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Dekonstruksi Konsep dalam Kumpulan Puisi Selamat Menunaikan Ibadah Puisi Karya Joko Pinurbo Darliani Darliani; Herson Kadir; Ellyana Hinta
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 9 No 1 (2023): Ideas: Pendidikan, Sosial, dan Budaya (Februari)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v9i1.1214

Abstract

The purpose of this study is to describe the deconstruction of the meaning of the concept in the collection of poems Happy Performing Poetry Worship by Joko Pinurbo. The research method used is descriptive qualitative. Research data collection techniques used library study techniques, while data analysis techniques were more dominantly carried out to look at the interweaving of results of interpretation and description qualitatively. The results of the study show that there are 12 concepts of meaning that experience deconstruction which gives birth to an independent meaning that disassembles the stability of the concept of meaning in a contradictory manner. Twelve deconstructions of the concept of meaning in the poetry collection is identified as deconstruction through paradox, irony, and contradiction of the concept of meaning.
STRUKTURASI KEKUASAAN DAN KEKERASAN SIMBOLIK DALAM NOVEL TEMPURUNG KARYA OKA RUSMINI (PERPSEKTIF PIERRE BOURDIEU) Khadija Ahmad; Ellyana Hinta; Jafar Lantowa
Jurnal Bahasa, Sastra, dan Budaya Vol 11, No 2 (2021): (Mei 2021)
Publisher : Jurusan Pendidikan Bahasa & Sastra Indonesia, Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (246.084 KB) | DOI: 10.37905/jbsb.v11i2.10114

Abstract

Penelitian ini dilakukan dengan tujuan untuk mendeskripsikan strukturasi kekuasaan dan kekerasan simbolik yang terjadi dalam novel Tempurung karya Oka Rusmini. Fokus penelitian yaitu 1) strukturasi kekuasaan; dan 2) kekerasan simbolik dalam novel Tempurung karya Oka Rusmini. Penelitian ini menggunakan perspektif Pierre Bourdieu untuk menemukan strukturasi kekuasaan dan kekerasan simbolik. Metode penelitian ini adalah metode deskriptif. Data penelitian yakni strukturasi kekuasaan dan kekerasan simbolik. Sumber data adalah kutipan, kalimat dan paragraf yang  terdapat dalam novel Tempurung karya Oka Rusmini. Teknik pengumpulan data yaitu teknik pustaka, baca dan catat. Teknik analisis data dilakukan dengan cara mengidentifikasi, mengklasifikasi, menganalisis, mendeskripsikan dan menyimpulkan hasil analisis data. Berdasarkan hasil penelitian dan pembahasan dapat disimpulkan bahwa pertama terdapat strukturasi kekuasaan dalam novel Tempurung karya Oka Rusmini yakni (1) adanya keempat modal di dalam novel tersebut yakni modal ekonomi, modal sosial, modal budaya dan simbolik. Namun, modal yang paling berpengaruh yakni modal sosial. (2) kelas-kelas di dalam novel Tempurung karya Oka Rusmini di pengaruhi oleh modal yang mereka miliki. Agen yang memiliki modal yang paling banyak dan habitus yang berpihak kepada mereka menduduki kelas dominan, sementara kelas bourjuis kecil diduduki oleh para agen yang memiliki ambisi untuk  menaiki tangga sosial, kelas ini memiliki modal yang lebih banyak dari kelas popular, namun bukan berarti mereka tidak menerima kekerasan simbolik. Selanjutnya, kelas popular berisikan agen yang memiliki modal paling sedikit, sehingga paling sering mendapatkan kekerasan simbolik. (3) habitus dalam novel Tempurung karya Oka Rusmini merupakan habitus sosial yang terdapat dalam masyarakat Bali. (4) ranah yang terdapat dalam novel Tempurung karya Oka Rusmini yakni ranah sosial masyarakat Bali.  Kedua kekerasan simbolik dalam Novel Tempurung karya Oka Rusmini menggunakan mekanisme eufemisme dan sensorik. Kekerasan simbolik yang paling banyak terjadi yakni kekerasan simbolik yang dilakukan oleh para agen pemilik modal sosial seperti orang tua terhadap anaknya dan hubungan sosial lainnya.
DINAMIKA KEPRIBADIAN TOKOH DALAM NOVEL HARAPAN DI ATAS SAJADAH KARYA MAWAR MALAKA Rahmatia Nasaru; Moh. Karmin Baruadi; Ellyana Hinta
Jurnal Bahasa, Sastra, dan Budaya Vol 11, No 2 (2021): (Mei 2021)
Publisher : Jurusan Pendidikan Bahasa & Sastra Indonesia, Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.303 KB) | DOI: 10.37905/jbsb.v11i2.10459

