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Tindak Tutur Ilokusi dalam Film “PR-Ku Mung Kowe” Karya Novizal Bahar Ela Nur Aini; Udjang Pairin
Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Vol. 2 No. 2 (2024): September : DHARMA ACARIYA NUSANTARA : Jurnal Pendidikan, Bahasa dan Budaya
Publisher : Sekolah Tinggi Agama Buddha Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jdan.v2i2.1184

Illocutionary speech acts do not only occur in social life but can occur on social media, one of which is in the film “PR-Ku Mung Kowe” by Novizal Bahar which can be seen on the Video.com Bats Channel account or website. The purpose of this research is to discuss the types of illocutionary speech acts used in the movie. The method used in this research is descriptive qualitative method by using data collection techniques in the form of tapping techniques and note-taking techniques. The instruments used in this research are cellphone, laptop, headset, notebook, stationery. Five types of illocutionary speech acts are found in this study, namely assertive illocutionary speech acts, directive illocutionary speech acts, commissive illocutionary speech acts, expressive illocutionary speech acts, and declarative illocutionary speech acts. Assertive illocutionary speech acts are telling and giving understanding, directive illocutionary speech acts are ordering and inviting, commissive illocutionary speech acts are refusing and praying, expressive illocutionary speech acts are saying goodbye and getting angry, and declarative speech acts are giving punishment.

Chekhov’s 'Little Woman': Exploration of Gender Roles and Family Values in 19th Century Literary Traditions Dimitruk, Elena; Buchelnikova, Anna; Indarti, Titik; Pairin, Udjang
Journal of Education Research Vol. 6 No. 2 (2025): in Progress
Publisher : Perkumpulan Pengelola Jurnal PAUD Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37985/jer.v6i2.2272

This study examines the representation of the "little woman" in Anton Chekhov’s short stories, focusing on the interplay of gender roles and family values in 19th century Russian society. Through a literary sociology approach, the analysis explores how Chekhov’s female characters navigate societal expectations, internal conflicts, and familial responsibilities, offering a nuanced portrayal of women that diverges from traditional literary archetypes of his time. Unlike previous studies, which often generalize Chekhov’s female characters as passive or one-dimensional, this research highlights the complexity and agency of women in stories such as "The Lady with the Dog," "The Darling," and "The Schoolmistress." By analyzing narrative structure, character development, and social context, the study reveals how Chekhov critiques patriarchal norms while simultaneously depicting the emotional and psychological depth of his female protagonists. The findings demonstrate that Chekhov’s "little women" are not solely symbols of sacrifice or victimhood but are multifaceted individuals grappling with identity, autonomy, and societal constraints. The study’s novelty lies in its comparative framework, which situates Chekhov’s work alongside other literary traditions of the period, underscoring his unique contribution to the portrayal of women. By emphasizing the psychological and social dimensions of his female characters, this research contributes to literary gender studies and offers insights into the enduring relevance of Chekhov’s work in contemporary discussions on women’s roles in society. The findings invite further exploration of how classic literature can inform modern debates on gender equality and personal identity.

Nilai Filosofis Tradisi Temu Manten Pada Prosesi Pernikahan Adat Jawa Milanguni, Ambaristi Hersita; Yohanes, Budinuryanta; Udjang Pairin; Anas Ahmadi
Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Magister Pendidikan Bahasa Indonesia FKIP Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/kopula.v7i1.6190

Upacara pernikahan tidak hanya sekadar sebuah pesta yang menampilkan hiburan dan sajian makanan yang nikmat. Akan tetapi, sebuah upacara pernikahan memiliki makna dan doa untuk kedua pengantin serta keluarga dari kedua mempelai. Penelitian ini bertujuan untuk mendeskripsikan prosesi pernikahan adat Jawa khususnya pada tradisi temu manten. Selain itu, penelitian ini juga mendeskripsikan makna filosofis di bali tradisi temu manten dan uborampe yang digunakan pada prosesi tersebut. Penelitian ini menggunakan metode penelitian deskriptif kualitatif. Data berupa tata cara dan perlengkapan tradisi temu manten yang dilakukan oleh masyarakat Jawa. Sumber data pada penelitian ini didapatkan dari observasi upacara penikahan masyarakat suku Jawa. Terdapat tujuh prosesi yang dilakukan pada tradisi temu manten ini, yaitu Iring-Iringan Pengantin, Balangan Gantal, Wiji Dadi, Sindur, Dulangan, Kacar- Kucur, dan Sungkeman. Semua prosesi tersebut memiliki makna dan doa agar pengantin mendapatkan perlindungan serta dapat hidup berdampingan dengan sejahtera. Selain itu, uborampe yang digunakan dalam temu manten ini menandakan bahwa masyarakat Jawa menginginkan seorang anak yang berumah tangga menjalankan rumah tangganya dengan penuh ketaatan, tanggung jawab, terbebas dari marabahaya, dan tetap hormat kepada orang tua meski sudah berumah tangga

REPRESENTASI PERAN FILOSOFIS PEREMPUAN MINANGKABAU DALAM NOVEL HARTA PUSAKA CINTA M.A. Haris Firismanda; Budinuryanta Yohanes; Udjang Pairin; Anas Ahmadi
Asas: Jurnal Sastra Vol. 14 No. 1 (2025): ASAS : Jurnal Sastra
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/ajs.v14i1.67235

