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Usman Pakaya
Universitas Negeri Gorontalo
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Peran linguistik Forensik dalam Mengidentifikasi Pesan Anonim Pakaya, Usman
Nanggroe: Jurnal Pengabdian Cendikia Vol 4, No 9 (2025): December 2025
Publisher : Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18723826

Abstract

The widespread circulation of hoaxes and hate speech on social media has become one of the major challenges in the digital era. Provocative content, such as the Fufufafa case, demonstrates how language can be used as a tool to manipulate public opinion and trigger social conflict. This study employs a descriptive qualitative approach by analyzing user posts and comments containing hoaxes and hate speech. Data were collected through screenshot documentation, categorized, and analyzed within a forensic linguistics framework, focusing on lexical, pragmatic, and rhetorical aspects. The findings reveal that hoaxes are characterized by excessive generalizations, pseudo-factual claims, and hyperbolic diction; whereas hate speech is marked by negative labeling, stereotyping, and provocative diction targeting specific group identities. These results highlight the potential of forensic linguistics as a significant instrument in detecting and preventing the spread of harmful content in digital spaces. The study is expected to contribute academically to forensic linguistics research and provide practical benefits in enhancing society’s digital literacy.
Peran linguistik Forensik dalam Mengidentifikasi Pesan Anonim Pakaya, Usman
Nanggroe: Jurnal Pengabdian Cendikia Vol 4, No 9 (2025): December 2025
Publisher : Yayasan Daarul Huda Kruengmane

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18723826

Abstract

The widespread circulation of hoaxes and hate speech on social media has become one of the major challenges in the digital era. Provocative content, such as the Fufufafa case, demonstrates how language can be used as a tool to manipulate public opinion and trigger social conflict. This study employs a descriptive qualitative approach by analyzing user posts and comments containing hoaxes and hate speech. Data were collected through screenshot documentation, categorized, and analyzed within a forensic linguistics framework, focusing on lexical, pragmatic, and rhetorical aspects. The findings reveal that hoaxes are characterized by excessive generalizations, pseudo-factual claims, and hyperbolic diction; whereas hate speech is marked by negative labeling, stereotyping, and provocative diction targeting specific group identities. These results highlight the potential of forensic linguistics as a significant instrument in detecting and preventing the spread of harmful content in digital spaces. The study is expected to contribute academically to forensic linguistics research and provide practical benefits in enhancing society’s digital literacy.
Metaphor Use in ABBA Song Lyrics Nuraini, Risqi; Pakaya, Usman; Bay, Indri Wirahmi
Jurnal Bahasa, Sastra, dan Budaya Vol 16, No 1 (2026): (Januari 2026)
Publisher : Jurusan Pendidikan Bahasa & Sastra Indonesia, Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jbsb.v16i1.37771

Abstract

This study analyzes conceptual metaphors in two ABBA songs, namely “Slipping Through My Fingers” and “The Winner Takes It All.” The analysis applies Lakoff and Johnson’s (1980) theory, which classifies metaphors into three types: structural, ontological, and orientational metaphors. The data consist of 17 metaphorical expressions collected through documentation techniques and analyzed using a descriptive qualitative method. The results show that “Slipping Through My Fingers” is dominated by ontological metaphors that conceptualize time, memory, and emotions as physical entities that can be held, stored, or lost. Meanwhile, “The Winner Takes It All” is dominated by structural metaphors that represent romantic relationships as a competitive game involving winning, losing, and rules. These findings demonstrate that metaphors in both songs strengthen emotional expression and transform abstract experiences into concrete and perceptible imagery
Co-Authors Abid Adelmi Kurniawati Ds Ahmad, Intan Juwita Dako, Rahman Taufiqriyanto Dama, Siti Destian Apriliani Fitriyanti Taib Hanisah Hanafi Haris Danial Ibmasiah Wardatun Islamiyah Idrus Indri Wirahmi Bay Intan Juwita Ahmad Jefriyanto Saud Mohammad Bahrul Ulum Mujizat, Mujizat Nabongkalon, Monalisa Novriyanto Napu Nuraini, Risqi Olin Harun Putra, Rizky Anugrah R. Van Gobel, Wahidin Rahman Taufiqrianto Dako Rasuna Talib Siti Hadija Alaydrus Suparni Suparni syamsuddin, syamsuddin syamsuddin Taha, Nasim Yusuf, Israwati