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Kontestasi Memori dalam Novel Tiba Sebelum Berangkat Karya Faisal Oddang Jati, Galih Pangestu; Rokhani, Umilia; Bagaskara, Akbar
Puitika Vol. 20 No. 2 (2024)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v20i2.610

Abstract

This study aims to determine the discourse of memory contestation in the novel Tiba Sebelum Berangkat by Faisal Oddang. This cannot be separated from the relationship between memory and the formation of a person's identity. By using qualitative research methods, this study is divided into three stages, namely data collection, data analysis, and presentation of research results. Data collection is carried out by repeated reading of various data related to formal objects and material objects. Meanwhile, data analysis is carried out by looking for relationships between data to achieve a unity. The theory used is the social theory of remembering developed by Barbara Misztal. The results of the study are the existence of collective memory contestation that causes the identity of a person or group of people to experience a crisis. As a result, the individual commits various sexual deviations as a projection of the crisis.
Kontribusi Francisco Tarrega dalam Perkembangan Teknik Tremolo Gitar Klasik Melalui Recuerdos de la Alhambra Dewanto, Pandutama; Indrawan, Andre; Rokhani, Umilia
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 18, No 1 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v18i1.12208

Abstract

Teknik tremolo adalah salah satu elemen penting dalam repertoar gitar klasik disebabkan peran vitalnya dalam menciptakan melodi yang indah dan efek harmoni yang kaya. Teknik ini juga diakui sebagai faktor penguat komposisi gitar klasik yang menempatkan tremolo sebagai komponen utama sebagaimana terdapat pada masterpiece Franscisco Tarrega, Recuerdos de la Alhambra. Penelitian ini menelusuri perkembangan teknik tremolo gitar klasik mulai dari masa sebelum  Tárrega hingga awal abad ke-20. Tujuan penelitian ini ialah untuk mengidentifikasi kontribusi inovatif Tarrega dalam karya tersebut terhadap perkembangan teknik tremolo pada karya komponis-komponis setelahnya. Penelitian ini menggunakan metode kualitatif musikologis dengan pendekatan studi kasus dan historikal. Penulis juga melakukan analisis terhadap komposisi Recuerdos de la Alhambra dengan membedah partitur komposisi tersebut, literatur akademik gitar klasik, dan catatan sejarah komposisi tersebut guna meneliti pengaruh Tárrega dalam sejarah gitar klasik dan pentingnya “Recuerdos de la Alhambra” dalam konteks perkembangan teknik tremolo. Dalam penelitian ini terungkap bahwasannya kontribusi F. Tarrega terhadap perkembanan teknik tremolo gitar klasik sangatlah besar. Kontribusinya dapat dilihat dari seberapa berpengaruhnya karyanya yang yang berjudul Recuerdos de la Alhambra.
Analisis Ragam Lisan dalam Makalah Ilmiah Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta Rokhani, Umilia
Ekspresi Vol 10, No 2 (2010)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekp.v10i2.12354

Abstract

The Presence of Spoken Language Analysis in Students' Scientific Paper at the Faculty of Performing Art, Indonesian Institute of the Art Yogyakarta. Scientific writing, as in students' paper, requires standard writing orderliness. However, such requirement is often neglected due to the presence of the spoken style of language in their scientific papers. The assumption of the presence of spoken language appears in the scientific papers written by the students of the Faculty of Performing Art, especially those who belong to the Departments of Karawitan, Pedalangan, Ethnomusicology, and Dance. The above assumption is proven by employing the theory of bilingual division, i.e. bilingualism and bilinguality. Bilingualism is ones habit to use two languages during his interaction with other people. Meanwhile, bilinguality is ones willingness or ability to use two languages. Thus, the presence of the spoken language in students' scientific papers is considered to be a bilingualism process without bilinguality. Based on this theory, a research on misleading/arms of the presence of spoken language in students 'scientific papers and some factors that influence it is needed Keywords: Scientific paper, spoken language, forms and factors of error.
TRACKING ECOLOGICAL ISSUES IN MUSIC: KOES PLUS' SONG "KOLAM SUSU" IN NATURAL SYMBOLS Bagaskara, Akbar; Rokhani, Umilia; Molo, Benediktus; Pratama, Wahyu; Alanta Dewa, Daggo
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this research is to trace ecological issues in music, especially the song Kolam susu popularized by the band Koes Plus in 1973. The research method used in this research is a qualitative type, in which the form of data is descriptive narrative. Data sources in the research were taken from scientific articles, books, and public space information (netnography). The validation technique applied in this research is the triangulation technique and for the theory of analyzing the meaning of the lyrics used is the semiotic theory of Ferdinand de Sassure. The results of this study found (1) ecological issues have also become a concern for many music artists in the world, (2) Kolam susu songs in general include the first generation of music that represents ecological issues in the case of Indonesia, the popularity of Kolam susu songs also certainly has a strong impact on the distribution of positive ecological messages massively and widely (3) the presence of ecological criticism expression format in song media will make social messages more easily accepted by the public.