Abstract

This study aims to describe the personality dynamics of the characters in the novel Harapan Di Atas Sajadah by Mawar Malka. The theory used is Jungian psychology, namely the theory of the importance of consciousness and the unconscious to form a complete person in relation to experiences and relationships with the Creator. The research method used a qualitative descriptive method. The research data is in the form of quotes through dialogue between characters and stories that describe the dynamics of personality in terms of the principles of interaction, function, and purpose of using psychic energy. The results of the research and discussion show that (1) the dynamics of personality in terms of the principles of interaction consist of the principles of opposition, compensation, and merger. This principle becomes the basis for the dynamics of personality that initially has a bad personality to become better, (2) personality dynamics in terms of the function of using psychic energy, namely the strength of enthusiasm, desire, and will, (3) personality dynamics in terms of the purpose of using psychic energy consisting of progressions and regressions. The personal progression of a character displays two types of personality, namely an extroverted attitude (open) and an introverted attitude (closed). Thus, the dynamics of the character's personality show significant changes. Changes related to social problems and their relationship with the Creator for the better.
Pandangan Dunia Pengarang dalam Novel Pulang Karya Tere Liye Ricky Daliuwa; Ellyana Hinta; Herson Kadir
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 9 No 2 (2023): Ideas: Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v9i2.1226

Abstract

This study aims to describe the structural elements and the author's world view in the novel Pulang by Tere Liye. The data analysis technique uses the dialectical method which is a type of research in the sociology of literature through a genetic structuralism approach. The results of the study present an explanation of the structural elements of the novel Pulang by Tere Liye in the form of identifying the intrinsic elements (plot, characters, characterizations, setting, point of view, and themes) and the extrinsic elements of the novel (socio-economic background), the author's social life related to the novel ( background of personality, education, culture, and experience), and views of Tere Liye as the author of the novel Pulang (the reality of the shadow economy, the reality of domination and hegemony, moral and moral awareness, and the importance of education and family).
NILAI MORAL DALAM NOVEL SEBENING SYAHADAT KARYA DIVA SINAR REMBULAN Fitriyanti S. Lamato; Ellyana Hinta; Zilfa Achmad Bagtayan
Jambura Journal of Linguistics and Literature Vol 4, No 1 (2023): Vol. 4, No. 1, Juni 2023
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jjll.v4i1.18692

Abstract

ABSTRAK Penelitian ini bertujuan mendeskripsikan nilai moral dalam hubungan manusia dengan diri sendiri, hubungan manusia dengan manusia lain serta hubungan manusia dengan tuhan dalam novel Sebening Syahadat karya Diva Sinar Rembulan. Metode yang digunakan adalah metode deskriptif kualitatif. Data dalam penelitian ini adalah kutipan-kutipan novel sebening syahadat karya Diva Sinar Rembulan. Hasil penelitian dan pembahasan menunjukkan bahwa nilai moral yang terdapat dalam novel Sebening Syahadat karya Diva Sinar Rembulan terdiri dari tiga yaitu (1) nilai moral dalam hubungan manusia dengan diri sendiri yakni meliputi menerima kenyataan, kejujuran, teguh pada pendirian, mengakui kesalahan dan renda hati. (2) nilai moral dalam hubungan manusia dengan manusia lainnya meliputi: kasih sayang anak terhadap orang tua, kasih sayang orang tua terhadap anak, kasih sayang antar kakak dan adik, kasih sayang antar teman atau kerabat, saling menolong, saling menghargai, dan saling menasehati. (3) nilai moral dalam hubungan manusia dengan tuhannya meliputi; bersyukur kepada tuhan, menjalankan sholat, menjauhi larangan tuhan, dan berserah diri kepada tuhan. Simpulan dari penelitian ini adalah nilai moral dalam novel Sebening Syahadat karya Diva Sinar Rembulan terdapat tiga bentuk nilai moral yaitu (1) hubungan manusia dengan diri sendiri, (2) hubungan manusia dengan manusia lainnya dan, (3) hubungan manusia dengan tuhannya. Kata kunci: Nilai, MoraL, Novel, Sebening Syahadat ABSTRACT This study’s objective was to describe moral values of human relationships with oneself, others, and God in a novel entitled Sebening Syahadat by Diva Sinar Rembulan. The study employed qualitative descriptive method, with quotations from the novel as the data of this study. The findings and discussion revealed the moral values contained in the novel consists of three moral values in human relationships: (1) with oneself, namely in the form of accepting reality, honesty, firm ideals, admitting mistakes, and humble. (2) with other human beings, including children's affection for parents, parents ' affection for children, affection between brothers and sisters, affection between friends or relatives, helping one another, respecting each other, and advising one another. (3) with God are in the form of gratitude to God, performing prayers, avoiding prohibitions, and submissiveness to God. The conclusion of this study is the moral value in the novel Sebening Syahadat which consists of three values in human relationships: (1) with oneself, (2) with other humans, (3) with God. Keywords: Values, Moral. Novel. Sebening Syahadat
Konflik Batin Tokoh Utama Dalam Novel "Bukan Semillah" Karya Nadine T abdul rahman yanju; Moh. Karmin Baruadi; Ellyana Hinta
Jambura Journal of Linguistics and Literature Vol 4, No 1 (2023): Vol. 4, No. 1, Juni 2023
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jjll.v4i1.20385

