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All Journal Dimensi Interior Nirmana Jurnal Siasat Bisnis MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya RUANG: JURNAL LINGKUNGAN BINAAN (SPACE: JOURNAL OF THE BUILT ENVIRONMENT) Techno.Com: Jurnal Teknologi Informasi Product Design Jurnal Sosioteknologi Journal of Visual Art and Design Mozaik Humaniora ANDHARUPA Jurnal Ilmiah Arena Tekstil RITME Journal of Animation & Games Studies JADECS (Journal of Art, Design, Art Education and Culture Studies) MUDRA Jurnal Seni Budaya Panggung SOSIOHUMANIKA Naditira Widya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Jurnal Desain Idea: Jurnal Desain Produk Industri Institut Teknologi Sepuluh Nopember Surabaya Prosiding Seminar Nasional Pakar Visualita : Jurnal Online Desain Komunikasi Visual Jurnal Telematika Gelar : Jurnal Seni Budaya Jurnal Rupa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Keluwih: Jurnal Sains dan Teknologi Atrat: Jurnal Seni Rupa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Prosiding Balai Arkeologi Jawa Barat Wimba: Jurnal Komunikasi Visual Rumoh: Journal of Architecture Jurnal Islam Nusantara Makara Human Behavior Studies in Asia Jurnal Dimensi Seni Rupa dan Desain International Journal of Geotourism Science and Developmen Prosiding Seminar Nasional Rekayasa dan Teknologi (TAU SNAR- TEK) Hastagina: Jurnal Kriya dan Indsutri Kreatif Naditira Widya International Research Journal of Business Studies Panggung Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
Agus Sachari
Faculty Of Art And Design, Institut Teknologi Bandung
Religion Arts Humanities Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mechanical Engineering Social Sciences Other

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EDUKASI BUDAYA TOPENG MALANGAN MELALUI MEDIA INTERAKTIF BOARD GAME Al Hazmi Indrapasca Yoga; Alvanov Zpalanzani; Agus Sachari
Journal of Animation and Games Studies Vol 6, No 1 (2020): April 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jags.v6i1.3530

Abstract

Traditional arts have become part of an area or even become the identity of it. This happenned in Malang, where Malang has a distinctive art called the Topeng Malangan. Topeng Malangan is a performance art that combines dance and puppet shows. The identity of the Topeng Malangan which is already very attached to Malang is inversely proportional to its popularity amongs Malang people. Therefore, an interesting and understandable educational media is needed to introduce Topeng Malangan into Malang people. Iterative design method is used in the design of this educational media. This iterative method can be used for finding a suitable game that can be played by families, because exploration, trials, and evaluations are involved in this design process.
Relasi Padung-padung dan Gerga Tulak Paku dalam Arsitektur Tradisional Karo Ariani .; Imam Santosa; Achmad Haldani Destiarmand; Agus Sachari
RUANG: Jurnal Lingkungan Binaan (SPACE: Journal of the Built Environment) Vol 9 No 1 (2022): April 2022
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (530.629 KB) | DOI: 10.24843/JRS.2022.v09.i01.p06

