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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Paradigma : Journal of Science, Religion and Culture Studies Rekam : Jurnal, Fotografi, Televisi Animasi Ekspresi: Indonesian Art Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Journal of Urban Society´s Arts UNEJ e-Proceeding MUDRA Jurnal Seni Budaya Panggung Jurnal Ilmiah Peuradeun Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Laga-Laga: Jurnal Seni Pertunjukan Sorai: Jurnal Pengkajian dan Penciptaan Musik Puitika International Journal of Cultural and Art Studies (IJCAS) Clef: Jurnal Musik dan Pendidikan Musik Sense : Journal of Film and Television Studies IDEA: Jurnal Seni Pertunjukan Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Jurnal SENI MUSIK
Umilia Rokhani
Institut Seni Indonesia Yogyakarta
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Analisis Ragam Lisan dalam Makalah Ilmiah Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta Rokhani, Umilia
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12354

Abstract

The Presence of Spoken Language Analysis in Students' Scientific Paper at the Faculty of Performing Art, Indonesian Institute of the Art Yogyakarta. Scientific writing, as in students' paper, requires standard writing orderliness. However, such requirement is often neglected due to the presence of the spoken style of language in their scientific papers. The assumption of the presence of spoken language appears in the scientific papers written by the students of the Faculty of Performing Art, especially those who belong to the Departments of Karawitan, Pedalangan, Ethnomusicology, and Dance. The above assumption is proven by employing the theory of bilingual division, i.e. bilingualism and bilinguality. Bilingualism is ones habit to use two languages during his interaction with other people. Meanwhile, bilinguality is ones willingness or ability to use two languages. Thus, the presence of the spoken language in students' scientific papers is considered to be a bilingualism process without bilinguality. Based on this theory, a research on misleading/arms of the presence of spoken language in students 'scientific papers and some factors that influence it is needed Keywords: Scientific paper, spoken language, forms and factors of error.
TRACKING ECOLOGICAL ISSUES IN MUSIC: KOES PLUS' SONG "KOLAM SUSU" IN NATURAL SYMBOLS Bagaskara, Akbar; Rokhani, Umilia; Molo, Benediktus; Pratama, Wahyu; Alanta Dewa, Daggo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

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Abstract

The purpose of this research is to trace ecological issues in music, especially the song Kolam susu popularized by the band Koes Plus in 1973. The research method used in this research is a qualitative type, in which the form of data is descriptive narrative. Data sources in the research were taken from scientific articles, books, and public space information (netnography). The validation technique applied in this research is the triangulation technique and for the theory of analyzing the meaning of the lyrics used is the semiotic theory of Ferdinand de Sassure. The results of this study found (1) ecological issues have also become a concern for many music artists in the world, (2) Kolam susu songs in general include the first generation of music that represents ecological issues in the case of Indonesia, the popularity of Kolam susu songs also certainly has a strong impact on the distribution of positive ecological messages massively and widely (3) the presence of ecological criticism expression format in song media will make social messages more easily accepted by the public.
Menelusuri Gejolak dan Antusiasme Tren Pencarian Genre Musik di Indonesia dari 2018 sampai 2023 Akbar Bagaskara; Umilia Rokhani; Kustap
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol. 5 No. 2 (2023)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v5i2.139

Abstract

Purpose: The purpose of this research is to analyze the search trends of music genres in Indonesia in the period of 2018-2023. In this study, four popular music genres in Indonesia were used as analysis samples, namely; Islamic music, jazz music, rock music, and dangdut music. Method: The method used is a qualitative type, which acts to describe the data narrative read from the google trends tool which also functions as a data analysis instrument. Result and Discussion: The results of this research found; that (1) The search trend for dangdut was very popular in the duration of 2018-2023 beating the three other music genres, even the search trend for dangdut music dominated in almost every province in Indonesia (2) The search trend for jazz music and rock music competed fiercely in the period 2018-2023, overtaking each other in that period. (3) In terms of graphical appearance, the trend of Islamic music does not seem to increase much compared to the search trends of the other three music genres throughout the last five years (2018-2023) (4) Central Java and Lampung provinces always appear in the top five provinces in the search trends of Islamic music, jazz music, rock music, and dangdut genres. Conclusion: The conclusion obtained in this study is that the search trend for certain music genres is strongly influenced by the culture or group of people who have an attachment to it. The more the music genre can enter many groups of society, the more fans there will be and of course this will increase the search trend for the music genre on social media, as discussed in this study.
Strategi Aransemen Wind Section pada Lagu One Summer’s Day Karya Joe Hisaishi oleh Arranger Rumah Orkestra Jogja Fengky Prima; Umilia Rokhani; Gathut Bintarto Triprasetyo
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 20, No 1 (2026)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v20i1.20680