Abstract

Abstract The novel entitled Not Semillah by Nadine T is interesting to study, because of the inner conflict of the main character that appears in the novel Not Semillah. The inner conflict raised is the dynamics of human life which has very complex problems, especially problems in household life. This study aims to: (1) describe the forms of inner conflict, (2) the causes of the main character's inner conflict contained in Nadine T's novel Not Semillah.This study uses a literary psychology approach with Kurt Lewin's theory. The method used in this research is descriptive method. The data in this study is the inner conflict of the main character which is presented in the form of quotations in the form of stories in the novel. The data source is the novel Not Semillah by Nadine T. The data collection technique is carried out by reading and taking notes. Data analysis techniques were carried out by re-reading the data that had been collected, classifying, analyzing, and concluding the results of the research.The results of the research and discussion include, types of inner conflict, the causes of inner conflict in the novel Not Semillah by Nadine T. The types of inner conflict experienced by the main character include: (1) conflict getting closer, which occurs when the main character is faced with the same two choices - equally liked, (2) distance-away conflict, occurs when the main character is faced with two choices that are equally disliked, and (3) approach-away conflict occurs when the main character is faced with two choices that contain elements he likes and dislikes he liked. There are five forces that cause conflict, namely: (1) driving forces, (2) inhibiting forces, (3) personal needs, (4) influencing forces, and (5) non-human forces. Keywords: Inner conflict, character, novel, psychology of literature.
KECEMASAN TOKOH UTAMA DALAM NOVEL JALAN TAK ADA UJUNG KARYA MOCHTAR LUBIS (KAJIAN PSIKOLOGI KEPRIBADIAN H. S. SULLIVAN) Ayu Nahumpang; Ellyana Hinta; Herson Kadir
Jambura Journal of Linguistics and Literature Vol 4, No 1 (2023): Vol. 4, No. 1, Juni 2023
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jjll.v4i1.20642

Abstract

Abstrak Penelitian ini menggunakan teori psikologi sastra dengan penerapan psikologi kepribadian H. S. Sullivan. Metode dalam penelitian ini menggunakan metode deskriptif dan jenis penelitian kualitatif. Data dalam penelitian ini adalah kecemasan tokoh utama yang diuraikan dari kutipan-kutipan melalui dialog antar tokoh maupun cerita dalam novel Jalan Tak Ada Ujung karya Mochtar Lubis. Teknik pengumpulan data yang digunakan yakni membaca secara utuh dan berulang-ulang dengan teknik catat. Data yang telah terkumpul dianalisis dengan cara mengklasifikasi data sesuai dengan substansi masalah, Hasil penelitian dan pembahasan menunjukkan bahwa: (1) kecemasan tokoh utama ditinjau dari segi dinamisme dalam novel Jalan Tak Ada Ujung karya Mochtar Lubis terdiri dari tujuh klasifikasi, yaitu kognitif, ketakutan, birahi, tertutup, gelisah, kepedulian dan reflektif, (2) kecemasan tokoh utama ditinjau dari segi personifikasi terdiri dari dua yakni personifikasi membangkitkan image positif dan negatif, dan (3) kecemasan tokoh utama ditinjau dari segi sistem self yakni cara yang dilakukan tokoh utama untuk melindungi diri dari rasa cemas. Kata-kata kunci: Kecemasan, Tokoh Utama, Psikologi Kepribadian.
Patologi Sosial pada Novel Perempuan di Titik Nol Karya Nawal El-Saadawi Nirmawati Lakda; Ellyana Hinta; Eka Sartika
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 10 No 2 (2024): Ideas: Pendidikan, Sosial, dan Budaya (Mei)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v10i2.1668