Abstract

One of the rich traditions owned by the Karo tribe in North Sumatra is a variety of ornamental or gerga. Gerga is applied to traditional Karo architecture with the aim of beautifying and representing the belief and kinship system that forms the basis of the Karo people's cosmology. One of the organic-shaped gerga inspired by nature is tulak paku. The structure of gerga tulak paku also becomes a visual image based on various crafted objects, one of which is padung-padung. This large earring jewelry is worn by Karo women from certain classes and becomes one of the cultural identities of the Karo Tribe. By its structure and shape, padung-padung is assumed to originate from the application of gerga tulak paku. This study aims to determine the relationship between the ornamental elements of tulak paku applied to the padung-padung form, and its application in Karo traditional architecture. The research was conducted using technical analysis and interpretation adopting an aesthetic approach to describe three basic aspects of an artistic object or event, namely form, weight, and appearance. Based on the results of research, it is known that the element of the gerga tulak paku has a shape structure similar to padung-padung. Both have meanings related to human power and glory, thus their applications in traditional architecture are expected to bring ‘good’ impacts.Keywords: relation; padung-padung; gerga tulak paku; Karo traditional architecture AbstrakSalah satu kekayaan tradisi yang dimiliki oleh suku Karo di Sumatera Utara adalah ragam hias atau gerga. Gerga diterapkan pada arsitektur tradisional Karo dengan tujuan untuk memperindah sekaligus merepresentasikan sistem kepercayaan dan kekerabatan yang menjadi dasar kosmologi masyarakat Karo. Salah satu gerga berbentuk organis yang terinspirasi dari alam adalah tulak paku. Selain diterapkan pada rumah adat, struktur bentuk gerga tulak paku juga menjadi citra visual pada berbagai benda-benda kerajinan, salah satunya adalah padung-padung. Perhiasan berupa anting berukuran besar ini dikenakan oleh perempuan Karo dari kelas tertentu dan menjadi salah satu identitas kultural suku Karo. Ditinjau dari struktur bentuknya, padung-padung diduga berasal dari penerapan gerga tulak paku. Penelitian ini bertujuan untuk mengetahui relasi unsur ragam hias tulak paku yang diterapkan pada bentuk padung-padung, serta aplikasinya dalam arsitektur tradisional Karo. Penelitian dilakukan dengan teknik analisis dan interpretasi menggunakan pendekatan estetika untuk mendeskripsikan tiga aspek dasar pada suatu benda atau peristiwa kesenian, yaitu wujud, bobot, dan penampilan. Berdasarkan hasil penelitian, diketahui bahwa unsur gerga tulak paku memiliki struktur bentuk yang mirip dengan padung-padung. Keduanya memiliki makna yang berkaitan dengan kekuatan dan kemuliaan manusia sehingga penerapannya pada arsitektur tradisional diharapkan dapat membawa dampak kebaikan.Kata kunci: relasi; padung-padung; gerga tulak paku; arsitektur tradisional Karo
PERSEPSI VISUAL ELEMEN NILAI PERSONAL BRAND PADA MEDIA KAMPANYE RIDWAN KAMIL Robby Firmansyah; Agung Eko Budiwaspada; Agus Sachari
Jurnal Sosioteknologi Vol. 16 No. 3 (2017)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2017.16.3.5

Abstract

Personal brand merupakan citra yang tertanam di pikiran publik mengenai individu tertentu. Beberapa dekade terakhir, kegiatan personal branding marak digunakan oleh kandidat kampanye politik untuk membentuk citra dirinya di pikiran publik dan diharapkan dapat meningkatkan elektabilitas pada saat pemilihan. Penelitian ini mengkaji elemen nilai personal brand yang dibentuk melalui proses persepsi visual terhadap media kampanye tahap kedua pemilihan walikota Bandung 2013, Ridwan Kamil. Elemen nilai personal brand yang diteliti berupa citra mengenai hal-hal yang menjadi landasan berpikir dan berperilaku Ridwan Kamil di masyarakat. Penelitian ini menggunakan metode campuran. Metode kuantitatif digunakan untuk melihat kecenderungan citra nilai yang terbentuk di dalam pikiran kelompok khalayak pemilih pertama melalui elemen visual media kampanye Ridwan Kamil. Metode kualitatif dengan analisis visual semiotika sosial digunakan untuk mendeskripsikan pembentukan citra elemen visual media kampanye tahap kedua Ridwan Kamil melalui proses persepsi visual terhadap elemen visual media kampanye Ridwan Kamil. Berdasarkan hasil olah data kuesioner penelitian, citra nilai Ridwan Kamil yang memiliki skor tertinggi berupa citra cinta yang terbentuk melalui elemen visual artwork ikon hati. Citra Ridwan Kamil terbentuk melalui proses persepsi visual audience untuk memaknai elemen visual (stimuli) yang dipengaruhi oleh pengetahuan audience mengenai stimuli yang dilihat dan kemudahan audience untuk menerima informasi yang disampaikan elemen visual untuk dihubungkan dengan sosok Ridwan Kamil. Personal brand defined as a well-formed public image of particular person. In the past few decades, personal branding activity is used by politicians or electoral candidates to build their public image which is expected to be able to increase their electability. This research analyzed the visual perception of personal brand value element that was formed by visual elements in Ridwan Kamil's second phase campaign media for Bandung City Mayoral Election in 2013. Personal brand value element is an image to represent Ridwan Kamil's thought and behavior in the society. This study utilized mixed method, namely quantitative and qualitaive. The quantitative method was used to identify the voters' perception of Ridwan Kamil's image established through the visual elements disseminated during the campaign. The qualitative method of visual social semiotic analysis was used to describe the development of Ridwan Kamil's image through his campaign media visual element and visual perception process. The results of the questioner data analysis indicated that the image which gained the highest score was the image of love which was illustrated by the visual element of an artwork depicting a heart. Ridwan Kamil's image was established through audience's perceptual process in interpreting the visual element (stimulus) and associate it with Ridwan Kamil influenced by the audience knowledge upon the stimulus and the absence of difficulty to perceive the information.
Pergeseran Gaya Estetis Mebel di Keraton Ngayogyakarta Hadiningrat Indah Septi; Agus Sachari
Journal of Visual Art and Design Vol. 1 No. 1 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.1.7

