exploration and ideas in the art process.
PENCIPTAAN KARYA CETAK TINGGI DENGAN MIXED MEDIA SEBAGAI UPAYA MENCIPTAKAN INOVASI DAN KREASI BERBASIS TRADISI JAWA Adi, Sigit Purnomo; Pandanwangi, Ariesa; Marutama, I Gusti Ngurah Tri; Yudhanto, Sigied Himawan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i1.3570

Abstract

Relief print is one of the techniques in graphic arts. The process of making a relief print is considered easy because it uses simple tools and materials, so that the artwork produced from this relief printing process is considered less creative and innovative. Conventional printmaking rules have predefined indicators. This creation research aims to produce novelty in graphic arts based on the concept of Javanese tradition. The method used is a mix of methods, namely the artistic creation process method: experimentation, reflection and creation of works. The creation of high-level printed artworks is made with a mix of media on the basis of Javanese tradition visually, so it is hoped that these works of art will be able to compete in the international world. The results of this creation research have innovations and creations in the form of contemporary art works extracted from Javanese traditional art.
APLIKASI LIMBAH KAYU SEBAGAI MATRIK/ ACUAN PADA PENCIPTAAN KARYA SENI GRAFIS TEKNIK CETAK TINGGI BERBASIS FALSAFAH JAWA adi, sigit purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.4367

Abstract

Relief print is a printmaking technique that is quite well known among the public. Relief print is considered static. This creation research aims to produce novelty by combining wood waste, references/matrixes in woodcut and Aja Dumeh's Javanese philosophy with artistic creation process methods: experimentation, reflection and creation of works. The creation of this matrix or reference is expected to be able to combine wood waste, reference/matrix in Relief print with Aja Dumeh's Javanese philosophy so that the resulting work is able to campaign about the importance of protecting the environment and also preserving culture, especially Javanese culture, so that it is expected to be able to compete in the international world. The results of this creation research have creations and innovations in the form of references/matrixes used in woodcut which come from Javanese philosophy conceptually and wood waste materially
WATER, FIRE, WIND, AND SOIL AS THE IDEAS OF CREATION OF GRAPHIC ART WORK adi, sigit purnomo; Sukerta, Pande Made; Marianto, M. Dwi; Hadi, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 1 No. 2 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v1i2.3200

Abstract

The creation of this graphic work considers the reciprocal relationship between art and the environment as well as its preservation with an Eco Art perspective. The creation of this Eco-Graphic work uses the Artistic Creation approach which includes experimentation, reflection, and formation (art structure). This Eco Graphic work is inspired by the stimulation of creating water, fire, wind and soil in Javanese philosophy which is then processed in such a way that it becomes a graphic art work in an eco art perspective. Through inner research or inner wandering, the creator is able to visualize the work of Eco Graphic after discovering triangles, circles and lines as the main motive with the abstract expressionism model.
EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA Adi, Sigit Purnomo; Sukerta, Pande Made; Marianto, M. Dwi; Hadi, Sri
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 1 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3634

Abstract

 Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity 
MINIPRINT ARTWORK CREATION WITH SATO KEWAN OBJECT Adi, S.Sn, M.Sn, Sigit Purnomo; Mohamed Saat, Mohammad Khizal; Tri Marutama, I Gusti Ngurah
ARTISTIC : International Journal of Creation and Innovation Vol. 2 No. 2 (2021)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v2i1.3989

Abstract

Animals have provided humans with everything from meat to eggs to pleasure. Thus, animals, including chameleons, must be rescued from extinction. The chameleon's uniqueness makes it an intriguing subject for artistic creation. The purpose of this artwork is to visualize the concept of personal expression through miniprint works using Sato Kewan (variety of animals) object, specifically the chameleon. The creation of this printmaking work is part of artistic research, more specifically research into art practice, which is conducted using plywood as a medium, an abstract expressionism style, and the concept of art as personal expression. The stages of creation include experimentation, contemplation, and formation. A chameleon miniprint reflecting personal expression is created as a result of the creation process. Hence, visualization of chameleon miniprints using advanced printing techniques can result in abstract expressionism-inspired printmaking works. The creation, which incorporates traditional and contemporary art elements, is expected to be competitive nationally and internationally.
THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19 Adi, Sigit Purnomo; Aripin, Nur Adibah Nadiah Mohd; Marutama, I Gusti Ngurah Tri; Arissuta, Dona Prawita
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5976

Abstract

The creation of publication media for these relief-print artworks is a creative and innovative work because it does not only create relief-print works of art, but also creates publication media or exhibition media to exhibit relief-print works of art. This publication media work is a publication work that combines virtual and offline. The purpose of this work is the creation of relief-print art exhibition publication media that try to find alternative publication media which are environmentally friendly, efficient and global. The creation of this publication media uses the Tri Cipta Karya creation method which is an elaboration of the Artistic Creation method. The results of this creation produce an efficient Hybrid publication media, meaning that in the exhibition it is not only exhibited offline or physically, but also exhibited online or through a virtual gallery. The implications of this publication media creation have opened up wide opportunities for artists or designers to publish their works across countries online.
Co-Authors Adam Wahida Afatara, Narsen AGUS PURWANTO Agustinus Sumargo Agustinus Sumargo, Agustinus Ajimahendra, Widy Dwi Apin, Arleti Mochtar Ariesa Pandanwangi Ariesa Pandanwangi Aripin, Nur Adibah Nadiah Mohd Arissuta, Dona Prawita Arisutta, Dona Prawita Arleti Mochtar Apin Bagaskoro Ardhi Bahari, Nooryan Dyah Yuni Kurniawati, Dyah Yuni Fuad Safrudin I Gusti Ngurah Tri Marutama I Gusti Ngurah Tri Marutama M. Dwi Marianto M. Khizal Mohamed Saat Marutama, I Gusti Ngurah Tri Mataram, Sayid Mohamed Saat, Mohammad Khizal Mohammad Khizal Mohamed Saat Nadia Sigi Prameswari Nooryan Bahari Nuning Damayanti Nuning Damayanti Octavia, Ercilia Rini Pande Made Sukerta Pande Made Sukerta Pande Made Sukerta Pande Made Sukerta, Pande Made Purwantoro, Agus Rai, I Gusti Ngurah Tri Marutama Rohman Seviana Rinawati Sri Hadi Sri Hadi Sri Hadi Sri Hadi Taemprasit, Somporn Tri Marutama, I Gusti Ngurah Yudhanto, Sigied Himawan