Abstract

Many people move away from applicable norms and laws due to society's inability to face the challenges of globalization, this is called Social Pathology. This research aims to describe forms of social pathology from the criminal aspect which includes violence and abuse, as well as social pathology in the form of prostitution and mental disorders in the novel Perempuan di Titik Nol by Nawal el-Saadawi. In this research, the data was analyzed using Wellek and Warren's literary sociology approach which focused on the second study, namely the sociology of the content of literary works. The research results show that the novel Perempuan di Titik Nol has forms of social pathology including: crime in the form of violence and abuse, prostitution, and mental disorders
Urgensi Pembelajaran Mitigasi Bencana Alam melalui Kearifan Lokal pada Guru PAUD Sunarti Suly Eraku; Asna Ntelu; Ellyana Hinta; Moh. Karmin Baruadi
Jurnal Obsesi : Jurnal Pendidikan Anak Usia Dini Vol 7, No 6 (2023)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/obsesi.v7i6.5556

Abstract

Anak pada masa usia dini memiliki potensi luar biasa, serta rentan terhadap bahaya bencana alam. tentunya harus ada upaya konkret dalam menanggulangi hal-hal yang tidak diinginkan terjadi pada anak-anak. Tujuan penelitian ini yakni mengetahui urgensi pembelajaran mitigasi bencana alam pada anak usia dini melalui pengenalan lingkungan budaya kearifan lokal. Penelitian ini merupakan langkah awal untuk nantinya sebagai dasar tindaklanjut oleh guru-guru PAUD dan Pemerintah Provinsi Gorontalo. Upaya tersebut tidak lepas dari rutinitas anak dan lingkungan sekitar, yaitu pendidikan dan kearifan lokal. Metode penelitian ini menggunakan tinjauan literatur yang matang dalam pentingnya pendidikan mitigasi bencana alam.  Adapun hasil penelitian yakni pendidikan mitigasi bencana alam melalui kearifan lokal dapat menjadi bekal dalam antisipasi anak untuk menghadapi bencana alam yang tidak dapat diprediksi oleh siapapun jua. Sehingga sebagai tindak lanjut guru-guru PAUD sebaiknya menghubungkan tema pembelajaran dengan kearifan local untuk mengembangkan pembelajaran mitigasi bencana alam khususnya di Provinsi Gorontalo. 
Alih Wahana Sastra Novel Seperti Dendam, Rindu Harus Dibayar Tuntas Karya Eka Kurniawan Ahmad, Nur Aina; Hinta, Ellyana
TRANSFORMATIKA Vol 8, No 1 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v8i1.8327

Abstract

This research aims to describe the form of transfer of vehicles in the plot of the film to the novel “Seperti Dendam, Rindu Harus Dibayar Tuntas” Completely by Eka Kurniawan based on literary ecranization in the form of subtractions, additions and changes in variations. The method used in this research is a qualitative method, namely describing the form of transfer of vehicles in the plot and characterization of the novel “Seperti Dendam rindu Harus Dibayar Tuntas” Completely by Eka Kurniawan. The data in this research is in the form of quotes of words, sentences and dialogue in novels and films which show forms of reduction, addition and change in variations in films and novels “Seperti Dendam Rindu Harus Dibayar Tuntas”. The data sources in this research are the novel “Seperti Dendam Rindu Harus Dibayar Tuntas” completely by Eka Kurniawan, tenth print in October 2019 published by PT Gramedia Pustaka Utama which consists of 245 pages and the novel film “Seperti Dendam Rindu Harus Dibayar Tuntas” completely, directed by Edwin in 2021. Collection The data was carried out using the technique of watching, reading and making data descriptions in the form of plots of novels and films”Seperti Dendam Rindu Harus Dibayar Tuntas”. The data analysis technique is carried out by describing the forms of reduction, addition, change in variations based on the context of literary ecranization both in the storyline and other elements. The results of this research show that changing a literary work into a new literary work certainly experiences differences, considering that changing the form of a novel into a film certainly becomes a new vehicle which causes the development of the storyline to be different.