Abstract

Penelitian ini bertujuan untuk menganalisis strategi aransemen pada lagu One Summer’s Day karya Joe Hisaishi oleh arranger Rumah Orkestra Jogja yang sudah dimainkan dalam  konser Saga From Our Childhood: Land of Ghibli tahun 2025. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus, dengan teknik pengumpulan data melalui wawancara, analisa dokumen, dan materi audio, hasil penelitian menunjukkan proses penggarapan karya sesuai dengan metode lima langkah aransemen musik, yaitu konsep aransemen, menulis notasi, memodifikasi dan menciptakan ide-ide baru, menyusun materi, evaluasi dan revisi. Dengan demikian, strategi aransemen yang dilakukan oleh Raihan Aziz selaku arranger menghasilkan pendistribusian harmoni pada wind section, tekstur, counter melody, dan call and response,memodifikasi dan menciptakan ide baru dari karya klasik.
Slawatan Jawa: Ekspresi Etnopuitika Budaya Jawa Umilia Rokhani; Galih Pengestu Jati; Akbar Bagaskara
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.3583

Abstract

Slawatan, a hybrid culture rooted in Arab culture, developed in Java by adapting to the local culture. This study presents a case study Javanese slawatan tradition in the Langen Ambiya Group, Sleman Regency. Its existence is closely related to oral traditions and religious rituals expressed as distinctive Javanese performances and related to local knowledge. This study uses a structural method to examine the correlation between variations in form and meaning in slawatan lyrics. The results show that structurally, Javanese slawatan songs are developed through variations in the use of Arabic, Javanese, and a mixture of both languages. The performances also show similarities with Javanese palantun langgam, which reinforces the local aesthetic character of this tradition. These findings confirm that Javanese slawatan not only functions as a medium for religious preaching and entertainment, but also as a means of negotiating a dynamic cultural identity amid social change in society.
Etnomusikologi: Pemahaman Awal, Sejarah, dan Tantangan Epistemologis di Era Kecerdasan Buatan Akbar Bagaskara; Umilia Rokhani; Sarmianti Ansar; Nanda Pertiwi Dwiyanti; Daggo Alanta Dewa
Clef: Jurnal Musik dan Pendidikan Musik Vol. 6 No. 2 (2025): Clef: Jurnal Musik dan Pendidikan Musik
Publisher : Institut Agama Kristen Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51667/cjmpm.v6i2.1726

Abstract

Tujuan penelitian ini untuk mengungkapkan wacana ilmu etnomusikologi khususnya dalam dinamika sejarah, relevansinya pada era kontemporer, serta kaitannya dengan kecerdasan buatan. Metode penelitian yang digunakan adalah kualitatif, dengan teknik analisis data yang menggunakan konsep Miles dan Huberman. Adapun hasil dari penelitian ini menunjukkan pengertian etnomusikologi erat kaitannya dengan kajian sosial budaya mengenai musik etnis yang ada dalam suatu kelompok tradisi tertentu. Kemudian dinamika sejarah kajian etnomusikologi mulanya berkembang pesat pada akhir abad ke-18 atau awal abad 19, perkembangan ini juga ikut dipengaruhi nantinya dengan kemunculan dari alat perekam suara yang digunakan etnomusikolog dalam penelitian lapangan. Urgensi dari mempelajari etnomusikologi mempunyai relasi terhadap pemahaman yang lebih jauh tentang evolusi musik itu sendiri, disertai juga keragaman sosial budaya yang menyertainya. Penelitian ini juga menekankan bahwa pada era kecerdasan buatan, praktik etnomusikologi menghadapi sebuah tantangan epistemologis yang baru dan berkaitan dengan relasi pengetahuan dan kekuasaan sebagaimana dikemukakan oleh filsuf Michel Foucault, juga persoalan tentang representasi budaya menurut filsuf Stuart Hall, yang mana kecerdasasan buatan berpotensi dalam membentuk, mensimplifikasi, dan juga merepresentasikan musik tradisi dengan melalui sistem data dan juga algoritma yang tidak sepenuhnya bersifat netral.
Kesenian Rampak Buto Sebagai Sumber Penciptaan Tari Gedroex Wanodya Oleh Krincing Manis Dance Studio, Sleman, Yogyakarta Luvita Pradana Puspita Sari; Umilia Rokhani
Dance and Theatre Review Vol 7, No 2: November 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dtr.v7i2.14085

