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Kontribusi Francisco Tarrega dalam Perkembangan Teknik Tremolo Gitar Klasik Melalui Recuerdos de la Alhambra Dewanto, Pandutama; Indrawan, Andre; Rokhani, Umilia
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 18, No 1 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v18i1.12208

Abstract

Teknik tremolo adalah salah satu elemen penting dalam repertoar gitar klasik disebabkan peran vitalnya dalam menciptakan melodi yang indah dan efek harmoni yang kaya. Teknik ini juga diakui sebagai faktor penguat komposisi gitar klasik yang menempatkan tremolo sebagai komponen utama sebagaimana terdapat pada masterpiece Franscisco Tarrega, Recuerdos de la Alhambra. Penelitian ini menelusuri perkembangan teknik tremolo gitar klasik mulai dari masa sebelum  Tárrega hingga awal abad ke-20. Tujuan penelitian ini ialah untuk mengidentifikasi kontribusi inovatif Tarrega dalam karya tersebut terhadap perkembangan teknik tremolo pada karya komponis-komponis setelahnya. Penelitian ini menggunakan metode kualitatif musikologis dengan pendekatan studi kasus dan historikal. Penulis juga melakukan analisis terhadap komposisi Recuerdos de la Alhambra dengan membedah partitur komposisi tersebut, literatur akademik gitar klasik, dan catatan sejarah komposisi tersebut guna meneliti pengaruh Tárrega dalam sejarah gitar klasik dan pentingnya “Recuerdos de la Alhambra” dalam konteks perkembangan teknik tremolo. Dalam penelitian ini terungkap bahwasannya kontribusi F. Tarrega terhadap perkembanan teknik tremolo gitar klasik sangatlah besar. Kontribusinya dapat dilihat dari seberapa berpengaruhnya karyanya yang yang berjudul Recuerdos de la Alhambra.
Analisis Ragam Lisan dalam Makalah Ilmiah Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta Rokhani, Umilia
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12354

Abstract

The Presence of Spoken Language Analysis in Students' Scientific Paper at the Faculty of Performing Art, Indonesian Institute of the Art Yogyakarta. Scientific writing, as in students' paper, requires standard writing orderliness. However, such requirement is often neglected due to the presence of the spoken style of language in their scientific papers. The assumption of the presence of spoken language appears in the scientific papers written by the students of the Faculty of Performing Art, especially those who belong to the Departments of Karawitan, Pedalangan, Ethnomusicology, and Dance. The above assumption is proven by employing the theory of bilingual division, i.e. bilingualism and bilinguality. Bilingualism is ones habit to use two languages during his interaction with other people. Meanwhile, bilinguality is ones willingness or ability to use two languages. Thus, the presence of the spoken language in students' scientific papers is considered to be a bilingualism process without bilinguality. Based on this theory, a research on misleading/arms of the presence of spoken language in students 'scientific papers and some factors that influence it is needed Keywords: Scientific paper, spoken language, forms and factors of error.
TRACKING ECOLOGICAL ISSUES IN MUSIC: KOES PLUS' SONG "KOLAM SUSU" IN NATURAL SYMBOLS Bagaskara, Akbar; Rokhani, Umilia; Molo, Benediktus; Pratama, Wahyu; Alanta Dewa, Daggo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

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Abstract

The purpose of this research is to trace ecological issues in music, especially the song Kolam susu popularized by the band Koes Plus in 1973. The research method used in this research is a qualitative type, in which the form of data is descriptive narrative. Data sources in the research were taken from scientific articles, books, and public space information (netnography). The validation technique applied in this research is the triangulation technique and for the theory of analyzing the meaning of the lyrics used is the semiotic theory of Ferdinand de Sassure. The results of this study found (1) ecological issues have also become a concern for many music artists in the world, (2) Kolam susu songs in general include the first generation of music that represents ecological issues in the case of Indonesia, the popularity of Kolam susu songs also certainly has a strong impact on the distribution of positive ecological messages massively and widely (3) the presence of ecological criticism expression format in song media will make social messages more easily accepted by the public.
Slawatan Jawa: Ekspresi Etnopuitika Budaya Jawa Rokhani, Umilia; Pengestu Jati, Galih; Bagaskara, Akbar
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.3583

Abstract

Slawatan, a hybrid culture rooted in Arab culture, developed in Java by adapting to the local culture. This study presents a case study Javanese slawatan tradition in the Langen Ambiya Group, Sleman Regency. Its existence is closely related to oral traditions and religious rituals expressed as distinctive Javanese performances and related to local knowledge. This study uses a structural method to examine the correlation between variations in form and meaning in slawatan lyrics. The results show that structurally, Javanese slawatan songs are developed through variations in the use of Arabic, Javanese, and a mixture of both languages. The performances also show similarities with Javanese palantun langgam, which reinforces the local aesthetic character of this tradition. These findings confirm that Javanese slawatan not only functions as a medium for religious preaching and entertainment, but also as a means of negotiating a dynamic cultural identity amid social change in society.
Menelusuri Gejolak dan Antusiasme Tren Pencarian Genre Musik di Indonesia dari 2018 sampai 2023 Akbar Bagaskara; Umilia Rokhani; Kustap
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol. 5 No. 2 (2023)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v5i2.139

Abstract

Purpose: The purpose of this research is to analyze the search trends of music genres in Indonesia in the period of 2018-2023. In this study, four popular music genres in Indonesia were used as analysis samples, namely; Islamic music, jazz music, rock music, and dangdut music. Method: The method used is a qualitative type, which acts to describe the data narrative read from the google trends tool which also functions as a data analysis instrument. Result and Discussion: The results of this research found; that (1) The search trend for dangdut was very popular in the duration of 2018-2023 beating the three other music genres, even the search trend for dangdut music dominated in almost every province in Indonesia (2) The search trend for jazz music and rock music competed fiercely in the period 2018-2023, overtaking each other in that period. (3) In terms of graphical appearance, the trend of Islamic music does not seem to increase much compared to the search trends of the other three music genres throughout the last five years (2018-2023) (4) Central Java and Lampung provinces always appear in the top five provinces in the search trends of Islamic music, jazz music, rock music, and dangdut genres. Conclusion: The conclusion obtained in this study is that the search trend for certain music genres is strongly influenced by the culture or group of people who have an attachment to it. The more the music genre can enter many groups of society, the more fans there will be and of course this will increase the search trend for the music genre on social media, as discussed in this study.