Abstract

The Kraton Ngayogyakarta Hadiningrat has been the center for the development of ideas, traditions, and cultural artifacts, giving it a unique status among Indonesia diverse cultures. Understanding the richness of Yogya's inherited artifacts, this research tried to investigate the existing styles of furniture in the Keraton Ngayogyakarta Hadiningrat during 1755 to 1988. The span period was chosen because during that time the Keraton endured several cultural transformations, from the period where Hindu-Buddha was very much influential to the era of colonialism. Sources for this research were gained through direct observation, interview and documentation, amplifying descriptive qualitative method using historical approach for analysis. The study indicates that there exist visual data, left by Sri Sultan Hamengku Buwono VIth to IXth, in form of symbolic mean that could be seen on the furniture (ornaments) in the Keraton Ngayogyakarta Hadiningrat. It shows that the most frequent used ornaments are geometric shape, flora-fauna, and imaginary creatures. The ornaments are usually placed at the top, center and lower parts of the furniture. Aside to fulfill aesthetical decoration, those ornaments, which also have symbolic mean, are used as a medium to express the social norms of the Kraton Ngayogyakarta Hadiningrat.
Kajian Terapan Eko-Interior pada Bangunan Berwawasan Lingkungan Rumah Dr. Heinz Frick di Semarang; Kantor PPLH di Mojokerto; Perkantoran Graha Wonokoyo di Surabaya Yusita Kusumarini; Agus Sachari; Budi Isdianto
Journal of Visual Art and Design Vol. 1 No. 2 (2007): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2007.1.2.8

Abstract

The intertwined influence of both local and global phenomena toward the disturbance of environment requires immediate awareness of all; including also designers, architects, and building contractors. Yet, it is hardly to find concrete application in the field of interior design that embeds ecological approach on buildings, especially for the case of Indonesia. To address the issue, this study looks into several buildings in Java that have applied ecological-approach, a balanced-way between human, space, and environment. Having the purpose to investigate and to compare applied ecological-approaches of each building, the results are aimed to provide applicable-examples and/or a referential model for ecological building in Indonesia. Henry HCM Christiaans's cyclical-applied research was adopted as a method for the study, which consists of practical problem, diagnosis, plan, intervention, and evaluation. The compared results of each selected building and their examples of environmental approach are presented and discussed.
Studi Komparatif Lukisan Perempuan Perupa dengan Pria Perupa Impresionis dalam Tema Kehidupan Keseharian Ira Adriati Winarno; Agus Sachari
Journal of Visual Art and Design Vol. 2 No. 1 (2008): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2008.2.1.1

Abstract

Impressionism is an art movement that firstly established in France in the middle of 19th century. Claude Monet, Èdouard Manet, Pierre-Auguste Renoir, and Edgar Degas are famous male impressionist artists that were known by many, yet there are famous female impressionist artists such as Berthe Morisot, Mary Cassatt, Eva Gonzales, and Marie Bracquemond that deserve to be known as well. The presented paper discusses the aesthetics value and meanings of paintings of these female impressionist artists, through the perspective of art criticism, historical method, and women studies. Object of analysis are paintings that depicting domestic life made by mentioned artists above. Results show that the depicted domestic life in those paintings presented a unique gaze of a woman, as shown in the representation of body language to express the relationship between mother and children. Thus, female impressionist paintings emphasize more on the activities and aspiration of women than the beauty of their bodies. The painted theme shows that the artists express gender equality and/or independent (or self-supporting) women, which are presented in an equal aesthetic quality compared to those of male impressionist artists.
Perbandingan Busana Arca Harihara Era Klasik Akhir (Koleksi State Hermitage Museum, Museum Nasional Jakarta, dan Balai Lelang Christie’s) Waridah Muthi'ah; Agus Sachari
Gelar : Jurnal Seni Budaya Vol 19, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i1.3533