Abstract

Traditional folk art is a traditional art that lives and develops in communities outside the Yogyakarta’s Palace. The form of development presented creates creativity from the supporting community, one of them is the Rampak Buto Art, which is one of the creativity in the Jatilan performing arts. Rampak Buto Art exists as a creativity in the local community which is dominated by men, seen from the performances and the various clothing attributes they use.One of creativity in the Rampak Buto performance is the creation of the Gedroex Wanodya dance. This dance was created by the Krincing Manis Dance Group, this group is existence as the only one Rampak Buto group dominated by female dancers in Yogyakarta. The Gedroex Wanodya’s dance was created by contemporary choreography so that it becomes a new form of Rampak Buto Art.This research using qualitative methods and an approach using Choreographic Analysis. In the choreography’s process, the researcher acted as a participant observer, that she went directly to the research object by acting as director of the Gedroex Wanodya’s dance work.
Perkembangan Bentuk Penyajian Musikalisasi Puisi di Yogyakarta pada Tahun 2013-2023 [Form of Performance of Poetry Musicalization in Yogyakarta During 2013-2023] Aqilah Mumtaza; Umilia Rokhani; Daniel de Fretes
Jurnal SENI MUSIK Vol. 17 No. 1 (2025): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v17i1.7464

Abstract

Musikalisasi puisi merupakan puisi yang dipertunjukkan secara ekspresif dan musikal. Bentuk kesenian yang muncul pada tahun 1970-an di Yogyakarta ini masih tergolong baru, sehingga belum terdapat pembakuan mengenai definisi maupun batasan-batasan di dalamnya. Penelitian ini bertujuan untuk melihat bagaimana perkembangan bentuk penyajian musikalisasi puisi di Yogyakarta pada tahun 2013-2023. Metode yang digunakan dalam penelitian ini yaitu kualitatif dengan pendekatan studi kasus kolektif. Teknik pengumpulan data menggunakan studi pustaka, observasi, wawancara, dan studi dokumentasi. Adapun teknik analisis data yang digunakan adalah reduksi data, penyajian data, serta penarikan kesimpulan dan verifikasi. Hasil penelitian menunjukan adanya perkembangan bentuk penyajian musikalisasi puisi dari segi format pemain, alat musik, genre, dan konsep pertunjukan. Abstract (English)Poetry musicalization is an expression form of poetry through music. This art form that emerged in 1974 in Yogyakarta is still relatively new, so there has yet to be a standardization of definition and boundaries. This study aims to recognize the development of the poetry musicalization performance form in Yogyakarta in 2013-2023. This period was chosen as a period that is relatively close and relevant to aspects of trends or changes in the realm of performing arts in the country. The method used in this research is qualitative with a collective case study approach. Data collection techniques used are literature review, observation, interviews, and documentation studies. Data analysis techniques are reduction, presentation, conclusion, and verification. The study results shows developments in the poetry musicalization performance form in terms of player format, musical instrument, genre, and performance concept.
Co-Authors Akbar Bagaskara Akbar Bagaskara Akbar Bagaskara Alanta Dewa, Daggo Andre Indrawan Ans Prawati Yuliantari Aprianus Salam Aqilah Mumtaza Bagaskara, Akbar Daggo Alanta Dewa de Fretes, Daniel Dewanto, Pandutama Dwi Okta Renanda Fengky Prima Galih Pengestu Jati Gathut Bintarto Triprasetyo Haryanto Haryanto Ida Rochani Adi Ida Rochani-Adi Jati, Galih Pangestu Kartiman, Kartiman Kun Setyaning Astuti Kustap Kustap Luvita Pradana Puspita Sari Molo, Benediktus Nanda Pertiwi Dwiyanti Nurul Farida Royke B. Koapaha Salam, Aprinus Sarmianti Ansar Singgih Sanjaya Situngkir, Rhoyda Nhovriana Surasak Jamnongsarn, Surasak Suryati Suryati Suryati Suryati Tri Wahyu Widodo Wahyu Pratama Wahyuningsih, Septiana