Pada penelitian ini membahas mengenai peranan filosofis perempuan Minangkabau di dalam sebuah novel berjudul Harta Pusaka Cinta karya Desni Intan Suri. Permasalahan pada penelitian ini berkaitan dengan adanya tantangan serta peran filosofis perempuan Minangkabau dalam menghadapi perubahan serta pergeseran budaya yang terjadi. Novel Harta Pusaka Cinta merepresentasikan bagaimana nilai serta peran filosofis perempuan Minangkabau dalam menghadapi tantangan tersebut. Tujuan penelitian ini adalah untuk mengungkap bagaimana peranan filosofis perempuan Minang dalam menjaga aspek religi sebagai identias perempuan adat dan juga bagaimana peran perempuan Minang dalam menjaga serta mengelolaharta pusaka adat. Untuk metod penelitian ini adalah kualitatif dengan pendekatan representasi Struart Hall melalui konsepnya terkait pihak yang di representasi dan pihak yang merepresentasi terutama dalam aspek ontologi ,aksiologi dan epistemologi. Pentingnya penelitian ini diharapkan memberikan pemahaman terkait pentingnya peranan perempuan Minangkabau dalam budaya matrilineal, di tengah arus perkembangan budaya yang semakin pesat.

Chekhov’s 'Little Woman': Exploration of Gender Roles and Family Values in 19th Century Literary Traditions Dimitruk, Elena; Buchelnikova, Anna; Indarti, Titik; Pairin, Udjang
Journal of Education Research Vol. 6 No. 2 (2025)
Publisher : Perkumpulan Pengelola Jurnal PAUD Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37985/jer.v6i2.2272

This study examines the representation of the "little woman" in Anton Chekhov’s short stories, focusing on the interplay of gender roles and family values in 19th century Russian society. Through a literary sociology approach, the analysis explores how Chekhov’s female characters navigate societal expectations, internal conflicts, and familial responsibilities, offering a nuanced portrayal of women that diverges from traditional literary archetypes of his time. Unlike previous studies, which often generalize Chekhov’s female characters as passive or one-dimensional, this research highlights the complexity and agency of women in stories such as "The Lady with the Dog," "The Darling," and "The Schoolmistress." By analyzing narrative structure, character development, and social context, the study reveals how Chekhov critiques patriarchal norms while simultaneously depicting the emotional and psychological depth of his female protagonists. The findings demonstrate that Chekhov’s "little women" are not solely symbols of sacrifice or victimhood but are multifaceted individuals grappling with identity, autonomy, and societal constraints. The study’s novelty lies in its comparative framework, which situates Chekhov’s work alongside other literary traditions of the period, underscoring his unique contribution to the portrayal of women. By emphasizing the psychological and social dimensions of his female characters, this research contributes to literary gender studies and offers insights into the enduring relevance of Chekhov’s work in contemporary discussions on women’s roles in society. The findings invite further exploration of how classic literature can inform modern debates on gender equality and personal identity.

Nilai Feminimisme dalam Film Sundel Bolong Nurhayati, Eni; Ahmadi, Anas; Pairin, Udjang; Yohanes, Budinuryanta
Stilistika: Jurnal Pendidikan Bahasa dan Sastra Vol 18 No 2 (2025)
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/st.v18i2.25139

The movie “Sundel Bolong” highlights the struggle of women in a patriarchal society through the character of Alisa, who faces moral and social dilemmas after becoming pregnant out of wedlock. Her transformation into Sundel Bolong illustrates an attempt to achieve existential freedom, despite having to pay with stigma and ostracization. This article uses a qualitative approach to analyze the value of feminism in the film, highlighting how women are portrayed as victims of the patriarchal system through experiences of sexual violence and betrayal. The film not only presents a horror story, but also offers insight into women's struggle against oppression, highlighting the duality of women as “angels” and “monsters” and criticizing traditional gender roles. Sundel Bolong's retaliation against her abuser becomes a symbol of resistance to patriarchy, while the theme of women's loss of existential freedom is central to the narrative.

ANALISIS TINDAK TUTUR ILOKUSI PADA FILM HEART (KAJIAN SOSIOPRAGMATIK) KARYA HANNY R. SAPUTRA Wiratmono, Singgih Adhi; Pairin, Udjang; Mintowati, Mintowati
Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 2 (2025): September
Publisher : Universitas Batanghari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/aksara.v9i2.1293

This study aims to examine the communication objectives of the use of character language in the Heart film reviewed from the sociopragmatic aspect. This study is a qualitative descriptive study. The data of this study are in the form of character speech referring to the research data source in the form of the film "Heart". The data collection technique was carried out using the listening and note-taking method. From the data transcript, in-depth reading and understanding were carried out to be selected and sorted based on the data groups needed. As a follow-up, detailed data interpretation activities were carried out based on the referred theory and then concluded as a research report. The results of the study indicate that the illocutionary speech acts in the character language in the Heart film are (1) Assertive: involving speakers in the subject matter which is assessed using the principle of "right" or "wrong", assertive speech contains 5 data (2) Directive: the speaker's efforts to ask the listener to do something, directive speech contains 5 data. (3) Commissive: involves the speaker in an action that will be carried out in the future, commissive speech consists of 4 data (4) Expressive: expresses a certain psychological condition into the appropriate truth, expressive speech consists of 3 data, (5) Declarative: the speaker's efforts to change the determination, status or position through a spoken word. consists of 5 data of declarative illocutionary speech acts.

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