Abstract

Harihara is the amalgamation of two great gods in Hinduism, Siva and Vishnu. During the Late Classical Era (Majapahit period, 13th-15th centuries AD) three deification statues which portrayed the kings as Harihara have been found. Out of these three, two of them are not located in Indonesia anymore, one is part of the collection of Hermitage Museum, St. Petersburg, and one is in Christie’s Auction Gallery. Since these two statues are not widely known, they are barely mentioned or studied in the field of classical archaeology and art. This research focuses on the physical attributes of those two statues, particularly the clothing elements and divine attributes, in comparation to the deification statue of Raden Wijaya as Harihara, which is originated from Candi Simping and now is located in National Museum, Jakarta. The research was conducted using a qualitative-comparative method with iconographic and historical approach. It is found that while these statues show the amalgamation of Siva and Vishnu’s attributes, the depiction of Harihara in those statues are not exactly following Harihara iconography as regulated in the canons of Silpasastra and Manasara. While the canon physical attributes of Shiva and Vishnu side by side equally, in the depiction of Harihara in Java, those attributes are mixed and not always follows a rigid pattern. It is suggested that the depiction of  kings as Harihara show an attempt to project them as the unifier of different factions and religious sects. The inequal depiction of Vishnu and Siva’s attributes in king’s deification statues indicates not only the dynamics of the religion in the era, but also as mean to build king’s image in the image of the God.
Eksplorasi Media Sebagai Edukasi Kesadaran Ruang Hidup di Daerah Bencana Rahmatsyam Lakoro; Agus Sachari; Agung Eko Budi Waspodo; Setiawan Sabana
Jurnal Desain Idea: Jurnal Desain Produk Industri Institut Teknologi Sepuluh Nopember Surabaya Vol 18, No 1 (2019)
Publisher : LPPM, Institut Teknologi Sepuluh Nopember

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (581.364 KB) | DOI: 10.12962/iptek_desain.v1i18.5082

Abstract

Media komunikasi visual yang diproduksi untuk edukasi kebencanaan telah banyak dikembangkan, baik oleh pemerintah maupun lembaga-lembaga independen yang bekerja secara sukarela. Penelitian ini bertujuan mengidentifikasi, memahami dan menjelaskan tentang kajian konten visual pada media edukasi kebencanaan dalam strategi penuturan transmedia. Media edukasi yang dikembangkan menggunakan strategi lewat budaya tutur masyarakat lokal seperti lewat lagu atau permainan rakyat, tapi belum diketahui seberapa baik pemahaman masyarakat menghadapi kondisi darurat saat bencana terjadi. Metode penelitian yang diterapkan adalah grounded theory dengan analisa deskriptif kualitatif. Grounded theory merupakan rancangan penelitian kualitatif dimana peneliti memunculkan penjelasan umum (teori) tentang proses, aksi atau interaksi yang dibentuk oleh sejumlah partisipan menggunakan model Kerucut Pengalaman Edgar Dale. Perkembangan teknologi yang dekat dengan pengguna memungkinkan berbagai peluang untuk mengambil peran dalam edukasi kebencanaan dan mitigasi. Penelitian akan menelusuri estetika formal desain konten edukasi mengenai mitigasi bencana sebagai upaya edukasi kebencanaan melalui berbagai kemungkinan dalam pendekatan komunikasi lewat bahasa visual dalam edukasi kebencanaan. Hasilnya merupakan rekomendasi dalam perancangan media edukasi mitigasi kebencanaan.
Fungsi dan Nilai pada Kain Batik Tulis Gedhog Khas Masyarakat di Kecamatan Kerek, Kabupaten Tuban, Jawa Timur Fajar Ciptandi; Agus Sachari; Achmad Haldani
PANGGUNG Vol 26, No 3 (2016): Visualisasi Nilai, Konsep, Narasi, Reputasi Seni Rupa dan Seni Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1159.947 KB) | DOI: 10.26742/panggung.v26i3.190

Abstract

ABSTRACTKerek subdistrict, Tuban residence in East Java is an area whose people work on field and have a tradition on making fabric with gedhog weaving. Each fabric produced by Kerek people have specific characteristic which distinguish them from batik fabric on another area in Indonesia. This is because they have special knowledge concerning fungtion, cosmology, aesthetics, as well as their ability on making fabric which they have been learned from generation to generation.Then, through art and design approaching through method of etnograph,visual morphology, and Focus Group Disscusion, which is convinced able to give tangible contribution for developing of art and design and impact on sustainability of tradition.Keywords: Fungtion, Kerek subdistrict, Textile, Tradition, ValueABSTRAKKecamatan Kerek, Kabupaten Tuban di Jawa Timur merupakan sebuah kawasan dengan karakteristik masyarakat peladang dan memiliki tradisi membuat kain dengan teknik tenun tradisional gedhog. Setiap lembar kain yang dihasilkan oleh masyarakat Kerek ini memiliki ciri khas pada tampilan visual, teknik, serta makna yang membedakannya dengan kain-kain batik dari daerah lain di Indonesia. Hal ini disebabkan oleh adanya kekhasan pengetahuan masyarakat Kerek terhadap konsep kosmologi dan estetika, akulturasi budaya asing dengan budaya lokal stempat, serta bekal keterampilan yang dimilikinya dalam menciptakan kain yang dipelajari secara turun temurun dari generasi ke generasi.Maka melalui pendekatan ilmu seni dan desain dengan metodologi etnografi, morfologi visual, dan kelompok diskusi terarah yang diyakini mampu memberikan kontribusi nyata bagi perkembangan dunia seni dan desain serta berdampak terhadap keberlangsungan tradisi tersebut.Kata kunci: Fungsi, Kecamatan Kerek, Nilai, Tekstil. Tradisi
Revitalisasi Ragam Hias Batik Keraton Cirebon dalam Desain Baru Kreatif Komarudin Kudiya; Setiawan Sabana; Agus Sachari
PANGGUNG Vol 24, No 2 (2014): Modifikasi, Rekonstruksi, Revitalisasi, dan Visualisasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (521.699 KB) | DOI: 10.26742/panggung.v24i2.116

Abstract

ABSTRACT Respecting traditions of the nation, which is preserving a batik tradition. Cirebon is the region that has a rich cultural treasures batik varied. Given its development, with a variety of Cirebon Kraton, Kraton Batik Cirebon products nowadays have more characteristics, e.g.: (1) Kasepuhan Kraton on Singa Barong’s ornament; (2) Kanoman Kraton on Paksi Naga Liman’s ornament; (3) Kacirebonan Kraton on Bintulu’s ornament and (4) Kaprabonan on Dalung’s ornament and motif without pictures of animals.This research needs to exploring, discovering, and formulating design elements (ornament, mate- rial, and color). This study used ethnographic method and experimental visuals method for ornaments on Kraton Batik Kasepuhan, Kanoman, Kaprabonan, and Kacirebonan based on historical cultural influences from Hinduism, Islam, China, and Europe.As long batik owned by all Cirebon Kraton which is available during this condition can not be iden- tified and their physical condition is damage. Thus in order to preserving the old batiks, it is necessary to reproduce a creative new batik designs with any dimensional aspects. Keywords: Revitalization, Kraton Batik Cirebon, Creative,    ABSTRAK Dalam kerangka menghargai tradisi suatu bangsa, yaitu melestarikan sebuah tradisi di an- taranya berkarya batik, yang merupakan warisan budaya Indonesia. Cirebon adalah wilayah yang memiliki kekayaan khasanah budaya batik yang variatif, baik yang masih tetap ada hing- ga kini, maupun yang sudah punah. Mengingat di dalam perkembangannya, Keraton Cirebon dengan aneka produk Batik Keraton Cirebon kini terbagi dalam tiga keraton dan satu peguron yang mempunyai ciri khas, antara lain: (1) Keraton Kasepuhan pada ragam hias Singa Barong; (2) Keraton Kanoman pada ragam hias Paksi Naga Liman; (3) Keraton Kacirebonan pada ra- gam hias Bintulu; (4) Peguron Kaprabonan pada ragam hias Dalung dan motif tanpa gambar hewan.Perlu dilakukan penelitian untuk menggali, menemukan, dan memformulasikan khusus- nya unsur teraga (ragam hias termasuk di dalamnya corak, bahan, dan warna). Penelitian ini menggunakan metode etnografi dan eksperimen visual terhadap ragam hias Batik Keraton Kasepuhan, Kanoman, Keprabonan, dan Kacirebonan yang berlandaskan pada kesejarahan mulai dari pengaruh budaya Hindu, Islam, Cina, dan Eropa.Adapun batik-batik lama yang dimiliki oleh seluruh Keraton Cirebon yang ada selama ini kondisinya tidak bisa dikenali secara umum dan kondisi fisiknya sudah rapuh menuju kondisi rusak. Dengan demikian guna menjaga kelestarian batik-batik lama tersebut maka diperlukan penelitian agar bisa dibuat reproduksinya menjadi desain batik baru kreatif. Kata kunci: Revitalisasi, Batik Keraton Cirebon, Kreatif,
Co-Authors A. Erwan Suryanegara A. Erwan Suryanegara A.A. Ketut Agung Cahyawan W Acep Iwan Saidi Achmad Haldani Achmad Haldani Destiarmand Achmad Haldani Destiarmand Achmad Syarif Adhi Nugraha Adhi Nugraha Adhitama, Gregorius Prasetyo Agung EBW Agung Eko Budi Waspada Agung Eko Budi Waspodo Agung Eko Budi Waspodo Agustianto, Merdy Ahmad Haldani Destiarman Al Hazmi Indrapasca Yoga Aldy Rizqi Kasatia Rama Alfian Candra Ayuswantana Alvanov Zpalanzani Andar Bagus Sriwarno Andry - Andry -, Andry Andryanto Rikrik Kusmara Annisa Lutfia Ardhyaska Amy Ariani . Arianti Ayu Puspita Arianti Ayu Puspita Ayu Puspita Arini Arumsari Astrid Kusumowidagdo Azhar Natsir Ahdiyat Azhar Natsir Ahdiyat Budi Isdianto Budiwaspada, Agung Eko Busratul Mukmin Sjahroeddin Cama Juli Rianingrum Cicilia Larasati Rembulan D, Achmad Haldani Daffi Ranandi Desy Nurcahyanti desy nurcahyanti Desy Nurcahyanti Dhika Yuan Yurisma Diah Natarina Diah Natarina Dian Widiawati Dicky Rezaldy Munaf EBW, Agung Endah Oktaviani Fajar Ciptandi Fakhruddin, Dimas Fakhruddin, Dimas Firman Hawari Firman Hawari Fred Soritua Manurung Fred Soritua Rudiyanto G. PRASETYO ADHITAMA Hendhy Nansha I Nyoman Larry Julianto Imam Santosa Imam Santosa Indah Septi Intan Rizky Mutiaz Ira Adriati Irfansyah Irfansyah Kahfiati Kahdar Kahfiati Kahdar Kahfiati Kahdar Kemala Montesa Faizul Komarudin Kudiya, Komarudin Mansoor, Alvanov Z. Meirina Triharini Mohamad Zaini Alif Muhammad Ihsan DRSAS Mustikasari, Hany Muthi'ah, Waridah Muthi?ah, Waridah Naomi Haswanto Natarina, Diah Nisa Putri Rachmadani Noor Hasyim Nurcahyanti, Desy Oktaviani, Endah Pindi Setiawan Pindi Setiawan Pindi Setiawan Pindi Setiawan Pindi Setiawan Pribadi Widodo Pribadi Widodo Prizilla, Aquamila Bulan Rachman, Ariani Rachmi Kumala Widyasari Rahmatsyam Lakoro Rahmatsyam Lakoro Rahmatsyam Lakoro Rahmatsyam Lakoro Robby Firmansyah Ronald Marthen Pieter Kolibu S Suciati Sadah, Khozinatus Santoso, Sandi Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Setiawan Sabana Suciati Suciati Suciati Suciati Triana Hapsari Wantoro, A M Waridah Muthi'ah Waridah Muthiah Waridah Muthiah Waridah Muthi’ah Waridah Muthi’ah Wenny Anggraini Natalia Y. Martinus Pasaribu Yan Yan Sunarya Yan Yan Sunarya Yannes Martinus Pasaribu Yusita Kusumarini